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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B056EC it is the complementary color #4FA913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B056EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B056EC shade: #B556E7, #C668FA, #D77AFF, #E88CFF and #F99EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B056EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B056EC shade: #B056EC, #9F44D9, #8E32C6, #7D20B3 and #6C0EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B056EC shade: #AF55EC, #D855EC, #EC55D7, #EC55AE and #EC5585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B056EC shade: #AF55EC, #8755EC, #5E55EC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B056EC shade matches the following richer shades: #AF55EC and #B245FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B056EC shade: #AF55EC, #AC64DC, #A973CD, #A682BE and #A392AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B056EC shade: #5F55EC, #8755EC, #AF55EC, #D855EC and #EC55D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B056EC shade: #8A17D6, #9E30E8, #AF55EC, #C17AF0 and #D29FF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B056EC shade: #B056EC, #EC5573 and #55EC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B056EC shade: #B056EC, #ECAF55 and #55ECAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B056EC shade: #B056EC, #EC5573, #91EC55 and #55ECCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B056EC shade: #B056EC, #EC6455, #91EC55 and #55DDEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 64 / 0 / 7

HEX #B056EC

RGB 176 86 236

HSL 276, 0.8%, 0.63%

LAB 53.97, 61.43, -61.09

 

Complementary color

CMYK 53 / 0 / 89 / 34

HEX #4FA913

RGB 79 169 19

HSL 96, 0.8%, 0.37%

LAB 61.73, -50.42, 60.09

 

CMYK 22 / 63 / 0 / 9

HEX #B556E7

RGB 181 86 231

HSL 279.31, 0.75%, 0.62%

LAB 54.29, 61.47, -57.73

 

CMYK 21 / 58 / 0 / 2

HEX #C668FA

RGB 198 104 250

HSL 278.63, 0.94%, 0.69%

LAB 60.61, 60.89, -58.08

 

CMYK 16 / 52 / 0 / 0

HEX #D77AFF

RGB 215 122 255

HSL 281.95, 1%, 0.74%

LAB 66.2, 57.31, -51.82

 

CMYK 9 / 45 / 0 / 0

HEX #E88CFF

RGB 232 140 255

HSL 288, 1%, 0.77%

LAB 71.64, 52.82, -43.12

 

CMYK 2 / 38 / 0 / 0

HEX #F99EFF

RGB 249 158 255

HSL 296.29, 1%, 0.81%

LAB 77.17, 48.53, -34.39

 

CMYK 25 / 64 / 0 / 7

HEX #B056EC

RGB 176 86 236

HSL 276, 0.8%, 0.63%

LAB 53.97, 61.43, -61.09

 

CMYK 27 / 69 / 0 / 15

HEX #9F44D9

RGB 159 68 217

HSL 276.64, 0.66%, 0.56%

LAB 47.64, 61.86, -60.65

 

CMYK 28 / 75 / 0 / 22

HEX #8E32C6

RGB 142 50 198

HSL 277.3, 0.6%, 0.49%

LAB 41.39, 61.89, -59.93

 

CMYK 30 / 82 / 0 / 30

HEX #7D20B3

RGB 125 32 179

HSL 277.96, 0.7%, 0.41%

LAB 35.3, 61.22, -58.76

 

CMYK 33 / 91 / 0 / 37

HEX #6C0EA0

RGB 108 14 160

HSL 278.63, 0.84%, 0.34%

LAB 29.51, 59.35, -56.89

 

CMYK 26 / 64 / 0 / 7

HEX #AF55EC

RGB 175 85 236

HSL 275.76, 0.8%, 0.63%

LAB 53.67, 61.68, -61.57

 

CMYK 8 / 64 / 0 / 7

HEX #D855EC

RGB 216 85 236

HSL 292.05, 0.8%, 0.63%

LAB 59.11, 70.8, -52.55

 

CMYK 0 / 64 / 9 / 7

HEX #EC55D7

RGB 236 85 215

HSL 308.34, 0.8%, 0.63%

LAB 60.99, 72.06, -37.62

 

CMYK 0 / 64 / 26 / 7

HEX #EC55AE

RGB 236 85 174

HSL 324.64, 0.8%, 0.63%

LAB 59.33, 66.38, -16.78

 

CMYK 0 / 64 / 44 / 7

HEX #EC5585

RGB 236 85 133

HSL 340.93, 0.8%, 0.63%

LAB 58.06, 61.84, 5.23

 

CMYK 26 / 64 / 0 / 7

HEX #AF55EC

RGB 175 85 236

HSL 275.76, 0.8%, 0.63%

LAB 53.67, 61.68, -61.57

 

CMYK 43 / 64 / 0 / 7

HEX #8755EC

RGB 135 85 236

HSL 259.87, 0.8%, 0.63%

LAB 49.14, 53.44, -69.12

 

CMYK 60 / 64 / 0 / 7

HEX #5E55EC

RGB 94 85 236

HSL 243.58, 0.8%, 0.63%

LAB 45.54, 46.33, -75.13

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 26 / 64 / 0 / 7

HEX #AF55EC

RGB 175 85 236

HSL 275.76, 0.8%, 0.63%

LAB 53.67, 61.68, -61.57

 

CMYK 29 / 73 / 0 / 2

HEX #B245FB

RGB 178 69 251

HSL 275.93, 0.96%, 0.63%

LAB 52.6, 72.31, -71.65

 

CMYK 26 / 64 / 0 / 7

HEX #AF55EC

RGB 175 85 236

HSL 275.76, 0.8%, 0.63%

LAB 53.67, 61.68, -61.57

 

