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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09B34 it is the complementary color #4F64CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09B34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09B34 shade: #B59B2F, #C6AD42, #D7BF55, #E8D168 and #F9E37B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09B34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09B34 shade: #B09B34, #9F8921, #8E770E, #7D6500 and #6C5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09B34 shade: #B09B34, #B07A34, #B05834, #B03734 and #B03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09B34 shade: #B09B34, #A4B034, #82B034, #61B034 and #40B034

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09B34 shade matches the following richer shades: #B09B34, #C3A822 and #D5B40F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09B34 shade: #B09B34, #9E8F47, #8B8359, #79766C and #666A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09B34 shade: #B05734, #B07834, #B09934, #A6B034 and #85B034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09B34 shade: #716321, #907F2B, #B09B34, #C7B246 and #D1BF66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09B34 shade: #B09B34, #34B036 and #6834B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09B34 shade: #B09B34, #34B099 and #9934B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09B34 shade: #B09B34, #34B036, #344BB0 and #B034AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09B34 shade: #B09B34, #34B05C, #344BB0 and #B03489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

Complementary color

CMYK 61 / 51 / 0 / 20

HEX #4F64CB

RGB 79 100 203

HSL 229.84, 0.54%, 0.55%

LAB 45.76, 23.9, -56.06

 

CMYK 0 / 14 / 74 / 29

HEX #B59B2F

RGB 181 155 47

HSL 48.36, 0.59%, 0.45%

LAB 64.54, -1.91, 56.88

 

CMYK 0 / 13 / 67 / 22

HEX #C6AD42

RGB 198 173 66

HSL 48.64, 0.54%, 0.52%

LAB 71.07, -3.06, 56.27

 

CMYK 0 / 11 / 60 / 16

HEX #D7BF55

RGB 215 191 85

HSL 48.92, 0.62%, 0.59%

LAB 77.5, -4.02, 55.32

 

CMYK 0 / 10 / 55 / 9

HEX #E8D168

RGB 232 209 104

HSL 49.22, 0.74%, 0.66%

LAB 83.84, -4.84, 54.22

 

CMYK 0 / 9 / 51 / 2

HEX #F9E37B

RGB 249 227 123

HSL 49.52, 0.91%, 0.73%

LAB 90.09, -5.53, 53.05

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 0 / 14 / 79 / 38

HEX #9F8921

RGB 159 137 33

HSL 49.52, 0.66%, 0.38%

LAB 57.44, -2.63, 54.54

 

CMYK 0 / 16 / 90 / 44

HEX #8E770E

RGB 142 119 14

HSL 49.22, 0.82%, 0.31%

LAB 50.66, -1.09, 53.61

 

CMYK 0 / 19 / 100 / 51

HEX #7D6500

RGB 125 101 0

HSL 48.48, 1%, 0.25%

LAB 43.75, 0.8, 50.72

 

CMYK 0 / 23 / 100 / 58

HEX #6C5300

RGB 108 83 0

HSL 46.11, 1%, 0.21%

LAB 36.7, 3.08, 44.9

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 0 / 31 / 70 / 31

HEX #B07A34

RGB 176 122 52

HSL 33.87, 0.54%, 0.45%

LAB 55.48, 14.31, 45.39

 

CMYK 0 / 50 / 70 / 31

HEX #B05834

RGB 176 88 52

HSL 17.42, 0.54%, 0.45%

LAB 47.57, 33.06, 36.74

 

CMYK 0 / 69 / 70 / 31

HEX #B03734

RGB 176 55 52

HSL 1.45, 0.54%, 0.45%

LAB 41.55, 48.8, 29.78

 

CMYK 0 / 70 / 70 / 31

HEX #B03434

RGB 176 52 52

HSL 0, 0.54%, 0.45%

LAB 41.11, 49.99, 29.26

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 7 / 0 / 70 / 31

HEX #A4B034

RGB 164 176 52

HSL 65.81, 0.54%, 0.45%

LAB 68.89, -20.05, 58.74

 

CMYK 26 / 0 / 70 / 31

HEX #82B034

RGB 130 176 52

HSL 82.26, 0.54%, 0.45%

LAB 66.55, -33.98, 55.63

 

CMYK 45 / 0 / 70 / 31

HEX #61B034

RGB 97 176 52

HSL 98.23, 0.54%, 0.45%

LAB 64.84, -45.8, 53.33

 

CMYK 64 / 0 / 70 / 31

HEX #40B034

RGB 64 176 52

HSL 114.19, 0.54%, 0.45%

LAB 63.66, -54.87, 51.75

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 0 / 14 / 83 / 24

HEX #C3A822

RGB 195 168 34

HSL 49.94, 0.7%, 0.45%

LAB 69.27, -3.14, 65.99

 

