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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09E16 it is the complementary color #4F61E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09E16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09E16 shade: #B59E11, #C6B024, #D7C237, #E8D44A and #F9E65D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09E16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09E16 shade: #B09E16, #9F8C03, #8E7A00, #7D6800 and #6C5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09E16 shade: #B19E15, #B17515, #B14B15, #B12115 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09E16 shade: #B19E15, #99B115, #6FB115, #45B115 and #1BB115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09E16 shade matches the following richer shades: #B19E15 and #C1AB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09E16 shade: #B19E15, #A09225, #908636, #807946 and #706D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09E16 shade: #B14915, #B17215, #B19C15, #9CB115 and #72B115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09E16 shade: #675C0C, #8C7D11, #B19E15, #D5BF1A and #E5D133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09E16 shade: #B09E16, #15B120 and #5E15B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09E16 shade: #B09E16, #15B19C and #9C15B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09E16 shade: #B09E16, #15B120, #152AB1 and #B115A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09E16 shade: #B09E16, #15B14E, #152AB1 and #B11578

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

Complementary color

CMYK 66 / 58 / 0 / 9

HEX #4F61E9

RGB 79 97 233

HSL 232.99, 0.78%, 0.61%

LAB 47.1, 35.98, -70.95

 

CMYK 0 / 13 / 91 / 29

HEX #B59E11

RGB 181 158 17

HSL 51.59, 0.83%, 0.39%

LAB 65.21, -4.47, 66.09

 

CMYK 0 / 11 / 82 / 22

HEX #C6B024

RGB 198 176 36

HSL 51.85, 0.69%, 0.46%

LAB 71.68, -5.96, 67.61

 

CMYK 0 / 10 / 74 / 16

HEX #D7C237

RGB 215 194 55

HSL 52.13, 0.67%, 0.53%

LAB 78.06, -7.22, 67.97

 

CMYK 0 / 9 / 68 / 9

HEX #E8D44A

RGB 232 212 74

HSL 52.41, 0.77%, 0.6%

LAB 84.35, -8.29, 67.66

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65D

RGB 249 230 93

HSL 52.69, 0.93%, 0.67%

LAB 90.56, -9.21, 66.97

 

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

CMYK 0 / 12 / 98 / 38

HEX #9F8C03

RGB 159 140 3

HSL 52.69, 0.96%, 0.32%

LAB 58.16, -5, 62.04

 

CMYK 0 / 14 / 100 / 44

HEX #8E7A00

RGB 142 122 0

HSL 51.55, 1%, 0.28%

LAB 51.46, -3.04, 56.99

 

CMYK 0 / 17 / 100 / 51

HEX #7D6800

RGB 125 104 0

HSL 49.92, 1%, 0.25%

LAB 44.6, -0.94, 51.32

 

CMYK 0 / 20 / 100 / 58

HEX #6C5600

RGB 108 86 0

HSL 47.78, 1%, 0.21%

LAB 37.56, 1.28, 45.51

 

CMYK 0 / 11 / 88 / 31

HEX #B19E15

RGB 177 158 21

HSL 52.69, 0.79%, 0.39%

LAB 64.85, -6.19, 64.85

 

CMYK 0 / 34 / 88 / 31

HEX #B17515

RGB 177 117 21

HSL 36.92, 0.79%, 0.39%

LAB 54.16, 16.36, 56.29

 

CMYK 0 / 58 / 88 / 31

HEX #B14B15

RGB 177 75 21

HSL 20.77, 0.79%, 0.39%

LAB 44.85, 38.95, 48.83

 

CMYK 0 / 81 / 88 / 31

HEX #B12115

RGB 177 33 21

HSL 4.62, 0.79%, 0.39%

LAB 38.71, 55.58, 43.92

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 11 / 88 / 31

HEX #B19E15

RGB 177 158 21

HSL 52.69, 0.79%, 0.39%

LAB 64.85, -6.19, 64.85

 

CMYK 14 / 0 / 88 / 31

HEX #99B115

RGB 153 177 21

HSL 69.23, 0.79%, 0.39%

LAB 68.22, -26.43, 66.77

 

CMYK 37 / 0 / 88 / 31

HEX #6FB115

RGB 111 177 21

HSL 85.38, 0.79%, 0.39%

LAB 65.65, -43.05, 63.59

 

CMYK 61 / 0 / 88 / 31

HEX #45B115

RGB 69 177 21

HSL 101.54, 0.79%, 0.39%

LAB 63.97, -55.91, 61.48

 

CMYK 85 / 0 / 88 / 31

HEX #1BB115

RGB 27 177 21

HSL 117.69, 0.79%, 0.39%

LAB 63.12, -63.19, 60.41

 

CMYK 0 / 11 / 88 / 31

HEX #B19E15

RGB 177 158 21

HSL 52.69, 0.79%, 0.39%

LAB 64.85, -6.19, 64.85

 

CMYK 0 / 11 / 97 / 24

HEX #C1AB05

RGB 193 171 5

HSL 52.98, 0.95%, 0.39%

LAB 69.81, -6.15, 71.72

 

