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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0DA15 it is the complementary color #4F25EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0DA15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0DA15 shade: #B5DA10, #C6EC23, #D7FE36, #E8FF49 and #F9FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0DA15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0DA15 shade: #B0DA15, #9FC802, #8EB600, #7DA400 and #6C9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0DA15 shade: #B0DA15, #DACF15, #DA9A15, #DA6515 and #DA3015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0DA15 shade: #B0DA15, #7BDA15, #46DA15, #15DA19 and #15DA4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0DA15 shade matches the following richer shades: #B0DA15 and #BBED02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0DA15 shade: #B0DA15, #A5C628, #99B33C, #8E9F4F and #838C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0DA15 shade: #DA9815, #DACD15, #B2DA15, #7EDA15 and #49DA15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0DA15 shade: #738F0E, #91B411, #B0DA15, #C2EA2E and #CDEE54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0DA15 shade: #B0DA15, #15DA64 and #B215DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0DA15 shade: #B0DA15, #15B2DA and #DA15B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0DA15 shade: #B0DA15, #15DA64, #3C15DA and #DA158B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0DA15 shade: #B0DA15, #15DA9F, #3C15DA and #DA1550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

Complementary color

CMYK 66 / 84 / 0 / 8

HEX #4F25EA

RGB 79 37 234

HSL 252.79, 0.82%, 0.53%

LAB 35.84, 67.55, -90.01

 

CMYK 17 / 0 / 93 / 15

HEX #B5DA10

RGB 181 218 16

HSL 70.99, 0.86%, 0.46%

LAB 81.84, -34.29, 79.24

 

CMYK 16 / 0 / 85 / 7

HEX #C6EC23

RGB 198 236 35

HSL 71.34, 0.84%, 0.53%

LAB 88.03, -35.33, 81.67

 

CMYK 15 / 0 / 79 / 0

HEX #D7FE36

RGB 215 254 54

HSL 71.7, 0.99%, 0.6%

LAB 94.14, -36.19, 82.99

 

CMYK 9 / 0 / 71 / 0

HEX #E8FF49

RGB 232 255 73

HSL 67.58, 1%, 0.64%

LAB 95.65, -29.18, 79.16

 

CMYK 2 / 0 / 64 / 0

HEX #F9FF5C

RGB 249 255 92

HSL 62.21, 1%, 0.68%

LAB 97, -21.43, 74.14

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 21 / 0 / 99 / 22

HEX #9FC802

RGB 159 200 2

HSL 72.42, 0.98%, 0.4%

LAB 75.25, -35.08, 74.95

 

CMYK 22 / 0 / 100 / 29

HEX #8EB600

RGB 142 182 0

HSL 73.19, 1%, 0.36%

LAB 68.9, -33.72, 69.86

 

CMYK 24 / 0 / 100 / 36

HEX #7DA400

RGB 125 164 0

HSL 74.27, 1%, 0.32%

LAB 62.43, -32.32, 64.47

 

CMYK 26 / 0 / 100 / 43

HEX #6C9200

RGB 108 146 0

HSL 75.62, 1%, 0.29%

LAB 55.83, -30.91, 58.98

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 0 / 5 / 90 / 15

HEX #DACF15

RGB 218 207 21

HSL 56.65, 0.82%, 0.47%

LAB 81.61, -13.48, 79.58

 

CMYK 0 / 29 / 90 / 15

HEX #DA9A15

RGB 218 154 21

HSL 40.51, 0.82%, 0.47%

LAB 68.07, 14.19, 69.19

 

CMYK 0 / 54 / 90 / 15

HEX #DA6515

RGB 218 101 21

HSL 24.37, 0.82%, 0.47%

LAB 56.35, 42.03, 60.46

 

CMYK 0 / 78 / 90 / 15

HEX #DA3015

RGB 218 48 21

HSL 8.22, 0.82%, 0.47%

LAB 48.35, 63.45, 54.73

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 44 / 0 / 90 / 15

HEX #7BDA15

RGB 123 218 21

HSL 88.93, 0.82%, 0.47%

LAB 78.7, -55.44, 74.72

 

CMYK 68 / 0 / 90 / 15

HEX #46DA15

RGB 70 218 21

HSL 105.08, 0.82%, 0.47%

LAB 76.98, -69.15, 72.59

 

CMYK 90 / 0 / 89 / 15

HEX #15DA19

RGB 21 218 25

HSL 121.22, 0.82%, 0.47%

LAB 76.3, -75.12, 71.07

 

CMYK 90 / 0 / 64 / 15

HEX #15DA4E

RGB 21 218 78

HSL 137.36, 0.82%, 0.47%

LAB 76.59, -71.4, 54.95

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 21 / 0 / 99 / 7

HEX #BBED02

RGB 187 237 2

HSL 72.77, 0.98%, 0.47%

LAB 87.55, -40.61, 85.08

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 17 / 0 / 80 / 22

HEX #A5C628

RGB 165 198 40

HSL 72.53, 0.66%, 0.47%

LAB 75.16, -30.87, 68.55

 

