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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B049D3 it is the complementary color #4FB62C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B049D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B049D3 shade: #B549CE, #C65BE1, #D76DF4, #E87FFF and #F991FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B049D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B049D3 shade: #B049D3, #9F37C0, #8E25AD, #7D139A and #6C0187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B049D3 shade: #B04AD3, #D34AD1, #D34AAC, #D34A87 and #D34A62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B049D3 shade: #B04AD3, #8B4AD3, #664AD3 and #4A4AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B049D3 shade matches the following richer shades: #B04AD3, #B938E5 and #C226F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B049D3 shade: #B04AD3, #A75CC1, #9E6EAE, #95809C and #8C928A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B049D3 shade: #654AD3, #8A4AD3, #AE4AD3, #D34AD3 and #D34AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B049D3 shade: #8427A3, #9E2FC4, #B04AD3, #BE6BDB and #CD8CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B049D3 shade: #B049D3, #D34A53 and #4AD377

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B049D3 shade: #B049D3, #D3AE4A and #4AD3AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B049D3 shade: #B049D3, #D34A53, #6ED34A and #4AD3CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B049D3 shade: #B049D3, #D36A4A, #6ED34A and #4AB3D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 65 / 0 / 17

HEX #B049D3

RGB 176 73 211

HSL 284.78, 0.61%, 0.56%

LAB 50.33, 62.08, -52.77

 

Complementary color

CMYK 57 / 0 / 76 / 29

HEX #4FB62C

RGB 79 182 44

HSL 104.78, 0.61%, 0.44%

LAB 65.98, -53.97, 57.16

 

CMYK 12 / 65 / 0 / 19

HEX #B549CE

RGB 181 73 206

HSL 288.72, 0.58%, 0.55%

LAB 50.74, 62.25, -49.22

 

CMYK 12 / 60 / 0 / 12

HEX #C65BE1

RGB 198 91 225

HSL 287.91, 0.69%, 0.62%

LAB 57, 61.96, -49.9

 

CMYK 12 / 55 / 0 / 4

HEX #D76DF4

RGB 215 109 244

HSL 287.11, 0.86%, 0.69%

LAB 63.27, 61.45, -50.41

 

CMYK 9 / 50 / 0 / 0

HEX #E87FFF

RGB 232 127 255

HSL 289.22, 1%, 0.75%

LAB 69.15, 59.29, -47.03

 

CMYK 2 / 43 / 0 / 0

HEX #F991FF

RGB 249 145 255

HSL 296.73, 1%, 0.78%

LAB 74.58, 55.1, -38.4

 

CMYK 17 / 65 / 0 / 17

HEX #B049D3

RGB 176 73 211

HSL 284.78, 0.61%, 0.56%

LAB 50.33, 62.08, -52.77

 

CMYK 17 / 71 / 0 / 25

HEX #9F37C0

RGB 159 55 192

HSL 285.55, 0.55%, 0.48%

LAB 44.1, 62.06, -51.93

 

CMYK 18 / 79 / 0 / 32

HEX #8E25AD

RGB 142 37 173

HSL 286.32, 0.65%, 0.41%

LAB 38.01, 61.41, -50.68

 

CMYK 19 / 88 / 0 / 40

HEX #7D139A

RGB 125 19 154

HSL 287.11, 0.78%, 0.34%

LAB 32.17, 59.7, -48.79

 

CMYK 20 / 99 / 0 / 47

HEX #6C0187

RGB 108 1 135

HSL 287.91, 0.99%, 0.27%

LAB 26.62, 56.73, -46.18

 

CMYK 17 / 65 / 0 / 17

HEX #B04AD3

RGB 176 74 211

HSL 284.67, 0.61%, 0.56%

LAB 50.49, 61.65, -52.52

 

CMYK 0 / 65 / 1 / 17

HEX #D34AD1

RGB 211 74 209

HSL 300.88, 0.61%, 0.56%

LAB 55.43, 69.35, -43.21

 

