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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0692A it is the complementary color #4F96D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0692A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0692A shade: #B56925, #C67B38, #D78D4B, #E89F5E and #F9B171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0692A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0692A shade: #B0692A, #9F5717, #8E4504, #7D3300 and #6C2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0692A shade: #B0692A, #B0452A and #B02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0692A shade: #B0692A, #B08D2A, #AFB02A, #8BB02A and #67B02A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0692A shade matches the following richer shades: #B0692A, #C26819 and #D46707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0692A shade: #B0692A, #9E6A3C, #8D6B4E, #7B6C5F and #696D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0692A shade: #B02A33, #B0452A, #B0692A, #B08C2A and #B0B02A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0692A shade: #6E411A, #8F5522, #B0692A, #CE7D36 and #D69357

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0692A shade: #B0692A, #57B02A and #332AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0692A shade: #B0692A, #2AB069 and #692AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0692A shade: #B0692A, #57B02A, #2A72B0 and #832AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0692A shade: #B0692A, #2FB02A, #2A72B0 and #AC2AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

Complementary color

CMYK 63 / 30 / 0 / 16

HEX #4F96D5

RGB 79 150 213

HSL 208.21, 0.61%, 0.57%

LAB 60.14, -3.03, -38.86

 

CMYK 0 / 42 / 80 / 29

HEX #B56925

RGB 181 105 37

HSL 28.33, 0.66%, 0.43%

LAB 51.91, 25.26, 48.79

 

CMYK 0 / 38 / 72 / 22

HEX #C67B38

RGB 198 123 56

HSL 28.31, 0.56%, 0.5%

LAB 58.47, 23.5, 47.48

 

CMYK 0 / 34 / 65 / 16

HEX #D78D4B

RGB 215 141 75

HSL 28.29, 0.64%, 0.57%

LAB 64.97, 21.98, 45.96

 

CMYK 0 / 31 / 59 / 9

HEX #E89F5E

RGB 232 159 94

HSL 28.26, 0.75%, 0.64%

LAB 71.39, 20.64, 44.42

 

CMYK 0 / 29 / 55 / 2

HEX #F9B171

RGB 249 177 113

HSL 28.24, 0.92%, 0.71%

LAB 77.74, 19.47, 42.92

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 45 / 86 / 38

HEX #9F5717

RGB 159 87 23

HSL 28.24, 0.75%, 0.36%

LAB 44.59, 25.23, 46.73

 

CMYK 0 / 51 / 97 / 44

HEX #8E4504

RGB 142 69 4

HSL 28.26, 0.95%, 0.29%

LAB 37.87, 27.42, 46.63

 

CMYK 0 / 59 / 100 / 51

HEX #7D3300

RGB 125 51 0

HSL 24.48, 1%, 0.25%

LAB 31.18, 29.83, 42.45

 

CMYK 0 / 69 / 100 / 58

HEX #6C2100

RGB 108 33 0

HSL 18.33, 1%, 0.21%

LAB 24.56, 31.99, 35.62

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 61 / 76 / 31

HEX #B0452A

RGB 176 69 42

HSL 12.09, 0.61%, 0.43%

LAB 43.73, 42.15, 37.93

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 20 / 76 / 31

HEX #B08D2A

RGB 176 141 42

HSL 44.33, 0.61%, 0.43%

LAB 60.29, 3.25, 54.54

 

CMYK 1 / 0 / 76 / 31

HEX #AFB02A

RGB 175 176 42

HSL 60.45, 0.61%, 0.43%

LAB 69.71, -15.8, 63.3

 

CMYK 21 / 0 / 76 / 31

HEX #8BB02A

RGB 139 176 42

HSL 76.57, 0.61%, 0.43%

LAB 67.06, -30.99, 59.88

 

CMYK 41 / 0 / 76 / 31

HEX #67B02A

RGB 103 176 42

HSL 92.69, 0.61%, 0.43%

LAB 65.04, -44.5, 57.25

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 46 / 87 / 24

HEX #C26819

RGB 194 104 25

HSL 28.05, 0.77%, 0.43%

LAB 53.43, 30.94, 55.42

 

CMYK 0 / 51 / 97 / 17

HEX #D46707

RGB 212 103 7

HSL 28.1, 0.94%, 0.43%

LAB 55.8, 38.5, 62.79

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 33 / 62 / 38

HEX #9E6A3C

RGB 158 106 60

HSL 28.16, 0.45%, 0.43%

LAB 49.38, 15.94, 33.87

 

