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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0B8D7 it is the complementary color #4F4728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0B8D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0B8D7 shade: #B5B8D2, #C6CAE5, #D7DCF8, #E8EEFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0B8D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0B8D7 shade: #B0B8D7, #9FA6C4, #8E94B1, #7D829E and #6C708B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0B8D7 shade: #B0B8D7, #B3B0D7, #BDB0D7, #C8B0D7 and #D2B0D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0B8D7 shade: #B0B8D7 and #B0B0D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0B8D7 shade matches the following richer shades: #B0B8D7, #A7B3E1, #9EADEA, #94A8F4 and #8BA2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0B8D7 shade: #B0B8D7, #BABECE, #C3C4C4, #CDC9BB and #D6CFB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0B8D7 shade: #B0CED7, #B0C3D7, #B0B9D7, #B2B0D7 and #BDB0D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0B8D7 shade: #7A87BC, #95A0C9, #B0B8D7, #CCD1E5 and #E7EAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0B8D7 shade: #B0B8D7, #D7B0D7 and #C8D7B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0B8D7 shade: #B0B8D7, #D7B0B9 and #B9D7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0B8D7 shade: #B0B8D7, #D7B0D7, #D7CFB0 and #B1D7B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0B8D7 shade: #B0B8D7, #D7B0CC, #D7CFB0 and #B0D7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

Complementary color

CMYK 0 / 10 / 49 / 69

HEX #4F4728

RGB 79 71 40

HSL 47.69, 0.33%, 0.23%

LAB 30.21, -1.65, 19.82

 

CMYK 14 / 12 / 0 / 18

HEX #B5B8D2

RGB 181 184 210

HSL 233.79, 0.24%, 0.77%

LAB 75.3, 4.16, -13.42

 

CMYK 14 / 12 / 0 / 10

HEX #C6CAE5

RGB 198 202 229

HSL 232.26, 0.37%, 0.84%

LAB 81.79, 3.95, -13.81

 

CMYK 13 / 11 / 0 / 3

HEX #D7DCF8

RGB 215 220 248

HSL 230.91, 0.7%, 0.91%

LAB 88.17, 3.74, -14.2

 

CMYK 9 / 7 / 0 / 0

HEX #E8EEFF

RGB 232 238 255

HSL 224.35, 1%, 0.95%

LAB 94.11, 1.19, -8.87

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 19 / 15 / 0 / 23

HEX #9FA6C4

RGB 159 166 196

HSL 228.65, 0.24%, 0.7%

LAB 68.48, 3.87, -16.17

 

CMYK 20 / 16 / 0 / 31

HEX #8E94B1

RGB 142 148 177

HSL 229.71, 0.18%, 0.63%

LAB 61.74, 4.12, -15.86

 

CMYK 21 / 18 / 0 / 38

HEX #7D829E

RGB 125 130 158

HSL 230.91, 0.15%, 0.55%

LAB 54.86, 4.39, -15.55

 

CMYK 22 / 19 / 0 / 45

HEX #6C708B

RGB 108 112 139

HSL 232.26, 0.13%, 0.48%

LAB 47.8, 4.69, -15.27

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 17 / 18 / 0 / 16

HEX #B3B0D7

RGB 179 176 215

HSL 244.62, 0.33%, 0.77%

LAB 73.25, 8.96, -19.26

 

CMYK 12 / 18 / 0 / 16

HEX #BDB0D7

RGB 189 176 215

HSL 260, 0.33%, 0.77%

LAB 74.05, 12.18, -17.97

 

CMYK 7 / 18 / 0 / 16

HEX #C8B0D7

RGB 200 176 215

HSL 276.92, 0.33%, 0.77%

LAB 74.97, 15.79, -16.48

 

CMYK 2 / 18 / 0 / 16

HEX #D2B0D7

RGB 210 176 215

HSL 292.31, 0.33%, 0.77%

LAB 75.86, 19.11, -15.06

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 18 / 18 / 0 / 16

HEX #B0B0D7

RGB 176 176 215

HSL 240, 0.33%, 0.77%

LAB 73.01, 8.01, -19.63

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 26 / 20 / 0 / 12

HEX #A7B3E1

RGB 167 179 225

HSL 227.59, 0.49%, 0.77%

LAB 73.48, 5.89, -24.45

 

CMYK 32 / 26 / 0 / 8

HEX #9EADEA

RGB 158 173 234

HSL 228.16, 0.64%, 0.77%

LAB 71.62, 8.81, -32.25

 

CMYK 39 / 31 / 0 / 4

HEX #94A8F4

RGB 148 168 244

HSL 227.5, 0.81%, 0.77%

LAB 70.06, 11.53, -40.17

 

