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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B08272 it is the complementary color #4F7D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B08272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B08272 shade: #B5826D, #C69480, #D7A693, #E8B8A6 and #F9CAB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B08272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B08272 shade: #B08272, #9F705F, #8E5E4C, #7D4C39 and #6C3A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B08272 shade: #B08272 and #B07272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B08272 shade: #B08272, #B09372, #B0A372, #ABB072 and #9BB072

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B08272 shade matches the following richer shades: #B08272, #C17960, #D3714F, #E5683D and #F7602B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B08272 shade: #B08272, #9E8B84, #8C9396, #7A9CA7 and #69A4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B08272 shade: #B07284, #B07273, #B08172, #B09272 and #B0A272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B08272 shade: #85594A, #9F6B59, #B08272, #BE998D and #CDB1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B08272 shade: #B08272, #94B072 and #727BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B08272 shade: #B08272, #72B081 and #8172B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B08272 shade: #B08272, #94B072, #72A0B0 and #8E72B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B08272 shade: #B08272, #81B072, #72A0B0 and #A072B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

Complementary color

CMYK 44 / 11 / 0 / 45

HEX #4F7D8D

RGB 79 125 141

HSL 195.48, 0.28%, 0.43%

LAB 49.8, -11.25, -13.6

 

CMYK 0 / 28 / 40 / 29

HEX #B5826D

RGB 181 130 109

HSL 17.5, 0.33%, 0.57%

LAB 58.88, 16.93, 19.15

 

CMYK 0 / 25 / 35 / 22

HEX #C69480

RGB 198 148 128

HSL 17.14, 0.38%, 0.64%

LAB 65.55, 16.11, 17.91

 

CMYK 0 / 23 / 32 / 16

HEX #D7A693

RGB 215 166 147

HSL 16.76, 0.46%, 0.71%

LAB 72.11, 15.39, 16.78

 

CMYK 0 / 21 / 28 / 9

HEX #E8B8A6

RGB 232 184 166

HSL 16.36, 0.59%, 0.78%

LAB 78.57, 14.75, 15.74

 

CMYK 0 / 19 / 26 / 2

HEX #F9CAB9

RGB 249 202 185

HSL 15.94, 0.84%, 0.85%

LAB 84.94, 14.18, 14.77

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 30 / 40 / 38

HEX #9F705F

RGB 159 112 95

HSL 15.94, 0.25%, 0.5%

LAB 51.59, 16.37, 16.87

 

CMYK 0 / 34 / 46 / 44

HEX #8E5E4C

RGB 142 94 76

HSL 16.36, 0.3%, 0.43%

LAB 44.63, 17.38, 18.31

 

CMYK 0 / 39 / 54 / 51

HEX #7D4C39

RGB 125 76 57

HSL 16.76, 0.37%, 0.36%

LAB 37.53, 18.58, 19.97

 

CMYK 0 / 46 / 65 / 58

HEX #6C3A26

RGB 108 58 38

HSL 17.14, 0.48%, 0.29%

LAB 30.29, 20.03, 21.95

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 35 / 35 / 31

HEX #B07272

RGB 176 114 114

HSL 0, 0.28%, 0.57%

LAB 54.53, 24.5, 10.16

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 16 / 35 / 31

HEX #B09372

RGB 176 147 114

HSL 31.94, 0.28%, 0.57%

LAB 62.77, 6.03, 21.54

 

CMYK 0 / 7 / 35 / 31

HEX #B0A372

RGB 176 163 114

HSL 47.42, 0.28%, 0.57%

LAB 67.01, -2.71, 27.2

 

CMYK 3 / 0 / 35 / 31

HEX #ABB072

RGB 171 176 114

HSL 64.84, 0.28%, 0.57%

LAB 70.12, -11.62, 31.21

 

CMYK 12 / 0 / 35 / 31

HEX #9BB072

RGB 155 176 114

HSL 80.32, 0.28%, 0.57%

LAB 68.92, -17.91, 29.41

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 37 / 50 / 24

HEX #C17960

RGB 193 121 96

HSL 15.46, 0.44%, 0.57%

LAB 57.9, 25.42, 25.46

 

CMYK 0 / 46 / 63 / 17

HEX #D3714F

RGB 211 113 79

HSL 15.45, 0.6%, 0.57%

LAB 58.25, 35.53, 35.84

 

CMYK 0 / 55 / 73 / 10

HEX #E5683D

RGB 229 104 61

HSL 15.36, 0.76%, 0.57%

LAB 58.88, 45.94, 46.76

 

