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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0165B it is the complementary color #4FE9A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0165B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0165B shade: #B51656, #C62869, #D73A7C, #E84C8F and #F95EA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0165B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0165B shade: #B0165B, #9F0448, #8E0035, #7D0022 and #6C000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0165B shade: #B1155B, #B11531 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0165B shade: #B1155B, #B11585, #B115AF, #8915B1 and #5F15B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0165B shade matches the following richer shades: #B1155B and #C10559

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0165B shade: #B1155B, #A0255D, #90365E, #804660 and #705662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0165B shade: #B115AE, #B11585, #B1155B, #B11532 and #B12215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0165B shade: #670C35, #8C1148, #B1155B, #D51A6E and #E53383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0165B shade: #B0165B, #B18A15 and #1599B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0165B shade: #B0165B, #5BB115 and #155BB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0165B shade: #B0165B, #B18A15, #15B16B and #153CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0165B shade: #B0165B, #A9B115, #15B16B and #1D15B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 48 / 31

HEX #B0165B

RGB 176 22 91

HSL 333.12, 0.78%, 0.39%

LAB 38.83, 61.46, 1.73

 

Complementary color

CMYK 66 / 0 / 30 / 9

HEX #4FE9A4

RGB 79 233 164

HSL 153.12, 0.78%, 0.61%

LAB 83.24, -56.02, 21.97

 

CMYK 0 / 88 / 52 / 29

HEX #B51656

RGB 181 22 86

HSL 335.85, 0.78%, 0.4%

LAB 39.7, 62.31, 6.3

 

CMYK 0 / 80 / 47 / 22

HEX #C62869

RGB 198 40 105

HSL 335.32, 0.66%, 0.47%

LAB 45, 64.1, 2.41

 

CMYK 0 / 73 / 42 / 16

HEX #D73A7C

RGB 215 58 124

HSL 334.78, 0.66%, 0.54%

LAB 50.6, 64.96, -0.67

 

CMYK 0 / 67 / 38 / 9

HEX #E84C8F

RGB 232 76 143

HSL 334.23, 0.77%, 0.6%

LAB 56.39, 65.19, -3.16

 

CMYK 0 / 62 / 35 / 2

HEX #F95EA2

RGB 249 94 162

HSL 333.68, 0.93%, 0.67%

LAB 62.3, 65.03, -5.2

 

CMYK 0 / 88 / 48 / 31

HEX #B0165B

RGB 176 22 91

HSL 333.12, 0.78%, 0.39%

LAB 38.83, 61.46, 1.73

 

CMYK 0 / 97 / 55 / 38

HEX #9F0448

RGB 159 4 72

HSL 333.68, 0.95%, 0.32%

LAB 33.83, 58.46, 6.39

 

CMYK 0 / 100 / 63 / 44

HEX #8E0035

RGB 142 0 53

HSL 337.61, 1%, 0.28%

LAB 29.43, 53.59, 12.37

 

CMYK 0 / 100 / 73 / 51

HEX #7D0022

RGB 125 0 34

HSL 343.68, 1%, 0.25%

LAB 25.18, 48.21, 18.99

 

CMYK 0 / 100 / 86 / 58

HEX #6C000F

RGB 108 0 15

HSL 351.67, 1%, 0.21%

LAB 20.91, 42.92, 25.42

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 88 / 72 / 31

HEX #B11531

RGB 177 21 49

HSL 349.23, 0.79%, 0.39%

LAB 38.03, 59.23, 27.47

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 88 / 25 / 31

HEX #B11585

RGB 177 21 133

HSL 316.92, 0.79%, 0.39%

LAB 40.54, 66.22, -22.04

 

CMYK 0 / 88 / 1 / 31

HEX #B115AF

RGB 177 21 175

HSL 300.77, 0.79%, 0.39%

LAB 42.73, 72, -43.96

 

CMYK 23 / 88 / 0 / 31

HEX #8915B1

RGB 137 21 177

HSL 284.62, 0.79%, 0.39%

LAB 36.04, 65.56, -56.28

 

CMYK 46 / 88 / 0 / 31

HEX #5F15B1

RGB 95 21 177

HSL 268.46, 0.79%, 0.39%

LAB 29.77, 59.82, -66.79

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 97 / 54 / 24

HEX #C10559

RGB 193 5 89

HSL 333.19, 0.95%, 0.39%

LAB 41.48, 67.61, 7.27

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 77 / 42 / 37

HEX #A0255D

RGB 160 37 93

HSL 332.68, 0.62%, 0.39%

LAB 37.09, 53.61, -2.46

 

CMYK 0 / 63 / 35 / 44

HEX #90365E

RGB 144 54 94

HSL 333.33, 0.45%, 0.39%

LAB 36.7, 42.1, -4

 

