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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B024C1 it is the complementary color #4FDB3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B024C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B024C1 shade: #B524BC, #C636CF, #D748E2, #E85AF5 and #F96CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B024C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B024C1 shade: #B024C1, #9F12AE, #8E009B, #7D0088 and #6C0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B024C1 shade: #B023C1, #C123A8, #C1237D, #C12352 and #C12328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B024C1 shade: #B023C1, #8623C1, #5B23C1, #3023C1 and #2323C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B024C1 shade matches the following richer shades: #B023C1 and #BF11D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B024C1 shade: #B023C1, #A236AF, #93489C, #855B8A and #766D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B024C1 shade: #5A23C1, #8523C1, #AF23C1, #C123AA and #C1237F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B024C1 shade: #71167C, #901D9F, #B023C1, #C834D9 and #D157E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B024C1 shade: #B024C1, #C13023 and #23C170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B024C1 shade: #B024C1, #C1AF23 and #23C1AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B024C1 shade: #B024C1, #C13023, #36C123 and #23B4C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B024C1 shade: #B024C1, #C16023, #36C123 and #2385C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

Complementary color

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

CMYK 4 / 81 / 0 / 26

HEX #B524BC

RGB 181 36 188

HSL 297.24, 0.68%, 0.44%

LAB 45.24, 71.71, -47.57

 

CMYK 4 / 74 / 0 / 19

HEX #C636CF

RGB 198 54 207

HSL 296.47, 0.61%, 0.51%

LAB 50.86, 73.13, -49.45

 

CMYK 5 / 68 / 0 / 11

HEX #D748E2

RGB 215 72 226

HSL 295.71, 0.73%, 0.58%

LAB 56.66, 73.82, -50.86

 

CMYK 5 / 63 / 0 / 4

HEX #E85AF5

RGB 232 90 245

HSL 294.97, 0.89%, 0.66%

LAB 62.56, 74, -51.95

 

CMYK 2 / 58 / 0 / 0

HEX #F96CFF

RGB 249 108 255

HSL 297.55, 1%, 0.71%

LAB 68.08, 72.32, -48.57

 

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

CMYK 9 / 90 / 0 / 32

HEX #9F12AE

RGB 159 18 174

HSL 294.23, 0.81%, 0.38%

LAB 39.34, 69.16, -48.97

 

CMYK 8 / 100 / 0 / 39

HEX #8E009B

RGB 142 0 155

HSL 294.97, 1%, 0.3%

LAB 34.23, 65.62, -45.93

 

CMYK 8 / 100 / 0 / 47

HEX #7D0088

RGB 125 0 136

HSL 295.15, 1%, 0.27%

LAB 29.76, 59.73, -41.58

 

CMYK 8 / 100 / 0 / 54

HEX #6C0075

RGB 108 0 117

HSL 295.38, 1%, 0.23%

LAB 25.18, 53.7, -37.12

 

CMYK 9 / 82 / 0 / 24

HEX #B023C1

RGB 176 35 193

HSL 293.54, 0.69%, 0.45%

LAB 44.64, 71.85, -51.51

 

CMYK 0 / 82 / 13 / 24

HEX #C123A8

RGB 193 35 168

HSL 309.49, 0.69%, 0.45%

LAB 46.13, 71.33, -34.24

 

CMYK 0 / 82 / 35 / 24

HEX #C1237D

RGB 193 35 125

HSL 325.82, 0.69%, 0.45%

LAB 44.26, 66.05, -11.14

 

CMYK 0 / 82 / 58 / 24

HEX #C12352

RGB 193 35 82

HSL 342.15, 0.69%, 0.45%

LAB 42.99, 62.29, 13.78

 

CMYK 0 / 82 / 79 / 24

HEX #C12328

RGB 193 35 40

HSL 358.1, 0.69%, 0.45%

LAB 42.3, 60.19, 38.49

 

CMYK 9 / 82 / 0 / 24

HEX #B023C1

RGB 176 35 193

HSL 293.54, 0.69%, 0.45%

LAB 44.64, 71.85, -51.51

 

CMYK 31 / 82 / 0 / 24

HEX #8623C1

RGB 134 35 193

HSL 277.59, 0.69%, 0.45%

LAB 38.06, 64.67, -62.47

 

CMYK 53 / 82 / 0 / 24

HEX #5B23C1

RGB 91 35 193

HSL 261.27, 0.69%, 0.45%

LAB 32.43, 58.67, -71.92

 

CMYK 75 / 82 / 0 / 24

HEX #3023C1

RGB 48 35 193

HSL 244.94, 0.69%, 0.45%

LAB 28.59, 54.7, -78.38

 

CMYK 82 / 82 / 0 / 24

HEX #2323C1

RGB 35 35 193

HSL 240, 0.69%, 0.45%

LAB 27.87, 53.97, -79.6

 

CMYK 9 / 82 / 0 / 24

HEX #B023C1

RGB 176 35 193

HSL 293.54, 0.69%, 0.45%

LAB 44.64, 71.85, -51.51

 

CMYK 10 / 92 / 0 / 17

HEX #BF11D4

RGB 191 17 212

HSL 293.54, 0.85%, 0.45%

LAB 47.28, 80.69, -58.13

 

