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Color name
HEX #B07F26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B07F26 it is the complementary color #4F80D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B07F26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B07F26 shade: #B57F21, #C69134, #D7A347, #E8B55A and #F9C76D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B07F26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B07F26 shade: #B07F26, #9F6D13, #8E5B00, #7D4900 and #6C3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B07F26 shade: #AF7E26, #AF5A26, #AF3526 and #AF2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B07F26 shade: #AF7E26, #AFA326, #96AF26, #71AF26 and #4CAF26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B07F26 shade matches the following richer shades: #AF7E26, #C08415 and #D28903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B07F26 shade: #AF7E26, #9E7937, #8C7449, #7B6F5A and #6A6A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B07F26 shade: #AF3426, #AF5826, #AF7D26, #AFA126 and #98AF26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B07F26 shade: #6B4E17, #8D661F, #AF7E26, #D1972E and #D8A850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B07F26 shade: #B07F26, #3DAF26 and #4626AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B07F26 shade: #B07F26, #26AF7D and #7D26AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B07F26 shade: #B07F26, #3DAF26, #2658AF and #9826AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B07F26 shade: #B07F26, #26AF38, #2658AF and #AF269D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 78 / 31

HEX #B07F26

RGB 176 127 38

HSL 38.7, 0.64%, 0.42%

LAB 56.63, 10.85, 52.62

 

Complementary color

CMYK 64 / 41 / 0 / 15

HEX #4F80D9

RGB 79 128 217

HSL 218.7, 0.64%, 0.58%

LAB 54.14, 11.33, -50.58

 

CMYK 0 / 30 / 82 / 29

HEX #B57F21

RGB 181 127 33

HSL 38.11, 0.69%, 0.42%

LAB 57.18, 12.91, 55.2

 

CMYK 0 / 27 / 74 / 22

HEX #C69134

RGB 198 145 52

HSL 38.22, 0.58%, 0.49%

LAB 63.76, 11.27, 54.7

 

CMYK 0 / 24 / 67 / 16

HEX #D7A347

RGB 215 163 71

HSL 38.33, 0.64%, 0.56%

LAB 70.24, 9.88, 53.7

 

CMYK 0 / 22 / 61 / 9

HEX #E8B55A

RGB 232 181 90

HSL 38.45, 0.76%, 0.63%

LAB 76.64, 8.69, 52.5

 

CMYK 0 / 20 / 56 / 2

HEX #F9C76D

RGB 249 199 109

HSL 38.57, 0.92%, 0.7%

LAB 82.96, 7.66, 51.22

 

CMYK 0 / 28 / 78 / 31

HEX #B07F26

RGB 176 127 38

HSL 38.7, 0.64%, 0.42%

LAB 56.63, 10.85, 52.62

 

CMYK 0 / 31 / 88 / 38

HEX #9F6D13

RGB 159 109 19

HSL 38.57, 0.79%, 0.35%

LAB 49.92, 12.66, 52.52

 

CMYK 0 / 36 / 100 / 44

HEX #8E5B00

RGB 142 91 0

HSL 38.45, 1%, 0.28%

LAB 43.11, 14.78, 51.26

 

CMYK 0 / 42 / 100 / 51

HEX #7D4900

RGB 125 73 0

HSL 35.04, 1%, 0.25%

LAB 36.22, 17.37, 45.66

 

CMYK 0 / 49 / 100 / 58

HEX #6C3700

RGB 108 55 0

HSL 30.56, 1%, 0.21%

LAB 29.21, 20.06, 39.71

 

CMYK 0 / 28 / 78 / 31

HEX #AF7E26

RGB 175 126 38

HSL 38.54, 0.64%, 0.42%

LAB 56.26, 10.96, 52.23

 

CMYK 0 / 49 / 78 / 31

HEX #AF5A26

RGB 175 90 38

HSL 22.77, 0.64%, 0.42%

LAB 47.71, 30.92, 43.98

 

CMYK 0 / 70 / 78 / 31

HEX #AF3526

RGB 175 53 38

HSL 6.57, 0.64%, 0.42%

LAB 40.9, 48.65, 37.07

 

CMYK 0 / 78 / 78 / 31

HEX #AF2626

RGB 175 38 38

HSL 0, 0.64%, 0.42%

LAB 38.97, 53.99, 35.04

 

CMYK 0 / 28 / 78 / 31

HEX #AF7E26

RGB 175 126 38

HSL 38.54, 0.64%, 0.42%

LAB 56.26, 10.96, 52.23

 

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

CMYK 14 / 0 / 78 / 31

HEX #96AF26

RGB 150 175 38

HSL 70.95, 0.64%, 0.42%

LAB 67.49, -26.16, 61.81

 

CMYK 35 / 0 / 78 / 31

HEX #71AF26

RGB 113 175 38

HSL 87.15, 0.64%, 0.42%

LAB 65.21, -40.78, 58.87

 

CMYK 57 / 0 / 78 / 31

HEX #4CAF26

RGB 76 175 38

HSL 103.36, 0.64%, 0.42%

LAB 63.62, -52.59, 56.81

 

CMYK 0 / 28 / 78 / 31

HEX #AF7E26

RGB 175 126 38

HSL 38.54, 0.64%, 0.42%

LAB 56.26, 10.96, 52.23

 

CMYK 0 / 31 / 89 / 25

HEX #C08415

RGB 192 132 21

HSL 38.95, 0.8%, 0.42%

LAB 59.67, 14.72, 61.42

 

CMYK 0 / 35 / 99 / 18

HEX #D28903

RGB 210 137 3

HSL 38.84, 0.97%, 0.42%

LAB 63.01, 19.65, 68.05

 

CMYK 0 / 28 / 78 / 31

HEX #AF7E26

RGB 175 126 38

HSL 38.54, 0.64%, 0.42%

LAB 56.26, 10.96, 52.23

 

