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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06275 it is the complementary color #4F9D8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06275 shade: #B56270, #C67483, #D78696, #E898A9 and #F9AABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06275 shade: #B06275, #9F5062, #8E3E4F, #7D2C3C and #6C1A29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06275 shade: #B06275 and #B06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06275 shade: #B06275, #B0628A, #B0629F, #AC62B0 and #9762B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06275 shade matches the following richer shades: #B06275, #C3506C, #D63D62, #E92A58 and #FC174E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06275 shade: #B06275, #9D757F, #8A8889, #779B93 and #64AE9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06275 shade: #B0629F, #B0628A, #B06276, #B06462 and #B07862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06275 shade: #804050, #9B4E61, #B06275, #BE7E8D and #CC99A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06275 shade: #B06275, #B0AC62 and #6295B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06275 shade: #B06275, #76B062 and #6276B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06275 shade: #B06275, #B0AC62, #62B09D and #6266B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06275 shade: #B06275, #9DB062, #62B09D and #7662B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

Complementary color

CMYK 50 / 0 / 12 / 38

HEX #4F9D8A

RGB 79 157 138

HSL 165.38, 0.33%, 0.46%

LAB 59.54, -28.84, 2.56

 

CMYK 0 / 46 / 38 / 29

HEX #B56270

RGB 181 98 112

HSL 349.88, 0.36%, 0.55%

LAB 51.53, 34.94, 7.18

 

CMYK 0 / 41 / 34 / 22

HEX #C67483

RGB 198 116 131

HSL 349.02, 0.42%, 0.62%

LAB 58.17, 33.97, 5.82

 

CMYK 0 / 38 / 30 / 16

HEX #D78696

RGB 215 134 150

HSL 348.15, 0.5%, 0.68%

LAB 64.72, 33.06, 4.64

 

CMYK 0 / 34 / 27 / 9

HEX #E898A9

RGB 232 152 169

HSL 347.25, 0.63%, 0.75%

LAB 71.2, 32.21, 3.59

 

CMYK 0 / 32 / 24 / 2

HEX #F9AABC

RGB 249 170 188

HSL 346.33, 0.87%, 0.82%

LAB 77.59, 31.43, 2.64

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 50 / 38 / 38

HEX #9F5062

RGB 159 80 98

HSL 346.33, 0.33%, 0.47%

LAB 44.22, 34.68, 4.75

 

CMYK 0 / 56 / 44 / 44

HEX #8E3E4F

RGB 142 62 79

HSL 347.25, 0.39%, 0.4%

LAB 37.41, 35.65, 6.51

 

CMYK 0 / 65 / 52 / 51

HEX #7D2C3C

RGB 125 44 60

HSL 348.15, 0.48%, 0.33%

LAB 30.61, 36.49, 8.79

 

CMYK 0 / 76 / 62 / 58

HEX #6C1A29

RGB 108 26 41

HSL 349.02, 0.61%, 0.26%

LAB 23.96, 36.89, 11.89

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 44 / 44 / 31

HEX #B06262

RGB 176 98 98

HSL 0, 0.33%, 0.54%

LAB 50.51, 31.44, 13.96

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 44 / 22 / 31

HEX #B0628A

RGB 176 98 138

HSL 329.23, 0.33%, 0.54%

LAB 51.61, 36.69, -8.22

 

CMYK 0 / 44 / 10 / 31

HEX #B0629F

RGB 176 98 159

HSL 313.08, 0.33%, 0.54%

LAB 52.36, 40.11, -19.46

 

CMYK 2 / 44 / 0 / 31

HEX #AC62B0

RGB 172 98 176

HSL 296.92, 0.33%, 0.54%

LAB 52.55, 41.96, -29.13

 

CMYK 14 / 44 / 0 / 31

HEX #9762B0

RGB 151 98 176

HSL 280.77, 0.33%, 0.54%

LAB 50.04, 35.58, -33.24

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 59 / 45 / 24

HEX #C3506C

RGB 195 80 108

HSL 345.39, 0.49%, 0.54%

LAB 50, 48.51, 7.68

 

CMYK 0 / 71 / 54 / 16

HEX #D63D62

RGB 214 61 98

HSL 345.49, 0.65%, 0.54%

LAB 50.12, 61.42, 14.35

 

CMYK 0 / 82 / 62 / 9

HEX #E92A58

RGB 233 42 88

HSL 345.55, 0.81%, 0.54%

LAB 51.48, 71.56, 22.84

 

CMYK 0 / 91 / 69 / 1

HEX #FC174E

RGB 252 23 78

HSL 345.59, 0.97%, 0.54%

LAB 53.88, 79.12, 32.64

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 25 / 19 / 38

HEX #9D757F

RGB 157 117 127

HSL 345, 0.17%, 0.54%

LAB 53.41, 17.28, 0.66

 

