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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0CF53 it is the complementary color #4F30AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0CF53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0CF53 shade: #B5CF4E, #C6E161, #D7F374, #E8FF87 and #F9FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0CF53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0CF53 shade: #B0CF53, #9FBD40, #8EAB2D, #7D991A and #6C8707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0CF53 shade: #B0CE53, #CECC53, #CEAB53, #CE8A53 and #CE6853

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0CF53 shade: #B0CE53, #8ECE53, #6DCE53, #53CE5B and #53CE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0CF53 shade matches the following richer shades: #B0CE53, #B8E042 and #C1F230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0CF53 shade: #B0CE53, #A7BD65, #9EAB77, #959989 and #8C879A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0CF53 shade: #CEAB53, #CECC53, #B0CE53, #8FCE53 and #6ECE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0CF53 shade: #85A22D, #9FC236, #B0CE53, #BED774 and #CDE094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0CF53 shade: #B0CF53, #53CE8B and #BC53CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0CF53 shade: #B0CF53, #53B0CE and #CE53B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0CF53 shade: #B0CF53, #53CE8B, #7253CE and #CE5397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0CF53 shade: #B0CF53, #53CEB0, #7253CE and #CE5372

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 60 / 19

HEX #B0CF53

RGB 176 207 83

HSL 75, 0.56%, 0.57%

LAB 78.74, -28.2, 56.72

 

Complementary color

CMYK 54 / 72 / 0 / 33

HEX #4F30AC

RGB 79 48 172

HSL 255, 0.56%, 0.43%

LAB 31.24, 45.29, -61.45

 

CMYK 13 / 0 / 62 / 19

HEX #B5CF4E

RGB 181 207 78

HSL 72.09, 0.57%, 0.56%

LAB 79.04, -26.59, 59.28

 

CMYK 12 / 0 / 57 / 12

HEX #C6E161

RGB 198 225 97

HSL 72.66, 0.68%, 0.63%

LAB 85.36, -26.99, 58.43

 

CMYK 12 / 0 / 52 / 5

HEX #D7F374

RGB 215 243 116

HSL 73.23, 0.84%, 0.7%

LAB 91.6, -27.32, 57.44

 

CMYK 9 / 0 / 47 / 0

HEX #E8FF87

RGB 232 255 135

HSL 71.5, 1%, 0.76%

LAB 96.17, -24.75, 54.46

 

CMYK 2 / 0 / 40 / 0

HEX #F9FF9A

RGB 249 255 154

HSL 63.56, 1%, 0.8%

LAB 97.63, -16.4, 47.53

 

CMYK 15 / 0 / 60 / 19

HEX #B0CF53

RGB 176 207 83

HSL 75, 0.56%, 0.57%

LAB 78.74, -28.2, 56.72

 

CMYK 16 / 0 / 66 / 26

HEX #9FBD40

RGB 159 189 64

HSL 74.4, 0.49%, 0.5%

LAB 72.32, -27.78, 57.44

 

CMYK 17 / 0 / 74 / 33

HEX #8EAB2D

RGB 142 171 45

HSL 73.81, 0.58%, 0.42%

LAB 65.8, -27.22, 57.72

 

CMYK 18 / 0 / 83 / 40

HEX #7D991A

RGB 125 153 26

HSL 73.23, 0.71%, 0.35%

LAB 59.17, -26.46, 57.17

 

CMYK 20 / 0 / 95 / 47

HEX #6C8707

RGB 108 135 7

HSL 72.66, 0.9%, 0.28%

LAB 52.43, -25.45, 55.14

 

CMYK 15 / 0 / 60 / 19

HEX #B0CE53

RGB 176 206 83

HSL 74.63, 0.56%, 0.57%

LAB 78.46, -27.72, 56.41

 

CMYK 0 / 1 / 60 / 19

HEX #CECC53

RGB 206 204 83

HSL 59.02, 0.56%, 0.57%

LAB 80.14, -14.56, 58.9

 

