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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0160E it is the complementary color #4FE9F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0160E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0160E shade: #B51609, #C6281C, #D73A2F, #E84C42 and #F95E55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0160E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0160E shade: #B0160E, #9F0400, #8E0000, #7D0000 and #6C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0160E shade: #AE160E and #AE0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0160E shade: #AE160E, #AE410E, #AE6C0E, #AE970E and #9AAE0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0160E shade matches the following richer shades: #AE160E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0160E shade: #AE160E, #9F231D, #90312C, #803F3B and #714D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0160E shade: #AE0E5E, #AE0E33, #AE130E, #AE3E0E and #AE690E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0160E shade: #620C07, #88110B, #AE160E, #D41A11 and #ED2C22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0160E shade: #B0160E, #89AE0E and #0E48AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0160E shade: #B0160E, #0EAE13 and #130EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0160E shade: #B0160E, #89AE0E, #0EA9AE and #330EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0160E shade: #B0160E, #59AE0E, #0EA9AE and #630EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 92 / 31

HEX #B0160E

RGB 176 22 14

HSL 2.96, 0.85%, 0.37%

LAB 37.55, 57.76, 46.02

 

Complementary color

CMYK 67 / 3 / 0 / 5

HEX #4FE9F1

RGB 79 233 241

HSL 182.96, 0.85%, 0.63%

LAB 85.14, -37.13, -15.69

 

CMYK 0 / 88 / 95 / 29

HEX #B51609

RGB 181 22 9

HSL 4.53, 0.91%, 0.37%

LAB 38.58, 59.09, 49.02

 

CMYK 0 / 80 / 86 / 22

HEX #C6281C

RGB 198 40 28

HSL 4.24, 0.75%, 0.44%

LAB 43.66, 59.98, 46.43

 

CMYK 0 / 73 / 78 / 16

HEX #D73A2F

RGB 215 58 47

HSL 3.93, 0.68%, 0.51%

LAB 49.1, 60, 43.01

 

CMYK 0 / 67 / 72 / 9

HEX #E84C42

RGB 232 76 66

HSL 3.61, 0.78%, 0.58%

LAB 54.78, 59.49, 39.7

 

CMYK 0 / 62 / 66 / 2

HEX #F95E55

RGB 249 94 85

HSL 3.29, 0.93%, 0.65%

LAB 60.61, 58.66, 36.73

 

CMYK 0 / 88 / 92 / 31

HEX #B0160E

RGB 176 22 14

HSL 2.96, 0.85%, 0.37%

LAB 37.55, 57.76, 46.02

 

CMYK 0 / 97 / 100 / 38

HEX #9F0400

RGB 159 4 0

HSL 1.51, 1%, 0.31%

LAB 32.83, 55.73, 46.82

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 0 / 100 / 100 / 51

HEX #7D0000

RGB 125 0 0

HSL 0, 1%, 0.25%

LAB 24.83, 47.24, 37.14

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 87 / 92 / 32

HEX #AE160E

RGB 174 22 14

HSL 3, 0.85%, 0.37%

LAB 37.12, 57.2, 45.53

 

CMYK 0 / 92 / 92 / 32

HEX #AE0E0E

RGB 174 14 14

HSL 0, 0.85%, 0.37%

LAB 36.64, 58.59, 45.2

 

CMYK 0 / 87 / 92 / 32

HEX #AE160E

RGB 174 22 14

HSL 3, 0.85%, 0.37%

LAB 37.12, 57.2, 45.53

 

CMYK 0 / 63 / 92 / 32

HEX #AE410E

RGB 174 65 14

HSL 19.13, 0.85%, 0.37%

LAB 42.48, 42.46, 49.27

 

CMYK 0 / 38 / 92 / 32

HEX #AE6C0E

RGB 174 108 14

HSL 35.25, 0.85%, 0.37%

LAB 51.56, 19.91, 55.93

 

CMYK 0 / 13 / 92 / 32

HEX #AE970E

RGB 174 151 14

HSL 51.38, 0.85%, 0.37%

LAB 62.65, -3.93, 64.34

 

CMYK 11 / 0 / 92 / 32

HEX #9AAE0E

RGB 154 174 14

HSL 67.5, 0.85%, 0.37%

LAB 67.41, -24.69, 67.33

 

CMYK 0 / 87 / 92 / 32

HEX #AE160E

RGB 174 22 14

HSL 3, 0.85%, 0.37%

LAB 37.12, 57.2, 45.53

 

CMYK 0 / 87 / 92 / 32

HEX #AE160E

RGB 174 22 14

HSL 3, 0.85%, 0.37%

LAB 37.12, 57.2, 45.53

 

CMYK 0 / 78 / 82 / 38

HEX #9F231D

RGB 159 35 29

HSL 2.77, 0.69%, 0.37%

LAB 35.32, 49.7, 35.39

 

CMYK 0 / 66 / 69 / 44

HEX #90312C

RGB 144 49 44

HSL 3, 0.53%, 0.37%

LAB 34.62, 39.8, 24.92

 

CMYK 0 / 51 / 54 / 50

HEX #803F3B

RGB 128 63 59

HSL 3.48, 0.37%, 0.37%

LAB 34.92, 27.58, 15.39

 

