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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06E68 it is the complementary color #4F9197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06E68 shade: #B56E63, #C68076, #D79289, #E8A49C and #F9B6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06E68 shade: #B06E68, #9F5C55, #8E4A42, #7D382F and #6C261C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06E68 shade: #AF6E68 and #AF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06E68 shade: #AF6E68, #AF8168, #AF9468, #AFA868 and #A4AF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06E68 shade matches the following richer shades: #AF6E68, #C25F56, #D44F43, #E74030 and #FA301E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06E68 shade: #AF6E68, #9D7E7B, #8A8D8D, #789DA0 and #65ACB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06E68 shade: #AF6888, #AF6875, #AF6E68, #AF8168 and #AF9468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06E68 shade: #814944, #9C5852, #AF6E68, #BE8883 and #CCA29E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06E68 shade: #B06E68, #9BAF68 and #687FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06E68 shade: #B06E68, #68AF6E and #6E68AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06E68 shade: #B06E68, #9BAF68, #68A9AF and #7C68AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06E68 shade: #B06E68, #86AF68, #68A9AF and #9268AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 41 / 31

HEX #B06E68

RGB 176 110 104

HSL 5, 0.31%, 0.55%

LAB 53.36, 25.5, 14.37

 

Complementary color

CMYK 48 / 4 / 0 / 41

HEX #4F9197

RGB 79 145 151

HSL 185, 0.31%, 0.45%

LAB 56.24, -19.33, -9.72

 

CMYK 0 / 39 / 45 / 29

HEX #B56E63

RGB 181 110 99

HSL 8.05, 0.36%, 0.55%

LAB 53.9, 26.94, 18.12

 

CMYK 0 / 35 / 40 / 22

HEX #C68076

RGB 198 128 118

HSL 7.5, 0.41%, 0.62%

LAB 60.56, 25.89, 16.67

 

CMYK 0 / 32 / 36 / 16

HEX #D79289

RGB 215 146 137

HSL 6.92, 0.49%, 0.69%

LAB 67.13, 24.96, 15.38

 

CMYK 0 / 29 / 33 / 9

HEX #E8A49C

RGB 232 164 156

HSL 6.32, 0.62%, 0.76%

LAB 73.61, 24.12, 14.22

 

CMYK 0 / 27 / 30 / 2

HEX #F9B6AF

RGB 249 182 175

HSL 5.68, 0.86%, 0.83%

LAB 80.01, 23.36, 13.15

 

CMYK 0 / 38 / 41 / 31

HEX #B06E68

RGB 176 110 104

HSL 5, 0.31%, 0.55%

LAB 53.36, 25.5, 14.37

 

CMYK 0 / 42 / 47 / 38

HEX #9F5C55

RGB 159 92 85

HSL 5.68, 0.3%, 0.48%

LAB 46.55, 26.6, 15.91

 

CMYK 0 / 48 / 54 / 44

HEX #8E4A42

RGB 142 74 66

HSL 6.32, 0.37%, 0.41%

LAB 39.65, 27.83, 17.72

 

CMYK 0 / 55 / 62 / 51

HEX #7D382F

RGB 125 56 47

HSL 6.92, 0.45%, 0.34%

LAB 32.69, 29.18, 19.94

 

CMYK 0 / 65 / 74 / 58

HEX #6C261C

RGB 108 38 28

HSL 7.5, 0.59%, 0.27%

LAB 25.74, 30.54, 22.73

 

CMYK 0 / 37 / 41 / 31

HEX #AF6E68

RGB 175 110 104

HSL 5.07, 0.31%, 0.55%

LAB 53.24, 25.1, 14.18

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 37 / 41 / 31

HEX #AF6E68

RGB 175 110 104

HSL 5.07, 0.31%, 0.55%

LAB 53.24, 25.1, 14.18

 

CMYK 0 / 26 / 41 / 31

HEX #AF8168

RGB 175 129 104

HSL 21.13, 0.31%, 0.55%

LAB 57.86, 14.44, 20.5

 

CMYK 0 / 15 / 41 / 31

HEX #AF9468

RGB 175 148 104

HSL 37.18, 0.31%, 0.55%

LAB 62.75, 3.85, 27.01

 

CMYK 0 / 4 / 41 / 31

HEX #AFA868

RGB 175 168 104

HSL 54.08, 0.31%, 0.55%

LAB 68.11, -6.97, 33.94

 

CMYK 6 / 0 / 41 / 31

HEX #A4AF68

RGB 164 175 104

HSL 69.3, 0.31%, 0.55%

LAB 69.15, -15.11, 35.08

 

CMYK 0 / 37 / 41 / 31

HEX #AF6E68

RGB 175 110 104

HSL 5.07, 0.31%, 0.55%

LAB 53.24, 25.1, 14.18

 

CMYK 0 / 51 / 56 / 24

HEX #C25F56

RGB 194 95 86

HSL 5, 0.47%, 0.55%

LAB 52.2, 38.79, 23.74

 

CMYK 0 / 63 / 68 / 17

HEX #D44F43

RGB 212 79 67

HSL 4.97, 0.63%, 0.55%

LAB 51.83, 51.65, 34.83

 

CMYK 0 / 72 / 79 / 9

HEX #E74030

RGB 231 64 48

HSL 5.25, 0.79%, 0.55%

LAB 52.81, 62.9, 47.19

 

CMYK 0 / 81 / 88 / 2

HEX #FA301E

RGB 250 48 30

HSL 4.91, 0.96%, 0.55%

LAB 54.59, 72.66, 58.53

 

CMYK 0 / 37 / 41 / 31

HEX #AF6E68

RGB 175 110 104

HSL 5.07, 0.31%, 0.55%

LAB 53.24, 25.1, 14.18

 

