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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0429D it is the complementary color #4FBD62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0429D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0429D shade: #B54298, #C654AB, #D766BE, #E878D1 and #F98AE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0429D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0429D shade: #B0429D, #9F308A, #8E1E77, #7D0C64 and #6C0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0429D shade: #AD419B, #AD417E, #AD4160, #AD4143 and #AD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0429D shade: #AD419B, #A341AD, #8641AD, #6941AD and #4C41AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0429D shade matches the following richer shades: #AD419B, #C12EA7, #D41BB4 and #E707C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0429D shade: #AD419B, #9A558E, #866881, #737C75 and #608F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0429D shade: #8641AD, #A241AD, #AD419B, #AD417F and #AD4162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0429D shade: #712B65, #8F3680, #AD419B, #C058AE and #CB76BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0429D shade: #B0429D, #AD6941 and #41AD94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0429D shade: #B0429D, #9BAD41 and #419BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0429D shade: #B0429D, #AD6941, #41AD53 and #4186AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0429D shade: #B0429D, #AD8941, #41AD53 and #4165AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 11 / 31

HEX #B0429D

RGB 176 66 157

HSL 310.36, 0.45%, 0.47%

LAB 46.39, 55.38, -27.49

 

Complementary color

CMYK 58 / 0 / 48 / 26

HEX #4FBD62

RGB 79 189 98

HSL 130.36, 0.45%, 0.53%

LAB 68.71, -50.74, 36.64

 

CMYK 0 / 64 / 16 / 29

HEX #B54298

RGB 181 66 152

HSL 315.13, 0.47%, 0.48%

LAB 46.96, 55.98, -23.57

 

CMYK 0 / 58 / 14 / 22

HEX #C654AB

RGB 198 84 171

HSL 314.21, 0.5%, 0.55%

LAB 53.26, 55.73, -24.84

 

CMYK 0 / 53 / 12 / 16

HEX #D766BE

RGB 215 102 190

HSL 313.27, 0.59%, 0.62%

LAB 59.59, 55.24, -25.85

 

CMYK 0 / 48 / 10 / 9

HEX #E878D1

RGB 232 120 209

HSL 312.32, 0.71%, 0.69%

LAB 65.9, 54.63, -26.68

 

CMYK 0 / 45 / 8 / 2

HEX #F98AE4

RGB 249 138 228

HSL 311.35, 0.9%, 0.76%

LAB 72.17, 53.94, -27.39

 

CMYK 0 / 63 / 11 / 31

HEX #B0429D

RGB 176 66 157

HSL 310.36, 0.45%, 0.47%

LAB 46.39, 55.38, -27.49

 

CMYK 0 / 70 / 13 / 38

HEX #9F308A

RGB 159 48 138

HSL 311.35, 0.54%, 0.41%

LAB 40.11, 55.24, -26.01

 

CMYK 0 / 79 / 16 / 44

HEX #8E1E77

RGB 142 30 119

HSL 312.32, 0.65%, 0.34%

LAB 34.01, 54.35, -23.98

 

CMYK 0 / 90 / 20 / 51

HEX #7D0C64

RGB 125 12 100

HSL 313.27, 0.82%, 0.27%

LAB 28.23, 52.2, -21.08

 

CMYK 0 / 100 / 25 / 58

HEX #6C0051

RGB 108 0 81

HSL 315, 1%, 0.21%

LAB 22.94, 48.23, -17.02

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 62 / 27 / 32

HEX #AD417E

RGB 173 65 126

HSL 326.11, 0.45%, 0.47%

LAB 44.48, 50.4, -11.77

 

CMYK 0 / 62 / 45 / 32

HEX #AD4160

RGB 173 65 96

HSL 342.78, 0.45%, 0.47%

LAB 43.52, 46.84, 5.28

 

CMYK 0 / 62 / 61 / 32

HEX #AD4143

RGB 173 65 67

HSL 358.89, 0.45%, 0.47%

LAB 42.87, 44.33, 22.26

 

CMYK 0 / 62 / 62 / 32

HEX #AD4141

RGB 173 65 65

HSL 0, 0.45%, 0.47%

LAB 42.83, 44.19, 23.43

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 6 / 62 / 0 / 32

HEX #A341AD

RGB 163 65 173

HSL 294.44, 0.45%, 0.47%

LAB 45.06, 55.18, -39.22

 

CMYK 23 / 62 / 0 / 32

HEX #8641AD

RGB 134 65 173

HSL 278.33, 0.45%, 0.47%

LAB 41, 48, -45.92

 

CMYK 39 / 62 / 0 / 32

HEX #6941AD

RGB 105 65 173

HSL 262.22, 0.45%, 0.47%

LAB 37.48, 41.22, -51.77

 

CMYK 56 / 62 / 0 / 32

HEX #4C41AD

RGB 76 65 173

HSL 246.11, 0.45%, 0.47%

LAB 34.67, 35.28, -56.46

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 76 / 13 / 24

HEX #C12EA7

RGB 193 46 167

HSL 310.61, 0.62%, 0.47%

LAB 47.08, 68.32, -32.16

 

CMYK 0 / 87 / 15 / 17

HEX #D41BB4

RGB 212 27 180

HSL 310.38, 0.77%, 0.47%

LAB 49.59, 78.32, -35.65

 

