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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C343 it is the complementary color #4F3CBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0C343 shade: #B5C33E, #C6D551, #D7E764, #E8F977 and #F9FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0C343 shade: #B0C343, #9FB130, #8E9F1D, #7D8D0A and #6C7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0C343 shade: #AFC341, #C3B341, #C39041, #C36D41 and #C34A41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0C343 shade: #AFC341, #8CC341, #69C341, #46C341 and #41C35E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0C343 shade matches the following richer shades: #AFC341, #BDD72C and #CCEB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0C343 shade: #AFC341, #A1AE55, #939A69, #85867D and #767291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0C343 shade: #C38F41, #C3B141, #B1C341, #8FC341 and #6CC341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0C343 shade: #79862A, #95A634, #AFC341, #BCCC60 and #C9D67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0C343 shade: #B0C343, #41C36C and #A041C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0C343 shade: #B0C343, #41B1C3 and #C341B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0C343 shade: #B0C343, #41C36C, #5241C3 and #C34197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0C343 shade: #B0C343, #41C393, #5241C3 and #C34170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 66 / 24

HEX #B0C343

RGB 176 195 67

HSL 68.91, 0.52%, 0.51%

LAB 75.24, -23.55, 59.65

 

Complementary color

CMYK 58 / 68 / 0 / 26

HEX #4F3CBC

RGB 79 60 188

HSL 248.91, 0.52%, 0.49%

LAB 35.05, 43.48, -64.71

 

CMYK 7 / 0 / 68 / 24

HEX #B5C33E

RGB 181 195 62

HSL 66.32, 0.53%, 0.5%

LAB 75.58, -21.79, 62.07

 

CMYK 7 / 0 / 62 / 16

HEX #C6D551

RGB 198 213 81

HSL 66.82, 0.61%, 0.58%

LAB 81.94, -22.42, 61.5

 

CMYK 7 / 0 / 57 / 9

HEX #D7E764

RGB 215 231 100

HSL 67.33, 0.73%, 0.65%

LAB 88.22, -22.93, 60.66

 

CMYK 7 / 0 / 52 / 2

HEX #E8F977

RGB 232 249 119

HSL 67.85, 0.92%, 0.72%

LAB 94.41, -23.35, 59.68

 

CMYK 2 / 0 / 46 / 0

HEX #F9FF8A

RGB 249 255 138

HSL 63.08, 1%, 0.77%

LAB 97.43, -17.98, 54.87

 

CMYK 10 / 0 / 66 / 24

HEX #B0C343

RGB 176 195 67

HSL 68.91, 0.52%, 0.51%

LAB 75.24, -23.55, 59.65

 

CMYK 10 / 0 / 73 / 31

HEX #9FB130

RGB 159 177 48

HSL 68.37, 0.57%, 0.44%

LAB 68.77, -22.88, 59.95

 

CMYK 11 / 0 / 82 / 38

HEX #8E9F1D

RGB 142 159 29

HSL 67.85, 0.69%, 0.37%

LAB 62.2, -22.02, 59.48

 

CMYK 11 / 0 / 93 / 45

HEX #7D8D0A

RGB 125 141 10

HSL 67.33, 0.87%, 0.3%

LAB 55.51, -20.92, 57.6

 

CMYK 12 / 0 / 100 / 52

HEX #6C7B00

RGB 108 123 0

HSL 67.32, 1%, 0.24%

LAB 48.7, -19.52, 53.59

 

CMYK 10 / 0 / 67 / 24

HEX #AFC341

RGB 175 195 65

HSL 69.23, 0.52%, 0.51%

LAB 75.16, -24.09, 60.33

 

CMYK 0 / 8 / 67 / 24

HEX #C3B341

RGB 195 179 65

HSL 52.62, 0.52%, 0.51%

LAB 72.38, -7.56, 57.97

 

CMYK 0 / 26 / 67 / 24

HEX #C39041

RGB 195 144 65

HSL 36.46, 0.52%, 0.51%

LAB 63.29, 11.21, 48.3

 

