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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B048DE it is the complementary color #4FB721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B048DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B048DE shade: #B548D9, #C65AEC, #D76CFF, #E87EFF and #F990FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B048DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B048DE shade: #B048DE, #9F36CB, #8E24B8, #7D12A5 and #6C0092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B048DE shade: #B04ADD, #D84ADD, #DD4ABB, #DD4A93 and #DD4A6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B048DE shade: #B04ADD, #884ADD, #604ADD and #4A4ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B048DE shade matches the following richer shades: #B04ADD and #B738EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B048DE shade: #B04ADD, #A95BCC, #A36CBB, #9C7DA9 and #958F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B048DE shade: #604ADD, #874ADD, #AE4ADD, #D64ADD and #DD4ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B048DE shade: #8721B4, #A127D7, #B04ADD, #BF6CE4 and #CE8FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B048DE shade: #B048DE, #DD4A5B and #4ADD73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B048DE shade: #B048DE, #DDAE4A and #4ADDAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B048DE shade: #B048DE, #DD4A5B, #78DD4A and #4ADDCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B048DE shade: #B048DE, #DD654A, #78DD4A and #4AC2DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 68 / 0 / 13

HEX #B048DE

RGB 176 72 222

HSL 281.6, 0.69%, 0.58%

LAB 50.85, 64.72, -58.21

 

Complementary color

CMYK 57 / 0 / 82 / 28

HEX #4FB721

RGB 79 183 33

HSL 101.6, 0.69%, 0.42%

LAB 66.24, -54.97, 60.77

 

CMYK 17 / 67 / 0 / 15

HEX #B548D9

RGB 181 72 217

HSL 285.1, 0.66%, 0.57%

LAB 51.23, 64.79, -54.72

 

CMYK 16 / 62 / 0 / 7

HEX #C65AEC

RGB 198 90 236

HSL 284.38, 0.79%, 0.64%

LAB 57.44, 64.55, -55.37

 

CMYK 16 / 58 / 0 / 0

HEX #D76CFF

RGB 215 108 255

HSL 283.67, 1%, 0.71%

LAB 63.67, 64.07, -55.84

 

CMYK 9 / 51 / 0 / 0

HEX #E87EFF

RGB 232 126 255

HSL 289.3, 1%, 0.75%

LAB 68.97, 59.78, -47.32

 

CMYK 2 / 44 / 0 / 0

HEX #F990FF

RGB 249 144 255

HSL 296.76, 1%, 0.78%

LAB 74.39, 55.6, -38.7

 

CMYK 21 / 68 / 0 / 13

HEX #B048DE

RGB 176 72 222

HSL 281.6, 0.69%, 0.58%

LAB 50.85, 64.72, -58.21

 

CMYK 22 / 73 / 0 / 20

HEX #9F36CB

RGB 159 54 203

HSL 282.28, 0.59%, 0.5%

LAB 44.69, 64.62, -57.37

 

CMYK 23 / 80 / 0 / 28

HEX #8E24B8

RGB 142 36 184

HSL 282.97, 0.67%, 0.43%

LAB 38.68, 63.87, -56.11

 

CMYK 24 / 89 / 0 / 35

HEX #7D12A5

RGB 125 18 165

HSL 283.67, 0.8%, 0.36%

LAB 32.94, 62.02, -54.21

 

CMYK 26 / 100 / 0 / 43

HEX #6C0092

RGB 108 0 146

HSL 284.38, 1%, 0.29%

LAB 27.47, 59, -51.64

 

CMYK 20 / 67 / 0 / 13

HEX #B04ADD

RGB 176 74 221

HSL 281.63, 0.68%, 0.58%

LAB 51.09, 63.66, -57.25

 

CMYK 2 / 67 / 0 / 13

HEX #D84ADD

RGB 216 74 221

HSL 297.96, 0.68%, 0.58%

LAB 56.8, 72.47, -47.81

 

CMYK 0 / 67 / 15 / 13

HEX #DD4ABB

RGB 221 74 187

HSL 313.88, 0.68%, 0.58%

LAB 55.94, 68.41, -29.68

 

CMYK 0 / 67 / 33 / 13

HEX #DD4A93

RGB 221 74 147

HSL 330.2, 0.68%, 0.58%

LAB 54.42, 63.28, -8.64

 

CMYK 0 / 67 / 52 / 13

HEX #DD4A6B

RGB 221 74 107

HSL 346.53, 0.68%, 0.58%

LAB 53.31, 59.36, 13.55

 

CMYK 20 / 67 / 0 / 13

HEX #B04ADD

RGB 176 74 221

HSL 281.63, 0.68%, 0.58%

LAB 51.09, 63.66, -57.25

 

CMYK 38 / 67 / 0 / 13

HEX #884ADD

RGB 136 74 221

HSL 265.31, 0.68%, 0.58%

LAB 46.11, 55.4, -65.54

 

CMYK 57 / 67 / 0 / 13

HEX #604ADD

RGB 96 74 221

HSL 248.98, 0.68%, 0.58%

LAB 42.16, 48.29, -72.14

 

CMYK 67 / 67 / 0 / 13

HEX #4A4ADD

RGB 74 74 221

HSL 240, 0.68%, 0.58%

LAB 40.53, 45.18, -74.88

 

CMYK 20 / 67 / 0 / 13

HEX #B04ADD

RGB 176 74 221

HSL 281.63, 0.68%, 0.58%

LAB 51.09, 63.66, -57.25

 

CMYK 23 / 77 / 0 / 6

HEX #B738EF

RGB 183 56 239

HSL 281.64, 0.85%, 0.58%

LAB 50.84, 75.42, -67.78

 

CMYK 20 / 67 / 0 / 13

HEX #B04ADD

RGB 176 74 221

HSL 281.63, 0.68%, 0.58%

LAB 51.09, 63.66, -57.25

 

