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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0B3AE it is the complementary color #4F4C51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0B3AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0B3AE shade: #B5B3A9, #C6C5BC, #D7D7CF, #E8E9E2 and #F9FBF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0B3AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0B3AE shade: #B0B3AE, #9FA19B, #8E8F88, #7D7D75 and #6C6B62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0B3AE shade: #AFB2AD, #B0B2AD, #B2B2AD, #B2B1AD and #B2B0AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0B3AE shade: #AFB2AD, #AEB2AD, #ADB2AE, #ADB2AF and #ADB2B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0B3AE shade matches the following richer shades: #AFB2AD, #ACBFA0, #AACB93, #A7D887 and #A5E57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0B3AE shade: #AFB2AD, #B2A5BA, #B498C7, #B78BD3 and #B97FE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0B3AE shade: #B2B2AD, #B0B2AD, #AFB2AD, #AEB2AD and #ADB2AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0B3AE shade: #858A83, #9A9E98, #AFB2AD, #C4C6C2 and #D8DAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0B3AE shade: #B0B3AE, #ADB2B1 and #B2ADB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0B3AE shade: #B0B3AE, #ADAFB2 and #B2ADAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0B3AE shade: #B0B3AE, #ADB2B1, #B0ADB2 and #B2ADAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0B3AE shade: #B0B3AE, #ADB1B2, #B0ADB2 and #B2AEAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 3 / 30

HEX #B0B3AE

RGB 176 179 174

HSL 96, 0.03%, 0.69%

LAB 72.58, -1.98, 2.17

 

Complementary color

CMYK 2 / 6 / 0 / 68

HEX #4F4C51

RGB 79 76 81

HSL 276, 0.03%, 0.31%

LAB 32.76, 2.32, -2.52

 

CMYK 0 / 1 / 7 / 29

HEX #B5B3A9

RGB 181 179 169

HSL 50, 0.08%, 0.69%

LAB 72.84, -1.1, 5.34

 

CMYK 0 / 1 / 5 / 22

HEX #C6C5BC

RGB 198 197 188

HSL 54, 0.08%, 0.76%

LAB 79.37, -1.26, 4.62

 

CMYK 0 / 0 / 4 / 16

HEX #D7D7CF

RGB 215 215 207

HSL 60, 0.09%, 0.83%

LAB 85.78, -1.42, 3.93

 

CMYK 0 / 0 / 3 / 9

HEX #E8E9E2

RGB 232 233 226

HSL 68.57, 0.14%, 0.9%

LAB 92.1, -1.56, 3.27

 

CMYK 1 / 0 / 2 / 2

HEX #F9FBF5

RGB 249 251 245

HSL 80, 0.43%, 0.97%

LAB 98.32, -1.7, 2.63

 

CMYK 2 / 0 / 3 / 30

HEX #B0B3AE

RGB 176 179 174

HSL 96, 0.03%, 0.69%

LAB 72.58, -1.98, 2.17

 

CMYK 1 / 0 / 4 / 37

HEX #9FA19B

RGB 159 161 155

HSL 80, 0.03%, 0.62%

LAB 65.93, -1.85, 2.86

 

CMYK 1 / 0 / 5 / 44

HEX #8E8F88

RGB 142 143 136

HSL 68.57, 0.03%, 0.55%

LAB 59.13, -1.7, 3.59

 

CMYK 0 / 0 / 6 / 51

HEX #7D7D75

RGB 125 125 117

HSL 60, 0.03%, 0.47%

LAB 52.19, -1.55, 4.35

 

CMYK 0 / 1 / 9 / 58

HEX #6C6B62

RGB 108 107 98

HSL 54, 0.05%, 0.4%

LAB 45.06, -1.38, 5.18

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 1 / 0 / 3 / 30

HEX #B0B2AD

RGB 176 178 173

HSL 84, 0.03%, 0.69%

LAB 72.29, -1.63, 2.3

 

CMYK 0 / 0 / 3 / 30

HEX #B2B2AD

RGB 178 178 173

HSL 60, 0.03%, 0.69%

LAB 72.44, -0.92, 2.54

 

CMYK 0 / 1 / 3 / 30

HEX #B2B1AD

RGB 178 177 173

HSL 48, 0.03%, 0.69%

LAB 72.18, -0.38, 2.16

 

CMYK 0 / 1 / 3 / 30

HEX #B2B0AD

RGB 178 176 173

HSL 36, 0.03%, 0.69%

LAB 71.92, 0.16, 1.77

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 2 / 0 / 3 / 30

HEX #AEB2AD

RGB 174 178 173

HSL 108, 0.03%, 0.69%

LAB 72.13, -2.34, 2.05

 

CMYK 3 / 0 / 2 / 30

HEX #ADB2AE

RGB 173 178 174

HSL 132, 0.03%, 0.69%

LAB 72.08, -2.51, 1.42

 

CMYK 3 / 0 / 2 / 30

HEX #ADB2AF

RGB 173 178 175

HSL 144, 0.03%, 0.69%

LAB 72.11, -2.32, 0.91

 

CMYK 3 / 0 / 1 / 30

HEX #ADB2B0

RGB 173 178 176

HSL 156, 0.03%, 0.69%

LAB 72.13, -2.13, 0.4

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 10 / 0 / 16 / 25

HEX #ACBFA0

RGB 172 191 160

HSL 96.77, 0.19%, 0.69%

LAB 75.18, -12.23, 13.47

 

CMYK 16 / 0 / 28 / 20

HEX #AACB93

RGB 170 203 147

HSL 95.36, 0.35%, 0.69%

LAB 78.09, -21.13, 24.41

 

