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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06A73 it is the complementary color #4F958C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06A73 shade: #B56A6E, #C67C81, #D78E94, #E8A0A7 and #F9B2BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06A73 shade: #B06A73, #9F5860, #8E464D, #7D343A and #6C2227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06A73 shade: #AF6871 and #AF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06A73 shade: #AF6871, #AF6885, #AF6898, #AF68AB and #A168AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06A73 shade matches the following richer shades: #AF6871, #C25664, #D44356, #E73048 and #FA1E3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06A73 shade: #AF6871, #9D7B7F, #8A8D8D, #78A09B and #65B2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06A73 shade: #AF6898, #AF6885, #AF6872, #AF7268 and #AF8568

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06A73 shade: #81444C, #9C525C, #AF6871, #BE838B and #CC9EA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06A73 shade: #B06A73, #ABAF68 and #688EAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06A73 shade: #B06A73, #72AF68 and #6872AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06A73 shade: #B06A73, #ABAF68, #68AFA6 and #6D68AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06A73 shade: #B06A73, #95AF68, #68AFA6 and #8268AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 35 / 31

HEX #B06A73

RGB 176 106 115

HSL 352.29, 0.31%, 0.55%

LAB 52.7, 29.08, 6.98

 

Complementary color

CMYK 47 / 0 / 6 / 42

HEX #4F958C

RGB 79 149 140

HSL 172.29, 0.31%, 0.45%

LAB 57.12, -24.36, -2.1

 

CMYK 0 / 41 / 39 / 29

HEX #B56A6E

RGB 181 106 110

HSL 356.8, 0.34%, 0.56%

LAB 53.23, 30.38, 10.77

 

CMYK 0 / 37 / 35 / 22

HEX #C67C81

RGB 198 124 129

HSL 355.95, 0.39%, 0.63%

LAB 59.89, 29.4, 9.44

 

CMYK 0 / 34 / 31 / 16

HEX #D78E94

RGB 215 142 148

HSL 355.07, 0.48%, 0.7%

LAB 66.47, 28.5, 8.27

 

CMYK 0 / 31 / 28 / 9

HEX #E8A0A7

RGB 232 160 167

HSL 354.17, 0.61%, 0.77%

LAB 72.95, 27.69, 7.22

 

CMYK 0 / 29 / 25 / 2

HEX #F9B2BA

RGB 249 178 186

HSL 353.24, 0.86%, 0.84%

LAB 79.34, 26.94, 6.26

 

CMYK 0 / 40 / 35 / 31

HEX #B06A73

RGB 176 106 115

HSL 352.29, 0.31%, 0.55%

LAB 52.7, 29.08, 6.98

 

CMYK 0 / 45 / 40 / 38

HEX #9F5860

RGB 159 88 96

HSL 353.24, 0.29%, 0.48%

LAB 45.9, 30.08, 8.37

 

CMYK 0 / 51 / 46 / 44

HEX #8E464D

RGB 142 70 77

HSL 354.17, 0.34%, 0.42%

LAB 39.01, 31.17, 10.03

 

CMYK 0 / 58 / 54 / 51

HEX #7D343A

RGB 125 52 58

HSL 355.07, 0.41%, 0.35%

LAB 32.08, 32.28, 12.12

 

CMYK 0 / 69 / 64 / 58

HEX #6C2227

RGB 108 34 39

HSL 355.95, 0.52%, 0.28%

LAB 25.19, 33.24, 14.88

 

CMYK 0 / 41 / 35 / 31

HEX #AF6871

RGB 175 104 113

HSL 352.39, 0.31%, 0.55%

LAB 52.07, 29.54, 7.25

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 41 / 35 / 31

HEX #AF6871

RGB 175 104 113

HSL 352.39, 0.31%, 0.55%

LAB 52.07, 29.54, 7.25

 

CMYK 0 / 41 / 24 / 31

HEX #AF6885

RGB 175 104 133

HSL 335.49, 0.31%, 0.55%

LAB 52.63, 32.32, -3.77

 

CMYK 0 / 41 / 13 / 31

HEX #AF6898

RGB 175 104 152

HSL 319.44, 0.31%, 0.55%

LAB 53.26, 35.35, -14.01

 

CMYK 0 / 41 / 2 / 31

HEX #AF68AB

RGB 175 104 171

HSL 303.38, 0.31%, 0.55%

LAB 53.98, 38.72, -23.99

 

CMYK 8 / 41 / 0 / 31

HEX #A168AF

RGB 161 104 175

HSL 288.17, 0.31%, 0.55%

LAB 52.48, 35.08, -28.76

 

CMYK 0 / 41 / 35 / 31

HEX #AF6871

RGB 175 104 113

HSL 352.39, 0.31%, 0.55%

LAB 52.07, 29.54, 7.25

 

CMYK 0 / 56 / 48 / 24

HEX #C25664

RGB 194 86 100

HSL 352.22, 0.47%, 0.55%

LAB 50.74, 44.53, 13.49

 

CMYK 0 / 68 / 59 / 17

HEX #D44356

RGB 212 67 86

HSL 352.14, 0.63%, 0.55%

LAB 50.31, 57.74, 21.8

 

CMYK 0 / 79 / 69 / 9

HEX #E73048

RGB 231 48 72

HSL 352.13, 0.79%, 0.55%

LAB 51.35, 68.71, 32.16

 

CMYK 0 / 88 / 77 / 2

HEX #FA1E3A

RGB 250 30 58

HSL 352.36, 0.96%, 0.55%

LAB 53.55, 76.91, 43.72

 

