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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B08A44 it is the complementary color #4F75BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B08A44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B08A44 shade: #B58A3F, #C69C52, #D7AE65, #E8C078 and #F9D28B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B08A44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B08A44 shade: #B08A44, #9F7831, #8E661E, #7D540B and #6C4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B08A44 shade: #B08A44, #B06D44, #B05044 and #B04444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B08A44 shade: #B08A44, #B0A744, #9CB044, #7FB044 and #61B044

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B08A44 shade matches the following richer shades: #B08A44, #C49030, #D7961C and #EB9B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B08A44 shade: #B08A44, #9C8458, #887E6C, #74787F and #617293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B08A44 shade: #B04F44, #B06C44, #B08844, #B0A544 and #9EB044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B08A44 shade: #745B2D, #927338, #B08A44, #C09D5D and #CBAF7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B08A44 shade: #B08A44, #56B044 and #5D44B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B08A44 shade: #B08A44, #44B088 and #8844B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B08A44 shade: #B08A44, #56B044, #446CB0 and #9E44B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B08A44 shade: #B08A44, #44B052, #446CB0 and #B044A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

Complementary color

CMYK 58 / 37 / 0 / 27

HEX #4F75BB

RGB 79 117 187

HSL 218.89, 0.44%, 0.52%

LAB 49.46, 7.89, -40.92

 

CMYK 0 / 24 / 65 / 29

HEX #B58A3F

RGB 181 138 63

HSL 38.14, 0.48%, 0.48%

LAB 60.21, 8.27, 45.44

 

CMYK 0 / 21 / 59 / 22

HEX #C69C52

RGB 198 156 82

HSL 38.28, 0.5%, 0.55%

LAB 66.82, 7.12, 44.12

 

CMYK 0 / 19 / 53 / 16

HEX #D7AE65

RGB 215 174 101

HSL 38.42, 0.59%, 0.62%

LAB 73.32, 6.15, 42.78

 

CMYK 0 / 17 / 48 / 9

HEX #E8C078

RGB 232 192 120

HSL 38.57, 0.71%, 0.69%

LAB 79.73, 5.32, 41.47

 

CMYK 0 / 16 / 44 / 2

HEX #F9D28B

RGB 249 210 139

HSL 38.73, 0.9%, 0.76%

LAB 86.05, 4.6, 40.2

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 0 / 25 / 69 / 38

HEX #9F7831

RGB 159 120 49

HSL 38.73, 0.53%, 0.41%

LAB 52.98, 7.66, 43.56

 

CMYK 0 / 28 / 79 / 44

HEX #8E661E

RGB 142 102 30

HSL 38.57, 0.65%, 0.34%

LAB 46.11, 9.19, 44.47

 

CMYK 0 / 33 / 91 / 51

HEX #7D540B

RGB 125 84 11

HSL 38.42, 0.84%, 0.27%

LAB 39.11, 11.08, 44.35

 

CMYK 0 / 39 / 100 / 58

HEX #6C4200

RGB 108 66 0

HSL 36.67, 1%, 0.21%

LAB 32, 13.44, 41.74

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 0 / 38 / 61 / 31

HEX #B06D44

RGB 176 109 68

HSL 22.78, 0.44%, 0.48%

LAB 52.49, 22.62, 33.78

 

CMYK 0 / 55 / 61 / 31

HEX #B05044

RGB 176 80 68

HSL 6.67, 0.44%, 0.48%

LAB 46.16, 38.22, 25.96

 

CMYK 0 / 61 / 61 / 31

HEX #B04444

RGB 176 68 68

HSL 0, 0.44%, 0.48%

LAB 43.92, 44.08, 23.11

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 0 / 5 / 61 / 31

HEX #B0A744

RGB 176 167 68

HSL 55, 0.44%, 0.48%

LAB 67.49, -9.28, 50.97

 

CMYK 11 / 0 / 61 / 31

HEX #9CB044

RGB 156 176 68

HSL 71.11, 0.44%, 0.48%

LAB 68.41, -22.37, 51.52

 

CMYK 28 / 0 / 61 / 31

HEX #7FB044

RGB 127 176 68

HSL 87.22, 0.44%, 0.48%

LAB 66.5, -33.9, 48.88

 

CMYK 45 / 0 / 61 / 31

HEX #61B044

RGB 97 176 68

HSL 103.89, 0.44%, 0.48%

LAB 64.97, -44.36, 46.74

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 0 / 27 / 76 / 23

HEX #C49030

RGB 196 144 48

HSL 38.92, 0.61%, 0.48%

LAB 63.26, 10.76, 55.78

 

CMYK 0 / 30 / 87 / 16

HEX #D7961C

RGB 215 150 28

HSL 39.14, 0.77%, 0.48%

LAB 66.78, 15.17, 66.41

 