CMYK 0 / 44 / 67 / 24

HEX #C36D41

RGB 195 109 65

HSL 20.31, 0.52%, 0.51%

LAB 54.99, 30.33, 38.98

 

CMYK 0 / 62 / 67 / 24

HEX #C34A41

RGB 195 74 65

HSL 4.15, 0.52%, 0.51%

LAB 48.11, 47.86, 30.82

 

CMYK 10 / 0 / 67 / 24

HEX #AFC341

RGB 175 195 65

HSL 69.23, 0.52%, 0.51%

LAB 75.16, -24.09, 60.33

 

CMYK 28 / 0 / 67 / 24

HEX #8CC341

RGB 140 195 65

HSL 85.38, 0.52%, 0.51%

LAB 72.88, -37.9, 57.26

 

CMYK 46 / 0 / 67 / 24

HEX #69C341

RGB 105 195 65

HSL 101.54, 0.52%, 0.51%

LAB 71.16, -49.88, 54.91

 

CMYK 64 / 0 / 67 / 24

HEX #46C341

RGB 70 195 65

HSL 117.69, 0.52%, 0.51%

LAB 69.98, -59.03, 53.29

 

CMYK 67 / 0 / 52 / 24

HEX #41C35E

RGB 65 195 94

HSL 133.38, 0.52%, 0.51%

LAB 70.15, -56.56, 40.32

 

CMYK 10 / 0 / 67 / 24

HEX #AFC341

RGB 175 195 65

HSL 69.23, 0.52%, 0.51%

LAB 75.16, -24.09, 60.33

 

CMYK 12 / 0 / 80 / 16

HEX #BDD72C

RGB 189 215 44

HSL 69.12, 0.68%, 0.51%

LAB 81.62, -28.95, 73.84

 

CMYK 13 / 0 / 90 / 8

HEX #CCEB18

RGB 204 235 24

HSL 68.82, 0.84%, 0.51%

LAB 88.12, -32.72, 83.8

 

CMYK 10 / 0 / 67 / 24

HEX #AFC341

RGB 175 195 65

HSL 69.23, 0.52%, 0.51%

LAB 75.16, -24.09, 60.33

 

CMYK 7 / 0 / 51 / 32

HEX #A1AE55

RGB 161 174 85

HSL 68.76, 0.35%, 0.51%

LAB 68.39, -17.84, 43.68

 

CMYK 5 / 0 / 32 / 40

HEX #939A69

RGB 147 154 105

HSL 68.57, 0.2%, 0.51%

LAB 61.94, -10.81, 24.94

 

CMYK 1 / 0 / 7 / 47

HEX #85867D

RGB 133 134 125

HSL 66.67, 0.04%, 0.51%

LAB 55.6, -2.1, 4.71

 

CMYK 19 / 21 / 0 / 43

HEX #767291

RGB 118 114 145

HSL 247.74, 0.12%, 0.51%

LAB 49.41, 8.34, -16.3

 

CMYK 0 / 27 / 67 / 24

HEX #C38F41

RGB 195 143 65

HSL 36, 0.52%, 0.51%

LAB 63.03, 11.75, 48.02

 

CMYK 0 / 9 / 67 / 24

HEX #C3B141

RGB 195 177 65

HSL 51.69, 0.52%, 0.51%

LAB 71.84, -6.52, 57.42

 

CMYK 9 / 0 / 67 / 24

HEX #B1C341

RGB 177 195 65

HSL 68.31, 0.52%, 0.51%

LAB 75.3, -23.27, 60.53

 

CMYK 27 / 0 / 67 / 24

HEX #8FC341

RGB 143 195 65

HSL 84, 0.52%, 0.51%

LAB 73.06, -36.77, 57.5

 

CMYK 45 / 0 / 67 / 24

HEX #6CC341

RGB 108 195 65

HSL 100.15, 0.52%, 0.51%

LAB 71.28, -48.95, 55.08

 

