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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06277 it is the complementary color #4F9D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06277 shade: #B56272, #C67485, #D78698, #E898AB and #F9AABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06277 shade: #B06277, #9F5064, #8E3E51, #7D2C3E and #6C1A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06277 shade: #B06277 and #B06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06277 shade: #B06277, #B0628C, #B062A1, #AA62B0 and #9562B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06277 shade matches the following richer shades: #B06277, #C3506F, #D63D66, #E92A5D and #FC1754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06277 shade: #B06277, #9D7580, #8A8889, #779B92 and #64AE9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06277 shade: #B062A2, #B0628D, #B06278, #B06264 and #B07662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06277 shade: #804051, #9B4E63, #B06277, #BE7E8F and #CC99A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06277 shade: #B06277, #B0A962 and #6297B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06277 shade: #B06277, #78B062 and #6278B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06277 shade: #B06277, #B0A962, #62B09A and #6269B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06277 shade: #B06277, #9FB062, #62B09A and #7362B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

Complementary color

CMYK 50 / 0 / 13 / 38

HEX #4F9D88

RGB 79 157 136

HSL 163.85, 0.33%, 0.46%

LAB 59.48, -29.33, 3.61

 

CMYK 0 / 46 / 37 / 29

HEX #B56272

RGB 181 98 114

HSL 348.43, 0.36%, 0.55%

LAB 51.58, 35.19, 6.06

 

CMYK 0 / 41 / 33 / 22

HEX #C67485

RGB 198 116 133

HSL 347.56, 0.42%, 0.62%

LAB 58.22, 34.23, 4.74

 

CMYK 0 / 38 / 29 / 16

HEX #D78698

RGB 215 134 152

HSL 346.67, 0.5%, 0.68%

LAB 64.78, 33.32, 3.58

 

CMYK 0 / 34 / 26 / 9

HEX #E898AB

RGB 232 152 171

HSL 345.75, 0.63%, 0.75%

LAB 71.25, 32.49, 2.56

 

CMYK 0 / 32 / 24 / 2

HEX #F9AABE

RGB 249 170 190

HSL 344.81, 0.87%, 0.82%

LAB 77.64, 31.71, 1.63

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 50 / 37 / 38

HEX #9F5064

RGB 159 80 100

HSL 344.81, 0.33%, 0.47%

LAB 44.27, 34.93, 3.61

 

CMYK 0 / 56 / 43 / 44

HEX #8E3E51

RGB 142 62 81

HSL 345.75, 0.39%, 0.4%

LAB 37.46, 35.88, 5.32

 

CMYK 0 / 65 / 50 / 51

HEX #7D2C3E

RGB 125 44 62

HSL 346.67, 0.48%, 0.33%

LAB 30.66, 36.69, 7.54

 

CMYK 0 / 76 / 60 / 58

HEX #6C1A2B

RGB 108 26 43

HSL 347.56, 0.61%, 0.26%

LAB 24, 37.05, 10.59

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 44 / 44 / 31

HEX #B06262

RGB 176 98 98

HSL 0, 0.33%, 0.54%

LAB 50.51, 31.44, 13.96

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 44 / 20 / 31

HEX #B0628C

RGB 176 98 140

HSL 327.69, 0.33%, 0.54%

LAB 51.68, 36.99, -9.31

 

CMYK 0 / 44 / 9 / 31

HEX #B062A1

RGB 176 98 161

HSL 311.54, 0.33%, 0.54%

LAB 52.44, 40.46, -20.51

 

CMYK 3 / 44 / 0 / 31

HEX #AA62B0

RGB 170 98 176

HSL 295.38, 0.33%, 0.54%

LAB 52.3, 41.35, -29.53

 

CMYK 15 / 44 / 0 / 31

HEX #9562B0

RGB 149 98 176

HSL 279.23, 0.33%, 0.54%

LAB 49.81, 34.97, -33.61

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 59 / 43 / 24

HEX #C3506F

RGB 195 80 111

HSL 343.83, 0.49%, 0.54%

LAB 50.08, 48.82, 5.99

 

CMYK 0 / 71 / 52 / 16

HEX #D63D66

RGB 214 61 102

HSL 343.92, 0.65%, 0.54%

LAB 50.21, 61.73, 12.06

 

CMYK 0 / 82 / 60 / 9

HEX #E92A5D

RGB 233 42 93

HSL 343.98, 0.81%, 0.54%

LAB 51.58, 71.85, 19.95

 

CMYK 0 / 91 / 67 / 1

HEX #FC1754

RGB 252 23 84

HSL 344.02, 0.97%, 0.54%

LAB 53.97, 79.39, 29.2

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 25 / 18 / 38

HEX #9D7580

RGB 157 117 128

HSL 343.5, 0.17%, 0.54%

LAB 53.44, 17.44, 0.11

 