CMYK 0 / 11 / 88 / 31

HEX #B19E15

RGB 177 158 21

HSL 52.69, 0.79%, 0.39%

LAB 64.85, -6.19, 64.85

 

CMYK 0 / 9 / 77 / 37

HEX #A09225

RGB 160 146 37

HSL 53.17, 0.62%, 0.39%

LAB 60.04, -6.92, 55.57

 

CMYK 0 / 7 / 63 / 44

HEX #908636

RGB 144 134 54

HSL 53.33, 0.45%, 0.39%

LAB 55.32, -6.64, 43.29

 

CMYK 0 / 5 / 45 / 50

HEX #807946

RGB 128 121 70

HSL 52.76, 0.29%, 0.39%

LAB 50.34, -5.1, 28.85

 

CMYK 0 / 3 / 23 / 56

HEX #706D56

RGB 112 109 86

HSL 53.08, 0.13%, 0.39%

LAB 45.71, -2.99, 13.3

 

CMYK 0 / 59 / 88 / 31

HEX #B14915

RGB 177 73 21

HSL 20, 0.79%, 0.39%

LAB 44.47, 39.93, 48.53

 

CMYK 0 / 36 / 88 / 31

HEX #B17215

RGB 177 114 21

HSL 35.77, 0.79%, 0.39%

LAB 53.42, 18.03, 55.7

 

CMYK 0 / 12 / 88 / 31

HEX #B19C15

RGB 177 156 21

HSL 51.92, 0.79%, 0.39%

LAB 64.3, -5.12, 64.42

 

CMYK 12 / 0 / 88 / 31

HEX #9CB115

RGB 156 177 21

HSL 68.08, 0.79%, 0.39%

LAB 68.44, -25.16, 67.03

 

CMYK 36 / 0 / 88 / 31

HEX #72B115

RGB 114 177 21

HSL 84.23, 0.79%, 0.39%

LAB 65.81, -41.96, 63.78

 

CMYK 0 / 11 / 88 / 60

HEX #675C0C

RGB 103 92 12

HSL 52.75, 0.79%, 0.23%

LAB 38.84, -4.43, 42.79

 

CMYK 0 / 11 / 88 / 45

HEX #8C7D11

RGB 140 125 17

HSL 52.68, 0.78%, 0.31%

LAB 52.16, -5.32, 54.02

 

CMYK 0 / 11 / 88 / 31

HEX #B19E15

RGB 177 158 21

HSL 52.69, 0.79%, 0.39%

LAB 64.85, -6.19, 64.85

 

CMYK 0 / 10 / 88 / 16

HEX #D5BF1A

RGB 213 191 26

HSL 52.94, 0.78%, 0.47%

LAB 76.97, -7.44, 74.9

 

CMYK 0 / 9 / 78 / 10

HEX #E5D133

RGB 229 209 51

HSL 53.26, 0.77%, 0.55%

LAB 83.18, -9.04, 74.42

 

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

CMYK 88 / 0 / 82 / 31

HEX #15B120

RGB 21 177 32

HSL 124.23, 0.79%, 0.39%

LAB 63.1, -63.2, 57.71

 

CMYK 47 / 88 / 0 / 31

HEX #5E15B1

RGB 94 21 177

HSL 268.08, 0.79%, 0.39%

LAB 29.64, 59.7, -67.01

 

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

CMYK 88 / 0 / 12 / 31

HEX #15B19C

RGB 21 177 156

HSL 171.92, 0.79%, 0.39%

LAB 64.97, -41.85, 0.21

 

CMYK 12 / 88 / 0 / 31

HEX #9C15B1

RGB 156 21 177

HSL 291.92, 0.79%, 0.39%

LAB 39.21, 68.64, -51.01

 

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

CMYK 88 / 0 / 82 / 31

HEX #15B120

RGB 21 177 32

HSL 124.23, 0.79%, 0.39%

LAB 63.1, -63.2, 57.71

 

CMYK 88 / 76 / 0 / 31

HEX #152AB1

RGB 21 42 177

HSL 231.92, 0.79%, 0.39%

LAB 26.71, 44.44, -72.05

 

CMYK 0 / 88 / 6 / 31

HEX #B115A6

RGB 177 21 166

HSL 304.23, 0.79%, 0.39%

LAB 42.21, 70.65, -39.43

 

CMYK 0 / 10 / 88 / 31

HEX #B09E16

RGB 176 158 22

HSL 52.99, 0.78%, 0.39%

LAB 64.76, -6.62, 64.52

 

CMYK 88 / 0 / 56 / 31

HEX #15B14E

RGB 21 177 78

HSL 141.92, 0.79%, 0.39%

LAB 63.47, -58.6, 39.82

 

CMYK 88 / 76 / 0 / 31

HEX #152AB1

RGB 21 42 177

HSL 231.92, 0.79%, 0.39%

LAB 26.71, 44.44, -72.05

 

CMYK 0 / 88 / 32 / 31

HEX #B11578

RGB 177 21 120

HSL 321.92, 0.79%, 0.39%

LAB 39.98, 64.72, -14.83

 

Description

Color code: HEX #B09E16 | qconv.com Color code: HEX #B09E16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 158 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 158 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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