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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0A0A7 it is the complementary color #4F5F58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0A0A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0A0A7 shade: #B5A0A2, #C6B2B5, #D7C4C8, #E8D6DB and #F9E8EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0A0A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0A0A7 shade: #B0A0A7, #9F8E94, #8E7C81, #7D6A6E and #6C585B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0A0A7 shade: #B0A0A7, #B0A0A3 and #B0A0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0A0A7 shade: #B0A0A7, #B0A0AB, #B0A0AF, #ACA0B0 and #A8A0B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0A0A7 shade matches the following richer shades: #B0A0A7, #BE92A5, #CC84A3, #DA76A2 and #E868A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0A0A7 shade: #B0A0A7, #A2AEA9, #94BCAA, #86CAAC and #77D8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0A0A7 shade: #B0A0AF, #B0A0AB, #B0A0A7, #B0A0A3 and #B0A1A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0A0A7 shade: #8A737D, #9D8A92, #B0A0A7, #C2B6BC and #D5CDD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0A0A7 shade: #B0A0A7, #B0ACA0 and #A0ADB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0A0A7 shade: #B0A0A7, #A7B0A0 and #A0A7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0A0A7 shade: #B0A0A7, #B0ACA0, #A0B0A9 and #A0A4B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0A0A7 shade: #B0A0A7, #AFB0A0, #A0B0A9 and #A1A0B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

Complementary color

CMYK 17 / 0 / 7 / 63

HEX #4F5F58

RGB 79 95 88

HSL 153.75, 0.09%, 0.34%

LAB 38.81, -7.71, 1.95

 

CMYK 0 / 12 / 10 / 29

HEX #B5A0A2

RGB 181 160 162

HSL 354.29, 0.12%, 0.67%

LAB 67.71, 8.02, 1.77

 

CMYK 0 / 10 / 9 / 22

HEX #C6B2B5

RGB 198 178 181

HSL 351, 0.15%, 0.74%

LAB 74.31, 7.67, 1.08

 

CMYK 0 / 9 / 7 / 16

HEX #D7C4C8

RGB 215 196 200

HSL 347.37, 0.19%, 0.81%

LAB 80.79, 7.35, 0.41

 

CMYK 0 / 8 / 6 / 9

HEX #E8D6DB

RGB 232 214 219

HSL 343.33, 0.28%, 0.87%

LAB 87.17, 7.05, -0.22

 

CMYK 0 / 7 / 4 / 2

HEX #F9E8EE

RGB 249 232 238

HSL 338.82, 0.59%, 0.94%

LAB 93.46, 6.78, -0.84

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 11 / 7 / 38

HEX #9F8E94

RGB 159 142 148

HSL 338.82, 0.08%, 0.59%

LAB 60.65, 7.42, -0.87

 

CMYK 0 / 13 / 9 / 44

HEX #8E7C81

RGB 142 124 129

HSL 343.33, 0.07%, 0.52%

LAB 53.76, 7.8, -0.18

 

CMYK 0 / 15 / 12 / 51

HEX #7D6A6E

RGB 125 106 110

HSL 347.37, 0.08%, 0.45%

LAB 46.7, 8.23, 0.55

 

CMYK 0 / 19 / 16 / 58

HEX #6C585B

RGB 108 88 91

HSL 351, 0.1%, 0.38%

LAB 39.45, 8.74, 1.35

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 9 / 7 / 31

HEX #B0A0A3

RGB 176 160 163

HSL 348.75, 0.09%, 0.66%

LAB 67.29, 6.36, 0.55

 

CMYK 0 / 9 / 9 / 31

HEX #B0A0A0

RGB 176 160 160

HSL 0, 0.09%, 0.66%

LAB 67.21, 5.83, 2.11

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 9 / 3 / 31

HEX #B0A0AB

RGB 176 160 171

HSL 318.75, 0.09%, 0.66%

LAB 67.51, 7.82, -3.58

 

CMYK 0 / 9 / 1 / 31

HEX #B0A0AF

RGB 176 160 175

HSL 303.75, 0.09%, 0.66%

LAB 67.63, 8.57, -5.64

 

CMYK 2 / 9 / 0 / 31

HEX #ACA0B0

RGB 172 160 176

HSL 285, 0.09%, 0.66%

LAB 67.31, 7.36, -6.7

 

CMYK 5 / 9 / 0 / 31

HEX #A8A0B0

RGB 168 160 176

HSL 270, 0.09%, 0.66%

LAB 66.98, 5.96, -7.24

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 23 / 13 / 25

HEX #BE92A5

RGB 190 146 165

HSL 334.09, 0.25%, 0.66%

LAB 65.14, 19.59, -3.57

 

CMYK 0 / 35 / 20 / 20

HEX #CC84A3

RGB 204 132 163

HSL 334.17, 0.41%, 0.66%

LAB 63.33, 32.02, -4.93

 

