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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B069EC it is the complementary color #4F9613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B069EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B069EC shade: #B569E7, #C67BFA, #D78DFF, #E89FFF and #F9B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B069EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B069EC shade: #B069EC, #9F57D9, #8E45C6, #7D33B3 and #6C21A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B069EC shade: #B069EC, #D369EC, #EC69E1, #EC69BE and #EC699B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B069EC shade: #B069EC, #8C69EC, #6969EC and #6969EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B069EC shade matches the following richer shades: #B069EC and #B15BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B069EC shade: #B069EC, #AF76DE, #AE84D1, #AC92C3 and #AB9FB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B069EC shade: #6969EC, #8C69EC, #AF69EC, #D269EC and #EC69E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B069EC shade: #891FE3, #9D44E7, #B069EC, #C38DF1 and #D6B2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B069EC shade: #B069EC, #EC698C and #69EC7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B069EC shade: #B069EC, #ECAF69 and #69ECAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B069EC shade: #B069EC, #EC698C, #A6EC69 and #69ECC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B069EC shade: #B069EC, #EC6D69, #A6EC69 and #69E8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

Complementary color

CMYK 47 / 0 / 87 / 41

HEX #4F9613

RGB 79 150 19

HSL 92.52, 0.78%, 0.33%

LAB 55.61, -43.04, 54.8

 

CMYK 22 / 55 / 0 / 9

HEX #B569E7

RGB 181 105 231

HSL 276.19, 0.72%, 0.66%

LAB 57.75, 52.17, -52.21

 

CMYK 21 / 51 / 0 / 2

HEX #C67BFA

RGB 198 123 250

HSL 275.43, 0.93%, 0.73%

LAB 64.22, 51.36, -52.34

 

CMYK 16 / 45 / 0 / 0

HEX #D78DFF

RGB 215 141 255

HSL 278.95, 1%, 0.78%

LAB 69.98, 47.57, -45.87

 

CMYK 9 / 38 / 0 / 0

HEX #E89FFF

RGB 232 159 255

HSL 285.63, 1%, 0.81%

LAB 75.56, 42.97, -37.03

 

CMYK 2 / 31 / 0 / 0

HEX #F9B1FF

RGB 249 177 255

HSL 295.38, 1%, 0.85%

LAB 81.18, 38.66, -28.21

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 27 / 60 / 0 / 15

HEX #9F57D9

RGB 159 87 217

HSL 273.23, 0.63%, 0.6%

LAB 50.92, 52.87, -55.38

 

CMYK 28 / 65 / 0 / 22

HEX #8E45C6

RGB 142 69 198

HSL 273.95, 0.53%, 0.52%

LAB 44.35, 53.57, -55.13

 

CMYK 30 / 72 / 0 / 30

HEX #7D33B3

RGB 125 51 179

HSL 274.69, 0.56%, 0.45%

LAB 37.81, 54, -54.68

 

CMYK 33 / 79 / 0 / 37

HEX #6C21A0

RGB 108 33 160

HSL 275.43, 0.66%, 0.38%

LAB 31.38, 53.88, -53.84

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 11 / 56 / 0 / 7

HEX #D369EC

RGB 211 105 236

HSL 288.55, 0.78%, 0.67%

LAB 61.66, 60.8, -48.56

 

CMYK 0 / 56 / 5 / 7

HEX #EC69E1

RGB 236 105 225

HSL 305.04, 0.78%, 0.67%

LAB 64.46, 65.33, -37.8

 

CMYK 0 / 56 / 19 / 7

HEX #EC69BE

RGB 236 105 190

HSL 321.07, 0.78%, 0.67%

LAB 63.06, 59.99, -20.27

 

CMYK 0 / 56 / 34 / 7

HEX #EC699B

RGB 236 105 155

HSL 337.1, 0.78%, 0.67%

LAB 61.91, 55.47, -1.96

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 41 / 56 / 0 / 7

HEX #8C69EC

RGB 140 105 236

HSL 256.03, 0.78%, 0.67%

LAB 53.74, 43.58, -61.65

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 29 / 64 / 0 / 2

HEX #B15BFA

RGB 177 91 250

HSL 272.45, 0.94%, 0.67%

LAB 55.82, 62.39, -65.91

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 21 / 47 / 0 / 13

HEX #AF76DE

RGB 175 118 222

HSL 272.88, 0.61%, 0.67%

LAB 59.29, 41.67, -44.76

 

