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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B074CD it is the complementary color #4F8B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B074CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B074CD shade: #B574C8, #C686DB, #D798EE, #E8AAFF and #F9BCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B074CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B074CD shade: #B074CD, #9F62BA, #8E50A7, #7D3E94 and #6C2C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B074CD shade: #B074CC, #C874CC, #CC74BA, #CC74A2 and #CC748A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B074CD shade: #B074CC, #9874CC, #8074CC and #7474CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B074CD shade matches the following richer shades: #B074CC, #B565DC, #BA55EB and #C046FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B074CD shade: #B074CC, #AA83BD, #A592AE, #A0A29F and #9AB18F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B074CD shade: #8074CC, #9774CC, #AF74CC, #C774CC and #CC74BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B074CD shade: #8A3FAF, #9E55C2, #B074CC, #C192D7 and #D2B0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B074CD shade: #B074CD, #CC7480 and #74CC8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B074CD shade: #B074CD, #CCAF74 and #74CCAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B074CD shade: #B074CD, #CC7480, #91CC74 and #74CCC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B074CD shade: #B074CD, #CC8374, #91CC74 and #74BECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 43 / 0 / 20

HEX #B074CD

RGB 176 116 205

HSL 280.45, 0.47%, 0.63%

LAB 58.16, 39.31, -36.97

 

Complementary color

CMYK 43 / 0 / 64 / 45

HEX #4F8B32

RGB 79 139 50

HSL 100.45, 0.47%, 0.37%

LAB 52.24, -36.3, 40.46

 

CMYK 10 / 42 / 0 / 22

HEX #B574C8

RGB 181 116 200

HSL 286.43, 0.43%, 0.62%

LAB 58.49, 39.75, -33.57

 

CMYK 10 / 39 / 0 / 14

HEX #C686DB

RGB 198 134 219

HSL 285.18, 0.54%, 0.69%

LAB 65.1, 38.98, -33.82

 

CMYK 10 / 36 / 0 / 7

HEX #D798EE

RGB 215 152 238

HSL 283.95, 0.72%, 0.76%

LAB 71.61, 38.24, -34.06

 

CMYK 9 / 33 / 0 / 0

HEX #E8AAFF

RGB 232 170 255

HSL 283.76, 1%, 0.83%

LAB 77.95, 37.15, -33.33

 

CMYK 2 / 26 / 0 / 0

HEX #F9BCFF

RGB 249 188 255

HSL 294.63, 1%, 0.87%

LAB 83.61, 32.87, -24.5

 

CMYK 14 / 43 / 0 / 20

HEX #B074CD

RGB 176 116 205

HSL 280.45, 0.47%, 0.63%

LAB 58.16, 39.31, -36.97

 

CMYK 15 / 47 / 0 / 27

HEX #9F62BA

RGB 159 98 186

HSL 281.59, 0.39%, 0.56%

LAB 51.44, 40.12, -36.77

 

CMYK 15 / 52 / 0 / 35

HEX #8E50A7

RGB 142 80 167

HSL 282.76, 0.35%, 0.48%

LAB 44.63, 40.93, -36.54

 

CMYK 16 / 58 / 0 / 42

HEX #7D3E94

RGB 125 62 148

HSL 283.95, 0.41%, 0.41%

LAB 37.74, 41.68, -36.2

 

CMYK 16 / 66 / 0 / 49

HEX #6C2C81

RGB 108 44 129

HSL 285.18, 0.49%, 0.34%

LAB 30.82, 42.21, -35.66

 

CMYK 14 / 43 / 0 / 20

HEX #B074CC

RGB 176 116 204

HSL 280.91, 0.46%, 0.63%

LAB 58.11, 39.1, -36.47

 

CMYK 2 / 43 / 0 / 20

HEX #C874CC

RGB 200 116 204

HSL 297.27, 0.46%, 0.63%

LAB 60.9, 46.23, -31.93

 