CMYK 17 / 55 / 0 / 20

HEX #A95BCC

RGB 169 91 204

HSL 281.42, 0.53%, 0.58%

LAB 52.15, 50.44, -45.93

 

CMYK 13 / 42 / 0 / 27

HEX #A36CBB

RGB 163 108 187

HSL 281.77, 0.37%, 0.58%

LAB 54.13, 35.99, -33.1

 

CMYK 8 / 26 / 0 / 34

HEX #9C7DA9

RGB 156 125 169

HSL 282.27, 0.2%, 0.58%

LAB 56.68, 20.21, -18.87

 

CMYK 2 / 6 / 0 / 40

HEX #958F98

RGB 149 143 152

HSL 280, 0.04%, 0.58%

LAB 60.16, 3.96, -3.97

 

CMYK 57 / 67 / 0 / 13

HEX #604ADD

RGB 96 74 221

HSL 248.98, 0.68%, 0.58%

LAB 42.16, 48.29, -72.14

 

CMYK 39 / 67 / 0 / 13

HEX #874ADD

RGB 135 74 221

HSL 264.9, 0.68%, 0.58%

LAB 46, 55.2, -65.73

 

CMYK 21 / 67 / 0 / 13

HEX #AE4ADD

RGB 174 74 221

HSL 280.82, 0.68%, 0.58%

LAB 50.82, 63.23, -57.7

 

CMYK 3 / 67 / 0 / 13

HEX #D64ADD

RGB 214 74 221

HSL 297.14, 0.68%, 0.58%

LAB 56.5, 72.02, -48.3

 

CMYK 0 / 67 / 14 / 13

HEX #DD4ABD

RGB 221 74 189

HSL 313.06, 0.68%, 0.58%

LAB 56.03, 68.7, -30.7

 

CMYK 25 / 82 / 0 / 29

HEX #8721B4

RGB 135 33 180

HSL 281.63, 0.69%, 0.42%

LAB 36.99, 62.77, -56.53

 

CMYK 25 / 82 / 0 / 16

HEX #A127D7

RGB 161 39 215

HSL 281.59, 0.69%, 0.5%

LAB 44.14, 72.24, -65.16

 

CMYK 20 / 67 / 0 / 13

HEX #B04ADD

RGB 176 74 221

HSL 281.63, 0.68%, 0.58%

LAB 51.09, 63.66, -57.25

 

CMYK 16 / 53 / 0 / 11

HEX #BF6CE4

RGB 191 108 228

HSL 281.5, 0.69%, 0.66%

LAB 59.35, 52.57, -47.92

 

CMYK 12 / 39 / 0 / 8

HEX #CE8FEA

RGB 206 143 234

HSL 281.54, 0.68%, 0.74%

LAB 68.54, 39.58, -36.7

 

CMYK 21 / 68 / 0 / 13

HEX #B048DE

RGB 176 72 222

HSL 281.6, 0.69%, 0.58%

LAB 50.85, 64.72, -58.21

 

CMYK 0 / 67 / 59 / 13

HEX #DD4A5B

RGB 221 74 91

HSL 353.06, 0.68%, 0.58%

LAB 52.98, 58.16, 22.62

 

CMYK 67 / 0 / 48 / 13

HEX #4ADD73

RGB 74 221 115

HSL 136.73, 0.68%, 0.58%

LAB 78.7, -61.16, 40.73

 

CMYK 21 / 68 / 0 / 13

HEX #B048DE

RGB 176 72 222

HSL 281.6, 0.69%, 0.58%

LAB 50.85, 64.72, -58.21

 

CMYK 0 / 21 / 67 / 13

HEX #DDAE4A

RGB 221 174 74

HSL 40.82, 0.68%, 0.58%

LAB 73.64, 6.75, 56.19

 

CMYK 67 / 0 / 21 / 13

HEX #4ADDAE

RGB 74 221 174

HSL 160.82, 0.68%, 0.58%

LAB 79.74, -49.85, 11.83

 

CMYK 21 / 68 / 0 / 13

HEX #B048DE

RGB 176 72 222

HSL 281.6, 0.69%, 0.58%

LAB 50.85, 64.72, -58.21

 

CMYK 0 / 67 / 59 / 13

HEX #DD4A5B

RGB 221 74 91

HSL 353.06, 0.68%, 0.58%

LAB 52.98, 58.16, 22.62

 

CMYK 46 / 0 / 67 / 13

HEX #78DD4A

RGB 120 221 74

HSL 101.22, 0.68%, 0.58%

LAB 79.73, -54.79, 60.64

 

CMYK 67 / 0 / 8 / 13

HEX #4ADDCC

RGB 74 221 204

HSL 173.06, 0.68%, 0.58%

LAB 80.48, -42.47, -3.05

 

CMYK 21 / 68 / 0 / 13

HEX #B048DE

RGB 176 72 222

HSL 281.6, 0.69%, 0.58%

LAB 50.85, 64.72, -58.21

 

CMYK 0 / 54 / 67 / 13

HEX #DD654A

RGB 221 101 74

HSL 11.02, 0.68%, 0.58%

LAB 57.24, 45.08, 37.72

 

CMYK 46 / 0 / 67 / 13

HEX #78DD4A

RGB 120 221 74

HSL 101.22, 0.68%, 0.58%

LAB 79.73, -54.79, 60.64

 

CMYK 67 / 12 / 0 / 13

HEX #4AC2DD

RGB 74 194 221

HSL 191.02, 0.68%, 0.58%

LAB 73.06, -24.94, -23.3

 

Description

Color code: HEX #B048DE | qconv.com Color code: HEX #B048DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 72 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 72 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 68 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 68% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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