CMYK 17 / 37 / 0 / 18

HEX #AE84D1

RGB 174 132 209

HSL 272.73, 0.46%, 0.67%

LAB 61.74, 30.68, -33.64

 

CMYK 12 / 25 / 0 / 24

HEX #AC92C3

RGB 172 146 195

HSL 271.84, 0.29%, 0.67%

LAB 64.38, 19.09, -21.75

 

CMYK 6 / 13 / 0 / 29

HEX #AB9FB6

RGB 171 159 182

HSL 271.3, 0.14%, 0.67%

LAB 67.15, 8.76, -10.3

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 41 / 56 / 0 / 7

HEX #8C69EC

RGB 140 105 236

HSL 256.03, 0.78%, 0.67%

LAB 53.74, 43.58, -61.65

 

CMYK 26 / 56 / 0 / 7

HEX #AF69EC

RGB 175 105 236

HSL 272.06, 0.78%, 0.67%

LAB 57.34, 51.8, -55.69

 

CMYK 11 / 56 / 0 / 7

HEX #D269EC

RGB 210 105 236

HSL 288.09, 0.78%, 0.67%

LAB 61.53, 60.54, -48.77

 

CMYK 0 / 56 / 4 / 7

HEX #EC69E3

RGB 236 105 227

HSL 304.12, 0.78%, 0.67%

LAB 64.55, 65.66, -38.78

 

CMYK 40 / 86 / 0 / 11

HEX #891FE3

RGB 137 31 227

HSL 272.45, 0.78%, 0.51%

LAB 40.97, 73.4, -77.35

 

CMYK 32 / 71 / 0 / 9

HEX #9D44E7

RGB 157 68 231

HSL 272.76, 0.77%, 0.59%

LAB 48.35, 64.55, -67.46

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 19 / 41 / 0 / 5

HEX #C38DF1

RGB 195 141 241

HSL 272.4, 0.78%, 0.75%

LAB 67.28, 38.96, -42.6

 

CMYK 13 / 27 / 0 / 4

HEX #D6B2F5

RGB 214 178 245

HSL 272.24, 0.77%, 0.83%

LAB 77.72, 25.29, -28.45

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 0 / 56 / 41 / 7

HEX #EC698C

RGB 236 105 140

HSL 343.97, 0.78%, 0.67%

LAB 61.51, 53.81, 6.1

 

CMYK 56 / 0 / 48 / 7

HEX #69EC7A

RGB 105 236 122

HSL 127.79, 0.78%, 0.67%

LAB 84.17, -59.18, 44.37

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 0 / 26 / 56 / 7

HEX #ECAF69

RGB 236 175 105

HSL 32.06, 0.78%, 0.67%

LAB 75.77, 14.62, 44.24

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAF

RGB 105 236 175

HSL 152.06, 0.78%, 0.67%

LAB 85.04, -50.03, 18.87

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 0 / 56 / 41 / 7

HEX #EC698C

RGB 236 105 140

HSL 343.97, 0.78%, 0.67%

LAB 61.51, 53.81, 6.1

 

CMYK 30 / 0 / 56 / 7

HEX #A6EC69

RGB 166 236 105

HSL 92.06, 0.78%, 0.67%

LAB 86.56, -43.16, 55.75

 

CMYK 56 / 0 / 15 / 7

HEX #69ECC9

RGB 105 236 201

HSL 163.97, 0.78%, 0.67%

LAB 85.61, -44.38, 6.11

 

CMYK 25 / 56 / 0 / 7

HEX #B069EC

RGB 176 105 236

HSL 272.52, 0.78%, 0.67%

LAB 57.45, 52.05, -55.5

 

CMYK 0 / 54 / 56 / 7

HEX #EC6D69

RGB 236 109 105

HSL 1.83, 0.78%, 0.67%

LAB 61.47, 48.74, 26.16

 

CMYK 30 / 0 / 56 / 7

HEX #A6EC69

RGB 166 236 105

HSL 92.06, 0.78%, 0.67%

LAB 86.56, -43.16, 55.75

 

CMYK 56 / 2 / 0 / 7

HEX #69E8EC

RGB 105 232 236

HSL 181.83, 0.78%, 0.67%

LAB 85.39, -33.87, -12.62

 

Description

Color code: HEX #B069EC | qconv.com Color code: HEX #B069EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 105 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 105 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 56 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 56% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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