CMYK 0 / 46 / 26 / 15

HEX #DA76A2

RGB 218 118 162

HSL 333.6, 0.57%, 0.66%

LAB 62.06, 44.12, -6.05

 

CMYK 0 / 55 / 31 / 9

HEX #E868A0

RGB 232 104 160

HSL 333.75, 0.74%, 0.66%

LAB 61.3, 55.26, -5.81

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 7 / 0 / 3 / 32

HEX #A2AEA9

RGB 162 174 169

HSL 155, 0.07%, 0.66%

LAB 70.05, -5.17, 1.11

 

CMYK 21 / 0 / 10 / 26

HEX #94BCAA

RGB 148 188 170

HSL 153, 0.23%, 0.66%

LAB 73, -17.06, 4.72

 

CMYK 34 / 0 / 15 / 21

HEX #86CAAC

RGB 134 202 172

HSL 153.53, 0.39%, 0.66%

LAB 76.25, -27.99, 8.2

 

CMYK 45 / 0 / 19 / 15

HEX #77D8AE

RGB 119 216 174

HSL 154.02, 0.55%, 0.66%

LAB 79.66, -38.27, 11.91

 

CMYK 0 / 9 / 1 / 31

HEX #B0A0AF

RGB 176 160 175

HSL 303.75, 0.09%, 0.66%

LAB 67.63, 8.57, -5.64

 

CMYK 0 / 9 / 3 / 31

HEX #B0A0AB

RGB 176 160 171

HSL 318.75, 0.09%, 0.66%

LAB 67.51, 7.82, -3.58

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 9 / 7 / 31

HEX #B0A0A3

RGB 176 160 163

HSL 348.75, 0.09%, 0.66%

LAB 67.29, 6.36, 0.55

 

CMYK 0 / 9 / 9 / 31

HEX #B0A1A0

RGB 176 161 160

HSL 3.75, 0.09%, 0.66%

LAB 67.47, 5.28, 2.49

 

CMYK 0 / 17 / 9 / 46

HEX #8A737D

RGB 138 115 125

HSL 333.91, 0.09%, 0.5%

LAB 50.86, 10.77, -2.14

 

CMYK 0 / 12 / 7 / 38

HEX #9D8A92

RGB 157 138 146

HSL 334.74, 0.09%, 0.58%

LAB 59.36, 8.58, -1.64

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 6 / 3 / 24

HEX #C2B6BC

RGB 194 182 188

HSL 330, 0.09%, 0.74%

LAB 75.17, 5.33, -1.52

 

CMYK 0 / 4 / 2 / 16

HEX #D5CDD1

RGB 213 205 209

HSL 330, 0.09%, 0.82%

LAB 83.13, 3.48, -1.01

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 2 / 9 / 31

HEX #B0ACA0

RGB 176 172 160

HSL 45, 0.09%, 0.66%

LAB 70.37, -0.72, 6.67

 

CMYK 9 / 2 / 0 / 31

HEX #A0ADB0

RGB 160 173 176

HSL 191.25, 0.09%, 0.66%

LAB 69.82, -3.93, -3.1

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 5 / 0 / 9 / 31

HEX #A7B0A0

RGB 167 176 160

HSL 93.75, 0.09%, 0.66%

LAB 70.74, -6.14, 7.1

 

CMYK 9 / 5 / 0 / 31

HEX #A0A7B0

RGB 160 167 176

HSL 213.75, 0.09%, 0.66%

LAB 68.2, -0.66, -5.49

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 0 / 2 / 9 / 31

HEX #B0ACA0

RGB 176 172 160

HSL 45, 0.09%, 0.66%

LAB 70.37, -0.72, 6.67

 

CMYK 9 / 0 / 4 / 31

HEX #A0B0A9

RGB 160 176 169

HSL 153.75, 0.09%, 0.66%

LAB 70.45, -6.93, 1.67

 

CMYK 9 / 7 / 0 / 31

HEX #A0A4B0

RGB 160 164 176

HSL 225, 0.09%, 0.66%

LAB 67.4, 0.98, -6.69

 

CMYK 0 / 9 / 5 / 31

HEX #B0A0A7

RGB 176 160 167

HSL 333.75, 0.09%, 0.66%

LAB 67.4, 7.08, -1.52

 

CMYK 1 / 0 / 9 / 31

HEX #AFB0A0

RGB 175 176 160

HSL 63.75, 0.09%, 0.66%

LAB 71.35, -3.24, 8.07

 

CMYK 9 / 0 / 4 / 31

HEX #A0B0A9

RGB 160 176 169

HSL 153.75, 0.09%, 0.66%

LAB 70.45, -6.93, 1.67

 

CMYK 9 / 9 / 0 / 31

HEX #A1A0B0

RGB 161 160 176

HSL 243.75, 0.09%, 0.66%

LAB 66.41, 3.54, -8.15

 

Description

Color code: HEX #B0A0A7 | qconv.com Color code: HEX #B0A0A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 160 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 160 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 5 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 5% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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