CMYK 45 / 36 / 0 / 1

HEX #8BA2FD

RGB 139 162 253

HSL 227.89, 0.97%, 0.77%

LAB 68.33, 15.21, -47.81

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 10 / 8 / 0 / 19

HEX #BABECE

RGB 186 190 206

HSL 228, 0.17%, 0.77%

LAB 77.11, 1.74, -8.51

 

CMYK 1 / 0 / 0 / 23

HEX #C3C4C4

RGB 195 196 196

HSL 180, 0.01%, 0.77%

LAB 79.08, -0.34, -0.13

 

CMYK 0 / 2 / 9 / 20

HEX #CDC9BB

RGB 205 201 187

HSL 46.67, 0.15%, 0.77%

LAB 80.93, -1.05, 7.48

 

CMYK 0 / 3 / 17 / 16

HEX #D6CFB1

RGB 214 207 177

HSL 48.65, 0.31%, 0.77%

LAB 82.96, -2.52, 15.79

 

CMYK 18 / 4 / 0 / 16

HEX #B0CED7

RGB 176 206 215

HSL 193.85, 0.33%, 0.77%

LAB 80.89, -8.07, -7.82

 

CMYK 18 / 9 / 0 / 16

HEX #B0C3D7

RGB 176 195 215

HSL 210.77, 0.33%, 0.77%

LAB 77.97, -2.28, -12.17

 

CMYK 18 / 14 / 0 / 16

HEX #B0B9D7

RGB 176 185 215

HSL 226.15, 0.33%, 0.77%

LAB 75.35, 3.1, -16.11

 

CMYK 17 / 18 / 0 / 16

HEX #B2B0D7

RGB 178 176 215

HSL 243.08, 0.33%, 0.77%

LAB 73.17, 8.64, -19.39

 

CMYK 12 / 18 / 0 / 16

HEX #BDB0D7

RGB 189 176 215

HSL 260, 0.33%, 0.77%

LAB 74.05, 12.18, -17.97

 

CMYK 35 / 28 / 0 / 26

HEX #7A87BC

RGB 122 135 188

HSL 228.18, 0.33%, 0.61%

LAB 57.17, 8.22, -29.23

 

CMYK 26 / 20 / 0 / 21

HEX #95A0C9

RGB 149 160 201

HSL 227.31, 0.33%, 0.69%

LAB 66.33, 5.25, -22.29

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 11 / 9 / 0 / 10

HEX #CCD1E5

RGB 204 209 229

HSL 228, 0.32%, 0.85%

LAB 84.02, 2.17, -10.44

 

CMYK 5 / 4 / 0 / 5

HEX #E7EAF3

RGB 231 234 243

HSL 225, 0.33%, 0.93%

LAB 92.71, 0.65, -4.71

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 0 / 18 / 0 / 16

HEX #D7B0D7

RGB 215 176 215

HSL 300, 0.33%, 0.77%

LAB 76.32, 20.79, -14.33

 

CMYK 7 / 0 / 18 / 16

HEX #C8D7B0

RGB 200 215 176

HSL 83.08, 0.33%, 0.77%

LAB 83.97, -11.86, 17.57

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 0 / 18 / 14 / 16

HEX #D7B0B9

RGB 215 176 185

HSL 346.15, 0.33%, 0.77%

LAB 75.45, 15.55, 0.75

 

CMYK 14 / 0 / 18 / 16

HEX #B9D7B0

RGB 185 215 176

HSL 106.15, 0.33%, 0.77%

LAB 82.94, -17.15, 15.97

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 0 / 18 / 0 / 16

HEX #D7B0D7

RGB 215 176 215

HSL 300, 0.33%, 0.77%

LAB 76.32, 20.79, -14.33

 

CMYK 0 / 4 / 18 / 16

HEX #D7CFB0

RGB 215 207 176

HSL 47.69, 0.33%, 0.77%

LAB 83.02, -2.3, 16.41

 

CMYK 18 / 0 / 18 / 16

HEX #B1D7B0

RGB 177 215 176

HSL 118.46, 0.33%, 0.77%

LAB 82.42, -19.89, 15.17

 

CMYK 18 / 14 / 0 / 16

HEX #B0B8D7

RGB 176 184 215

HSL 227.69, 0.33%, 0.77%

LAB 75.09, 3.64, -16.5

 

CMYK 0 / 18 / 5 / 16

HEX #D7B0CC

RGB 215 176 204

HSL 316.92, 0.33%, 0.77%

LAB 75.98, 18.79, -8.84

 

CMYK 0 / 4 / 18 / 16

HEX #D7CFB0

RGB 215 207 176

HSL 47.69, 0.33%, 0.77%

LAB 83.02, -2.3, 16.41

 

CMYK 18 / 0 / 13 / 16

HEX #B0D7BB

RGB 176 215 187

HSL 136.92, 0.33%, 0.77%

LAB 82.6, -18.25, 9.6

 

Description

Color code: HEX #B0B8D7 | qconv.com Color code: HEX #B0B8D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 184 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 184 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 14 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 14% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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