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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09CD7 it is the complementary color #4F6328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09CD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09CD7 shade: #B59CD2, #C6AEE5, #D7C0F8, #E8D2FF and #F9E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09CD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09CD7 shade: #B09CD7, #9F8AC4, #8E78B1, #7D669E and #6C548B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09CD7 shade: #B09DD7, #C09DD7, #D09DD7, #D79DCE and #D79DBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09CD7 shade: #B09DD7, #A19DD7 and #9D9DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09CD7 shade matches the following richer shades: #B09DD7, #AD92E2, #A986ED and #A67BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09CD7 shade: #B09DD7, #B4A8CB, #B8B3C0, #BBBEB5 and #BFC9AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09CD7 shade: #9DA8D7, #A19DD7, #B09DD7, #BF9DD7 and #CF9DD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09CD7 shade: #8162BF, #997FCB, #B09DD7, #C8BAE3 and #DFD7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09CD7 shade: #B09CD7, #D79DB8 and #A1D79D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09CD7 shade: #B09CD7, #D7B09D and #9DD7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09CD7 shade: #B09CD7, #D79DB8, #C3D79D and #9DD7BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09CD7 shade: #B09CD7, #D79DA6, #C3D79D and #9DD7CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

Complementary color

CMYK 20 / 0 / 60 / 61

HEX #4F6328

RGB 79 99 40

HSL 80.34, 0.42%, 0.27%

LAB 39.14, -17.91, 30.55

 

CMYK 14 / 26 / 0 / 18

HEX #B59CD2

RGB 181 156 210

HSL 267.78, 0.38%, 0.72%

LAB 68.21, 19.61, -24.17

 

CMYK 14 / 24 / 0 / 10

HEX #C6AEE5

RGB 198 174 229

HSL 266.18, 0.51%, 0.79%

LAB 74.78, 19.11, -24.4

 

CMYK 13 / 23 / 0 / 3

HEX #D7C0F8

RGB 215 192 248

HSL 264.64, 0.8%, 0.86%

LAB 81.25, 18.65, -24.65

 

CMYK 9 / 18 / 0 / 0

HEX #E8D2FF

RGB 232 210 255

HSL 269.33, 1%, 0.91%

LAB 87.23, 15.81, -19.17

 

CMYK 2 / 11 / 0 / 0

HEX #F9E4FF

RGB 249 228 255

HSL 286.67, 1%, 0.95%

LAB 92.95, 11.86, -10.46

 

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

CMYK 19 / 30 / 0 / 23

HEX #9F8AC4

RGB 159 138 196

HSL 261.72, 0.33%, 0.65%

LAB 61.25, 19.69, -27.21

 

CMYK 20 / 32 / 0 / 31

HEX #8E78B1

RGB 142 120 177

HSL 263.16, 0.27%, 0.58%

LAB 54.4, 20.3, -27.09

 

CMYK 21 / 35 / 0 / 38

HEX #7D669E

RGB 125 102 158

HSL 264.64, 0.22%, 0.51%

LAB 47.41, 20.99, -27

 

CMYK 22 / 40 / 0 / 45

HEX #6C548B

RGB 108 84 139

HSL 266.18, 0.25%, 0.44%

LAB 40.23, 21.76, -26.94

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD7

RGB 176 157 215

HSL 259.66, 0.42%, 0.73%

LAB 68.2, 18.57, -26.98

 

CMYK 11 / 27 / 0 / 16

HEX #C09DD7

RGB 192 157 215

HSL 276.21, 0.42%, 0.73%

LAB 69.63, 23.64, -24.67

 

CMYK 3 / 27 / 0 / 16

HEX #D09DD7

RGB 208 157 215

HSL 292.76, 0.42%, 0.73%

LAB 71.17, 28.81, -22.18

 

CMYK 0 / 27 / 4 / 16

HEX #D79DCE

RGB 215 157 206

HSL 309.31, 0.42%, 0.73%

LAB 71.57, 29.45, -16.55

 

CMYK 0 / 27 / 12 / 16

HEX #D79DBE

RGB 215 157 190

HSL 325.86, 0.42%, 0.73%

LAB 71.06, 26.67, -8.47

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD7

RGB 176 157 215

HSL 259.66, 0.42%, 0.73%

LAB 68.2, 18.57, -26.98

 

CMYK 25 / 27 / 0 / 16

HEX #A19DD7

RGB 161 157 215

HSL 244.14, 0.42%, 0.73%

LAB 66.97, 13.97, -28.98

 

CMYK 27 / 27 / 0 / 16

HEX #9D9DD7

RGB 157 157 215

HSL 240, 0.42%, 0.73%

LAB 66.66, 12.77, -29.48

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD7

RGB 176 157 215

HSL 259.66, 0.42%, 0.73%

LAB 68.2, 18.57, -26.98

 

CMYK 23 / 35 / 0 / 11

HEX #AD92E2

RGB 173 146 226

HSL 260.25, 0.58%, 0.73%

LAB 65.7, 26.39, -36.96

 

CMYK 29 / 43 / 0 / 7

HEX #A986ED

RGB 169 134 237

HSL 260.39, 0.74%, 0.73%

LAB 63.01, 34.67, -47.28

 

