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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B075C9 it is the complementary color #4F8A36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B075C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B075C9 shade: #B575C4, #C687D7, #D799EA, #E8ABFD and #F9BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B075C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B075C9 shade: #B075C9, #9F63B6, #8E51A3, #7D3F90 and #6C2D7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B075C9 shade: #AF73C8, #C673C8, #C873B4, #C8739D and #C87386

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B075C9 shade: #AF73C8, #9873C8, #8173C8 and #7373C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B075C9 shade matches the following richer shades: #AF73C8, #B563D8, #BC54E8 and #C244F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B075C9 shade: #AF73C8, #A983B9, #A292A9, #9CA299 and #95B28A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B075C9 shade: #8173C8, #9873C8, #AF73C8, #C573C8 and #C873B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B075C9 shade: #8941A8, #9E55BD, #AF73C8, #C091D4 and #D1AEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B075C9 shade: #B075C9, #C8737B and #73C88D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B075C9 shade: #B075C9, #C8AF73 and #73C8AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B075C9 shade: #B075C9, #C8737B, #8DC873 and #73C8C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B075C9 shade: #B075C9, #C88473, #8DC873 and #73B7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 42 / 0 / 21

HEX #B075C9

RGB 176 117 201

HSL 282.14, 0.44%, 0.62%

LAB 58.2, 37.91, -34.64

 

Complementary color

CMYK 43 / 0 / 61 / 46

HEX #4F8A36

RGB 79 138 54

HSL 102.14, 0.44%, 0.38%

LAB 51.96, -35.44, 38.26

 

CMYK 8 / 40 / 0 / 23

HEX #B575C4

RGB 181 117 196

HSL 288.61, 0.4%, 0.61%

LAB 58.54, 38.39, -31.23

 

CMYK 8 / 37 / 0 / 16

HEX #C687D7

RGB 198 135 215

HSL 287.25, 0.5%, 0.69%

LAB 65.15, 37.63, -31.51

 

CMYK 8 / 35 / 0 / 8

HEX #D799EA

RGB 215 153 234

HSL 285.93, 0.66%, 0.76%

LAB 71.67, 36.91, -31.77

 

CMYK 8 / 32 / 0 / 1

HEX #E8ABFD

RGB 232 171 253

HSL 284.63, 0.95%, 0.83%

LAB 78.09, 36.22, -32.03

 

CMYK 2 / 26 / 0 / 0

HEX #F9BDFF

RGB 249 189 255

HSL 294.55, 1%, 0.87%

LAB 83.84, 32.35, -24.16

 

CMYK 12 / 42 / 0 / 21

HEX #B075C9

RGB 176 117 201

HSL 282.14, 0.44%, 0.62%

LAB 58.2, 37.91, -34.64

 

CMYK 13 / 46 / 0 / 29

HEX #9F63B6

RGB 159 99 182

HSL 283.37, 0.36%, 0.55%

LAB 51.46, 38.71, -34.42

 

CMYK 13 / 50 / 0 / 36

HEX #8E51A3

RGB 142 81 163

HSL 284.63, 0.34%, 0.48%

LAB 44.63, 39.52, -34.16

 

CMYK 13 / 56 / 0 / 44

HEX #7D3F90

RGB 125 63 144

HSL 285.93, 0.39%, 0.41%

LAB 37.71, 40.28, -33.81

 

CMYK 14 / 64 / 0 / 51

HEX #6C2D7D

RGB 108 45 125

HSL 287.25, 0.47%, 0.33%

LAB 30.75, 40.85, -33.27

 

CMYK 13 / 43 / 0 / 22

HEX #AF73C8

RGB 175 115 200

HSL 282.35, 0.44%, 0.62%

LAB 57.6, 38.5, -35.01

 

CMYK 1 / 43 / 0 / 22

HEX #C673C8

RGB 198 115 200

HSL 298.59, 0.44%, 0.62%

LAB 60.28, 45.41, -30.64

 