CMYK 0 / 32 / 34 / 56

HEX #714D4B

RGB 113 77 75

HSL 3.16, 0.2%, 0.37%

LAB 36.61, 14.93, 7.31

 

CMYK 0 / 92 / 46 / 32

HEX #AE0E5E

RGB 174 14 94

HSL 330, 0.85%, 0.37%

LAB 38.06, 62.55, -1.36

 

CMYK 0 / 92 / 71 / 32

HEX #AE0E33

RGB 174 14 51

HSL 346.13, 0.85%, 0.37%

LAB 37.03, 59.69, 24.85

 

CMYK 0 / 89 / 92 / 32

HEX #AE130E

RGB 174 19 14

HSL 1.88, 0.85%, 0.37%

LAB 36.92, 57.78, 45.39

 

CMYK 0 / 64 / 92 / 32

HEX #AE3E0E

RGB 174 62 14

HSL 18, 0.85%, 0.37%

LAB 41.96, 43.83, 48.91

 

CMYK 0 / 40 / 92 / 32

HEX #AE690E

RGB 174 105 14

HSL 34.13, 0.85%, 0.37%

LAB 50.84, 21.58, 55.39

 

CMYK 0 / 88 / 93 / 62

HEX #620C07

RGB 98 12 7

HSL 3.3, 0.87%, 0.21%

LAB 19.54, 36.72, 26.8

 

CMYK 0 / 88 / 92 / 47

HEX #88110B

RGB 136 17 11

HSL 2.88, 0.85%, 0.29%

LAB 28.54, 47.29, 36.9

 

CMYK 0 / 87 / 92 / 32

HEX #AE160E

RGB 174 22 14

HSL 3, 0.85%, 0.37%

LAB 37.12, 57.2, 45.53

 

CMYK 0 / 88 / 92 / 17

HEX #D41A11

RGB 212 26 17

HSL 2.77, 0.85%, 0.45%

LAB 45.33, 66.85, 53.62

 

CMYK 0 / 81 / 86 / 7

HEX #ED2C22

RGB 237 44 34

HSL 2.96, 0.85%, 0.53%

LAB 51.75, 70.13, 53.49

 

CMYK 0 / 88 / 92 / 31

HEX #B0160E

RGB 176 22 14

HSL 2.96, 0.85%, 0.37%

LAB 37.55, 57.76, 46.02

 

CMYK 21 / 0 / 92 / 32

HEX #89AE0E

RGB 137 174 14

HSL 73.88, 0.85%, 0.37%

LAB 66.23, -31.83, 65.9

 

CMYK 92 / 59 / 0 / 32

HEX #0E48AE

RGB 14 72 174

HSL 218.25, 0.85%, 0.37%

LAB 33.53, 23.64, -59.04

 

CMYK 0 / 88 / 92 / 31

HEX #B0160E

RGB 176 22 14

HSL 2.96, 0.85%, 0.37%

LAB 37.55, 57.76, 46.02

 

CMYK 92 / 0 / 89 / 32

HEX #0EAE13

RGB 14 174 19

HSL 121.88, 0.85%, 0.37%

LAB 62.01, -63.46, 59.8

 

CMYK 89 / 92 / 0 / 32

HEX #130EAE

RGB 19 14 174

HSL 241.88, 0.85%, 0.37%

LAB 21.98, 56.03, -78.12

 

CMYK 0 / 88 / 92 / 31

HEX #B0160E

RGB 176 22 14

HSL 2.96, 0.85%, 0.37%

LAB 37.55, 57.76, 46.02

 

CMYK 21 / 0 / 92 / 32

HEX #89AE0E

RGB 137 174 14

HSL 73.88, 0.85%, 0.37%

LAB 66.23, -31.83, 65.9

 

CMYK 92 / 3 / 0 / 32

HEX #0EA9AE

RGB 14 169 174

HSL 181.88, 0.85%, 0.37%

LAB 62.95, -33.26, -12.82

 

CMYK 71 / 92 / 0 / 32

HEX #330EAE

RGB 51 14 174

HSL 253.88, 0.85%, 0.37%

LAB 23.91, 57.21, -74.84

 

CMYK 0 / 88 / 92 / 31

HEX #B0160E

RGB 176 22 14

HSL 2.96, 0.85%, 0.37%

LAB 37.55, 57.76, 46.02

 

CMYK 49 / 0 / 92 / 32

HEX #59AE0E

RGB 89 174 14

HSL 91.88, 0.85%, 0.37%

LAB 63.69, -49.45, 62.78

 

CMYK 92 / 3 / 0 / 32

HEX #0EA9AE

RGB 14 169 174

HSL 181.88, 0.85%, 0.37%

LAB 62.95, -33.26, -12.82

 

CMYK 43 / 92 / 0 / 32

HEX #630EAE

RGB 99 14 174

HSL 271.88, 0.85%, 0.37%

LAB 29.47, 61.25, -65.47

 

Description

Color code: HEX #B0160E | qconv.com Color code: HEX #B0160E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 22 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 22 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 92 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 92% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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