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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0A316 it is the complementary color #4F5CE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0A316. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0A316 shade: #B5A311, #C6B524, #D7C737, #E8D94A and #F9EB5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0A316. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0A316 shade: #B0A316, #9F9103, #8E7F00, #7D6D00 and #6C5B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0A316 shade: #B1A315, #B17A15, #B15015, #B12615 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0A316 shade: #B1A315, #94B115, #6AB115, #40B115 and #16B115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0A316 shade matches the following richer shades: #B1A315 and #C1B105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0A316 shade: #B1A315, #A09625, #908936, #807B46 and #706E56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0A316 shade: #B14E15, #B17815, #B1A115, #97B115 and #6DB115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0A316 shade: #675F0C, #8C8111, #B1A315, #D5C51A and #E5D633

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0A316 shade: #B0A316, #15B125 and #6315B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0A316 shade: #B0A316, #15B1A1 and #A115B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0A316 shade: #B0A316, #15B125, #1525B1 and #B115A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0A316 shade: #B0A316, #15B153, #1525B1 and #B11572

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 88 / 31

HEX #B0A316

RGB 176 163 22

HSL 54.94, 0.78%, 0.39%

LAB 66.12, -9.26, 65.63

 

Complementary color

CMYK 66 / 61 / 0 / 9

HEX #4F5CE9

RGB 79 92 233

HSL 234.94, 0.78%, 0.61%

LAB 45.91, 39.03, -72.89

 

CMYK 0 / 10 / 91 / 29

HEX #B5A311

RGB 181 163 17

HSL 53.41, 0.83%, 0.39%

LAB 66.56, -7.13, 67.14

 

CMYK 0 / 9 / 82 / 22

HEX #C6B524

RGB 198 181 36

HSL 53.7, 0.69%, 0.46%

LAB 73.01, -8.56, 68.75

 

CMYK 0 / 7 / 74 / 16

HEX #D7C737

RGB 215 199 55

HSL 54, 0.67%, 0.53%

LAB 79.37, -9.78, 69.21

 

CMYK 0 / 6 / 68 / 9

HEX #E8D94A

RGB 232 217 74

HSL 54.3, 0.77%, 0.6%

LAB 85.64, -10.81, 68.97

 

CMYK 0 / 6 / 63 / 2

HEX #F9EB5D

RGB 249 235 93

HSL 54.62, 0.93%, 0.67%

LAB 91.84, -11.69, 68.33

 

CMYK 0 / 7 / 88 / 31

HEX #B0A316

RGB 176 163 22

HSL 54.94, 0.78%, 0.39%

LAB 66.12, -9.26, 65.63

 

CMYK 0 / 9 / 98 / 38

HEX #9F9103

RGB 159 145 3

HSL 54.62, 0.96%, 0.32%

LAB 59.55, -7.7, 63.06

 

CMYK 0 / 11 / 100 / 44

HEX #8E7F00

RGB 142 127 0

HSL 53.66, 1%, 0.28%

LAB 52.87, -5.83, 57.99

 

CMYK 0 / 13 / 100 / 51

HEX #7D6D00

RGB 125 109 0

HSL 52.32, 1%, 0.25%

LAB 46.04, -3.82, 52.34

 

CMYK 0 / 16 / 100 / 58

HEX #6C5B00

RGB 108 91 0

HSL 50.56, 1%, 0.21%

LAB 39.02, -1.7, 46.53

 

CMYK 0 / 8 / 88 / 31

HEX #B1A315

RGB 177 163 21

HSL 54.62, 0.79%, 0.39%

LAB 66.21, -8.84, 65.94

 

CMYK 0 / 31 / 88 / 31

HEX #B17A15

RGB 177 122 21

HSL 38.85, 0.79%, 0.39%

LAB 55.4, 13.56, 57.28

 

CMYK 0 / 55 / 88 / 31

HEX #B15015

RGB 177 80 21

HSL 22.69, 0.79%, 0.39%

LAB 45.82, 36.44, 49.61

 

CMYK 0 / 79 / 88 / 31

HEX #B12615

RGB 177 38 21

HSL 6.54, 0.79%, 0.39%

LAB 39.22, 54.13, 44.33

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 8 / 88 / 31

HEX #B1A315

RGB 177 163 21

HSL 54.62, 0.79%, 0.39%

LAB 66.21, -8.84, 65.94

 

CMYK 16 / 0 / 88 / 31

HEX #94B115

RGB 148 177 21

HSL 71.15, 0.79%, 0.39%

LAB 67.87, -28.53, 66.34

 

CMYK 40 / 0 / 88 / 31

HEX #6AB115

RGB 106 177 21

HSL 87.31, 0.79%, 0.39%

LAB 65.41, -44.82, 63.28

 

CMYK 64 / 0 / 88 / 31

HEX #40B115

RGB 64 177 21

HSL 103.46, 0.79%, 0.39%

LAB 63.83, -57.1, 61.3

 

CMYK 88 / 0 / 88 / 31

HEX #16B115

RGB 22 177 21

HSL 119.62, 0.79%, 0.39%

LAB 63.07, -63.66, 60.35

 

CMYK 0 / 8 / 88 / 31

HEX #B1A315

RGB 177 163 21

HSL 54.62, 0.79%, 0.39%

LAB 66.21, -8.84, 65.94

 

CMYK 0 / 8 / 97 / 24

HEX #C1B105

RGB 193 177 5

HSL 54.89, 0.95%, 0.39%

LAB 71.41, -9.28, 72.89

 

CMYK 0 / 8 / 88 / 31

HEX #B1A315

RGB 177 163 21

HSL 54.62, 0.79%, 0.39%

LAB 66.21, -8.84, 65.94

 

