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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0266E it is the complementary color #4FD991. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0266E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0266E shade: #B52669, #C6387C, #D74A8F, #E85CA2 and #F96EB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0266E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0266E shade: #B0266E, #9F145B, #8E0248, #7D0035 and #6C0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0266E shade: #AF266E, #AF2649 and #AF2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0266E shade: #AF266E, #AF2693, #A726AF, #8226AF and #5D26AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0266E shade matches the following richer shades: #AF266E, #C0156E and #D2036F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0266E shade: #AF266E, #9E376D, #8C496C, #7B5A6B and #6A6B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0266E shade: #A626AF, #AF2694, #AF266F, #AF264B and #AF2626

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0266E shade: #6B1743, #8D1F58, #AF266E, #D12E83 and #D85097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0266E shade: #B0266E, #AF8126 and #26A6AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0266E shade: #B0266E, #6FAF26 and #266FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0266E shade: #B0266E, #AF8126, #26AF66 and #2654AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0266E shade: #B0266E, #AFAB26, #26AF66 and #262BAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 38 / 31

HEX #B0266E

RGB 176 38 110

HSL 328.7, 0.64%, 0.42%

LAB 40.8, 59.39, -7.36

 

Complementary color

CMYK 64 / 0 / 33 / 15

HEX #4FD991

RGB 79 217 145

HSL 148.7, 0.64%, 0.58%

LAB 78.07, -53.53, 24.75

 

CMYK 0 / 79 / 42 / 29

HEX #B52669

RGB 181 38 105

HSL 331.89, 0.65%, 0.43%

LAB 41.58, 60.19, -2.98

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 66 / 33 / 16

HEX #D74A8F

RGB 215 74 143

HSL 330.64, 0.64%, 0.57%

LAB 53.31, 61.11, -8.05

 

CMYK 0 / 60 / 30 / 9

HEX #E85CA2

RGB 232 92 162

HSL 330, 0.75%, 0.64%

LAB 59.36, 60.87, -9.85

 

CMYK 0 / 56 / 27 / 2

HEX #F96EB5

RGB 249 110 181

HSL 329.35, 0.92%, 0.7%

LAB 65.46, 60.39, -11.35

 

CMYK 0 / 78 / 38 / 31

HEX #B0266E

RGB 176 38 110

HSL 328.7, 0.64%, 0.42%

LAB 40.8, 59.39, -7.36

 

CMYK 0 / 87 / 43 / 38

HEX #9F145B

RGB 159 20 91

HSL 329.35, 0.78%, 0.35%

LAB 35.26, 57.64, -3.91

 

CMYK 0 / 99 / 49 / 44

HEX #8E0248

RGB 142 2 72

HSL 330, 0.97%, 0.28%

LAB 30.06, 54.67, 0.51

 

CMYK 0 / 100 / 58 / 51

HEX #7D0035

RGB 125 0 53

HSL 334.56, 1%, 0.25%

LAB 25.61, 49.37, 6.51

 

CMYK 0 / 100 / 69 / 58

HEX #6C0022

RGB 108 0 34

HSL 341.11, 1%, 0.21%

LAB 21.22, 43.75, 13.13

 

CMYK 0 / 78 / 37 / 31

HEX #AF266E

RGB 175 38 110

HSL 328.47, 0.64%, 0.42%

LAB 40.62, 59.13, -7.66

 

CMYK 0 / 78 / 58 / 31

HEX #AF2649

RGB 175 38 73

HSL 344.67, 0.64%, 0.42%

LAB 39.55, 55.84, 14.19

 

CMYK 0 / 78 / 78 / 31

HEX #AF2626

RGB 175 38 38

HSL 0, 0.64%, 0.42%

LAB 38.97, 53.99, 35.04

 

CMYK 0 / 78 / 37 / 31

HEX #AF266E

RGB 175 38 110

HSL 328.47, 0.64%, 0.42%

LAB 40.62, 59.13, -7.66

 

CMYK 0 / 78 / 16 / 31

HEX #AF2693

RGB 175 38 147

HSL 312.26, 0.64%, 0.42%

LAB 42.16, 63.73, -28.09

 

CMYK 5 / 78 / 0 / 31

HEX #A726AF

RGB 167 38 175

HSL 296.5, 0.64%, 0.42%

LAB 42.3, 66.33, -44.75

 

CMYK 26 / 78 / 0 / 31

HEX #8226AF

RGB 130 38 175

HSL 280.29, 0.64%, 0.42%

LAB 36.42, 59.25, -54.53

 

CMYK 47 / 78 / 0 / 31

HEX #5D26AF

RGB 93 38 175

HSL 264.09, 0.64%, 0.42%

LAB 31.37, 53.08, -62.98

 

CMYK 0 / 78 / 37 / 31

HEX #AF266E

RGB 175 38 110

HSL 328.47, 0.64%, 0.42%

LAB 40.62, 59.13, -7.66

 

CMYK 0 / 89 / 43 / 25

HEX #C0156E

RGB 192 21 110

HSL 328.77, 0.8%, 0.42%

LAB 42.56, 67.16, -4.41

 

CMYK 0 / 99 / 47 / 18

HEX #D2036F

RGB 210 3 111

HSL 328.7, 0.97%, 0.42%

LAB 45.52, 73.3, -0.27

 

CMYK 0 / 78 / 37 / 31

HEX #AF266E

RGB 175 38 110

HSL 328.47, 0.64%, 0.42%

LAB 40.62, 59.13, -7.66

 