CMYK 0 / 34 / 96 / 8

HEX #EB9B09

RGB 235 155 9

HSL 38.76, 0.93%, 0.48%

LAB 70.26, 20.83, 73.61

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 0 / 15 / 44 / 39

HEX #9C8458

RGB 156 132 88

HSL 38.82, 0.28%, 0.48%

LAB 56.36, 2.9, 27.13

 

CMYK 0 / 7 / 21 / 47

HEX #887E6C

RGB 136 126 108

HSL 38.57, 0.11%, 0.48%

LAB 53.21, 0.66, 11.18

 

CMYK 9 / 6 / 0 / 50

HEX #74787F

RGB 116 120 127

HSL 218.18, 0.05%, 0.48%

LAB 50.31, -0.02, -4.35

 

CMYK 34 / 22 / 0 / 42

HEX #617293

RGB 97 114 147

HSL 219.6, 0.2%, 0.48%

LAB 47.86, 2.05, -20

 

CMYK 0 / 55 / 61 / 31

HEX #B04F44

RGB 176 79 68

HSL 6.11, 0.44%, 0.48%

LAB 45.96, 38.73, 25.71

 

CMYK 0 / 39 / 61 / 31

HEX #B06C44

RGB 176 108 68

HSL 22.22, 0.44%, 0.48%

LAB 52.26, 23.18, 33.5

 

CMYK 0 / 23 / 61 / 31

HEX #B08844

RGB 176 136 68

HSL 37.78, 0.44%, 0.48%

LAB 59.21, 7.53, 41.7

 

CMYK 0 / 6 / 61 / 31

HEX #B0A544

RGB 176 165 68

HSL 53.89, 0.44%, 0.48%

LAB 66.94, -8.23, 50.38

 

CMYK 10 / 0 / 61 / 31

HEX #9EB044

RGB 158 176 68

HSL 70, 0.44%, 0.48%

LAB 68.56, -21.54, 51.72

 

CMYK 0 / 22 / 61 / 55

HEX #745B2D

RGB 116 91 45

HSL 38.87, 0.44%, 0.32%

LAB 40.22, 4.37, 30.02

 

CMYK 0 / 21 / 62 / 43

HEX #927338

RGB 146 115 56

HSL 39.33, 0.45%, 0.4%

LAB 50.28, 5.09, 36.7

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 0 / 18 / 52 / 25

HEX #C09D5D

RGB 192 157 93

HSL 38.79, 0.44%, 0.56%

LAB 66.6, 4.94, 38.13

 

CMYK 0 / 14 / 39 / 20

HEX #CBAF7B

RGB 203 175 123

HSL 39, 0.43%, 0.64%

LAB 72.75, 2.87, 30.41

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 51 / 0 / 61 / 31

HEX #56B044

RGB 86 176 68

HSL 110, 0.44%, 0.48%

LAB 64.52, -47.68, 46.11

 

CMYK 47 / 61 / 0 / 31

HEX #5D44B0

RGB 93 68 176

HSL 253.89, 0.44%, 0.48%

LAB 37.11, 37.75, -54.22

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 61 / 0 / 23 / 31

HEX #44B088

RGB 68 176 136

HSL 157.78, 0.44%, 0.48%

LAB 65.01, -40.54, 11.45

 

CMYK 23 / 61 / 0 / 31

HEX #8844B0

RGB 136 68 176

HSL 277.78, 0.44%, 0.48%

LAB 42, 47.66, -46.08

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 51 / 0 / 61 / 31

HEX #56B044

RGB 86 176 68

HSL 110, 0.44%, 0.48%

LAB 64.52, -47.68, 46.11

 

CMYK 61 / 39 / 0 / 31

HEX #446CB0

RGB 68 108 176

HSL 217.78, 0.44%, 0.48%

LAB 45.76, 7.47, -40.45

 

CMYK 10 / 61 / 0 / 31

HEX #9E44B0

RGB 158 68 176

HSL 290, 0.44%, 0.48%

LAB 44.99, 53.14, -41.13

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 61 / 0 / 53 / 31

HEX #44B052

RGB 68 176 82

HSL 127.78, 0.44%, 0.48%

LAB 64.07, -50.58, 38.8

 

CMYK 61 / 39 / 0 / 31

HEX #446CB0

RGB 68 108 176

HSL 217.78, 0.44%, 0.48%

LAB 45.76, 7.47, -40.45

 

CMYK 0 / 61 / 9 / 31

HEX #B044A1

RGB 176 68 161

HSL 308.33, 0.44%, 0.48%

LAB 46.89, 55.16, -29.09

 

Description

Color code: HEX #B08A44 | qconv.com Color code: HEX #B08A44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 138 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 138 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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