CMYK 0 / 41 / 35 / 31

HEX #AF6871

RGB 175 104 113

HSL 352.39, 0.31%, 0.55%

LAB 52.07, 29.54, 7.25

 

CMYK 0 / 22 / 19 / 38

HEX #9D7B7F

RGB 157 123 127

HSL 352.94, 0.15%, 0.55%

LAB 54.93, 13.83, 2.87

 

CMYK 2 / 0 / 0 / 45

HEX #8A8D8D

RGB 138 141 141

HSL 180, 0.01%, 0.55%

LAB 58.39, -1.09, -0.39

 

CMYK 25 / 0 / 3 / 37

HEX #78A09B

RGB 120 160 155

HSL 172.5, 0.17%, 0.55%

LAB 62.93, -14.67, -1.84

 

CMYK 43 / 0 / 6 / 30

HEX #65B2A8

RGB 101 178 168

HSL 172.21, 0.33%, 0.55%

LAB 67.6, -26.26, -2.34

 

CMYK 0 / 41 / 13 / 31

HEX #AF6898

RGB 175 104 152

HSL 319.44, 0.31%, 0.55%

LAB 53.26, 35.35, -14.01

 

CMYK 0 / 41 / 24 / 31

HEX #AF6885

RGB 175 104 133

HSL 335.49, 0.31%, 0.55%

LAB 52.63, 32.32, -3.77

 

CMYK 0 / 41 / 35 / 31

HEX #AF6872

RGB 175 104 114

HSL 351.55, 0.31%, 0.55%

LAB 52.1, 29.67, 6.69

 

CMYK 0 / 35 / 41 / 31

HEX #AF7268

RGB 175 114 104

HSL 8.45, 0.31%, 0.55%

LAB 54.18, 22.87, 15.49

 

CMYK 0 / 24 / 41 / 31

HEX #AF8568

RGB 175 133 104

HSL 24.51, 0.31%, 0.55%

LAB 58.87, 12.2, 21.86

 

CMYK 0 / 47 / 41 / 49

HEX #81444C

RGB 129 68 76

HSL 352.13, 0.31%, 0.39%

LAB 36.6, 27.04, 6.98

 

CMYK 0 / 47 / 41 / 39

HEX #9C525C

RGB 156 82 92

HSL 351.89, 0.31%, 0.47%

LAB 44.05, 31.74, 8.13

 

CMYK 0 / 41 / 35 / 31

HEX #AF6871

RGB 175 104 113

HSL 352.39, 0.31%, 0.55%

LAB 52.07, 29.54, 7.25

 

CMYK 0 / 31 / 27 / 25

HEX #BE838B

RGB 190 131 139

HSL 351.86, 0.31%, 0.63%

LAB 60.82, 23.85, 4.9

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 40 / 35 / 31

HEX #B06A73

RGB 176 106 115

HSL 352.29, 0.31%, 0.55%

LAB 52.7, 29.08, 6.98

 

CMYK 2 / 0 / 41 / 31

HEX #ABAF68

RGB 171 175 104

HSL 63.38, 0.31%, 0.55%

LAB 69.69, -12.28, 35.88

 

CMYK 41 / 19 / 0 / 31

HEX #688EAF

RGB 104 142 175

HSL 207.89, 0.31%, 0.55%

LAB 57.45, -4.47, -21.5

 

CMYK 0 / 40 / 35 / 31

HEX #B06A73

RGB 176 106 115

HSL 352.29, 0.31%, 0.55%

LAB 52.7, 29.08, 6.98

 

CMYK 35 / 0 / 41 / 31

HEX #72AF68

RGB 114 175 104

HSL 111.55, 0.31%, 0.55%

LAB 65.93, -33.79, 30.31

 

CMYK 41 / 35 / 0 / 31

HEX #6872AF

RGB 104 114 175

HSL 231.55, 0.31%, 0.55%

LAB 49.58, 12.02, -33.68

 

CMYK 0 / 40 / 35 / 31

HEX #B06A73

RGB 176 106 115

HSL 352.29, 0.31%, 0.55%

LAB 52.7, 29.08, 6.98

 

CMYK 2 / 0 / 41 / 31

HEX #ABAF68

RGB 171 175 104

HSL 63.38, 0.31%, 0.55%

LAB 69.69, -12.28, 35.88

 

CMYK 41 / 0 / 5 / 31

HEX #68AFA6

RGB 104 175 166

HSL 172.39, 0.31%, 0.55%

LAB 66.79, -24.48, -2.41

 

CMYK 38 / 41 / 0 / 31

HEX #6D68AF

RGB 109 104 175

HSL 244.23, 0.31%, 0.55%

LAB 47.3, 19.5, -37.25

 

CMYK 0 / 40 / 35 / 31

HEX #B06A73

RGB 176 106 115

HSL 352.29, 0.31%, 0.55%

LAB 52.7, 29.08, 6.98

 

CMYK 15 / 0 / 41 / 31

HEX #95AF68

RGB 149 175 104

HSL 81.97, 0.31%, 0.55%

LAB 68.06, -21.04, 33.46

 

CMYK 41 / 0 / 5 / 31

HEX #68AFA6

RGB 104 175 166

HSL 172.39, 0.31%, 0.55%

LAB 66.79, -24.48, -2.41

 

CMYK 26 / 41 / 0 / 31

HEX #8268AF

RGB 130 104 175

HSL 261.97, 0.31%, 0.55%

LAB 49.18, 25.55, -34.16

 

Description

Color code: HEX #B06A73 | qconv.com Color code: HEX #B06A73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 106 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 106 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 35 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 35% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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