CMYK 0 / 61 / 83 / 3

HEX #F7602B

RGB 247 96 43

HSL 15.59, 0.93%, 0.57%

LAB 60.17, 55.44, 57.46

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 7 / 2 / 0 / 41

HEX #8C9396

RGB 140 147 150

HSL 198, 0.05%, 0.57%

LAB 60.47, -1.92, -2.47

 

CMYK 27 / 7 / 0 / 35

HEX #7A9CA7

RGB 122 156 167

HSL 194.67, 0.2%, 0.57%

LAB 62.26, -9.08, -9.58

 

CMYK 43 / 11 / 0 / 27

HEX #69A4B9

RGB 105 164 185

HSL 195.75, 0.36%, 0.57%

LAB 64.21, -13.59, -16.84

 

CMYK 0 / 35 / 25 / 31

HEX #B07284

RGB 176 114 132

HSL 342.58, 0.28%, 0.57%

LAB 55, 27, 0.31

 

CMYK 0 / 35 / 35 / 31

HEX #B07273

RGB 176 114 115

HSL 359.03, 0.28%, 0.57%

LAB 54.56, 24.63, 9.61

 

CMYK 0 / 27 / 35 / 31

HEX #B08172

RGB 176 129 114

HSL 14.52, 0.28%, 0.57%

LAB 58.17, 16.08, 15.25

 

CMYK 0 / 17 / 35 / 31

HEX #B09272

RGB 176 146 114

HSL 30.97, 0.28%, 0.57%

LAB 62.51, 6.58, 21.19

 

CMYK 0 / 8 / 35 / 31

HEX #B0A272

RGB 176 162 114

HSL 46.45, 0.28%, 0.57%

LAB 66.74, -2.17, 26.84

 

CMYK 0 / 33 / 44 / 48

HEX #85594A

RGB 133 89 74

HSL 15.25, 0.29%, 0.41%

LAB 42.19, 16.21, 16.04

 

CMYK 0 / 33 / 44 / 38

HEX #9F6B59

RGB 159 107 89

HSL 15.43, 0.28%, 0.49%

LAB 50.22, 18.53, 18.51

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 19 / 26 / 25

HEX #BE998D

RGB 190 153 141

HSL 14.69, 0.27%, 0.65%

LAB 66.25, 11.96, 11.52

 

CMYK 0 / 14 / 19 / 20

HEX #CDB1A7

RGB 205 177 167

HSL 15.79, 0.28%, 0.73%

LAB 74.33, 8.49, 8.83

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 16 / 0 / 35 / 31

HEX #94B072

RGB 148 176 114

HSL 87.1, 0.28%, 0.57%

LAB 68.43, -20.59, 28.68

 

CMYK 35 / 30 / 0 / 31

HEX #727BB0

RGB 114 123 176

HSL 231.29, 0.28%, 0.57%

LAB 52.82, 9.72, -29.16

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 35 / 0 / 27 / 31

HEX #72B081

RGB 114 176 129

HSL 134.52, 0.28%, 0.57%

LAB 66.68, -30.05, 17.9

 

CMYK 27 / 35 / 0 / 31

HEX #8172B0

RGB 129 114 176

HSL 254.52, 0.28%, 0.57%

LAB 51.65, 19.56, -30.88

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 16 / 0 / 35 / 31

HEX #94B072

RGB 148 176 114

HSL 87.1, 0.28%, 0.57%

LAB 68.43, -20.59, 28.68

 

CMYK 35 / 9 / 0 / 31

HEX #72A0B0

RGB 114 160 176

HSL 195.48, 0.28%, 0.57%

LAB 63.22, -11.39, -13.24

 

CMYK 19 / 35 / 0 / 31

HEX #8E72B0

RGB 142 114 176

HSL 267.1, 0.28%, 0.57%

LAB 52.86, 23.58, -28.91

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 27 / 0 / 35 / 31

HEX #81B072

RGB 129 176 114

HSL 105.48, 0.28%, 0.57%

LAB 67.23, -27.57, 26.86

 

CMYK 35 / 9 / 0 / 31

HEX #72A0B0

RGB 114 160 176

HSL 195.48, 0.28%, 0.57%

LAB 63.22, -11.39, -13.24

 

CMYK 9 / 35 / 0 / 31

HEX #A072B0

RGB 160 114 176

HSL 284.52, 0.28%, 0.57%

LAB 54.7, 29.32, -25.91

 

Description

Color code: HEX #B08272 | qconv.com Color code: HEX #B08272 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 130 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 130 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 35 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 35% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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