CMYK 0 / 24 / 45 / 45

HEX #8D6B4E

RGB 141 107 78

HSL 27.62, 0.29%, 0.43%

LAB 47.92, 9.58, 21.47

 

CMYK 0 / 12 / 23 / 52

HEX #7B6C5F

RGB 123 108 95

HSL 27.86, 0.13%, 0.43%

LAB 46.66, 3.65, 9.44

 

CMYK 7 / 4 / 0 / 56

HEX #696D71

RGB 105 109 113

HSL 210, 0.04%, 0.43%

LAB 45.82, -0.67, -2.76

 

CMYK 0 / 76 / 71 / 31

HEX #B02A33

RGB 176 42 51

HSL 355.97, 0.61%, 0.43%

LAB 39.79, 53.56, 28.29

 

CMYK 0 / 61 / 76 / 31

HEX #B0452A

RGB 176 69 42

HSL 12.09, 0.61%, 0.43%

LAB 43.73, 42.15, 37.93

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 20 / 76 / 31

HEX #B08C2A

RGB 176 140 42

HSL 43.88, 0.61%, 0.43%

LAB 60.03, 3.8, 54.28

 

CMYK 0 / 0 / 76 / 31

HEX #B0B02A

RGB 176 176 42

HSL 60, 0.61%, 0.43%

LAB 69.79, -15.37, 63.4

 

CMYK 0 / 41 / 76 / 57

HEX #6E411A

RGB 110 65 26

HSL 27.86, 0.62%, 0.27%

LAB 32.19, 15.94, 31.1

 

CMYK 0 / 41 / 76 / 44

HEX #8F5522

RGB 143 85 34

HSL 28.07, 0.62%, 0.35%

LAB 41.93, 19.71, 38.58

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 39 / 74 / 19

HEX #CE7D36

RGB 206 125 54

HSL 28.03, 0.61%, 0.51%

LAB 59.94, 25.7, 50.27

 

CMYK 0 / 31 / 59 / 16

HEX #D69357

RGB 214 147 87

HSL 28.35, 0.61%, 0.59%

LAB 66.41, 19.14, 41.53

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 51 / 0 / 76 / 31

HEX #57B02A

RGB 87 176 42

HSL 99.85, 0.61%, 0.43%

LAB 64.36, -49.6, 56.35

 

CMYK 71 / 76 / 0 / 31

HEX #332AB0

RGB 51 42 176

HSL 244.03, 0.61%, 0.43%

LAB 28.1, 46.19, -69.1

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 76 / 0 / 40 / 31

HEX #2AB069

RGB 42 176 105

HSL 148.21, 0.61%, 0.43%

LAB 63.81, -51.48, 26.53

 

CMYK 40 / 76 / 0 / 31

HEX #692AB0

RGB 105 42 176

HSL 268.21, 0.61%, 0.43%

LAB 33.55, 53.53, -59.94

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 51 / 0 / 76 / 31

HEX #57B02A

RGB 87 176 42

HSL 99.85, 0.61%, 0.43%

LAB 64.36, -49.6, 56.35

 

CMYK 76 / 35 / 0 / 31

HEX #2A72B0

RGB 42 114 176

HSL 207.76, 0.61%, 0.43%

LAB 46.53, -0.47, -39.29

 

CMYK 26 / 76 / 0 / 31

HEX #832AB0

RGB 131 42 176

HSL 279.85, 0.61%, 0.43%

LAB 37.14, 58.19, -53.94

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 73 / 0 / 76 / 31

HEX #2FB02A

RGB 47 176 42

HSL 117.76, 0.61%, 0.43%

LAB 63.2, -59.01, 54.81

 

CMYK 76 / 35 / 0 / 31

HEX #2A72B0

RGB 42 114 176

HSL 207.76, 0.61%, 0.43%

LAB 46.53, -0.47, -39.29

 

CMYK 2 / 76 / 0 / 31

HEX #AC2AB0

RGB 172 42 176

HSL 298.21, 0.61%, 0.43%

LAB 43.6, 66.34, -43.23

 

Description

Color code: HEX #B0692A | qconv.com Color code: HEX #B0692A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 105 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 105 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 76 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 76% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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