CMYK 0 / 43 / 10 / 22

HEX #C873B4

RGB 200 115 180

HSL 314.12, 0.44%, 0.62%

LAB 59.74, 42.48, -20.07

 

CMYK 0 / 43 / 22 / 22

HEX #C8739D

RGB 200 115 157

HSL 330.35, 0.44%, 0.62%

LAB 58.95, 38.82, -8.05

 

CMYK 0 / 43 / 33 / 22

HEX #C87386

RGB 200 115 134

HSL 346.59, 0.44%, 0.62%

LAB 58.28, 35.62, 4.29

 

CMYK 13 / 43 / 0 / 22

HEX #AF73C8

RGB 175 115 200

HSL 282.35, 0.44%, 0.62%

LAB 57.6, 38.5, -35.01

 

CMYK 24 / 43 / 0 / 22

HEX #9873C8

RGB 152 115 200

HSL 266.12, 0.44%, 0.62%

LAB 55.18, 31.73, -38.98

 

CMYK 36 / 43 / 0 / 22

HEX #8173C8

RGB 129 115 200

HSL 249.88, 0.44%, 0.62%

LAB 53.06, 25.28, -42.47

 

CMYK 43 / 43 / 0 / 22

HEX #7373C8

RGB 115 115 200

HSL 240, 0.44%, 0.62%

LAB 51.92, 21.61, -44.34

 

CMYK 13 / 43 / 0 / 22

HEX #AF73C8

RGB 175 115 200

HSL 282.35, 0.44%, 0.62%

LAB 57.6, 38.5, -35.01

 

CMYK 16 / 54 / 0 / 15

HEX #B563D8

RGB 181 99 216

HSL 282.05, 0.6%, 0.62%

LAB 55.79, 52.02, -46.88

 

CMYK 19 / 64 / 0 / 9

HEX #BC54E8

RGB 188 84 232

HSL 282.16, 0.76%, 0.62%

LAB 54.93, 64.15, -57.22

 

CMYK 21 / 72 / 0 / 3

HEX #C244F7

RGB 194 68 247

HSL 282.23, 0.92%, 0.62%

LAB 54.36, 74.82, -66.48

 

CMYK 13 / 43 / 0 / 22

HEX #AF73C8

RGB 175 115 200

HSL 282.35, 0.44%, 0.62%

LAB 57.6, 38.5, -35.01

 

CMYK 9 / 29 / 0 / 27

HEX #A983B9

RGB 169 131 185

HSL 282.22, 0.28%, 0.62%

LAB 60.04, 24.49, -22.76

 

CMYK 4 / 14 / 0 / 34

HEX #A292A9

RGB 162 146 169

HSL 281.74, 0.12%, 0.62%

LAB 62.6, 10.29, -9.89

 

CMYK 4 / 0 / 6 / 36

HEX #9CA299

RGB 156 162 153

HSL 100, 0.05%, 0.62%

LAB 65.91, -3.85, 3.93

 

CMYK 16 / 0 / 22 / 30

HEX #95B28A

RGB 149 178 138

HSL 103.5, 0.21%, 0.62%

LAB 69.52, -17.53, 17.24

 

CMYK 36 / 43 / 0 / 22

HEX #8173C8

RGB 129 115 200

HSL 249.88, 0.44%, 0.62%

LAB 53.06, 25.28, -42.47

 

CMYK 24 / 43 / 0 / 22

HEX #9873C8

RGB 152 115 200

HSL 266.12, 0.44%, 0.62%

LAB 55.18, 31.73, -38.98

 

CMYK 13 / 43 / 0 / 22

HEX #AF73C8

RGB 175 115 200

HSL 282.35, 0.44%, 0.62%

LAB 57.6, 38.5, -35.01

 

CMYK 1 / 43 / 0 / 22

HEX #C573C8

RGB 197 115 200

HSL 297.88, 0.44%, 0.62%

LAB 60.16, 45.11, -30.83

 