CMYK 0 / 17 / 60 / 19

HEX #CEAB53

RGB 206 171 83

HSL 42.93, 0.56%, 0.57%

LAB 71.47, 2.54, 49.22

 

CMYK 0 / 33 / 60 / 19

HEX #CE8A53

RGB 206 138 83

HSL 26.83, 0.56%, 0.57%

LAB 63.28, 20.39, 39.63

 

CMYK 0 / 50 / 60 / 19

HEX #CE6853

RGB 206 104 83

HSL 10.24, 0.56%, 0.57%

LAB 55.73, 38.52, 30.35

 

CMYK 15 / 0 / 60 / 19

HEX #B0CE53

RGB 176 206 83

HSL 74.63, 0.56%, 0.57%

LAB 78.46, -27.72, 56.41

 

CMYK 31 / 0 / 60 / 19

HEX #8ECE53

RGB 142 206 83

HSL 91.22, 0.56%, 0.57%

LAB 76.39, -40.56, 53.52

 

CMYK 47 / 0 / 60 / 19

HEX #6DCE53

RGB 109 206 83

HSL 107.32, 0.56%, 0.57%

LAB 74.84, -51.33, 51.35

 

CMYK 60 / 0 / 56 / 19

HEX #53CE5B

RGB 83 206 91

HSL 123.9, 0.56%, 0.57%

LAB 74.02, -57.21, 46.54

 

CMYK 60 / 0 / 40 / 19

HEX #53CE7C

RGB 83 206 124

HSL 140, 0.56%, 0.57%

LAB 74.47, -52.28, 30.82

 

CMYK 15 / 0 / 60 / 19

HEX #B0CE53

RGB 176 206 83

HSL 74.63, 0.56%, 0.57%

LAB 78.46, -27.72, 56.41

 

CMYK 18 / 0 / 71 / 12

HEX #B8E042

RGB 184 224 66

HSL 75.19, 0.72%, 0.57%

LAB 83.91, -34.13, 68.99

 

CMYK 20 / 0 / 80 / 5

HEX #C1F230

RGB 193 242 48

HSL 75.15, 0.88%, 0.57%

LAB 89.42, -39.57, 79.81

 

CMYK 15 / 0 / 60 / 19

HEX #B0CE53

RGB 176 206 83

HSL 74.63, 0.56%, 0.57%

LAB 78.46, -27.72, 56.41

 

CMYK 12 / 0 / 47 / 26

HEX #A7BD65

RGB 167 189 101

HSL 75, 0.4%, 0.57%

LAB 73.25, -21.34, 41.77

 

CMYK 8 / 0 / 30 / 33

HEX #9EAB77

RGB 158 171 119

HSL 75, 0.24%, 0.57%

LAB 67.82, -13.48, 25.32

 

CMYK 3 / 0 / 10 / 40

HEX #959989

RGB 149 153 137

HSL 75, 0.07%, 0.57%

LAB 62.49, -4.43, 7.91

 

CMYK 9 / 12 / 0 / 40

HEX #8C879A

RGB 140 135 154

HSL 255.79, 0.09%, 0.57%

LAB 57.31, 5.72, -9.44

 

CMYK 0 / 17 / 60 / 19

HEX #CEAB53

RGB 206 171 83

HSL 42.93, 0.56%, 0.57%

LAB 71.47, 2.54, 49.22

 

CMYK 0 / 1 / 60 / 19

HEX #CECC53

RGB 206 204 83

HSL 59.02, 0.56%, 0.57%

LAB 80.14, -14.56, 58.9

 

CMYK 15 / 0 / 60 / 19

HEX #B0CE53

RGB 176 206 83

HSL 74.63, 0.56%, 0.57%

LAB 78.46, -27.72, 56.41

 

CMYK 31 / 0 / 60 / 19

HEX #8FCE53

RGB 143 206 83

HSL 90.73, 0.56%, 0.57%

LAB 76.44, -40.2, 53.6

 

