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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C5FC it is the complementary color #4F3A03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C5FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0C5FC shade: #B5C5F7, #C6D7FF, #D7E9FF, #E8FBFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C5FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0C5FC shade: #B0C5FC, #9FB3E9, #8EA1D6, #7D8FC3 and #6C7DB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0C5FC shade: #B0C5FC, #B0B0FC, #C4B0FC, #D8B0FC and #EDB0FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0C5FC shade: #B0C5FC, #B0B0FC and #B0B0FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0C5FC shade matches the following richer shades: #B0C5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0C5FC shade: #B0C5FC, #B6C8F5, #BDCBEE, #C4CEE8 and #CAD1E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0C5FC shade: #B0EEFC, #B0D9FC, #B0C5FC, #B0B1FC and #C3B0FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0C5FC shade: #608AF9, #88A8FA, #B0C5FC and #D8E2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0C5FC shade: #B0C5FC, #F5B0FC and #E4FCB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0C5FC shade: #B0C5FC, #FCB0C5 and #C5FCB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0C5FC shade: #B0C5FC, #F5B0FC, #FCE6B0 and #B6FCB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0C5FC shade: #B0C5FC, #FCB0EB, #FCE6B0 and #B0FCC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

Complementary color

CMYK 0 / 27 / 96 / 69

HEX #4F3A03

RGB 79 58 3

HSL 43.42, 0.93%, 0.16%

LAB 25.85, 3.85, 33.95

 

CMYK 27 / 20 / 0 / 3

HEX #B5C5F7

RGB 181 197 247

HSL 225.45, 0.8%, 0.84%

LAB 79.88, 5.41, -26.44

 

CMYK 22 / 16 / 0 / 0

HEX #C6D7FF

RGB 198 215 255

HSL 222.11, 1%, 0.89%

LAB 85.92, 2.65, -21.39

 

CMYK 16 / 9 / 0 / 0

HEX #D7E9FF

RGB 215 233 255

HSL 213, 1%, 0.92%

LAB 91.66, -1.58, -12.64

 

CMYK 9 / 2 / 0 / 0

HEX #E8FBFF

RGB 232 251 255

HSL 190.43, 1%, 0.95%

LAB 97.38, -5.42, -4.04

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 32 / 23 / 0 / 9

HEX #9FB3E9

RGB 159 179 233

HSL 223.78, 0.63%, 0.77%

LAB 73.22, 5.51, -29.24

 

CMYK 34 / 25 / 0 / 16

HEX #8EA1D6

RGB 142 161 214

HSL 224.17, 0.47%, 0.7%

LAB 66.59, 5.89, -29.13

 

CMYK 36 / 27 / 0 / 24

HEX #7D8FC3

RGB 125 143 195

HSL 224.57, 0.37%, 0.63%

LAB 59.84, 6.32, -29.04

 

CMYK 39 / 29 / 0 / 31

HEX #6C7DB0

RGB 108 125 176

HSL 225, 0.3%, 0.56%

LAB 52.94, 6.81, -29

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 30 / 30 / 0 / 1

HEX #B0B0FC

RGB 176 176 252

HSL 240, 0.93%, 0.84%

LAB 74.39, 16.7, -37.62

 

CMYK 22 / 30 / 0 / 1

HEX #C4B0FC

RGB 196 176 252

HSL 255.79, 0.93%, 0.84%

LAB 75.96, 22.46, -35.06

 

CMYK 14 / 30 / 0 / 1

HEX #D8B0FC

RGB 216 176 252

HSL 271.58, 0.93%, 0.84%

LAB 77.68, 28.45, -32.25

 

CMYK 6 / 30 / 0 / 1

HEX #EDB0FC

RGB 237 176 252

HSL 288.16, 0.93%, 0.84%

LAB 79.66, 34.9, -29.04

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 30 / 30 / 0 / 1

HEX #B0B0FC

RGB 176 176 252

HSL 240, 0.93%, 0.84%

LAB 74.39, 16.7, -37.62

 

CMYK 30 / 30 / 0 / 1

HEX #B0B0FC

RGB 176 176 252

HSL 240, 0.93%, 0.84%

LAB 74.39, 16.7, -37.62

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 26 / 18 / 0 / 4

HEX #B6C8F5

RGB 182 200 245

HSL 222.86, 0.76%, 0.84%

LAB 80.65, 3.62, -24.18

 