CMYK 0 / 20 / 22 / 38

HEX #9D7E7B

RGB 157 126 123

HSL 5.29, 0.15%, 0.55%

LAB 55.6, 11.47, 6.16

 

CMYK 2 / 0 / 0 / 45

HEX #8A8D8D

RGB 138 141 141

HSL 180, 0.01%, 0.55%

LAB 58.39, -1.09, -0.39

 

CMYK 25 / 2 / 0 / 37

HEX #789DA0

RGB 120 157 160

HSL 184.5, 0.17%, 0.55%

LAB 62.21, -11.91, -5.72

 

CMYK 43 / 3 / 0 / 30

HEX #65ACB2

RGB 101 172 178

HSL 184.68, 0.33%, 0.55%

LAB 66.13, -20.68, -10.07

 

CMYK 0 / 41 / 22 / 31

HEX #AF6888

RGB 175 104 136

HSL 332.96, 0.31%, 0.55%

LAB 52.72, 32.77, -5.4

 

CMYK 0 / 41 / 33 / 31

HEX #AF6875

RGB 175 104 117

HSL 349.01, 0.31%, 0.55%

LAB 52.17, 30.06, 5.03

 

CMYK 0 / 37 / 41 / 31

HEX #AF6E68

RGB 175 110 104

HSL 5.07, 0.31%, 0.55%

LAB 53.24, 25.1, 14.18

 

CMYK 0 / 26 / 41 / 31

HEX #AF8168

RGB 175 129 104

HSL 21.13, 0.31%, 0.55%

LAB 57.86, 14.44, 20.5

 

CMYK 0 / 15 / 41 / 31

HEX #AF9468

RGB 175 148 104

HSL 37.18, 0.31%, 0.55%

LAB 62.75, 3.85, 27.01

 

CMYK 0 / 43 / 47 / 49

HEX #814944

RGB 129 73 68

HSL 4.92, 0.31%, 0.39%

LAB 37.57, 23.22, 13.36

 

CMYK 0 / 44 / 47 / 39

HEX #9C5852

RGB 156 88 82

HSL 4.86, 0.31%, 0.47%

LAB 45.16, 27.3, 15.74

 

CMYK 0 / 37 / 41 / 31

HEX #AF6E68

RGB 175 110 104

HSL 5.07, 0.31%, 0.55%

LAB 53.24, 25.1, 14.18

 

CMYK 0 / 28 / 31 / 25

HEX #BE8883

RGB 190 136 131

HSL 5.08, 0.31%, 0.63%

LAB 61.82, 19.97, 10.89

 

CMYK 0 / 21 / 23 / 20

HEX #CCA29E

RGB 204 162 158

HSL 5.22, 0.31%, 0.71%

LAB 70.28, 14.88, 7.98

 

CMYK 0 / 38 / 41 / 31

HEX #B06E68

RGB 176 110 104

HSL 5, 0.31%, 0.55%

LAB 53.36, 25.5, 14.37

 

CMYK 11 / 0 / 41 / 31

HEX #9BAF68

RGB 155 175 104

HSL 76.9, 0.31%, 0.55%

LAB 68.48, -18.69, 34.09

 

CMYK 41 / 27 / 0 / 31

HEX #687FAF

RGB 104 127 175

HSL 220.56, 0.31%, 0.55%

LAB 53.19, 4.23, -28.06

 

CMYK 0 / 38 / 41 / 31

HEX #B06E68

RGB 176 110 104

HSL 5, 0.31%, 0.55%

LAB 53.36, 25.5, 14.37

 

CMYK 41 / 0 / 37 / 31

HEX #68AF6E

RGB 104 175 110

HSL 125.07, 0.31%, 0.55%

LAB 65.54, -36.07, 26.52

 

CMYK 37 / 41 / 0 / 31

HEX #6E68AF

RGB 110 104 175

HSL 245.07, 0.31%, 0.55%

LAB 47.38, 19.77, -37.12

 

CMYK 0 / 38 / 41 / 31

HEX #B06E68

RGB 176 110 104

HSL 5, 0.31%, 0.55%

LAB 53.36, 25.5, 14.37

 

CMYK 11 / 0 / 41 / 31

HEX #9BAF68

RGB 155 175 104

HSL 76.9, 0.31%, 0.55%

LAB 68.48, -18.69, 34.09

 

CMYK 41 / 3 / 0 / 31

HEX #68A9AF

RGB 104 169 175

HSL 185.07, 0.31%, 0.55%

LAB 65.29, -19.15, -9.64

 

CMYK 29 / 41 / 0 / 31

HEX #7C68AF

RGB 124 104 175

HSL 256.9, 0.31%, 0.55%

LAB 48.61, 23.77, -35.09

 

CMYK 0 / 38 / 41 / 31

HEX #B06E68

RGB 176 110 104

HSL 5, 0.31%, 0.55%

LAB 53.36, 25.5, 14.37

 

CMYK 23 / 0 / 41 / 31

HEX #86AF68

RGB 134 175 104

HSL 94.65, 0.31%, 0.55%

LAB 67.07, -26.73, 32

 

CMYK 41 / 3 / 0 / 31

HEX #68A9AF

RGB 104 169 175

HSL 185.07, 0.31%, 0.55%

LAB 65.29, -19.15, -9.64

 

CMYK 17 / 41 / 0 / 31

HEX #9268AF

RGB 146 104 175

HSL 275.49, 0.31%, 0.55%

LAB 50.81, 30.41, -31.49

 

Description

Color code: HEX #B06E68 | qconv.com Color code: HEX #B06E68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 110 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 110 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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