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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B022DC it is the complementary color #4FDD23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B022DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B022DC shade: #B522D7, #C634EA, #D746FD, #E858FF and #F96AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B022DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B022DC shade: #B022DC, #9F10C9, #8E00B6, #7D00A3 and #6C0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B022DC shade: #B022DC, #DC22D6, #DC22A4, #DC2272 and #DC223F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B022DC shade: #B022DC, #7E22DC, #4C22DC and #2222DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B022DC shade matches the following richer shades: #B022DC and #BB0DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B022DC shade: #B022DC, #A537C7, #9A4BB3, #8F609E and #85748A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B022DC shade: #4A22DC, #7C22DC, #AE22DC, #DC22D9 and #DC22A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B022DC shade: #771795, #931CB8, #B022DC, #BD46E2 and #C969E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B022DC shade: #B022DC, #DC222B and #22DC63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B022DC shade: #B022DC, #DCAE22 and #22DCAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B022DC shade: #B022DC, #DC222B, #50DC22 and #22DCD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B022DC shade: #B022DC, #DC5022, #50DC22 and #22AEDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

Complementary color

CMYK 64 / 0 / 84 / 13

HEX #4FDD23

RGB 79 221 35

HSL 105.81, 0.73%, 0.5%

LAB 78.17, -67.81, 71.03

 

CMYK 16 / 84 / 0 / 16

HEX #B522D7

RGB 181 34 215

HSL 288.73, 0.73%, 0.49%

LAB 46.81, 76.72, -60.69

 

CMYK 15 / 78 / 0 / 8

HEX #C634EA

RGB 198 52 234

HSL 288.13, 0.81%, 0.56%

LAB 52.29, 78.36, -62.51

 

CMYK 15 / 72 / 0 / 1

HEX #D746FD

RGB 215 70 253

HSL 287.54, 0.98%, 0.63%

LAB 57.96, 79.22, -63.86

 

CMYK 9 / 65 / 0 / 0

HEX #E858FF

RGB 232 88 255

HSL 291.74, 1%, 0.67%

LAB 62.81, 76.51, -57.08

 

CMYK 2 / 58 / 0 / 0

HEX #F96AFF

RGB 249 106 255

HSL 297.58, 1%, 0.71%

LAB 67.78, 73.16, -49.05

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 21 / 92 / 0 / 21

HEX #9F10C9

RGB 159 16 201

HSL 286.38, 0.85%, 0.43%

LAB 41.15, 74.13, -61.94

 

CMYK 22 / 100 / 0 / 29

HEX #8E00B6

RGB 142 0 182

HSL 286.81, 1%, 0.36%

LAB 36.23, 70.26, -58.91

 

CMYK 23 / 100 / 0 / 36

HEX #7D00A3

RGB 125 0 163

HSL 286.01, 1%, 0.32%

LAB 31.82, 64.5, -54.83

 

CMYK 25 / 100 / 0 / 44

HEX #6C0090

RGB 108 0 144

HSL 285, 1%, 0.28%

LAB 27.3, 58.62, -50.68

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 0 / 85 / 3 / 14

HEX #DC22D6

RGB 220 34 214

HSL 301.94, 0.73%, 0.5%

LAB 53.18, 83.31, -49.54

 

CMYK 0 / 85 / 25 / 14

HEX #DC22A4

RGB 220 34 164

HSL 318.06, 0.73%, 0.5%

LAB 50.73, 76.74, -24.33

 

CMYK 0 / 85 / 48 / 14

HEX #DC2272

RGB 220 34 114

HSL 334.19, 0.73%, 0.5%

LAB 48.98, 71.79, 3.15

 

CMYK 0 / 85 / 71 / 14

HEX #DC223F

RGB 220 34 63

HSL 350.65, 0.73%, 0.5%

LAB 47.9, 68.67, 32.84

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 43 / 85 / 0 / 14

HEX #7E22DC

RGB 126 34 220

HSL 269.68, 0.73%, 0.5%

LAB 39.15, 69.71, -76.38

 

CMYK 65 / 85 / 0 / 14

HEX #4C22DC

RGB 76 34 220

HSL 253.55, 0.73%, 0.5%

LAB 33.66, 64.69, -85.63

 

CMYK 85 / 85 / 0 / 14

HEX #2222DC

RGB 34 34 220

HSL 240, 0.73%, 0.5%

LAB 31, 62.41, -90.13

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 22 / 95 / 0 / 5

HEX #BB0DF1

RGB 187 13 241

HSL 285.79, 0.9%, 0.5%

LAB 48.52, 85.4, -72.64

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 17 / 72 / 0 / 22

HEX #A537C7

RGB 165 55 199

HSL 285.83, 0.57%, 0.5%

LAB 45.44, 64.65, -53.81

 