CMYK 10 / 0 / 69 / 47

HEX #79862A

RGB 121 134 42

HSL 68.48, 0.52%, 0.35%

LAB 53.26, -17.76, 45.88

 

CMYK 10 / 0 / 69 / 35

HEX #95A634

RGB 149 166 52

HSL 68.95, 0.52%, 0.43%

LAB 64.89, -21.41, 54.36

 

CMYK 10 / 0 / 67 / 24

HEX #AFC341

RGB 175 195 65

HSL 69.23, 0.52%, 0.51%

LAB 75.16, -24.09, 60.33

 

CMYK 8 / 0 / 53 / 20

HEX #BCCC60

RGB 188 204 96

HSL 68.89, 0.51%, 0.59%

LAB 78.88, -20.88, 51.27

 

CMYK 6 / 0 / 41 / 16

HEX #C9D67F

RGB 201 214 127

HSL 68.97, 0.51%, 0.67%

LAB 82.94, -17.6, 41.44

 

CMYK 10 / 0 / 66 / 24

HEX #B0C343

RGB 176 195 67

HSL 68.91, 0.52%, 0.51%

LAB 75.24, -23.55, 59.65

 

CMYK 67 / 0 / 45 / 24

HEX #41C36C

RGB 65 195 108

HSL 139.85, 0.52%, 0.51%

LAB 70.34, -54.38, 33.57

 

CMYK 18 / 67 / 0 / 24

HEX #A041C3

RGB 160 65 195

HSL 283.85, 0.52%, 0.51%

LAB 45.9, 58.75, -50.78

 

CMYK 10 / 0 / 66 / 24

HEX #B0C343

RGB 176 195 67

HSL 68.91, 0.52%, 0.51%

LAB 75.24, -23.55, 59.65

 

CMYK 67 / 9 / 0 / 24

HEX #41B1C3

RGB 65 177 195

HSL 188.31, 0.52%, 0.51%

LAB 66.91, -25.65, -18.45

 

CMYK 0 / 67 / 9 / 24

HEX #C341B1

RGB 195 65 177

HSL 308.31, 0.52%, 0.51%

LAB 50.16, 63.84, -33.19

 

CMYK 10 / 0 / 66 / 24

HEX #B0C343

RGB 176 195 67

HSL 68.91, 0.52%, 0.51%

LAB 75.24, -23.55, 59.65

 

CMYK 67 / 0 / 45 / 24

HEX #41C36C

RGB 65 195 108

HSL 139.85, 0.52%, 0.51%

LAB 70.34, -54.38, 33.57

 

CMYK 58 / 67 / 0 / 24

HEX #5241C3

RGB 82 65 195

HSL 247.85, 0.52%, 0.51%

LAB 36.96, 43.26, -65.69

 

CMYK 0 / 67 / 23 / 24

HEX #C34197

RGB 195 65 151

HSL 320.31, 0.52%, 0.51%

LAB 49.03, 60.07, -19.59

 

CMYK 10 / 0 / 66 / 24

HEX #B0C343

RGB 176 195 67

HSL 68.91, 0.52%, 0.51%

LAB 75.24, -23.55, 59.65

 

CMYK 67 / 0 / 25 / 24

HEX #41C393

RGB 65 195 147

HSL 157.85, 0.52%, 0.51%

LAB 71.05, -46.69, 13.95

 

CMYK 58 / 67 / 0 / 24

HEX #5241C3

RGB 82 65 195

HSL 247.85, 0.52%, 0.51%

LAB 36.96, 43.26, -65.69

 

CMYK 0 / 67 / 43 / 24

HEX #C34170

RGB 195 65 112

HSL 338.31, 0.52%, 0.51%

LAB 47.69, 55.45, 1.94

 

Description

Color code: HEX #B0C343 | qconv.com Color code: HEX #B0C343 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 195 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 195 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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