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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0014A it is the complementary color #4FFEB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0014A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0014A shade: #B50145, #C61358, #D7256B, #E8377E and #F94991

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0014A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0014A shade: #B0014A, #9F0037, #8E0024, #7D0011 and #6C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0014A shade: #B1004A, #B1001A and #B10000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0014A shade: #B1004A, #B1007A, #B100A9, #8900B1 and #5900B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0014A shade matches the following richer shades: #B1004A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0014A shade: #B1004A, #A30F4D, #941D4F, #862C51 and #773A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0014A shade: #B100AB, #B1007C, #B1004D, #B1001E and #B11200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0014A shade: #5F0028, #880039, #B1004A, #DA015B and #FD076E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0014A shade: #B0014A, #B18800 and #0094B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0014A shade: #B0014A, #4DB100 and #004DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0014A shade: #B0014A, #B18800, #00B165 and #002AB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0014A shade: #B0014A, #A5B100, #00B165 and #0C00B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 58 / 31

HEX #B0014A

RGB 176 1 74

HSL 334.97, 0.99%, 0.35%

LAB 37.38, 63.03, 10.6

 

Complementary color

CMYK 69 / 0 / 29 / 0

HEX #4FFEB5

RGB 79 254 181

HSL 154.97, 0.99%, 0.65%

LAB 89.8, -60.65, 22.29

 

CMYK 0 / 99 / 62 / 29

HEX #B50145

RGB 181 1 69

HSL 337.33, 0.99%, 0.36%

LAB 38.33, 63.9, 15.3

 

CMYK 0 / 90 / 56 / 22

HEX #C61358

RGB 198 19 88

HSL 336.87, 0.82%, 0.43%

LAB 43.03, 67.14, 10.22

 

CMYK 0 / 83 / 50 / 16

HEX #D7256B

RGB 215 37 107

HSL 336.4, 0.71%, 0.49%

LAB 48.05, 69.36, 5.98

 

CMYK 0 / 76 / 46 / 9

HEX #E8377E

RGB 232 55 126

HSL 335.93, 0.79%, 0.56%

LAB 53.38, 70.62, 2.54

 

CMYK 0 / 71 / 42 / 2

HEX #F94991

RGB 249 73 145

HSL 335.45, 0.94%, 0.63%

LAB 58.93, 71.19, -0.28

 

CMYK 0 / 99 / 58 / 31

HEX #B0014A

RGB 176 1 74

HSL 334.97, 0.99%, 0.35%

LAB 37.38, 63.03, 10.6

 

CMYK 0 / 100 / 65 / 38

HEX #9F0037

RGB 159 0 55

HSL 339.25, 1%, 0.31%

LAB 33.24, 57.9, 16.78

 

CMYK 0 / 100 / 75 / 44

HEX #8E0024

RGB 142 0 36

HSL 344.79, 1%, 0.28%

LAB 29.1, 52.7, 23.3

 

CMYK 0 / 100 / 86 / 51

HEX #7D0011

RGB 125 0 17

HSL 351.84, 1%, 0.25%

LAB 24.95, 47.59, 29.74

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 100 / 58 / 31

HEX #B1004A

RGB 177 0 74

HSL 334.92, 1%, 0.35%

LAB 37.56, 63.38, 10.88

 

CMYK 0 / 100 / 85 / 31

HEX #B1001A

RGB 177 0 26

HSL 351.19, 1%, 0.35%

LAB 36.78, 61.3, 39.77

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 58 / 31

HEX #B1004A

RGB 177 0 74

HSL 334.92, 1%, 0.35%

LAB 37.56, 63.38, 10.88

 

CMYK 0 / 100 / 31 / 31

HEX #B1007A

RGB 177 0 122

HSL 318.64, 1%, 0.35%

LAB 39.16, 67.57, -17.33

 

CMYK 0 / 100 / 5 / 31

HEX #B100A9

RGB 177 0 169

HSL 302.71, 1%, 0.35%

LAB 41.55, 73.54, -42.27

 

CMYK 23 / 100 / 0 / 31

HEX #8900B1

RGB 137 0 177

HSL 286.44, 1%, 0.35%

LAB 34.99, 68.69, -57.99

 

CMYK 50 / 100 / 0 / 31

HEX #5900B1

RGB 89 0 177

HSL 270.17, 1%, 0.35%

LAB 27.57, 63.43, -70.45

 

CMYK 0 / 100 / 58 / 31

HEX #B1004A

RGB 177 0 74

HSL 334.92, 1%, 0.35%

LAB 37.56, 63.38, 10.88

 

CMYK 0 / 100 / 58 / 31

HEX #B1004A

RGB 177 0 74

HSL 334.92, 1%, 0.35%

LAB 37.56, 63.38, 10.88

 

CMYK 0 / 91 / 53 / 36

HEX #A30F4D

RGB 163 15 77

HSL 334.86, 0.83%, 0.35%

LAB 35.33, 58.32, 5.37

 

CMYK 0 / 80 / 47 / 42

HEX #941D4F

RGB 148 29 79

HSL 334.79, 0.67%, 0.35%

LAB 33.43, 51.38, 0.94

 