CMYK 22 / 55 / 0 / 14

HEX #AC64DC

RGB 172 100 220

HSL 276, 0.63%, 0.63%

LAB 55.13, 50.05, -50.26

 

CMYK 18 / 44 / 0 / 20

HEX #A973CD

RGB 169 115 205

HSL 276, 0.47%, 0.63%

LAB 57.18, 37.81, -38.56

 

CMYK 13 / 32 / 0 / 25

HEX #A682BE

RGB 166 130 190

HSL 276, 0.32%, 0.63%

LAB 59.7, 25.14, -26.16

 

CMYK 7 / 17 / 0 / 31

HEX #A392AF

RGB 163 146 175

HSL 275.17, 0.15%, 0.63%

LAB 62.88, 11.86, -12.85

 

CMYK 60 / 64 / 0 / 7

HEX #5F55EC

RGB 95 85 236

HSL 243.97, 0.8%, 0.63%

LAB 45.62, 46.48, -75.01

 

CMYK 43 / 64 / 0 / 7

HEX #8755EC

RGB 135 85 236

HSL 259.87, 0.8%, 0.63%

LAB 49.14, 53.44, -69.12

 

CMYK 26 / 64 / 0 / 7

HEX #AF55EC

RGB 175 85 236

HSL 275.76, 0.8%, 0.63%

LAB 53.67, 61.68, -61.57

 

CMYK 8 / 64 / 0 / 7

HEX #D855EC

RGB 216 85 236

HSL 292.05, 0.8%, 0.63%

LAB 59.11, 70.8, -52.55

 

CMYK 0 / 64 / 8 / 7

HEX #EC55D8

RGB 236 85 216

HSL 307.95, 0.8%, 0.63%

LAB 61.03, 72.21, -38.11

 

CMYK 36 / 89 / 0 / 16

HEX #8A17D6

RGB 138 23 214

HSL 276.13, 0.81%, 0.46%

LAB 39.36, 72.61, -72.52

 

CMYK 32 / 79 / 0 / 9

HEX #9E30E8

RGB 158 48 232

HSL 275.87, 0.8%, 0.55%

LAB 45.92, 72.49, -71.98

 

CMYK 26 / 64 / 0 / 7

HEX #AF55EC

RGB 175 85 236

HSL 275.76, 0.8%, 0.63%

LAB 53.67, 61.68, -61.57

 

CMYK 20 / 49 / 0 / 6

HEX #C17AF0

RGB 193 122 240

HSL 276.1, 0.8%, 0.71%

LAB 62.97, 48.4, -48.85

 

CMYK 14 / 35 / 0 / 4

HEX #D29FF4

RGB 210 159 244

HSL 276, 0.79%, 0.79%

LAB 72.91, 34.19, -35.35

 

CMYK 25 / 64 / 0 / 7

HEX #B056EC

RGB 176 86 236

HSL 276, 0.8%, 0.63%

LAB 53.97, 61.43, -61.09

 

CMYK 0 / 64 / 51 / 7

HEX #EC5573

RGB 236 85 115

HSL 348.08, 0.8%, 0.63%

LAB 57.62, 60.25, 15.18

 

CMYK 64 / 0 / 51 / 7

HEX #55EC73

RGB 85 236 115

HSL 131.92, 0.8%, 0.63%

LAB 83.53, -64.45, 46.78

 

CMYK 25 / 64 / 0 / 7

HEX #B056EC

RGB 176 86 236

HSL 276, 0.8%, 0.63%

LAB 53.97, 61.43, -61.09

 

CMYK 0 / 26 / 64 / 7

HEX #ECAF55

RGB 236 175 85

HSL 35.76, 0.8%, 0.63%

LAB 75.54, 13.2, 53.71

 

CMYK 64 / 0 / 26 / 7

HEX #55ECAF

RGB 85 236 175

HSL 155.76, 0.8%, 0.63%

LAB 84.49, -53.9, 18.02

 

CMYK 25 / 64 / 0 / 7

HEX #B056EC

RGB 176 86 236

HSL 276, 0.8%, 0.63%

LAB 53.97, 61.43, -61.09

 

CMYK 0 / 64 / 51 / 7

HEX #EC5573

RGB 236 85 115

HSL 348.08, 0.8%, 0.63%

LAB 57.62, 60.25, 15.18

 

CMYK 39 / 0 / 64 / 7

HEX #91EC55

RGB 145 236 85

HSL 96.16, 0.8%, 0.63%

LAB 85.34, -52.03, 62.6

 

CMYK 64 / 0 / 13 / 7

HEX #55ECCD

RGB 85 236 205

HSL 167.68, 0.8%, 0.63%

LAB 85.16, -47.05, 3.3

 

CMYK 25 / 64 / 0 / 7

HEX #B056EC

RGB 176 86 236

HSL 276, 0.8%, 0.63%

LAB 53.97, 61.43, -61.09

 

CMYK 0 / 58 / 64 / 7

HEX #EC6455

RGB 236 100 85

HSL 5.96, 0.8%, 0.63%

LAB 59.53, 51.59, 34.94

 

CMYK 39 / 0 / 64 / 7

HEX #91EC55

RGB 145 236 85

HSL 96.16, 0.8%, 0.63%

LAB 85.34, -52.03, 62.6

 

CMYK 64 / 6 / 0 / 7

HEX #55DDEC

RGB 85 221 236

HSL 185.96, 0.8%, 0.63%

LAB 81.68, -32.06, -18.26

 

Description

Color code: HEX #B056EC | qconv.com Color code: HEX #B056EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 86 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 86 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 64 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 64% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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