CMYK 21 / 15 / 0 / 7

HEX #BDCBEE

RGB 189 203 238

HSL 222.86, 0.59%, 0.84%

LAB 81.68, 2.53, -18.85

 

CMYK 16 / 11 / 0 / 9

HEX #C4CEE8

RGB 196 206 232

HSL 223.33, 0.44%, 0.84%

LAB 82.76, 1.81, -13.97

 

CMYK 10 / 7 / 0 / 12

HEX #CAD1E1

RGB 202 209 225

HSL 221.74, 0.28%, 0.84%

LAB 83.75, 0.72, -8.71

 

CMYK 30 / 6 / 0 / 1

HEX #B0EEFC

RGB 176 238 252

HSL 191.05, 0.93%, 0.84%

LAB 90.51, -16.22, -13.05

 

CMYK 30 / 14 / 0 / 1

HEX #B0D9FC

RGB 176 217 252

HSL 207.63, 0.93%, 0.84%

LAB 84.94, -5.47, -21.43

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 30 / 30 / 0 / 1

HEX #B0B1FC

RGB 176 177 252

HSL 239.21, 0.93%, 0.84%

LAB 74.64, 16.15, -37.23

 

CMYK 23 / 30 / 0 / 1

HEX #C3B0FC

RGB 195 176 252

HSL 255, 0.93%, 0.84%

LAB 75.87, 22.17, -35.19

 

CMYK 61 / 45 / 0 / 2

HEX #608AF9

RGB 96 138 249

HSL 223.53, 0.93%, 0.68%

LAB 59.44, 19.05, -59.9

 

CMYK 46 / 33 / 0 / 2

HEX #88A8FA

RGB 136 168 250

HSL 223.16, 0.92%, 0.76%

LAB 69.57, 10.21, -44.25

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 15 / 11 / 0 / 1

HEX #D8E2FD

RGB 216 226 253

HSL 223.78, 0.9%, 0.92%

LAB 89.9, 1.95, -14.23

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 3 / 30 / 0 / 1

HEX #F5B0FC

RGB 245 176 252

HSL 294.47, 0.93%, 0.84%

LAB 80.46, 37.39, -27.76

 

CMYK 10 / 0 / 30 / 1

HEX #E4FCB0

RGB 228 252 176

HSL 78.95, 0.93%, 0.84%

LAB 95.68, -20.1, 33.89

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 0 / 30 / 22 / 1

HEX #FCB0C5

RGB 252 176 197

HSL 343.42, 0.93%, 0.84%

LAB 79.49, 30.62, 0.55

 

CMYK 22 / 0 / 30 / 1

HEX #C5FCB0

RGB 197 252 176

HSL 103.42, 0.93%, 0.84%

LAB 93.72, -30.91, 30.92

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 3 / 30 / 0 / 1

HEX #F5B0FC

RGB 245 176 252

HSL 294.47, 0.93%, 0.84%

LAB 80.46, 37.39, -27.76

 

CMYK 0 / 9 / 30 / 1

HEX #FCE6B0

RGB 252 230 176

HSL 42.63, 0.93%, 0.84%

LAB 91.87, -0.33, 29.08

 

CMYK 28 / 0 / 30 / 1

HEX #B6FCB0

RGB 182 252 176

HSL 115.26, 0.93%, 0.84%

LAB 92.88, -35.84, 29.64

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 0 / 30 / 7 / 1

HEX #FCB0EB

RGB 252 176 235

HSL 313.42, 0.93%, 0.84%

LAB 80.6, 36.6, -18.34

 

CMYK 0 / 9 / 30 / 1

HEX #FCE6B0

RGB 252 230 176

HSL 42.63, 0.93%, 0.84%

LAB 91.87, -0.33, 29.08

 

CMYK 30 / 0 / 24 / 1

HEX #B0FCC0

RGB 176 252 192

HSL 132.63, 0.93%, 0.84%

LAB 92.86, -35.08, 21.44

 

Description

Color code: HEX #B0C5FC | qconv.com Color code: HEX #B0C5FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 197 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 197 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 22 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 22% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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