CMYK 0 / 23 / 65 / 38

HEX #9E7937

RGB 158 121 55

HSL 38.45, 0.48%, 0.42%

LAB 53.19, 7.02, 40.85

 

CMYK 0 / 17 / 48 / 45

HEX #8C7449

RGB 140 116 73

HSL 38.51, 0.31%, 0.42%

LAB 50.15, 3.38, 27.19

 

CMYK 0 / 10 / 27 / 52

HEX #7B6F5A

RGB 123 111 90

HSL 38.18, 0.15%, 0.42%

LAB 47.39, 1.1, 13.41

 

CMYK 1 / 1 / 0 / 58

HEX #6A6A6B

RGB 106 106 107

HSL 240, 0%, 0.42%

LAB 44.85, 0.21, -0.56

 

CMYK 0 / 70 / 78 / 31

HEX #AF3426

RGB 175 52 38

HSL 6.13, 0.64%, 0.42%

LAB 40.75, 49.05, 36.91

 

CMYK 0 / 50 / 78 / 31

HEX #AF5826

RGB 175 88 38

HSL 21.9, 0.64%, 0.42%

LAB 47.28, 31.99, 43.56

 

CMYK 0 / 29 / 78 / 31

HEX #AF7D26

RGB 175 125 38

HSL 38.1, 0.64%, 0.42%

LAB 56.01, 11.52, 51.99

 

CMYK 0 / 8 / 78 / 31

HEX #AFA126

RGB 175 161 38

HSL 53.87, 0.64%, 0.42%

LAB 65.55, -8.17, 60.79

 

CMYK 13 / 0 / 78 / 31

HEX #98AF26

RGB 152 175 38

HSL 70.07, 0.64%, 0.42%

LAB 67.63, -25.32, 62

 

CMYK 0 / 27 / 79 / 58

HEX #6B4E17

RGB 107 78 23

HSL 39.29, 0.65%, 0.25%

LAB 35.27, 6.4, 35.58

 

CMYK 0 / 28 / 78 / 45

HEX #8D661F

RGB 141 102 31

HSL 38.73, 0.64%, 0.34%

LAB 45.99, 8.76, 43.91

 

CMYK 0 / 28 / 78 / 31

HEX #AF7E26

RGB 175 126 38

HSL 38.54, 0.64%, 0.42%

LAB 56.26, 10.96, 52.23

 

CMYK 0 / 28 / 78 / 18

HEX #D1972E

RGB 209 151 46

HSL 38.65, 0.64%, 0.5%

LAB 66.43, 12.56, 60.08

 

CMYK 0 / 22 / 63 / 15

HEX #D8A850

RGB 216 168 80

HSL 38.82, 0.64%, 0.58%

LAB 71.68, 8.19, 51.15

 

CMYK 0 / 28 / 78 / 31

HEX #B07F26

RGB 176 127 38

HSL 38.7, 0.64%, 0.42%

LAB 56.63, 10.85, 52.62

 

CMYK 65 / 0 / 78 / 31

HEX #3DAF26

RGB 61 175 38

HSL 109.93, 0.64%, 0.42%

LAB 63.17, -56.24, 56.22

 

CMYK 60 / 78 / 0 / 31

HEX #4626AF

RGB 70 38 175

HSL 254.01, 0.64%, 0.42%

LAB 28.86, 49.98, -67.19

 

CMYK 0 / 28 / 78 / 31

HEX #B07F26

RGB 176 127 38

HSL 38.7, 0.64%, 0.42%

LAB 56.63, 10.85, 52.62

 

CMYK 78 / 0 / 29 / 31

HEX #26AF7D

RGB 38 175 125

HSL 158.1, 0.64%, 0.42%

LAB 63.8, -47.4, 15.7

 

CMYK 29 / 78 / 0 / 31

HEX #7D26AF

RGB 125 38 175

HSL 278.1, 0.64%, 0.42%

LAB 35.68, 58.35, -55.76

 

CMYK 0 / 28 / 78 / 31

HEX #B07F26

RGB 176 127 38

HSL 38.7, 0.64%, 0.42%

LAB 56.63, 10.85, 52.62

 

CMYK 65 / 0 / 78 / 31

HEX #3DAF26

RGB 61 175 38

HSL 109.93, 0.64%, 0.42%

LAB 63.17, -56.24, 56.22

 

CMYK 78 / 50 / 0 / 31

HEX #2658AF

RGB 38 88 175

HSL 218.1, 0.64%, 0.42%

LAB 38.7, 15.24, -51.21

 

CMYK 13 / 78 / 0 / 31

HEX #9826AF

RGB 152 38 175

HSL 289.93, 0.64%, 0.42%

LAB 39.84, 63.38, -48.82

 

CMYK 0 / 28 / 78 / 31

HEX #B07F26

RGB 176 127 38

HSL 38.7, 0.64%, 0.42%

LAB 56.63, 10.85, 52.62

 

CMYK 78 / 0 / 68 / 31

HEX #26AF38

RGB 38 175 56

HSL 127.88, 0.64%, 0.42%

LAB 62.81, -58.85, 49.06

 

CMYK 78 / 50 / 0 / 31

HEX #2658AF

RGB 38 88 175

HSL 218.1, 0.64%, 0.42%

LAB 38.7, 15.24, -51.21

 

CMYK 0 / 78 / 10 / 31

HEX #AF269D

RGB 175 38 157

HSL 307.88, 0.64%, 0.42%

LAB 42.66, 65.16, -33.34

 

Description

Color code: HEX #B07F26 | qconv.com Color code: HEX #B07F26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 127 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 127 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 78 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 78% 31% C M Y K

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Provide designers and agencies with accurate color values.

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