CMYK 0 / 67 / 40 / 47

HEX #862C51

RGB 134 44 81

HSL 335.33, 0.51%, 0.35%

LAB 32.84, 41.82, -1.54

 

CMYK 0 / 51 / 29 / 53

HEX #773A54

RGB 119 58 84

HSL 334.43, 0.34%, 0.35%

LAB 33.11, 29.9, -3.37

 

CMYK 0 / 100 / 3 / 31

HEX #B100AB

RGB 177 0 171

HSL 302.03, 1%, 0.35%

LAB 41.67, 73.83, -43.28

 

CMYK 0 / 100 / 30 / 31

HEX #B1007C

RGB 177 0 124

HSL 317.97, 1%, 0.35%

LAB 39.25, 67.79, -18.45

 

CMYK 0 / 100 / 56 / 31

HEX #B1004D

RGB 177 0 77

HSL 333.9, 1%, 0.35%

LAB 37.63, 63.58, 9.04

 

CMYK 0 / 100 / 83 / 31

HEX #B1001E

RGB 177 0 30

HSL 349.83, 1%, 0.35%

LAB 36.82, 61.39, 37.58

 

CMYK 0 / 90 / 100 / 31

HEX #B11200

RGB 177 18 0

HSL 6.1, 1%, 0.35%

LAB 37.44, 58.61, 51.39

 

CMYK 0 / 100 / 58 / 63

HEX #5F0028

RGB 95 0 40

HSL 334.74, 1%, 0.19%

LAB 18.3, 40.76, 4.36

 

CMYK 0 / 100 / 58 / 47

HEX #880039

RGB 136 0 57

HSL 334.85, 1%, 0.27%

LAB 28.19, 52.37, 7.75

 

CMYK 0 / 100 / 58 / 31

HEX #B1004A

RGB 177 0 74

HSL 334.92, 1%, 0.35%

LAB 37.56, 63.38, 10.88

 

CMYK 0 / 100 / 58 / 15

HEX #DA015B

RGB 218 1 91

HSL 335.12, 0.99%, 0.43%

LAB 46.56, 73.84, 13.86

 

CMYK 0 / 97 / 57 / 1

HEX #FD076E

RGB 253 7 110

HSL 334.88, 0.98%, 0.51%

LAB 54.2, 82.45, 13.88

 

CMYK 0 / 99 / 58 / 31

HEX #B0014A

RGB 176 1 74

HSL 334.97, 0.99%, 0.35%

LAB 37.38, 63.03, 10.6

 

CMYK 0 / 23 / 100 / 31

HEX #B18800

RGB 177 136 0

HSL 46.1, 1%, 0.35%

LAB 58.93, 5.44, 63.93

 

CMYK 100 / 16 / 0 / 31

HEX #0094B1

RGB 0 148 177

HSL 189.83, 1%, 0.35%

LAB 56.44, -22.34, -24.43

 

CMYK 0 / 99 / 58 / 31

HEX #B0014A

RGB 176 1 74

HSL 334.97, 0.99%, 0.35%

LAB 37.38, 63.03, 10.6

 

CMYK 56 / 0 / 100 / 31

HEX #4DB100

RGB 77 177 0

HSL 93.9, 1%, 0.35%

LAB 64.18, -54.36, 64.83

 

CMYK 100 / 56 / 0 / 31

HEX #004DB1

RGB 0 77 177

HSL 213.9, 1%, 0.35%

LAB 34.97, 20.91, -58.49

 

CMYK 0 / 99 / 58 / 31

HEX #B0014A

RGB 176 1 74

HSL 334.97, 0.99%, 0.35%

LAB 37.38, 63.03, 10.6

 

CMYK 0 / 23 / 100 / 31

HEX #B18800

RGB 177 136 0

HSL 46.1, 1%, 0.35%

LAB 58.93, 5.44, 63.93

 

CMYK 100 / 0 / 43 / 31

HEX #00B165

RGB 0 177 101

HSL 154.24, 1%, 0.35%

LAB 63.66, -55.85, 28.38

 

CMYK 100 / 76 / 0 / 31

HEX #002AB1

RGB 0 42 177

HSL 225.76, 1%, 0.35%

LAB 26.25, 43.79, -72.83

 

CMYK 0 / 99 / 58 / 31

HEX #B0014A

RGB 176 1 74

HSL 334.97, 0.99%, 0.35%

LAB 37.38, 63.03, 10.6

 

CMYK 7 / 0 / 100 / 31

HEX #A5B100

RGB 165 177 0

HSL 64.07, 1%, 0.35%

LAB 69.07, -21.63, 70.71

 

CMYK 100 / 0 / 43 / 31

HEX #00B165

RGB 0 177 101

HSL 154.24, 1%, 0.35%

LAB 63.66, -55.85, 28.38

 

CMYK 93 / 100 / 0 / 31

HEX #0C00B1

RGB 12 0 177

HSL 244.07, 1%, 0.35%

LAB 21.03, 60.31, -81.51

 

Description

Color code: HEX #B0014A | qconv.com Color code: HEX #B0014A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 1 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 1 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 58 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 58% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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