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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06F62 it is the complementary color #4F909D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06F62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06F62 shade: #B56F5D, #C68170, #D79383, #E8A596 and #F9B7A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06F62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06F62 shade: #B06F62, #9F5D4F, #8E4B3C, #7D3929 and #6C2716

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06F62 shade: #B06F62 and #B06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06F62 shade: #B06F62, #B08462, #B09962, #B0AE62 and #9DB062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06F62 shade matches the following richer shades: #B06F62, #C36350, #D6563D, #E9492A and #FC3D17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06F62 shade: #B06F62, #9D7C75, #8A8988, #77959B and #64A2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06F62 shade: #B0627F, #B0626A, #B06F62, #B08462 and #B09962

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06F62 shade: #804B40, #9B5B4E, #B06F62, #BE897E and #CCA299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06F62 shade: #B06F62, #94B062 and #6275B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06F62 shade: #B06F62, #62B06F and #6F62B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06F62 shade: #B06F62, #94B062, #62A3B0 and #7F62B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06F62 shade: #B06F62, #7CB062, #62A3B0 and #9662B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

Complementary color

CMYK 50 / 8 / 0 / 38

HEX #4F909D

RGB 79 144 157

HSL 190, 0.33%, 0.46%

LAB 56.13, -17.11, -13.32

 

CMYK 0 / 39 / 49 / 29

HEX #B56F5D

RGB 181 111 93

HSL 12.27, 0.37%, 0.54%

LAB 54.01, 25.77, 21.74

 

CMYK 0 / 35 / 43 / 22

HEX #C68170

RGB 198 129 112

HSL 11.86, 0.43%, 0.61%

LAB 60.67, 24.67, 20.22

 

CMYK 0 / 32 / 39 / 16

HEX #D79383

RGB 215 147 131

HSL 11.43, 0.51%, 0.68%

LAB 67.24, 23.71, 18.87

 

CMYK 0 / 29 / 35 / 9

HEX #E8A596

RGB 232 165 150

HSL 10.98, 0.64%, 0.75%

LAB 73.72, 22.84, 17.64

 

CMYK 0 / 27 / 32 / 2

HEX #F9B7A9

RGB 249 183 169

HSL 10.5, 0.87%, 0.82%

LAB 80.11, 22.07, 16.52

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 42 / 50 / 38

HEX #9F5D4F

RGB 159 93 79

HSL 10.5, 0.34%, 0.47%

LAB 46.66, 25.42, 19.63

 

CMYK 0 / 47 / 58 / 44

HEX #8E4B3C

RGB 142 75 60

HSL 10.98, 0.41%, 0.4%

LAB 39.76, 26.72, 21.52

 

CMYK 0 / 54 / 67 / 51

HEX #7D3929

RGB 125 57 41

HSL 11.43, 0.51%, 0.33%

LAB 32.8, 28.19, 23.79

 

CMYK 0 / 64 / 80 / 58

HEX #6C2716

RGB 108 39 22

HSL 11.86, 0.66%, 0.25%

LAB 25.85, 29.72, 26.52

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 44 / 44 / 31

HEX #B06262

RGB 176 98 98

HSL 0, 0.33%, 0.54%

LAB 50.51, 31.44, 13.96

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 25 / 44 / 31

HEX #B08462

RGB 176 132 98

HSL 26.15, 0.33%, 0.54%

LAB 58.62, 12.49, 24.9

 

CMYK 0 / 13 / 44 / 31

HEX #B09962

RGB 176 153 98

HSL 42.31, 0.33%, 0.54%

LAB 64.08, 0.86, 31.99

 

CMYK 0 / 1 / 44 / 31

HEX #B0AE62

RGB 176 174 98

HSL 58.46, 0.33%, 0.54%

LAB 69.74, -10.36, 39.11

 

CMYK 11 / 0 / 44 / 31

HEX #9DB062

RGB 157 176 98

HSL 74.62, 0.33%, 0.54%

LAB 68.82, -19.11, 37.64

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 49 / 59 / 24

HEX #C36350

RGB 195 99 80

HSL 9.91, 0.49%, 0.54%

LAB 53.06, 36.64, 28.35

 

CMYK 0 / 60 / 71 / 16

HEX #D6563D

RGB 214 86 61

HSL 9.8, 0.65%, 0.54%

LAB 53.26, 48.93, 39.91

 

CMYK 0 / 69 / 82 / 9

HEX #E9492A

RGB 233 73 42

HSL 9.74, 0.81%, 0.54%

LAB 54.3, 60.11, 51.71

 