CMYK 0 / 65 / 31 / 38

HEX #9E376D

RGB 158 55 109

HSL 328.54, 0.48%, 0.42%

LAB 39.76, 48, -8.63

 

CMYK 0 / 48 / 23 / 45

HEX #8C496C

RGB 140 73 108

HSL 328.66, 0.31%, 0.42%

LAB 40.28, 32.92, -7.51

 

CMYK 0 / 27 / 13 / 52

HEX #7B5A6B

RGB 123 90 107

HSL 329.09, 0.15%, 0.42%

LAB 42.13, 16.47, -4.37

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 5 / 78 / 0 / 31

HEX #A626AF

RGB 166 38 175

HSL 296.06, 0.64%, 0.42%

LAB 42.14, 66.13, -45.02

 

CMYK 0 / 78 / 15 / 31

HEX #AF2694

RGB 175 38 148

HSL 311.82, 0.64%, 0.42%

LAB 42.21, 63.87, -28.62

 

CMYK 0 / 78 / 37 / 31

HEX #AF266F

RGB 175 38 111

HSL 328.03, 0.64%, 0.42%

LAB 40.65, 59.24, -8.23

 

CMYK 0 / 78 / 57 / 31

HEX #AF264B

RGB 175 38 75

HSL 343.8, 0.64%, 0.42%

LAB 39.59, 55.98, 12.98

 

CMYK 0 / 78 / 78 / 31

HEX #AF2626

RGB 175 38 38

HSL 0, 0.64%, 0.42%

LAB 38.97, 53.99, 35.04

 

CMYK 0 / 79 / 37 / 58

HEX #6B1743

RGB 107 23 67

HSL 328.57, 0.65%, 0.25%

LAB 24.14, 40.31, -5.7

 

CMYK 0 / 78 / 38 / 45

HEX #8D1F58

RGB 141 31 88

HSL 328.91, 0.64%, 0.34%

LAB 32.58, 49.75, -6.33

 

CMYK 0 / 78 / 37 / 31

HEX #AF266E

RGB 175 38 110

HSL 328.47, 0.64%, 0.42%

LAB 40.62, 59.13, -7.66

 

CMYK 0 / 78 / 37 / 18

HEX #D12E83

RGB 209 46 131

HSL 328.71, 0.64%, 0.5%

LAB 48.45, 67.75, -8.22

 

CMYK 0 / 63 / 30 / 15

HEX #D85097

RGB 216 80 151

HSL 328.68, 0.64%, 0.58%

LAB 54.63, 59.91, -10.78

 

CMYK 0 / 78 / 38 / 31

HEX #B0266E

RGB 176 38 110

HSL 328.7, 0.64%, 0.42%

LAB 40.8, 59.39, -7.36

 

CMYK 0 / 26 / 78 / 31

HEX #AF8126

RGB 175 129 38

HSL 39.85, 0.64%, 0.42%

LAB 57.03, 9.28, 52.95

 

CMYK 78 / 5 / 0 / 31

HEX #26A6AF

RGB 38 166 175

HSL 183.94, 0.64%, 0.42%

LAB 62.32, -29.79, -14.3

 

CMYK 0 / 78 / 38 / 31

HEX #B0266E

RGB 176 38 110

HSL 328.7, 0.64%, 0.42%

LAB 40.8, 59.39, -7.36

 

CMYK 37 / 0 / 78 / 31

HEX #6FAF26

RGB 111 175 38

HSL 88.03, 0.64%, 0.42%

LAB 65.1, -41.5, 58.74

 

CMYK 78 / 37 / 0 / 31

HEX #266FAF

RGB 38 111 175

HSL 208.03, 0.64%, 0.42%

LAB 45.46, 0.51, -40.4

 

CMYK 0 / 78 / 38 / 31

HEX #B0266E

RGB 176 38 110

HSL 328.7, 0.64%, 0.42%

LAB 40.8, 59.39, -7.36

 

CMYK 0 / 26 / 78 / 31

HEX #AF8126

RGB 175 129 38

HSL 39.85, 0.64%, 0.42%

LAB 57.03, 9.28, 52.95

 

CMYK 78 / 0 / 42 / 31

HEX #26AF66

RGB 38 175 102

HSL 148.03, 0.64%, 0.42%

LAB 63.37, -52.2, 27.53

 

CMYK 78 / 52 / 0 / 31

HEX #2654AF

RGB 38 84 175

HSL 219.85, 0.64%, 0.42%

LAB 37.57, 17.88, -53.05

 

CMYK 0 / 78 / 38 / 31

HEX #B0266E

RGB 176 38 110

HSL 328.7, 0.64%, 0.42%

LAB 40.8, 59.39, -7.36

 

CMYK 0 / 2 / 78 / 31

HEX #AFAB26

RGB 175 171 38

HSL 58.25, 0.64%, 0.42%

LAB 68.3, -13.39, 63.27

 

CMYK 78 / 0 / 42 / 31

HEX #26AF66

RGB 38 175 102

HSL 148.03, 0.64%, 0.42%

LAB 63.37, -52.2, 27.53

 

CMYK 78 / 75 / 0 / 31

HEX #262BAF

RGB 38 43 175

HSL 237.81, 0.64%, 0.42%

LAB 27.39, 44.19, -69.69

 

Description

Color code: HEX #B0266E | qconv.com Color code: HEX #B0266E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 38 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 38 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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