CMYK 0 / 45 / 25 / 50

HEX #804660

RGB 128 70 96

HSL 333.1, 0.29%, 0.39%

LAB 37.51, 28.32, -4.34

 

CMYK 0 / 23 / 13 / 56

HEX #705662

RGB 112 86 98

HSL 332.31, 0.13%, 0.39%

LAB 39.55, 12.88, -2.78

 

CMYK 0 / 88 / 2 / 31

HEX #B115AE

RGB 177 21 174

HSL 301.15, 0.79%, 0.39%

LAB 42.67, 71.84, -43.46

 

CMYK 0 / 88 / 25 / 31

HEX #B11585

RGB 177 21 133

HSL 316.92, 0.79%, 0.39%

LAB 40.54, 66.22, -22.04

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 88 / 72 / 31

HEX #B11532

RGB 177 21 50

HSL 348.85, 0.79%, 0.39%

LAB 38.05, 59.27, 26.87

 

CMYK 0 / 81 / 88 / 31

HEX #B12215

RGB 177 34 21

HSL 5, 0.79%, 0.39%

LAB 38.8, 55.3, 44

 

CMYK 0 / 88 / 49 / 60

HEX #670C35

RGB 103 12 53

HSL 332.97, 0.79%, 0.23%

LAB 21.59, 41.03, 0.1

 

CMYK 0 / 88 / 49 / 45

HEX #8C1148

RGB 140 17 72

HSL 333.17, 0.78%, 0.31%

LAB 30.51, 51.66, 1.1

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 88 / 48 / 16

HEX #D51A6E

RGB 213 26 110

HSL 333.05, 0.78%, 0.47%

LAB 46.99, 71.28, 2.56

 

CMYK 0 / 78 / 43 / 10

HEX #E53383

RGB 229 51 131

HSL 333.03, 0.77%, 0.55%

LAB 52.58, 71.42, -1.69

 

CMYK 0 / 88 / 48 / 31

HEX #B0165B

RGB 176 22 91

HSL 333.12, 0.78%, 0.39%

LAB 38.83, 61.46, 1.73

 

CMYK 0 / 22 / 88 / 31

HEX #B18A15

RGB 177 138 21

HSL 45, 0.79%, 0.39%

LAB 59.51, 4.66, 60.57

 

CMYK 88 / 14 / 0 / 31

HEX #1599B1

RGB 21 153 177

HSL 189.23, 0.79%, 0.39%

LAB 58.15, -24.02, -21.8

 

CMYK 0 / 88 / 48 / 31

HEX #B0165B

RGB 176 22 91

HSL 333.12, 0.78%, 0.39%

LAB 38.83, 61.46, 1.73

 

CMYK 49 / 0 / 88 / 31

HEX #5BB115

RGB 91 177 21

HSL 93.08, 0.79%, 0.39%

LAB 64.74, -49.78, 62.45

 

CMYK 88 / 49 / 0 / 31

HEX #155BB1

RGB 21 91 177

HSL 213.08, 0.79%, 0.39%

LAB 39.27, 12.51, -51.5

 

CMYK 0 / 88 / 48 / 31

HEX #B0165B

RGB 176 22 91

HSL 333.12, 0.78%, 0.39%

LAB 38.83, 61.46, 1.73

 

CMYK 0 / 22 / 88 / 31

HEX #B18A15

RGB 177 138 21

HSL 45, 0.79%, 0.39%

LAB 59.51, 4.66, 60.57

 

CMYK 88 / 0 / 40 / 31

HEX #15B16B

RGB 21 177 107

HSL 153.08, 0.79%, 0.39%

LAB 63.89, -53.62, 25.53

 

CMYK 88 / 66 / 0 / 31

HEX #153CB1

RGB 21 60 177

HSL 225, 0.79%, 0.39%

LAB 30.8, 33.23, -65.3

 

CMYK 0 / 88 / 48 / 31

HEX #B0165B

RGB 176 22 91

HSL 333.12, 0.78%, 0.39%

LAB 38.83, 61.46, 1.73

 

CMYK 5 / 0 / 88 / 31

HEX #A9B115

RGB 169 177 21

HSL 63.08, 0.79%, 0.39%

LAB 69.42, -19.57, 68.25

 

CMYK 88 / 0 / 40 / 31

HEX #15B16B

RGB 21 177 107

HSL 153.08, 0.79%, 0.39%

LAB 63.89, -53.62, 25.53

 

CMYK 84 / 88 / 0 / 31

HEX #1D15B1

RGB 29 21 177

HSL 243.08, 0.79%, 0.39%

LAB 23.58, 54.83, -77.24

 

Description

Color code: HEX #B0165B | qconv.com Color code: HEX #B0165B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 22 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 22 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 48 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 48% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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