CMYK 0 / 43 / 9 / 20

HEX #CC74BA

RGB 204 116 186

HSL 312.27, 0.46%, 0.63%

LAB 60.67, 44.25, -22.03

 

CMYK 0 / 43 / 21 / 20

HEX #CC74A2

RGB 204 116 162

HSL 328.64, 0.46%, 0.63%

LAB 59.83, 40.41, -9.56

 

CMYK 0 / 43 / 32 / 20

HEX #CC748A

RGB 204 116 138

HSL 345, 0.46%, 0.63%

LAB 59.13, 37.06, 3.25

 

CMYK 14 / 43 / 0 / 20

HEX #B074CC

RGB 176 116 204

HSL 280.91, 0.46%, 0.63%

LAB 58.11, 39.1, -36.47

 

CMYK 25 / 43 / 0 / 20

HEX #9874CC

RGB 152 116 204

HSL 264.55, 0.46%, 0.63%

LAB 55.61, 32.12, -40.58

 

CMYK 37 / 43 / 0 / 20

HEX #8074CC

RGB 128 116 204

HSL 248.18, 0.46%, 0.63%

LAB 53.43, 25.51, -44.17

 

CMYK 43 / 43 / 0 / 20

HEX #7474CC

RGB 116 116 204

HSL 240, 0.46%, 0.63%

LAB 52.47, 22.42, -45.75

 

CMYK 14 / 43 / 0 / 20

HEX #B074CC

RGB 176 116 204

HSL 280.91, 0.46%, 0.63%

LAB 58.11, 39.1, -36.47

 

CMYK 18 / 54 / 0 / 14

HEX #B565DC

RGB 181 101 220

HSL 280.34, 0.63%, 0.63%

LAB 56.39, 51.85, -48.2

 

CMYK 21 / 64 / 0 / 8

HEX #BA55EB

RGB 186 85 235

HSL 280.4, 0.79%, 0.63%

LAB 55, 63.88, -58.79

 

CMYK 23 / 72 / 0 / 2

HEX #C046FA

RGB 192 70 250

HSL 280.67, 0.95%, 0.63%

LAB 54.54, 74.29, -67.87

 

CMYK 14 / 43 / 0 / 20

HEX #B074CC

RGB 176 116 204

HSL 280.91, 0.46%, 0.63%

LAB 58.11, 39.1, -36.47

 

CMYK 10 / 31 / 0 / 26

HEX #AA83BD

RGB 170 131 189

HSL 280.34, 0.31%, 0.63%

LAB 60.3, 25.65, -24.64

 

CMYK 5 / 16 / 0 / 32

HEX #A592AE

RGB 165 146 174

HSL 280.71, 0.15%, 0.63%

LAB 63.02, 12.35, -12.05

 

CMYK 1 / 0 / 2 / 36

HEX #A0A29F

RGB 160 162 159

HSL 100, 0.02%, 0.63%

LAB 66.38, -1.28, 1.3

 

CMYK 13 / 0 / 19 / 31

HEX #9AB18F

RGB 154 177 143

HSL 100.59, 0.18%, 0.63%

LAB 69.68, -14.36, 14.79

 

CMYK 37 / 43 / 0 / 20

HEX #8074CC

RGB 128 116 204

HSL 248.18, 0.46%, 0.63%

LAB 53.43, 25.51, -44.17

 

CMYK 26 / 43 / 0 / 20

HEX #9774CC

RGB 151 116 204

HSL 263.86, 0.46%, 0.63%

LAB 55.51, 31.84, -40.74

 

CMYK 14 / 43 / 0 / 20

HEX #AF74CC

RGB 175 116 204

HSL 280.23, 0.46%, 0.63%

LAB 58, 38.8, -36.65

 

CMYK 2 / 43 / 0 / 20

HEX #C774CC

RGB 199 116 204

HSL 296.59, 0.46%, 0.63%

LAB 60.78, 45.93, -32.12

 

CMYK 0 / 43 / 8 / 20

HEX #CC74BB

RGB 204 116 187

HSL 311.59, 0.46%, 0.63%

LAB 60.71, 44.42, -22.54

 