CMYK 0 / 97 / 16 / 9

HEX #E707C1

RGB 231 7 193

HSL 310.18, 0.94%, 0.47%

LAB 52.94, 85.66, -37.72

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 45 / 8 / 40

HEX #9A558E

RGB 154 85 142

HSL 310.43, 0.29%, 0.47%

LAB 46.07, 36.91, -19.28

 

CMYK 0 / 22 / 4 / 47

HEX #866881

RGB 134 104 129

HSL 310, 0.13%, 0.47%

LAB 47.69, 16.5, -9.25

 

CMYK 7 / 0 / 6 / 51

HEX #737C75

RGB 115 124 117

HSL 133.33, 0.04%, 0.47%

LAB 51.09, -4.78, 2.66

 

CMYK 33 / 0 / 27 / 44

HEX #608F68

RGB 96 143 104

HSL 130.21, 0.2%, 0.47%

LAB 55.21, -24.42, 15.8

 

CMYK 23 / 62 / 0 / 32

HEX #8641AD

RGB 134 65 173

HSL 278.33, 0.45%, 0.47%

LAB 41, 48, -45.92

 

CMYK 6 / 62 / 0 / 32

HEX #A241AD

RGB 162 65 173

HSL 293.89, 0.45%, 0.47%

LAB 44.91, 54.93, -39.46

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 62 / 27 / 32

HEX #AD417F

RGB 173 65 127

HSL 325.56, 0.45%, 0.47%

LAB 44.51, 50.54, -12.33

 

CMYK 0 / 62 / 43 / 32

HEX #AD4162

RGB 173 65 98

HSL 341.67, 0.45%, 0.47%

LAB 43.58, 47.05, 4.12

 

CMYK 0 / 62 / 11 / 56

HEX #712B65

RGB 113 43 101

HSL 310.29, 0.45%, 0.31%

LAB 29.86, 38.56, -19.36

 

CMYK 0 / 62 / 10 / 44

HEX #8F3680

RGB 143 54 128

HSL 310.11, 0.45%, 0.39%

LAB 37.91, 46.81, -23.5

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 54 / 9 / 25

HEX #C058AE

RGB 192 88 174

HSL 310.38, 0.45%, 0.55%

LAB 53.21, 52.62, -26.73

 

CMYK 0 / 42 / 7 / 20

HEX #CB76BC

RGB 203 118 188

HSL 310.59, 0.45%, 0.63%

LAB 61.03, 43.24, -22.62

 

CMYK 0 / 63 / 11 / 31

HEX #B0429D

RGB 176 66 157

HSL 310.36, 0.45%, 0.47%

LAB 46.39, 55.38, -27.49

 

CMYK 0 / 39 / 62 / 32

HEX #AD6941

RGB 173 105 65

HSL 22.22, 0.45%, 0.47%

LAB 51.12, 23.36, 33.68

 

CMYK 62 / 0 / 14 / 32

HEX #41AD94

RGB 65 173 148

HSL 166.11, 0.45%, 0.47%

LAB 64.28, -36.88, 3.76

 

CMYK 0 / 63 / 11 / 31

HEX #B0429D

RGB 176 66 157

HSL 310.36, 0.45%, 0.47%

LAB 46.39, 55.38, -27.49

 

CMYK 10 / 0 / 62 / 32

HEX #9BAD41

RGB 155 173 65

HSL 70, 0.45%, 0.47%

LAB 67.45, -21.51, 51.77

 

CMYK 62 / 10 / 0 / 32

HEX #419BAD

RGB 65 155 173

HSL 190, 0.45%, 0.47%

LAB 59.51, -21.09, -17.37

 

CMYK 0 / 63 / 11 / 31

HEX #B0429D

RGB 176 66 157

HSL 310.36, 0.45%, 0.47%

LAB 46.39, 55.38, -27.49

 

CMYK 0 / 39 / 62 / 32

HEX #AD6941

RGB 173 105 65

HSL 22.22, 0.45%, 0.47%

LAB 51.12, 23.36, 33.68

 

CMYK 62 / 0 / 52 / 32

HEX #41AD53

RGB 65 173 83

HSL 130, 0.45%, 0.47%

LAB 63.04, -49.96, 37.03

 

CMYK 62 / 23 / 0 / 32

HEX #4186AD

RGB 65 134 173

HSL 201.67, 0.45%, 0.47%

LAB 53.16, -9.65, -27.11

 

CMYK 0 / 63 / 11 / 31

HEX #B0429D

RGB 176 66 157

HSL 310.36, 0.45%, 0.47%

LAB 46.39, 55.38, -27.49

 

CMYK 0 / 21 / 62 / 32

HEX #AD8941

RGB 173 137 65

HSL 40, 0.45%, 0.47%

LAB 59.12, 5.43, 43

 

CMYK 62 / 0 / 52 / 32

HEX #41AD53

RGB 65 173 83

HSL 130, 0.45%, 0.47%

LAB 63.04, -49.96, 37.03

 

CMYK 62 / 42 / 0 / 32

HEX #4165AD

RGB 65 101 173

HSL 220, 0.45%, 0.47%

LAB 43.43, 10.24, -42.39

 

Description

Color code: HEX #B0429D | qconv.com Color code: HEX #B0429D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 66 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 66 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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