CMYK 14 / 58 / 0 / 30

HEX #9A4BB3

RGB 154 75 179

HSL 285.58, 0.41%, 0.5%

LAB 45.85, 49.35, -41.57

 

CMYK 9 / 39 / 0 / 38

HEX #8F609E

RGB 143 96 158

HSL 285.48, 0.24%, 0.5%

LAB 47.85, 30.31, -26.17

 

CMYK 4 / 16 / 0 / 46

HEX #85748A

RGB 133 116 138

HSL 286.36, 0.09%, 0.5%

LAB 51.05, 10.87, -9.57

 

CMYK 66 / 85 / 0 / 14

HEX #4A22DC

RGB 74 34 220

HSL 252.9, 0.73%, 0.5%

LAB 33.49, 64.54, -85.91

 

CMYK 44 / 85 / 0 / 14

HEX #7C22DC

RGB 124 34 220

HSL 269.03, 0.73%, 0.5%

LAB 38.89, 69.47, -76.82

 

CMYK 21 / 85 / 0 / 14

HEX #AE22DC

RGB 174 34 220

HSL 285.16, 0.73%, 0.5%

LAB 46.06, 76.49, -64.82

 

CMYK 0 / 85 / 1 / 14

HEX #DC22D9

RGB 220 34 217

HSL 300.97, 0.73%, 0.5%

LAB 53.35, 83.75, -50.98

 

CMYK 0 / 85 / 24 / 14

HEX #DC22A7

RGB 220 34 167

HSL 317.1, 0.73%, 0.5%

LAB 50.86, 77.09, -25.9

 

CMYK 20 / 85 / 0 / 42

HEX #771795

RGB 119 23 149

HSL 285.71, 0.73%, 0.34%

LAB 31.12, 56.71, -47.47

 

CMYK 20 / 85 / 0 / 28

HEX #931CB8

RGB 147 28 184

HSL 285.77, 0.74%, 0.42%

LAB 38.72, 66.91, -56.02

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 16 / 69 / 0 / 11

HEX #BD46E2

RGB 189 70 226

HSL 285.77, 0.73%, 0.58%

LAB 52.61, 69.04, -57.55

 

CMYK 13 / 55 / 0 / 9

HEX #C969E7

RGB 201 105 231

HSL 285.71, 0.72%, 0.66%

LAB 60.15, 57.27, -48.24

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 0 / 85 / 80 / 14

HEX #DC222B

RGB 220 34 43

HSL 357.1, 0.73%, 0.5%

LAB 47.67, 67.97, 44.02

 

CMYK 85 / 0 / 55 / 14

HEX #22DC63

RGB 34 220 99

HSL 140.97, 0.73%, 0.5%

LAB 77.54, -68.49, 46.79

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 0 / 21 / 85 / 14

HEX #DCAE22

RGB 220 174 34

HSL 45.16, 0.73%, 0.5%

LAB 73.29, 4.67, 70.36

 

CMYK 85 / 0 / 21 / 14

HEX #22DCAE

RGB 34 220 174

HSL 165.16, 0.73%, 0.5%

LAB 78.8, -54.06, 10.4

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 0 / 85 / 80 / 14

HEX #DC222B

RGB 220 34 43

HSL 357.1, 0.73%, 0.5%

LAB 47.67, 67.97, 44.02

 

CMYK 64 / 0 / 85 / 14

HEX #50DC22

RGB 80 220 34

HSL 105.16, 0.73%, 0.5%

LAB 77.88, -67.31, 71.01

 

CMYK 85 / 0 / 4 / 14

HEX #22DCD3

RGB 34 220 211

HSL 177.1, 0.73%, 0.5%

LAB 79.74, -44.31, -7.93

 

CMYK 20 / 85 / 0 / 14

HEX #B022DC

RGB 176 34 220

HSL 285.81, 0.73%, 0.5%

LAB 46.37, 76.81, -64.3

 

CMYK 0 / 64 / 85 / 14

HEX #DC5022

RGB 220 80 34

HSL 14.84, 0.73%, 0.5%

LAB 53.02, 52.74, 53.32

 

CMYK 64 / 0 / 85 / 14

HEX #50DC22

RGB 80 220 34

HSL 105.16, 0.73%, 0.5%

LAB 77.88, -67.31, 71.01

 

CMYK 85 / 21 / 0 / 14

HEX #22AEDC

RGB 34 174 220

HSL 194.84, 0.73%, 0.5%

LAB 66.35, -19.46, -33.14

 

Description

Color code: HEX #B022DC | qconv.com Color code: HEX #B022DC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 34 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 34 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 85 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 85% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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