CMYK 23 / 0 / 38 / 15

HEX #A7D887

RGB 167 216 135

HSL 96.3, 0.51%, 0.69%

LAB 81.33, -30.23, 34.9

 

CMYK 28 / 0 / 47 / 10

HEX #A5E57A

RGB 165 229 122

HSL 95.89, 0.67%, 0.69%

LAB 84.71, -38.58, 45.61

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 4 / 11 / 0 / 27

HEX #B2A5BA

RGB 178 165 186

HSL 277.14, 0.13%, 0.69%

LAB 69.41, 8.64, -9.08

 

CMYK 10 / 24 / 0 / 22

HEX #B498C7

RGB 180 152 199

HSL 275.74, 0.3%, 0.69%

LAB 66.74, 19.19, -20.32

 

CMYK 13 / 34 / 0 / 17

HEX #B78BD3

RGB 183 139 211

HSL 276.67, 0.45%, 0.69%

LAB 64.35, 29.97, -30.65

 

CMYK 17 / 43 / 0 / 12

HEX #B97FE0

RGB 185 127 224

HSL 275.88, 0.61%, 0.69%

LAB 62.4, 40.01, -40.92

 

CMYK 0 / 0 / 3 / 30

HEX #B2B2AD

RGB 178 178 173

HSL 60, 0.03%, 0.69%

LAB 72.44, -0.92, 2.54

 

CMYK 1 / 0 / 3 / 30

HEX #B0B2AD

RGB 176 178 173

HSL 84, 0.03%, 0.69%

LAB 72.29, -1.63, 2.3

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 2 / 0 / 3 / 30

HEX #AEB2AD

RGB 174 178 173

HSL 108, 0.03%, 0.69%

LAB 72.13, -2.34, 2.05

 

CMYK 3 / 0 / 2 / 30

HEX #ADB2AE

RGB 173 178 174

HSL 132, 0.03%, 0.69%

LAB 72.08, -2.51, 1.42

 

CMYK 4 / 0 / 5 / 46

HEX #858A83

RGB 133 138 131

HSL 102.86, 0.03%, 0.53%

LAB 56.88, -3.21, 3.1

 

CMYK 3 / 0 / 4 / 38

HEX #9A9E98

RGB 154 158 152

HSL 100, 0.03%, 0.61%

LAB 64.64, -2.58, 2.62

 

CMYK 2 / 0 / 3 / 30

HEX #AFB2AD

RGB 175 178 173

HSL 96, 0.03%, 0.69%

LAB 72.21, -1.99, 2.17

 

CMYK 1 / 0 / 2 / 22

HEX #C4C6C2

RGB 196 198 194

HSL 90, 0.03%, 0.77%

LAB 79.62, -1.42, 1.75

 

CMYK 1 / 0 / 1 / 15

HEX #D8DAD8

RGB 216 218 216

HSL 120, 0.03%, 0.85%

LAB 86.85, -1.03, 0.73

 

CMYK 2 / 0 / 3 / 30

HEX #B0B3AE

RGB 176 179 174

HSL 96, 0.03%, 0.69%

LAB 72.58, -1.98, 2.17

 

CMYK 3 / 0 / 1 / 30

HEX #ADB2B1

RGB 173 178 177

HSL 168, 0.03%, 0.69%

LAB 72.16, -1.94, -0.11

 

CMYK 0 / 3 / 1 / 30

HEX #B2ADB1

RGB 178 173 177

HSL 312, 0.03%, 0.69%

LAB 71.23, 2.52, -1.42

 

CMYK 2 / 0 / 3 / 30

HEX #B0B3AE

RGB 176 179 174

HSL 96, 0.03%, 0.69%

LAB 72.58, -1.98, 2.17

 

CMYK 3 / 2 / 0 / 30

HEX #ADAFB2

RGB 173 175 178

HSL 216, 0.03%, 0.69%

LAB 71.39, -0.13, -1.79

 

CMYK 0 / 3 / 2 / 30

HEX #B2ADAF

RGB 178 173 175

HSL 336, 0.03%, 0.69%

LAB 71.18, 2.15, -0.4

 

CMYK 2 / 0 / 3 / 30

HEX #B0B3AE

RGB 176 179 174

HSL 96, 0.03%, 0.69%

LAB 72.58, -1.98, 2.17

 

CMYK 3 / 0 / 1 / 30

HEX #ADB2B1

RGB 173 178 177

HSL 168, 0.03%, 0.69%

LAB 72.16, -1.94, -0.11

 

CMYK 1 / 3 / 0 / 30

HEX #B0ADB2

RGB 176 173 178

HSL 276, 0.03%, 0.69%

LAB 71.1, 2.01, -2.19

 

CMYK 0 / 3 / 2 / 30

HEX #B2ADAE

RGB 178 173 174

HSL 348, 0.03%, 0.69%

LAB 71.15, 1.97, 0.11

 

CMYK 2 / 0 / 3 / 30

HEX #B0B3AE

RGB 176 179 174

HSL 96, 0.03%, 0.69%

LAB 72.58, -1.98, 2.17

 

CMYK 3 / 1 / 0 / 30

HEX #ADB1B2

RGB 173 177 178

HSL 192, 0.03%, 0.69%

LAB 71.92, -1.21, -1.01

 

CMYK 1 / 3 / 0 / 30

HEX #B0ADB2

RGB 176 173 178

HSL 276, 0.03%, 0.69%

LAB 71.1, 2.01, -2.19

 

CMYK 0 / 2 / 3 / 30

HEX #B2AEAD

RGB 178 174 173

HSL 12, 0.03%, 0.69%

LAB 71.39, 1.24, 1.01

 

Description

Color code: HEX #B0B3AE | qconv.com Color code: HEX #B0B3AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 179 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 179 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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