CMYK 9 / 82 / 0 / 24

HEX #B023C1

RGB 176 35 193

HSL 293.54, 0.69%, 0.45%

LAB 44.64, 71.85, -51.51

 

CMYK 7 / 69 / 0 / 31

HEX #A236AF

RGB 162 54 175

HSL 293.55, 0.53%, 0.45%

LAB 43.38, 59.89, -43.07

 

CMYK 6 / 54 / 0 / 39

HEX #93489C

RGB 147 72 156

HSL 293.57, 0.37%, 0.45%

LAB 43.12, 44.3, -32.32

 

CMYK 4 / 34 / 0 / 46

HEX #855B8A

RGB 133 91 138

HSL 293.62, 0.21%, 0.45%

LAB 44.67, 25.65, -19.26

 

CMYK 1 / 8 / 0 / 53

HEX #766D77

RGB 118 109 119

HSL 294, 0.04%, 0.45%

LAB 47.13, 5.5, -4.28

 

CMYK 53 / 82 / 0 / 24

HEX #5A23C1

RGB 90 35 193

HSL 260.89, 0.69%, 0.45%

LAB 32.32, 58.56, -72.11

 

CMYK 31 / 82 / 0 / 24

HEX #8523C1

RGB 133 35 193

HSL 277.22, 0.69%, 0.45%

LAB 37.91, 64.52, -62.72

 

CMYK 9 / 82 / 0 / 24

HEX #AF23C1

RGB 175 35 193

HSL 293.16, 0.69%, 0.45%

LAB 44.47, 71.67, -51.79

 

CMYK 0 / 82 / 12 / 24

HEX #C123AA

RGB 193 35 170

HSL 308.73, 0.69%, 0.45%

LAB 46.23, 71.61, -35.27

 

CMYK 0 / 82 / 34 / 24

HEX #C1237F

RGB 193 35 127

HSL 325.06, 0.69%, 0.45%

LAB 44.34, 66.26, -12.26

 

CMYK 9 / 82 / 0 / 51

HEX #71167C

RGB 113 22 124

HSL 293.53, 0.7%, 0.29%

LAB 28.22, 51.09, -36.63

 

CMYK 9 / 82 / 0 / 38

HEX #901D9F

RGB 144 29 159

HSL 293.08, 0.69%, 0.37%

LAB 36.58, 61.56, -44.55

 

CMYK 9 / 82 / 0 / 24

HEX #B023C1

RGB 176 35 193

HSL 293.54, 0.69%, 0.45%

LAB 44.64, 71.85, -51.51

 

CMYK 8 / 76 / 0 / 15

HEX #C834D9

RGB 200 52 217

HSL 293.82, 0.68%, 0.53%

LAB 51.55, 75.8, -54.05

 

CMYK 7 / 61 / 0 / 12

HEX #D157E0

RGB 209 87 224

HSL 293.43, 0.69%, 0.61%

LAB 57.8, 66.19, -47.97

 

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

CMYK 0 / 75 / 82 / 24

HEX #C13023

RGB 193 48 35

HSL 4.94, 0.69%, 0.45%

LAB 43.61, 56.21, 42.52

 

CMYK 82 / 0 / 42 / 24

HEX #23C170

RGB 35 193 112

HSL 149.24, 0.69%, 0.45%

LAB 69.23, -57.22, 29.97

 

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

CMYK 0 / 9 / 82 / 24

HEX #C1AF23

RGB 193 175 35

HSL 53.16, 0.69%, 0.45%

LAB 70.95, -7.67, 67.08

 

CMYK 82 / 0 / 9 / 24

HEX #23C1AF

RGB 35 193 175

HSL 173.16, 0.69%, 0.45%

LAB 70.59, -42.52, -2

 

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

CMYK 0 / 75 / 82 / 24

HEX #C13023

RGB 193 48 35

HSL 4.94, 0.69%, 0.45%

LAB 43.61, 56.21, 42.52

 

CMYK 72 / 0 / 82 / 24

HEX #36C123

RGB 54 193 35

HSL 112.78, 0.69%, 0.45%

LAB 68.78, -63.68, 62.32

 

CMYK 82 / 7 / 0 / 24

HEX #23B4C1

RGB 35 180 193

HSL 184.94, 0.69%, 0.45%

LAB 67.16, -31.25, -17.01

 

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

CMYK 0 / 50 / 82 / 24

HEX #C16023

RGB 193 96 35

HSL 23.16, 0.69%, 0.45%

LAB 51.64, 35.01, 50.02

 

CMYK 72 / 0 / 82 / 24

HEX #36C123

RGB 54 193 35

HSL 112.78, 0.69%, 0.45%

LAB 68.78, -63.68, 62.32

 

CMYK 82 / 31 / 0 / 24

HEX #2385C1

RGB 35 133 193

HSL 202.78, 0.69%, 0.45%

LAB 52.93, -6.27, -38.99

 

Description

Color code: HEX #B024C1 | qconv.com Color code: HEX #B024C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 36 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 36 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 81 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 81% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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