CMYK 0 / 65 / 18 / 17

HEX #D34AAC

RGB 211 74 172

HSL 317.08, 0.61%, 0.56%

LAB 53.73, 63.71, -24.53

 

CMYK 0 / 65 / 36 / 17

HEX #D34A87

RGB 211 74 135

HSL 333.28, 0.61%, 0.56%

LAB 52.39, 59.04, -4.72

 

CMYK 0 / 65 / 54 / 17

HEX #D34A62

RGB 211 74 98

HSL 349.49, 0.61%, 0.56%

LAB 51.41, 55.5, 16.05

 

CMYK 17 / 65 / 0 / 17

HEX #B04AD3

RGB 176 74 211

HSL 284.67, 0.61%, 0.56%

LAB 50.49, 61.65, -52.52

 

CMYK 34 / 65 / 0 / 17

HEX #8B4AD3

RGB 139 74 211

HSL 268.47, 0.61%, 0.56%

LAB 45.76, 53.54, -60.38

 

CMYK 52 / 65 / 0 / 17

HEX #664AD3

RGB 102 74 211

HSL 252.26, 0.61%, 0.56%

LAB 41.88, 46.33, -66.85

 

CMYK 65 / 65 / 0 / 17

HEX #4A4AD3

RGB 74 74 211

HSL 240, 0.61%, 0.56%

LAB 39.68, 41.9, -70.55

 

CMYK 17 / 65 / 0 / 17

HEX #B04AD3

RGB 176 74 211

HSL 284.67, 0.61%, 0.56%

LAB 50.49, 61.65, -52.52

 

CMYK 19 / 76 / 0 / 10

HEX #B938E5

RGB 185 56 229

HSL 284.74, 0.77%, 0.56%

LAB 50.45, 73.87, -62.75

 

CMYK 21 / 85 / 0 / 3

HEX #C226F7

RGB 194 38 247

HSL 284.78, 0.93%, 0.56%

LAB 51.35, 83.55, -71.36

 

CMYK 17 / 65 / 0 / 17

HEX #B04AD3

RGB 176 74 211

HSL 284.67, 0.61%, 0.56%

LAB 50.49, 61.65, -52.52

 

CMYK 13 / 52 / 0 / 24

HEX #A75CC1

RGB 167 92 193

HSL 284.55, 0.45%, 0.56%

LAB 51.52, 47.07, -40.63

 

CMYK 9 / 37 / 0 / 32

HEX #9E6EAE

RGB 158 110 174

HSL 285, 0.28%, 0.56%

LAB 53.47, 30.53, -26.68

 

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149 128 156

HSL 285, 0.12%, 0.56%

LAB 56.32, 13.35, -12

 

CMYK 4 / 0 / 5 / 43

HEX #8C928A

RGB 140 146 138

HSL 105, 0.04%, 0.56%

LAB 59.86, -3.74, 3.47

 

CMYK 52 / 65 / 0 / 17

HEX #654AD3

RGB 101 74 211

HSL 251.82, 0.61%, 0.56%

LAB 41.79, 46.15, -67

 

CMYK 35 / 65 / 0 / 17

HEX #8A4AD3

RGB 138 74 211

HSL 268.03, 0.61%, 0.56%

LAB 45.64, 53.33, -60.58

 

CMYK 18 / 65 / 0 / 17

HEX #AE4AD3

RGB 174 74 211

HSL 283.8, 0.61%, 0.56%

LAB 50.22, 61.2, -52.98

 

CMYK 0 / 65 / 0 / 17

HEX #D34AD3

RGB 211 74 211

HSL 300, 0.61%, 0.56%

LAB 55.53, 69.68, -44.19

 

CMYK 0 / 65 / 18 / 17

HEX #D34AAE

RGB 211 74 174

HSL 316.2, 0.61%, 0.56%

LAB 53.82, 63.99, -25.57

 