CMYK 0 / 6 / 77 / 37

HEX #A09625

RGB 160 150 37

HSL 55.12, 0.62%, 0.39%

LAB 61.15, -9.07, 56.61

 

CMYK 0 / 5 / 63 / 44

HEX #908936

RGB 144 137 54

HSL 55.33, 0.45%, 0.39%

LAB 56.17, -8.28, 44.22

 

CMYK 0 / 4 / 45 / 50

HEX #807B46

RGB 128 123 70

HSL 54.83, 0.29%, 0.39%

LAB 50.92, -6.22, 29.57

 

CMYK 0 / 2 / 23 / 56

HEX #706E56

RGB 112 110 86

HSL 55.38, 0.13%, 0.39%

LAB 46, -3.57, 13.7

 

CMYK 0 / 56 / 88 / 31

HEX #B14E15

RGB 177 78 21

HSL 21.92, 0.79%, 0.39%

LAB 45.43, 37.45, 49.3

 

CMYK 0 / 32 / 88 / 31

HEX #B17815

RGB 177 120 21

HSL 38.08, 0.79%, 0.39%

LAB 54.9, 14.68, 56.88

 

CMYK 0 / 9 / 88 / 31

HEX #B1A115

RGB 177 161 21

HSL 53.85, 0.79%, 0.39%

LAB 65.66, -7.78, 65.51

 

CMYK 15 / 0 / 88 / 31

HEX #97B115

RGB 151 177 21

HSL 70, 0.79%, 0.39%

LAB 68.08, -27.27, 66.59

 

CMYK 38 / 0 / 88 / 31

HEX #6DB115

RGB 109 177 21

HSL 86.15, 0.79%, 0.39%

LAB 65.55, -43.77, 63.46

 

CMYK 0 / 8 / 88 / 60

HEX #675F0C

RGB 103 95 12

HSL 54.73, 0.79%, 0.23%

LAB 39.74, -6.18, 43.55

 

CMYK 0 / 8 / 88 / 45

HEX #8C8111

RGB 140 129 17

HSL 54.63, 0.78%, 0.31%

LAB 53.29, -7.53, 54.95

 

CMYK 0 / 8 / 88 / 31

HEX #B1A315

RGB 177 163 21

HSL 54.62, 0.79%, 0.39%

LAB 66.21, -8.84, 65.94

 

CMYK 0 / 8 / 88 / 16

HEX #D5C51A

RGB 213 197 26

HSL 54.87, 0.78%, 0.47%

LAB 78.55, -10.5, 76.15

 

CMYK 0 / 7 / 78 / 10

HEX #E5D633

RGB 229 214 51

HSL 54.94, 0.77%, 0.55%

LAB 84.48, -11.56, 75.59

 

CMYK 0 / 7 / 88 / 31

HEX #B0A316

RGB 176 163 22

HSL 54.94, 0.78%, 0.39%

LAB 66.12, -9.26, 65.63

 

CMYK 88 / 0 / 79 / 31

HEX #15B125

RGB 21 177 37

HSL 126.15, 0.79%, 0.39%

LAB 63.13, -62.89, 56.25

 

CMYK 44 / 88 / 0 / 31

HEX #6315B1

RGB 99 21 177

HSL 270, 0.79%, 0.39%

LAB 30.31, 60.29, -65.88

 

CMYK 0 / 7 / 88 / 31

HEX #B0A316

RGB 176 163 22

HSL 54.94, 0.78%, 0.39%

LAB 66.12, -9.26, 65.63

 

CMYK 88 / 0 / 9 / 31

HEX #15B1A1

RGB 21 177 161

HSL 173.85, 0.79%, 0.39%

LAB 65.1, -40.44, -2.36

 

CMYK 9 / 88 / 0 / 31

HEX #A115B1

RGB 161 21 177

HSL 293.85, 0.79%, 0.39%

LAB 40.06, 69.49, -49.58

 

CMYK 0 / 7 / 88 / 31

HEX #B0A316

RGB 176 163 22

HSL 54.94, 0.78%, 0.39%

LAB 66.12, -9.26, 65.63

 

CMYK 88 / 0 / 79 / 31

HEX #15B125

RGB 21 177 37

HSL 126.15, 0.79%, 0.39%

LAB 63.13, -62.89, 56.25

 

CMYK 88 / 79 / 0 / 31

HEX #1525B1

RGB 21 37 177

HSL 233.85, 0.79%, 0.39%

LAB 25.73, 47.22, -73.66

 

CMYK 0 / 88 / 9 / 31

HEX #B115A1

RGB 177 21 161

HSL 306.15, 0.79%, 0.39%

LAB 41.93, 69.93, -36.88

 

CMYK 0 / 7 / 88 / 31

HEX #B0A316

RGB 176 163 22

HSL 54.94, 0.78%, 0.39%

LAB 66.12, -9.26, 65.63

 

CMYK 88 / 0 / 53 / 31

HEX #15B153

RGB 21 177 83

HSL 143.85, 0.79%, 0.39%

LAB 63.53, -57.86, 37.45

 

CMYK 88 / 79 / 0 / 31

HEX #1525B1

RGB 21 37 177

HSL 233.85, 0.79%, 0.39%

LAB 25.73, 47.22, -73.66

 

CMYK 0 / 88 / 36 / 31

HEX #B11572

RGB 177 21 114

HSL 324.23, 0.79%, 0.39%

LAB 39.75, 64.07, -11.44

 

Description

Color code: HEX #B0A316 | qconv.com Color code: HEX #B0A316 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 163 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 163 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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