CMYK 15 / 0 / 66 / 30

HEX #99B33C

RGB 153 179 60

HSL 73.11, 0.5%, 0.47%

LAB 69, -25.66, 55.47

 

CMYK 11 / 0 / 50 / 38

HEX #8E9F4F

RGB 142 159 79

HSL 72.75, 0.34%, 0.47%

LAB 62.6, -18.59, 39.4

 

CMYK 6 / 0 / 29 / 45

HEX #838C63

RGB 131 140 99

HSL 73.17, 0.17%, 0.47%

LAB 56.57, -10.57, 20.86

 

CMYK 0 / 30 / 90 / 15

HEX #DA9815

RGB 218 152 21

HSL 39.9, 0.82%, 0.47%

LAB 67.59, 15.26, 68.83

 

CMYK 0 / 6 / 90 / 15

HEX #DACD15

RGB 218 205 21

HSL 56.04, 0.82%, 0.47%

LAB 81.08, -12.48, 79.17

 

CMYK 18 / 0 / 90 / 15

HEX #B2DA15

RGB 178 218 21

HSL 72.18, 0.82%, 0.47%

LAB 81.65, -35.41, 78.35

 

CMYK 42 / 0 / 90 / 15

HEX #7EDA15

RGB 126 218 21

HSL 88.02, 0.82%, 0.47%

LAB 78.83, -54.47, 74.88

 

CMYK 67 / 0 / 90 / 15

HEX #49DA15

RGB 73 218 21

HSL 104.16, 0.82%, 0.47%

LAB 77.05, -68.56, 72.67

 

CMYK 20 / 0 / 90 / 44

HEX #738F0E

RGB 115 143 14

HSL 73.02, 0.82%, 0.31%

LAB 55.4, -26.21, 56.5

 

CMYK 19 / 0 / 91 / 29

HEX #91B411

RGB 145 180 17

HSL 72.88, 0.83%, 0.39%

LAB 68.54, -31.29, 67.51

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 17 / 0 / 80 / 8

HEX #C2EA2E

RGB 194 234 46

HSL 72.77, 0.82%, 0.55%

LAB 87.25, -35.66, 78.42

 

CMYK 14 / 0 / 65 / 7

HEX #CDEE54

RGB 205 238 84

HSL 72.86, 0.82%, 0.63%

LAB 89.28, -31.3, 68.22

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 90 / 0 / 54 / 15

HEX #15DA64

RGB 21 218 100

HSL 144.06, 0.82%, 0.47%

LAB 76.81, -68.63, 45.42

 

CMYK 18 / 90 / 0 / 15

HEX #B215DA

RGB 178 21 218

HSL 287.82, 0.82%, 0.47%

LAB 45.72, 79.18, -64.19

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 90 / 18 / 0 / 15

HEX #15B2DA

RGB 21 178 218

HSL 192.18, 0.82%, 0.47%

LAB 67.32, -22.99, -30.55

 

CMYK 0 / 90 / 18 / 15

HEX #DA15B2

RGB 218 21 178

HSL 312.18, 0.82%, 0.47%

LAB 50.28, 80.1, -33.31

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 90 / 0 / 54 / 15

HEX #15DA64

RGB 21 218 100

HSL 144.06, 0.82%, 0.47%

LAB 76.81, -68.63, 45.42

 

CMYK 72 / 90 / 0 / 15

HEX #3C15DA

RGB 60 21 218

HSL 251.88, 0.82%, 0.47%

LAB 30.78, 67.27, -89.3

 

CMYK 0 / 90 / 36 / 15

HEX #DA158B

RGB 218 21 139

HSL 324.06, 0.82%, 0.47%

LAB 48.64, 75.75, -12.6

 

CMYK 19 / 0 / 90 / 15

HEX #B0DA15

RGB 176 218 21

HSL 72.79, 0.82%, 0.47%

LAB 81.53, -36.2, 78.19

 

CMYK 90 / 0 / 27 / 15

HEX #15DA9F

RGB 21 218 159

HSL 162.03, 0.82%, 0.47%

LAB 77.76, -57.62, 16.85

 

CMYK 72 / 90 / 0 / 15

HEX #3C15DA

RGB 60 21 218

HSL 251.88, 0.82%, 0.47%

LAB 30.78, 67.27, -89.3

 

CMYK 0 / 90 / 63 / 15

HEX #DA1550

RGB 218 21 80

HSL 342.03, 0.82%, 0.47%

LAB 47, 71.24, 21.29

 

Description

Color code: HEX #B0DA15 | qconv.com Color code: HEX #B0DA15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 218 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 218 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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