CMYK 19 / 76 / 0 / 36

HEX #8427A3

RGB 132 39 163

HSL 285, 0.61%, 0.4%

LAB 35.99, 56.82, -48.02

 

CMYK 19 / 76 / 0 / 23

HEX #9E2FC4

RGB 158 47 196

HSL 284.7, 0.61%, 0.48%

LAB 43.19, 65.56, -55.73

 

CMYK 17 / 65 / 0 / 17

HEX #B04AD3

RGB 176 74 211

HSL 284.67, 0.61%, 0.56%

LAB 50.49, 61.65, -52.52

 

CMYK 13 / 51 / 0 / 14

HEX #BE6BDB

RGB 190 107 219

HSL 284.46, 0.61%, 0.64%

LAB 58.58, 50.96, -44.09

 

CMYK 10 / 38 / 0 / 11

HEX #CD8CE3

RGB 205 140 227

HSL 284.83, 0.61%, 0.72%

LAB 67.49, 39.47, -34.49

 

CMYK 17 / 65 / 0 / 17

HEX #B049D3

RGB 176 73 211

HSL 284.78, 0.61%, 0.56%

LAB 50.33, 62.08, -52.77

 

CMYK 0 / 65 / 61 / 17

HEX #D34A53

RGB 211 74 83

HSL 356.06, 0.61%, 0.56%

LAB 51.12, 54.4, 24.61

 

CMYK 65 / 0 / 44 / 17

HEX #4AD377

RGB 74 211 119

HSL 139.71, 0.61%, 0.56%

LAB 75.68, -56.86, 34.91

 

CMYK 17 / 65 / 0 / 17

HEX #B049D3

RGB 176 73 211

HSL 284.78, 0.61%, 0.56%

LAB 50.33, 62.08, -52.77

 

CMYK 0 / 18 / 65 / 17

HEX #D3AE4A

RGB 211 174 74

HSL 43.8, 0.61%, 0.56%

LAB 72.64, 2.48, 54.82

 

CMYK 65 / 0 / 18 / 17

HEX #4AD3AE

RGB 74 211 174

HSL 163.8, 0.61%, 0.56%

LAB 76.74, -45.65, 7.55

 

CMYK 17 / 65 / 0 / 17

HEX #B049D3

RGB 176 73 211

HSL 284.78, 0.61%, 0.56%

LAB 50.33, 62.08, -52.77

 

CMYK 0 / 65 / 61 / 17

HEX #D34A53

RGB 211 74 83

HSL 356.06, 0.61%, 0.56%

LAB 51.12, 54.4, 24.61

 

CMYK 48 / 0 / 65 / 17

HEX #6ED34A

RGB 110 211 74

HSL 104.23, 0.61%, 0.56%

LAB 76.31, -53.87, 56.85

 

CMYK 65 / 0 / 4 / 17

HEX #4AD3CA

RGB 74 211 202

HSL 176.06, 0.61%, 0.56%

LAB 77.47, -38.51, -6.42

 

CMYK 17 / 65 / 0 / 17

HEX #B049D3

RGB 176 73 211

HSL 284.78, 0.61%, 0.56%

LAB 50.33, 62.08, -52.77

 

CMYK 0 / 50 / 65 / 17

HEX #D36A4A

RGB 211 106 74

HSL 14.01, 0.61%, 0.56%

LAB 56.73, 38.81, 36.75

 

CMYK 48 / 0 / 65 / 17

HEX #6ED34A

RGB 110 211 74

HSL 104.23, 0.61%, 0.56%

LAB 76.31, -53.87, 56.85

 

CMYK 65 / 15 / 0 / 17

HEX #4AB3D3

RGB 74 179 211

HSL 194.01, 0.61%, 0.56%

LAB 68.31, -20.35, -25.1

 

Description

Color code: HEX #B049D3 | qconv.com Color code: HEX #B049D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 73 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 73 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 65 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 65% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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