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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0137E it is the complementary color #4FEC81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0137E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0137E shade: #B51379, #C6258C, #D7379F, #E849B2 and #F95BC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0137E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0137E shade: #B0137E, #9F016B, #8E0058, #7D0045 and #6C0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0137E shade: #AF127D, #AF1253, #AF1228 and #AF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0137E shade: #AF127D, #AF12A7, #8C12AF, #6212AF and #3812AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0137E shade matches the following richer shades: #AF127D and #BF0283

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0137E shade: #AF127D, #9F2277, #903172, #80416C and #705166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0137E shade: #8D12AF, #AF12A7, #AF127D, #AF1253 and #AF1229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0137E shade: #640A48, #8A0E62, #AF127D, #D41698 and #E82BAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0137E shade: #B0137E, #AF6312 and #12AFA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0137E shade: #B0137E, #7DAF12 and #127DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0137E shade: #B0137E, #AF6312, #12AF44 and #125EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0137E shade: #B0137E, #AF9212, #12AF44 and #122FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 28 / 31

HEX #B0137E

RGB 176 19 126

HSL 319.11, 0.81%, 0.38%

LAB 39.92, 65.51, -18.67

 

Complementary color

CMYK 67 / 0 / 45 / 7

HEX #4FEC81

RGB 79 236 129

HSL 139.11, 0.81%, 0.62%

LAB 83.57, -63.49, 40.07

 

CMYK 0 / 90 / 33 / 29

HEX #B51379

RGB 181 19 121

HSL 322.22, 0.81%, 0.39%

LAB 40.69, 66.06, -14.31

 

CMYK 0 / 81 / 29 / 22

HEX #C6258C

RGB 198 37 140

HSL 321.61, 0.69%, 0.46%

LAB 45.94, 68.41, -17.67

 

CMYK 0 / 74 / 26 / 16

HEX #D7379F

RGB 215 55 159

HSL 321, 0.67%, 0.53%

LAB 51.48, 69.74, -20.3

 

CMYK 0 / 69 / 23 / 9

HEX #E849B2

RGB 232 73 178

HSL 320.38, 0.78%, 0.6%

LAB 57.21, 70.35, -22.39

 

CMYK 0 / 63 / 21 / 2

HEX #F95BC5

RGB 249 91 197

HSL 319.75, 0.93%, 0.67%

LAB 63.06, 70.49, -24.08

 

CMYK 0 / 89 / 28 / 31

HEX #B0137E

RGB 176 19 126

HSL 319.11, 0.81%, 0.38%

LAB 39.92, 65.51, -18.67

 

CMYK 0 / 99 / 33 / 38

HEX #9F016B

RGB 159 1 107

HSL 319.75, 0.99%, 0.31%

LAB 34.91, 62.06, -14.7

 

CMYK 0 / 100 / 38 / 44

HEX #8E0058

RGB 142 0 88

HSL 322.82, 1%, 0.28%

LAB 30.53, 56.49, -9.39

 

CMYK 0 / 100 / 45 / 51

HEX #7D0045

RGB 125 0 69

HSL 326.88, 1%, 0.25%

LAB 26.13, 50.72, -3.7

 

CMYK 0 / 100 / 54 / 58

HEX #6C0032

RGB 108 0 50

HSL 332.22, 1%, 0.21%

LAB 21.65, 44.89, 2.42

 

CMYK 0 / 90 / 29 / 31

HEX #AF127D

RGB 175 18 125

HSL 319.11, 0.81%, 0.38%

LAB 39.63, 65.34, -18.52

 

CMYK 0 / 90 / 53 / 31

HEX #AF1253

RGB 175 18 83

HSL 335.16, 0.81%, 0.38%

LAB 38.15, 61.28, 5.85

 

CMYK 0 / 90 / 77 / 31

HEX #AF1228

RGB 175 18 40

HSL 351.59, 0.81%, 0.38%

LAB 37.3, 58.87, 32.05

 

CMYK 0 / 90 / 90 / 31

HEX #AF1212

RGB 175 18 18

HSL 0, 0.81%, 0.38%

LAB 37.1, 58.29, 43.88

 

CMYK 0 / 90 / 29 / 31

HEX #AF127D

RGB 175 18 125

HSL 319.11, 0.81%, 0.38%

LAB 39.63, 65.34, -18.52

 

CMYK 0 / 90 / 5 / 31

HEX #AF12A7

RGB 175 18 167

HSL 303.06, 0.81%, 0.38%

LAB 41.75, 70.9, -40.79

 

CMYK 20 / 90 / 0 / 31

HEX #8C12AF

RGB 140 18 175

HSL 286.62, 0.81%, 0.38%

LAB 36.18, 66.24, -54.84

 

CMYK 44 / 90 / 0 / 31

HEX #6212AF

RGB 98 18 175

HSL 270.57, 0.81%, 0.38%

LAB 29.72, 60.47, -65.65

 

CMYK 68 / 90 / 0 / 31

HEX #3812AF

RGB 56 18 175

HSL 254.52, 0.81%, 0.38%

LAB 24.85, 56.64, -73.86

 

CMYK 0 / 90 / 29 / 31

HEX #AF127D

RGB 175 18 125

HSL 319.11, 0.81%, 0.38%

LAB 39.63, 65.34, -18.52

 

CMYK 0 / 99 / 31 / 25

HEX #BF0283

RGB 191 2 131

HSL 319.05, 0.98%, 0.38%

LAB 42.4, 71.21, -17.71

 

CMYK 0 / 90 / 29 / 31

HEX #AF127D

RGB 175 18 125

HSL 319.11, 0.81%, 0.38%

LAB 39.63, 65.34, -18.52

 