CMYK 33 / 50 / 0 / 3

HEX #A67BF8

RGB 166 123 248

HSL 260.64, 0.9%, 0.73%

LAB 60.83, 42.77, -56.84

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD7

RGB 176 157 215

HSL 259.66, 0.42%, 0.73%

LAB 68.2, 18.57, -26.98

 

CMYK 11 / 17 / 0 / 20

HEX #B4A8CB

RGB 180 168 203

HSL 260.57, 0.25%, 0.73%

LAB 70.88, 11.12, -16.25

 

CMYK 4 / 7 / 0 / 25

HEX #B8B3C0

RGB 184 179 192

HSL 263.08, 0.09%, 0.73%

LAB 73.7, 4.22, -5.97

 

CMYK 2 / 0 / 5 / 25

HEX #BBBEB5

RGB 187 190 181

HSL 80, 0.06%, 0.73%

LAB 76.51, -2.69, 4.17

 

CMYK 5 / 0 / 15 / 21

HEX #BFC9AA

RGB 191 201 170

HSL 79.35, 0.22%, 0.73%

LAB 79.47, -8.89, 14.35

 

CMYK 27 / 22 / 0 / 16

HEX #9DA8D7

RGB 157 168 215

HSL 228.62, 0.42%, 0.73%

LAB 69.53, 6.59, -25.08

 

CMYK 25 / 27 / 0 / 16

HEX #A19DD7

RGB 161 157 215

HSL 244.14, 0.42%, 0.73%

LAB 66.97, 13.97, -28.98

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD7

RGB 176 157 215

HSL 259.66, 0.42%, 0.73%

LAB 68.2, 18.57, -26.98

 

CMYK 11 / 27 / 0 / 16

HEX #BF9DD7

RGB 191 157 215

HSL 275.17, 0.42%, 0.73%

LAB 69.54, 23.32, -24.82

 

CMYK 4 / 27 / 0 / 16

HEX #CF9DD7

RGB 207 157 215

HSL 291.72, 0.42%, 0.73%

LAB 71.07, 28.48, -22.34

 

CMYK 32 / 49 / 0 / 25

HEX #8162BF

RGB 129 98 191

HSL 260, 0.42%, 0.57%

LAB 48.47, 32.91, -44.58

 

CMYK 25 / 37 / 0 / 20

HEX #997FCB

RGB 153 127 203

HSL 260.53, 0.42%, 0.65%

LAB 58.29, 25.84, -35.81

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD7

RGB 176 157 215

HSL 259.66, 0.42%, 0.73%

LAB 68.2, 18.57, -26.98

 

CMYK 12 / 18 / 0 / 11

HEX #C8BAE3

RGB 200 186 227

HSL 260.49, 0.42%, 0.81%

LAB 77.84, 12.78, -18.66

 

CMYK 6 / 10 / 0 / 7

HEX #DFD7EE

RGB 223 215 238

HSL 260.87, 0.4%, 0.89%

LAB 87.22, 6.96, -10.28

 

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

CMYK 0 / 27 / 14 / 16

HEX #D79DB8

RGB 215 157 184

HSL 332.07, 0.42%, 0.73%

LAB 70.89, 25.68, -5.41

 

CMYK 25 / 0 / 27 / 16

HEX #A1D79D

RGB 161 215 157

HSL 115.86, 0.42%, 0.73%

LAB 81.08, -28.5, 23.15

 

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

CMYK 0 / 18 / 27 / 16

HEX #D7B09D

RGB 215 176 157

HSL 19.66, 0.42%, 0.73%

LAB 74.78, 11.34, 15.05

 

CMYK 27 / 0 / 18 / 16

HEX #9DD7B0

RGB 157 215 176

HSL 139.66, 0.42%, 0.73%

LAB 81.24, -26.45, 13.33

 

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

CMYK 0 / 27 / 14 / 16

HEX #D79DB8

RGB 215 157 184

HSL 332.07, 0.42%, 0.73%

LAB 70.89, 25.68, -5.41

 

CMYK 9 / 0 / 27 / 16

HEX #C3D79D

RGB 195 215 157

HSL 80.69, 0.42%, 0.73%

LAB 83.25, -16.54, 26.46

 

CMYK 27 / 0 / 13 / 16

HEX #9DD7BC

RGB 157 215 188

HSL 152.07, 0.42%, 0.73%

LAB 81.51, -24.13, 7.36

 

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

CMYK 0 / 27 / 23 / 16

HEX #D79DA6

RGB 215 157 166

HSL 350.69, 0.42%, 0.73%

LAB 70.4, 22.89, 3.86

 

CMYK 9 / 0 / 27 / 16

HEX #C3D79D

RGB 195 215 157

HSL 80.69, 0.42%, 0.73%

LAB 83.25, -16.54, 26.46

 

CMYK 27 / 0 / 5 / 16

HEX #9DD7CD

RGB 157 215 205

HSL 169.66, 0.42%, 0.73%

LAB 81.93, -20.6, -1.07

 

Description

Color code: HEX #B09CD7 | qconv.com Color code: HEX #B09CD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 156 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 156 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 27 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 27% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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