CMYK 0 / 1 / 1 / 46

HEX #8A8889

RGB 138 136 137

HSL 330, 0.01%, 0.54%

LAB 56.9, 0.94, -0.28

 

CMYK 23 / 0 / 5 / 39

HEX #779B93

RGB 119 155 147

HSL 166.67, 0.15%, 0.54%

LAB 61.2, -14.12, 0.13

 

CMYK 43 / 0 / 10 / 32

HEX #64AE9C

RGB 100 174 156

HSL 165.41, 0.31%, 0.54%

LAB 66.04, -27.44, 2.03

 

CMYK 0 / 44 / 10 / 31

HEX #B0629F

RGB 176 98 159

HSL 313.08, 0.33%, 0.54%

LAB 52.36, 40.11, -19.46

 

CMYK 0 / 44 / 22 / 31

HEX #B0628A

RGB 176 98 138

HSL 329.23, 0.33%, 0.54%

LAB 51.61, 36.69, -8.22

 

CMYK 0 / 44 / 33 / 31

HEX #B06276

RGB 176 98 118

HSL 344.62, 0.33%, 0.54%

LAB 51.01, 33.84, 2.77

 

CMYK 0 / 43 / 44 / 31

HEX #B06462

RGB 176 100 98

HSL 1.54, 0.33%, 0.54%

LAB 50.95, 30.35, 14.57

 

CMYK 0 / 32 / 44 / 31

HEX #B07862

RGB 176 120 98

HSL 16.92, 0.33%, 0.54%

LAB 55.63, 19.23, 20.93

 

CMYK 0 / 50 / 38 / 50

HEX #804050

RGB 128 64 80

HSL 345, 0.33%, 0.38%

LAB 35.66, 29.41, 3.09

 

CMYK 0 / 50 / 37 / 39

HEX #9B4E61

RGB 155 78 97

HSL 345.19, 0.33%, 0.46%

LAB 43.18, 34.14, 3.8

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 34 / 26 / 25

HEX #BE7E8D

RGB 190 126 141

HSL 345.94, 0.33%, 0.62%

LAB 59.7, 26.91, 2.14

 

CMYK 0 / 25 / 19 / 20

HEX #CC99A6

RGB 204 153 166

HSL 344.71, 0.33%, 0.7%

LAB 68.29, 21.02, 0.67

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 2 / 44 / 31

HEX #B0AC62

RGB 176 172 98

HSL 56.92, 0.33%, 0.54%

LAB 69.2, -9.31, 38.43

 

CMYK 44 / 15 / 0 / 31

HEX #6295B0

RGB 98 149 176

HSL 200.77, 0.33%, 0.54%

LAB 59.18, -9.71, -19.44

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 33 / 0 / 44 / 31

HEX #76B062

RGB 118 176 98

HSL 104.62, 0.33%, 0.54%

LAB 66.35, -33.76, 34.01

 

CMYK 44 / 33 / 0 / 31

HEX #6276B0

RGB 98 118 176

HSL 224.62, 0.33%, 0.54%

LAB 50.32, 8.28, -33.14

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 0 / 2 / 44 / 31

HEX #B0AC62

RGB 176 172 98

HSL 56.92, 0.33%, 0.54%

LAB 69.2, -9.31, 38.43

 

CMYK 44 / 0 / 11 / 31

HEX #62B09D

RGB 98 176 157

HSL 165.38, 0.33%, 0.54%

LAB 66.58, -28.71, 2.24

 

CMYK 44 / 42 / 0 / 31

HEX #6266B0

RGB 98 102 176

HSL 236.92, 0.33%, 0.54%

LAB 45.95, 18.08, -40.02

 

CMYK 0 / 44 / 34 / 31

HEX #B06275

RGB 176 98 117

HSL 345.38, 0.33%, 0.54%

LAB 50.98, 33.71, 3.32

 

CMYK 11 / 0 / 44 / 31

HEX #9DB062

RGB 157 176 98

HSL 74.62, 0.33%, 0.54%

LAB 68.82, -19.11, 37.64

 

CMYK 44 / 0 / 11 / 31

HEX #62B09D

RGB 98 176 157

HSL 165.38, 0.33%, 0.54%

LAB 66.58, -28.71, 2.24

 

CMYK 33 / 44 / 0 / 31

HEX #7662B0

RGB 118 98 176

HSL 255.38, 0.33%, 0.54%

LAB 46.61, 25.92, -38.87

 

Description

Color code: HEX #B06275 | qconv.com Color code: HEX #B06275 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 98 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 98 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 34 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 34% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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