CMYK 21 / 64 / 0 / 31

HEX #8A3FAF

RGB 138 63 175

HSL 280.18, 0.47%, 0.47%

LAB 41.3, 50.39, -46.6

 

CMYK 19 / 56 / 0 / 24

HEX #9E55C2

RGB 158 85 194

HSL 280.18, 0.47%, 0.55%

LAB 49.08, 48.51, -45.14

 

CMYK 14 / 43 / 0 / 20

HEX #B074CC

RGB 176 116 204

HSL 280.91, 0.46%, 0.63%

LAB 58.11, 39.1, -36.47

 

CMYK 10 / 32 / 0 / 16

HEX #C192D7

RGB 193 146 215

HSL 280.87, 0.46%, 0.71%

LAB 67.13, 30.05, -28.5

 

CMYK 7 / 22 / 0 / 11

HEX #D2B0E2

RGB 210 176 226

HSL 280.8, 0.46%, 0.79%

LAB 76.22, 21.25, -20.5

 

CMYK 14 / 43 / 0 / 20

HEX #B074CD

RGB 176 116 205

HSL 280.45, 0.47%, 0.63%

LAB 58.16, 39.31, -36.97

 

CMYK 0 / 43 / 37 / 20

HEX #CC7480

RGB 204 116 128

HSL 351.82, 0.46%, 0.63%

LAB 58.87, 35.82, 8.67

 

CMYK 43 / 0 / 32 / 20

HEX #74CC8B

RGB 116 204 139

HSL 135.68, 0.46%, 0.63%

LAB 75.3, -40.52, 24.34

 

CMYK 14 / 43 / 0 / 20

HEX #B074CD

RGB 176 116 205

HSL 280.45, 0.47%, 0.63%

LAB 58.16, 39.31, -36.97

 

CMYK 0 / 14 / 43 / 20

HEX #CCAF74

RGB 204 175 116

HSL 40.23, 0.46%, 0.63%

LAB 72.73, 2.51, 34.09

 

CMYK 43 / 0 / 14 / 20

HEX #74CCAF

RGB 116 204 175

HSL 160.23, 0.46%, 0.63%

LAB 76.07, -33.29, 6.22

 

CMYK 14 / 43 / 0 / 20

HEX #B074CD

RGB 176 116 205

HSL 280.45, 0.47%, 0.63%

LAB 58.16, 39.31, -36.97

 

CMYK 0 / 43 / 37 / 20

HEX #CC7480

RGB 204 116 128

HSL 351.82, 0.46%, 0.63%

LAB 58.87, 35.82, 8.67

 

CMYK 29 / 0 / 43 / 20

HEX #91CC74

RGB 145 204 116

HSL 100.23, 0.46%, 0.63%

LAB 76.35, -34.91, 37.84

 

CMYK 43 / 0 / 5 / 20

HEX #74CCC1

RGB 116 204 193

HSL 172.5, 0.46%, 0.63%

LAB 76.53, -29.12, -2.8

 

CMYK 14 / 43 / 0 / 20

HEX #B074CD

RGB 176 116 205

HSL 280.45, 0.47%, 0.63%

LAB 58.16, 39.31, -36.97

 

CMYK 0 / 36 / 43 / 20

HEX #CC8374

RGB 204 131 116

HSL 10.23, 0.46%, 0.63%

LAB 61.94, 26.39, 19.8

 

CMYK 29 / 0 / 43 / 20

HEX #91CC74

RGB 145 204 116

HSL 100.23, 0.46%, 0.63%

LAB 76.35, -34.91, 37.84

 

CMYK 43 / 7 / 0 / 20

HEX #74BECC

RGB 116 190 204

HSL 189.55, 0.46%, 0.63%

LAB 72.83, -19.39, -14.27

 

Description

Color code: HEX #B074CD | qconv.com Color code: HEX #B074CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 116 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 116 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 43 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 43% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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