CMYK 0 / 79 / 25 / 38

HEX #9F2277

RGB 159 34 119

HSL 319.2, 0.65%, 0.38%

LAB 37.57, 57.3, -18.21

 

CMYK 0 / 66 / 21 / 44

HEX #903172

RGB 144 49 114

HSL 318.95, 0.49%, 0.38%

LAB 36.63, 47.11, -16.73

 

CMYK 0 / 49 / 16 / 50

HEX #80416C

RGB 128 65 108

HSL 319.05, 0.33%, 0.38%

LAB 36.84, 33.11, -12.87

 

CMYK 0 / 28 / 9 / 56

HEX #705166

RGB 112 81 102

HSL 319.35, 0.16%, 0.38%

LAB 38.36, 16.7, -7.04

 

CMYK 19 / 90 / 0 / 31

HEX #8D12AF

RGB 141 18 175

HSL 287.01, 0.81%, 0.38%

LAB 36.35, 66.4, -54.56

 

CMYK 0 / 90 / 5 / 31

HEX #AF12A7

RGB 175 18 167

HSL 303.06, 0.81%, 0.38%

LAB 41.75, 70.9, -40.79

 

CMYK 0 / 90 / 29 / 31

HEX #AF127D

RGB 175 18 125

HSL 319.11, 0.81%, 0.38%

LAB 39.63, 65.34, -18.52

 

CMYK 0 / 90 / 53 / 31

HEX #AF1253

RGB 175 18 83

HSL 335.16, 0.81%, 0.38%

LAB 38.15, 61.28, 5.85

 

CMYK 0 / 90 / 77 / 31

HEX #AF1229

RGB 175 18 41

HSL 351.21, 0.81%, 0.38%

LAB 37.31, 58.91, 31.46

 

CMYK 0 / 90 / 28 / 61

HEX #640A48

RGB 100 10 72

HSL 318.67, 0.82%, 0.22%

LAB 21.56, 42.93, -13.17

 

CMYK 0 / 90 / 29 / 46

HEX #8A0E62

RGB 138 14 98

HSL 319.35, 0.82%, 0.3%

LAB 30.88, 54.52, -15.47

 

CMYK 0 / 90 / 29 / 31

HEX #AF127D

RGB 175 18 125

HSL 319.11, 0.81%, 0.38%

LAB 39.63, 65.34, -18.52

 

CMYK 0 / 90 / 28 / 17

HEX #D41698

RGB 212 22 152

HSL 318.95, 0.81%, 0.46%

LAB 48.06, 75.7, -21.43

 

CMYK 0 / 81 / 26 / 9

HEX #E82BAC

RGB 232 43 172

HSL 319.05, 0.8%, 0.54%

LAB 53.88, 78.38, -24.01

 

CMYK 0 / 89 / 28 / 31

HEX #B0137E

RGB 176 19 126

HSL 319.11, 0.81%, 0.38%

LAB 39.92, 65.51, -18.67

 

CMYK 0 / 43 / 90 / 31

HEX #AF6312

RGB 175 99 18

HSL 30.96, 0.81%, 0.38%

LAB 49.59, 25.42, 53.44

 

CMYK 90 / 0 / 7 / 31

HEX #12AFA2

RGB 18 175 162

HSL 175.03, 0.81%, 0.38%

LAB 64.48, -39.44, -3.84

 

CMYK 0 / 89 / 28 / 31

HEX #B0137E

RGB 176 19 126

HSL 319.11, 0.81%, 0.38%

LAB 39.92, 65.51, -18.67

 

CMYK 29 / 0 / 90 / 31

HEX #7DAF12

RGB 125 175 18

HSL 79.11, 0.81%, 0.38%

LAB 65.8, -37, 64.58

 

CMYK 90 / 29 / 0 / 31

HEX #127DAF

RGB 18 125 175

HSL 199.11, 0.81%, 0.38%

LAB 49.36, -9.62, -34.27

 

CMYK 0 / 89 / 28 / 31

HEX #B0137E

RGB 176 19 126

HSL 319.11, 0.81%, 0.38%

LAB 39.92, 65.51, -18.67

 

CMYK 0 / 43 / 90 / 31

HEX #AF6312

RGB 175 99 18

HSL 30.96, 0.81%, 0.38%

LAB 49.59, 25.42, 53.44

 

CMYK 90 / 0 / 61 / 31

HEX #12AF44

RGB 18 175 68

HSL 139.11, 0.81%, 0.38%

LAB 62.68, -59.53, 43.61

 

CMYK 90 / 46 / 0 / 31

HEX #125EAF

RGB 18 94 175

HSL 210.96, 0.81%, 0.38%

LAB 39.96, 9.54, -49.21

 

CMYK 0 / 89 / 28 / 31

HEX #B0137E

RGB 176 19 126

HSL 319.11, 0.81%, 0.38%

LAB 39.92, 65.51, -18.67

 

CMYK 0 / 17 / 90 / 31

HEX #AF9212

RGB 175 146 18

HSL 48.92, 0.81%, 0.38%

LAB 61.41, -0.7, 62.67

 

CMYK 90 / 0 / 61 / 31

HEX #12AF44

RGB 18 175 68

HSL 139.11, 0.81%, 0.38%

LAB 62.68, -59.53, 43.61

 

CMYK 90 / 73 / 0 / 31

HEX #122FAF

RGB 18 47 175

HSL 228.92, 0.81%, 0.38%

LAB 27.45, 40.63, -69.62

 

Description

Color code: HEX #B0137E | qconv.com Color code: HEX #B0137E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 19 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 19 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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