CMYK 0 / 15 / 93 / 16

HEX #D5B40F

RGB 213 180 15

HSL 50, 0.87%, 0.45%

LAB 74.08, -1.92, 74.51

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 0 / 9 / 55 / 38

HEX #9E8F47

RGB 158 143 71

HSL 49.66, 0.38%, 0.45%

LAB 59.31, -4.01, 39.85

 

CMYK 0 / 6 / 36 / 45

HEX #8B8359

RGB 139 131 89

HSL 50.4, 0.22%, 0.45%

LAB 54.49, -3.67, 23.82

 

CMYK 0 / 2 / 11 / 53

HEX #79766C

RGB 121 118 108

HSL 46.15, 0.06%, 0.45%

LAB 49.62, -0.76, 5.91

 

CMYK 20 / 17 / 0 / 50

HEX #666A7F

RGB 102 106 127

HSL 230.4, 0.11%, 0.45%

LAB 45.17, 3.27, -12.15

 

CMYK 0 / 51 / 70 / 31

HEX #B05734

RGB 176 87 52

HSL 16.94, 0.54%, 0.45%

LAB 47.36, 33.58, 36.5

 

CMYK 0 / 32 / 70 / 31

HEX #B07834

RGB 176 120 52

HSL 32.9, 0.54%, 0.45%

LAB 54.98, 15.43, 44.86

 

CMYK 0 / 13 / 70 / 31

HEX #B09934

RGB 176 153 52

HSL 48.87, 0.54%, 0.45%

LAB 63.56, -2.81, 53.76

 

CMYK 6 / 0 / 70 / 31

HEX #A6B034

RGB 166 176 52

HSL 64.84, 0.54%, 0.45%

LAB 69.04, -19.2, 58.95

 

CMYK 24 / 0 / 70 / 31

HEX #85B034

RGB 133 176 52

HSL 80.81, 0.54%, 0.45%

LAB 66.74, -32.81, 55.88

 

CMYK 0 / 12 / 71 / 56

HEX #716321

RGB 113 99 33

HSL 49.5, 0.55%, 0.29%

LAB 42.07, -2.66, 38.07

 

CMYK 0 / 12 / 70 / 44

HEX #907F2B

RGB 144 127 43

HSL 49.9, 0.54%, 0.37%

LAB 53.26, -3.49, 46.09

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 0 / 11 / 65 / 22

HEX #C7B246

RGB 199 178 70

HSL 50.23, 0.54%, 0.53%

LAB 72.51, -5.02, 56.11

 

CMYK 0 / 9 / 51 / 18

HEX #D1BF66

RGB 209 191 102

HSL 49.91, 0.54%, 0.61%

LAB 77.15, -5.2, 46.78

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 70 / 0 / 69 / 31

HEX #34B036

RGB 52 176 54

HSL 120.97, 0.54%, 0.45%

LAB 63.38, -57.13, 50.57

 

CMYK 41 / 70 / 0 / 31

HEX #6834B0

RGB 104 52 176

HSL 265.16, 0.54%, 0.45%

LAB 35.07, 48.7, -57.47

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 70 / 0 / 13 / 31

HEX #34B099

RGB 52 176 153

HSL 168.87, 0.54%, 0.45%

LAB 65.03, -39.07, 2.02

 

CMYK 13 / 70 / 0 / 31

HEX #9934B0

RGB 153 52 176

HSL 288.87, 0.54%, 0.45%

LAB 41.79, 58.85, -46.29

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 70 / 0 / 69 / 31

HEX #34B036

RGB 52 176 54

HSL 120.97, 0.54%, 0.45%

LAB 63.38, -57.13, 50.57

 

CMYK 70 / 57 / 0 / 31

HEX #344BB0

RGB 52 75 176

HSL 228.87, 0.54%, 0.45%

LAB 35.78, 26, -56.5

 

CMYK 0 / 70 / 1 / 31

HEX #B034AE

RGB 176 52 174

HSL 300.97, 0.54%, 0.45%

LAB 45.28, 63.62, -39.33

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 70 / 0 / 48 / 31

HEX #34B05C

RGB 52 176 92

HSL 139.35, 0.54%, 0.45%

LAB 63.8, -52.25, 33.35

 

CMYK 70 / 57 / 0 / 31

HEX #344BB0

RGB 52 75 176

HSL 228.87, 0.54%, 0.45%

LAB 35.78, 26, -56.5

 

CMYK 0 / 70 / 22 / 31

HEX #B03489

RGB 176 52 137

HSL 318.87, 0.54%, 0.45%

LAB 43.5, 58.03, -19.93

 

Description

Color code: HEX #B09B34 | qconv.com Color code: HEX #B09B34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 155 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 155 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 70 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 70% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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