CMYK 0 / 43 / 10 / 22

HEX #C873B4

RGB 200 115 180

HSL 314.12, 0.44%, 0.62%

LAB 59.74, 42.48, -20.07

 

CMYK 18 / 61 / 0 / 34

HEX #8941A8

RGB 137 65 168

HSL 281.94, 0.44%, 0.46%

LAB 41.1, 47.64, -42.77

 

CMYK 16 / 55 / 0 / 26

HEX #9E55BD

RGB 158 85 189

HSL 282.12, 0.44%, 0.54%

LAB 48.81, 47.43, -42.67

 

CMYK 13 / 43 / 0 / 22

HEX #AF73C8

RGB 175 115 200

HSL 282.35, 0.44%, 0.62%

LAB 57.6, 38.5, -35.01

 

CMYK 9 / 32 / 0 / 17

HEX #C091D4

RGB 192 145 212

HSL 282.09, 0.44%, 0.7%

LAB 66.68, 29.67, -27.53

 

CMYK 6 / 22 / 0 / 13

HEX #D1AEDF

RGB 209 174 223

HSL 282.86, 0.43%, 0.78%

LAB 75.55, 21.42, -19.89

 

CMYK 12 / 42 / 0 / 21

HEX #B075C9

RGB 176 117 201

HSL 282.14, 0.44%, 0.62%

LAB 58.2, 37.91, -34.64

 

CMYK 0 / 43 / 39 / 22

HEX #C8737B

RGB 200 115 123

HSL 354.35, 0.44%, 0.62%

LAB 58.01, 34.27, 10.27

 

CMYK 43 / 0 / 30 / 22

HEX #73C88D

RGB 115 200 141

HSL 138.35, 0.44%, 0.62%

LAB 74.11, -38.65, 21.66

 

CMYK 12 / 42 / 0 / 21

HEX #B075C9

RGB 176 117 201

HSL 282.14, 0.44%, 0.62%

LAB 58.2, 37.91, -34.64

 

CMYK 0 / 13 / 43 / 22

HEX #C8AF73

RGB 200 175 115

HSL 42.35, 0.44%, 0.62%

LAB 72.35, 0.77, 34.04

 

CMYK 43 / 0 / 13 / 22

HEX #73C8AF

RGB 115 200 175

HSL 162.35, 0.44%, 0.62%

LAB 74.86, -31.67, 4.47

 

CMYK 12 / 42 / 0 / 21

HEX #B075C9

RGB 176 117 201

HSL 282.14, 0.44%, 0.62%

LAB 58.2, 37.91, -34.64

 

CMYK 0 / 43 / 39 / 22

HEX #C8737B

RGB 200 115 123

HSL 354.35, 0.44%, 0.62%

LAB 58.01, 34.27, 10.27

 

CMYK 30 / 0 / 43 / 22

HEX #8DC873

RGB 141 200 115

HSL 101.65, 0.44%, 0.62%

LAB 74.96, -34.58, 36.52

 

CMYK 43 / 0 / 4 / 22

HEX #73C8C0

RGB 115 200 192

HSL 174.35, 0.44%, 0.62%

LAB 75.3, -27.67, -4.07

 

CMYK 12 / 42 / 0 / 21

HEX #B075C9

RGB 176 117 201

HSL 282.14, 0.44%, 0.62%

LAB 58.2, 37.91, -34.64

 

CMYK 0 / 34 / 43 / 22

HEX #C88473

RGB 200 132 115

HSL 12, 0.44%, 0.62%

LAB 61.67, 24.16, 19.92

 

CMYK 30 / 0 / 43 / 22

HEX #8DC873

RGB 141 200 115

HSL 101.65, 0.44%, 0.62%

LAB 74.96, -34.58, 36.52

 

CMYK 43 / 9 / 0 / 22

HEX #73B7C8

RGB 115 183 200

HSL 192, 0.44%, 0.62%

LAB 70.65, -17.07, -15.36

 

Description

Color code: HEX #B075C9 | qconv.com Color code: HEX #B075C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 117 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 117 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 42 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 42% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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