CMYK 47 / 0 / 60 / 19

HEX #6ECE53

RGB 110 206 83

HSL 106.83, 0.56%, 0.57%

LAB 74.88, -51.04, 51.41

 

CMYK 18 / 0 / 72 / 36

HEX #85A22D

RGB 133 162 45

HSL 74.87, 0.57%, 0.41%

LAB 62.52, -26.58, 54.31

 

CMYK 18 / 0 / 72 / 24

HEX #9FC236

RGB 159 194 54

HSL 75, 0.56%, 0.49%

LAB 73.69, -30.77, 62.61

 

CMYK 15 / 0 / 60 / 19

HEX #B0CE53

RGB 176 206 83

HSL 74.63, 0.56%, 0.57%

LAB 78.46, -27.72, 56.41

 

CMYK 12 / 0 / 46 / 16

HEX #BED774

RGB 190 215 116

HSL 75.15, 0.55%, 0.65%

LAB 82.28, -23.54, 45.85

 

CMYK 8 / 0 / 34 / 12

HEX #CDE094

RGB 205 224 148

HSL 75, 0.55%, 0.73%

LAB 86.22, -18.52, 35.17

 

CMYK 15 / 0 / 60 / 19

HEX #B0CF53

RGB 176 207 83

HSL 75, 0.56%, 0.57%

LAB 78.74, -28.2, 56.72

 

CMYK 60 / 0 / 33 / 19

HEX #53CE8B

RGB 83 206 139

HSL 147.32, 0.56%, 0.57%

LAB 74.73, -49.51, 23.37

 

CMYK 9 / 60 / 0 / 19

HEX #BC53CE

RGB 188 83 206

HSL 291.22, 0.56%, 0.57%

LAB 53.31, 59.53, -45.07

 

CMYK 15 / 0 / 60 / 19

HEX #B0CF53

RGB 176 207 83

HSL 75, 0.56%, 0.57%

LAB 78.74, -28.2, 56.72

 

CMYK 60 / 15 / 0 / 19

HEX #53B0CE

RGB 83 176 206

HSL 194.63, 0.56%, 0.57%

LAB 67.54, -18.76, -23.51

 

CMYK 0 / 60 / 15 / 19

HEX #CE53B0

RGB 206 83 176

HSL 314.63, 0.56%, 0.57%

LAB 54.49, 59.19, -25.75

 

CMYK 15 / 0 / 60 / 19

HEX #B0CF53

RGB 176 207 83

HSL 75, 0.56%, 0.57%

LAB 78.74, -28.2, 56.72

 

CMYK 60 / 0 / 33 / 19

HEX #53CE8B

RGB 83 206 139

HSL 147.32, 0.56%, 0.57%

LAB 74.73, -49.51, 23.37

 

CMYK 45 / 60 / 0 / 19

HEX #7253CE

RGB 114 83 206

HSL 255.12, 0.56%, 0.57%

LAB 44.55, 42.12, -59.6

 

CMYK 0 / 60 / 27 / 19

HEX #CE5397

RGB 206 83 151

HSL 326.83, 0.56%, 0.57%

LAB 53.54, 55.66, -12.57

 

CMYK 15 / 0 / 60 / 19

HEX #B0CF53

RGB 176 207 83

HSL 75, 0.56%, 0.57%

LAB 78.74, -28.2, 56.72

 

CMYK 60 / 0 / 15 / 19

HEX #53CEB0

RGB 83 206 176

HSL 165.37, 0.56%, 0.57%

LAB 75.52, -41.4, 4.75

 

CMYK 45 / 60 / 0 / 19

HEX #7253CE

RGB 114 83 206

HSL 255.12, 0.56%, 0.57%

LAB 44.55, 42.12, -59.6

 

CMYK 0 / 60 / 45 / 19

HEX #CE5372

RGB 206 83 114

HSL 344.88, 0.56%, 0.57%

LAB 52.42, 51.39, 7.77

 

Description

Color code: HEX #B0CF53 | qconv.com Color code: HEX #B0CF53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 207 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 207 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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