CMYK 0 / 1 / 1 / 46

HEX #8A8889

RGB 138 136 137

HSL 330, 0.01%, 0.54%

LAB 56.9, 0.94, -0.28

 

CMYK 23 / 0 / 6 / 39

HEX #779B92

RGB 119 155 146

HSL 165, 0.15%, 0.54%

LAB 61.17, -14.34, 0.65

 

CMYK 43 / 0 / 11 / 32

HEX #64AE9A

RGB 100 174 154

HSL 163.78, 0.31%, 0.54%

LAB 65.99, -27.91, 3.06

 

CMYK 0 / 44 / 8 / 31

HEX #B062A2

RGB 176 98 162

HSL 310.77, 0.33%, 0.54%

LAB 52.48, 40.63, -21.04

 

CMYK 0 / 44 / 20 / 31

HEX #B0628D

RGB 176 98 141

HSL 326.92, 0.33%, 0.54%

LAB 51.71, 37.15, -9.85

 

CMYK 0 / 44 / 32 / 31

HEX #B06278

RGB 176 98 120

HSL 343.08, 0.33%, 0.54%

LAB 51.06, 34.11, 1.66

 

CMYK 0 / 44 / 43 / 31

HEX #B06264

RGB 176 98 100

HSL 358.46, 0.33%, 0.54%

LAB 50.55, 31.66, 12.83

 

CMYK 0 / 33 / 44 / 31

HEX #B07662

RGB 176 118 98

HSL 15.38, 0.33%, 0.54%

LAB 55.14, 20.35, 20.28

 

CMYK 0 / 50 / 37 / 50

HEX #804051

RGB 128 64 81

HSL 344.06, 0.33%, 0.38%

LAB 35.69, 29.54, 2.5

 

CMYK 0 / 50 / 36 / 39

HEX #9B4E63

RGB 155 78 99

HSL 343.64, 0.33%, 0.46%

LAB 43.24, 34.4, 2.65

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 34 / 25 / 25

HEX #BE7E8F

RGB 190 126 143

HSL 344.06, 0.33%, 0.62%

LAB 59.75, 27.2, 1.07

 

CMYK 0 / 25 / 18 / 20

HEX #CC99A7

RGB 204 153 167

HSL 343.53, 0.33%, 0.7%

LAB 68.32, 21.18, 0.15

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 4 / 44 / 31

HEX #B0A962

RGB 176 169 98

HSL 54.62, 0.33%, 0.54%

LAB 68.38, -7.73, 37.41

 

CMYK 44 / 14 / 0 / 31

HEX #6297B0

RGB 98 151 176

HSL 199.23, 0.33%, 0.54%

LAB 59.77, -10.81, -18.55

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 32 / 0 / 44 / 31

HEX #78B062

RGB 120 176 98

HSL 103.08, 0.33%, 0.54%

LAB 66.46, -33.07, 34.17

 

CMYK 44 / 32 / 0 / 31

HEX #6278B0

RGB 98 120 176

HSL 223.08, 0.33%, 0.54%

LAB 50.88, 7.08, -32.26

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 0 / 4 / 44 / 31

HEX #B0A962

RGB 176 169 98

HSL 54.62, 0.33%, 0.54%

LAB 68.38, -7.73, 37.41

 

CMYK 44 / 0 / 13 / 31

HEX #62B09A

RGB 98 176 154

HSL 163.08, 0.33%, 0.54%

LAB 66.5, -29.41, 3.79

 

CMYK 44 / 40 / 0 / 31

HEX #6269B0

RGB 98 105 176

HSL 234.62, 0.33%, 0.54%

LAB 46.76, 16.23, -38.74

 

CMYK 0 / 44 / 32 / 31

HEX #B06277

RGB 176 98 119

HSL 343.85, 0.33%, 0.54%

LAB 51.03, 33.97, 2.21

 

CMYK 10 / 0 / 44 / 31

HEX #9FB062

RGB 159 176 98

HSL 73.08, 0.33%, 0.54%

LAB 68.97, -18.32, 37.86

 

CMYK 44 / 0 / 13 / 31

HEX #62B09A

RGB 98 176 154

HSL 163.08, 0.33%, 0.54%

LAB 66.5, -29.41, 3.79

 

CMYK 35 / 44 / 0 / 31

HEX #7362B0

RGB 115 98 176

HSL 253.08, 0.33%, 0.54%

LAB 46.33, 25.08, -39.33

 

Description

Color code: HEX #B06277 | qconv.com Color code: HEX #B06277 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 98 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 98 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 32 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 32% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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