CMYK 0 / 76 / 91 / 1

HEX #FC3D17

RGB 252 61 23

HSL 9.96, 0.97%, 0.54%

LAB 56.18, 69.61, 62.42

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 21 / 25 / 38

HEX #9D7C75

RGB 157 124 117

HSL 10.5, 0.17%, 0.54%

LAB 54.94, 11.68, 8.69

 

CMYK 0 / 1 / 1 / 46

HEX #8A8988

RGB 138 137 136

HSL 30, 0.01%, 0.54%

LAB 57.15, 0.18, 0.66

 

CMYK 23 / 4 / 0 / 39

HEX #77959B

RGB 119 149 155

HSL 190, 0.15%, 0.54%

LAB 59.69, -9.04, -6.62

 

CMYK 43 / 7 / 0 / 32

HEX #64A2AE

RGB 100 162 174

HSL 189.73, 0.31%, 0.54%

LAB 63.02, -16.78, -12.5

 

CMYK 0 / 44 / 28 / 31

HEX #B0627F

RGB 176 98 127

HSL 337.69, 0.33%, 0.54%

LAB 51.26, 35.07, -2.21

 

CMYK 0 / 44 / 40 / 31

HEX #B0626A

RGB 176 98 106

HSL 353.85, 0.33%, 0.54%

LAB 50.69, 32.34, 9.47

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 25 / 44 / 31

HEX #B08462

RGB 176 132 98

HSL 26.15, 0.33%, 0.54%

LAB 58.62, 12.49, 24.9

 

CMYK 0 / 13 / 44 / 31

HEX #B09962

RGB 176 153 98

HSL 42.31, 0.33%, 0.54%

LAB 64.08, 0.86, 31.99

 

CMYK 0 / 41 / 50 / 50

HEX #804B40

RGB 128 75 64

HSL 10.31, 0.33%, 0.38%

LAB 37.83, 21.19, 16.16

 

CMYK 0 / 41 / 50 / 39

HEX #9B5B4E

RGB 155 91 78

HSL 10.13, 0.33%, 0.46%

LAB 45.64, 24.79, 18.76

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 0 / 28 / 34 / 25

HEX #BE897E

RGB 190 137 126

HSL 10.31, 0.33%, 0.62%

LAB 61.95, 18.76, 13.91

 

CMYK 0 / 21 / 25 / 20

HEX #CCA299

RGB 204 162 153

HSL 10.59, 0.33%, 0.7%

LAB 70.16, 14.15, 10.58

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 16 / 0 / 44 / 31

HEX #94B062

RGB 148 176 98

HSL 81.54, 0.33%, 0.54%

LAB 68.19, -22.67, 36.71

 

CMYK 44 / 34 / 0 / 31

HEX #6275B0

RGB 98 117 176

HSL 225.38, 0.33%, 0.54%

LAB 50.04, 8.89, -33.57

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 44 / 0 / 37 / 31

HEX #62B06F

RGB 98 176 111

HSL 130, 0.33%, 0.54%

LAB 65.59, -38.16, 26

 

CMYK 37 / 44 / 0 / 31

HEX #6F62B0

RGB 111 98 176

HSL 250, 0.33%, 0.54%

LAB 45.97, 23.99, -39.92

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 16 / 0 / 44 / 31

HEX #94B062

RGB 148 176 98

HSL 81.54, 0.33%, 0.54%

LAB 68.19, -22.67, 36.71

 

CMYK 44 / 7 / 0 / 31

HEX #62A3B0

RGB 98 163 176

HSL 190, 0.33%, 0.54%

LAB 63.28, -17.28, -13.23

 

CMYK 28 / 44 / 0 / 31

HEX #7F62B0

RGB 127 98 176

HSL 262.31, 0.33%, 0.54%

LAB 47.47, 28.48, -37.45

 

CMYK 0 / 37 / 44 / 31

HEX #B06F62

RGB 176 111 98

HSL 10, 0.33%, 0.54%

LAB 53.47, 24.27, 18.02

 

CMYK 30 / 0 / 44 / 31

HEX #7CB062

RGB 124 176 98

HSL 100, 0.33%, 0.54%

LAB 66.69, -31.65, 34.5

 

CMYK 44 / 7 / 0 / 31

HEX #62A3B0

RGB 98 163 176

HSL 190, 0.33%, 0.54%

LAB 63.28, -17.28, -13.23

 

CMYK 15 / 44 / 0 / 31

HEX #9662B0

RGB 150 98 176

HSL 280, 0.33%, 0.54%

LAB 49.92, 35.28, -33.43

 

Description

Color code: HEX #B06F62 | qconv.com Color code: HEX #B06F62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 111 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 111 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 44 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 44% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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