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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0DA1B it is the complementary color #4F25E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0DA1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0DA1B shade: #B5DA16, #C6EC29, #D7FE3C, #E8FF4F and #F9FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0DA1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0DA1B shade: #B0DA1B, #9FC808, #8EB600, #7DA400 and #6C9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0DA1B shade: #AFD91A, #D9D01A, #D99C1A, #D9691A and #D9351A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0DA1B shade: #AFD91A, #7CD91A, #48D91A, #1AD920 and #1AD953

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0DA1B shade matches the following richer shades: #AFD91A and #BAED07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0DA1B shade: #AFD91A, #A4C62E, #99B242, #8E9E56 and #838A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0DA1B shade: #D99D1A, #D9D01A, #B0D91A, #7DD91A and #4AD91A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0DA1B shade: #749011, #92B516, #AFD91A, #BFE637 and #CBEA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0DA1B shade: #B0DA1B, #1AD96A and #B61AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0DA1B shade: #B0DA1B, #1AB0D9 and #D91AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0DA1B shade: #B0DA1B, #1AD96A, #441AD9 and #D91A8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0DA1B shade: #B0DA1B, #1AD9A3, #441AD9 and #D91A51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 88 / 15

HEX #B0DA1B

RGB 176 218 27

HSL 73.19, 0.78%, 0.48%

LAB 81.54, -36.08, 77.23

 

Complementary color

CMYK 65 / 84 / 0 / 11

HEX #4F25E4

RGB 79 37 228

HSL 253.19, 0.78%, 0.52%

LAB 35.18, 65.96, -87.7

 

CMYK 17 / 0 / 90 / 15

HEX #B5DA16

RGB 181 218 22

HSL 71.33, 0.82%, 0.47%

LAB 81.85, -34.19, 78.44

 

CMYK 16 / 0 / 83 / 7

HEX #C6EC29

RGB 198 236 41

HSL 71.69, 0.84%, 0.54%

LAB 88.04, -35.16, 80.41

 

CMYK 15 / 0 / 76 / 0

HEX #D7FE3C

RGB 215 254 60

HSL 72.06, 0.99%, 0.62%

LAB 94.17, -35.96, 81.37

 

CMYK 9 / 0 / 69 / 0

HEX #E8FF4F

RGB 232 255 79

HSL 67.84, 1%, 0.65%

LAB 95.68, -28.88, 77.17

 

CMYK 2 / 0 / 62 / 0

HEX #F9FF62

RGB 249 255 98

HSL 62.29, 1%, 0.69%

LAB 97.04, -21.07, 71.85

 

CMYK 19 / 0 / 88 / 15

HEX #B0DA1B

RGB 176 218 27

HSL 73.19, 0.78%, 0.48%

LAB 81.54, -36.08, 77.23

 

CMYK 21 / 0 / 96 / 22

HEX #9FC808

RGB 159 200 8

HSL 72.81, 0.92%, 0.41%

LAB 75.26, -35, 74.34

 

CMYK 22 / 0 / 100 / 29

HEX #8EB600

RGB 142 182 0

HSL 73.19, 1%, 0.36%

LAB 68.9, -33.72, 69.86

 

CMYK 24 / 0 / 100 / 36

HEX #7DA400

RGB 125 164 0

HSL 74.27, 1%, 0.32%

LAB 62.43, -32.32, 64.47

 

CMYK 26 / 0 / 100 / 43

HEX #6C9200

RGB 108 146 0

HSL 75.62, 1%, 0.29%

LAB 55.83, -30.91, 58.98

 

CMYK 19 / 0 / 88 / 15

HEX #AFD91A

RGB 175 217 26

HSL 73.19, 0.79%, 0.48%

LAB 81.19, -36.04, 77.09

 

CMYK 0 / 4 / 88 / 15

HEX #D9D01A

RGB 217 208 26

HSL 57.17, 0.79%, 0.48%

LAB 81.8, -14.32, 78.88

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1A

RGB 217 156 26

HSL 40.84, 0.79%, 0.48%

LAB 68.46, 12.77, 68.34

 

CMYK 0 / 52 / 88 / 15

HEX #D9691A

RGB 217 105 26

HSL 24.82, 0.79%, 0.48%

LAB 57.01, 39.74, 59.36

 

CMYK 0 / 76 / 88 / 15

HEX #D9351A

RGB 217 53 26

HSL 8.48, 0.79%, 0.48%

LAB 48.73, 61.72, 52.95

 

CMYK 19 / 0 / 88 / 15

HEX #AFD91A

RGB 175 217 26

HSL 73.19, 0.79%, 0.48%

LAB 81.19, -36.04, 77.09

 

CMYK 43 / 0 / 88 / 15

HEX #7CD91A

RGB 124 217 26

HSL 89.21, 0.79%, 0.48%

LAB 78.45, -54.6, 73.71

 

CMYK 67 / 0 / 88 / 15

HEX #48D91A

RGB 72 217 26

HSL 105.55, 0.79%, 0.48%

LAB 76.73, -68.29, 71.55

 

CMYK 88 / 0 / 85 / 15

HEX #1AD920

RGB 26 217 32

HSL 121.88, 0.79%, 0.48%

LAB 76.04, -74.24, 69.47

 

CMYK 88 / 0 / 62 / 15

HEX #1AD953

RGB 26 217 83

HSL 137.91, 0.79%, 0.48%

LAB 76.36, -70.22, 52.58

 

CMYK 19 / 0 / 88 / 15

HEX #AFD91A

RGB 175 217 26

HSL 73.19, 0.79%, 0.48%

LAB 81.19, -36.04, 77.09

 

CMYK 22 / 0 / 97 / 7

HEX #BAED07

RGB 186 237 7

HSL 73.3, 0.94%, 0.48%

LAB 87.5, -40.94, 84.61

 

CMYK 19 / 0 / 88 / 15

HEX #AFD91A

RGB 175 217 26

HSL 73.19, 0.79%, 0.48%

LAB 81.19, -36.04, 77.09

 

CMYK 17 / 0 / 77 / 22

HEX #A4C62E

RGB 164 198 46

HSL 73.42, 0.62%, 0.48%

LAB 75.13, -31.03, 66.74

 

CMYK 14 / 0 / 63 / 30

HEX #99B242

RGB 153 178 66

HSL 73.39, 0.46%, 0.48%

LAB 68.76, -24.74, 52.7

 

CMYK 10 / 0 / 46 / 38

HEX #8E9E56

RGB 142 158 86

HSL 73.33, 0.3%, 0.48%

LAB 62.4, -17.32, 35.59

 

CMYK 5 / 0 / 23 / 46

HEX #838A6A

RGB 131 138 106

HSL 73.13, 0.13%, 0.48%

LAB 56.13, -8.4, 16.32

 

CMYK 0 / 28 / 88 / 15

HEX #D99D1A

RGB 217 157 26

HSL 41.15, 0.79%, 0.48%

LAB 68.71, 12.24, 68.53

 

CMYK 0 / 4 / 88 / 15

HEX #D9D01A

RGB 217 208 26

HSL 57.17, 0.79%, 0.48%

LAB 81.8, -14.32, 78.88

 

CMYK 19 / 0 / 88 / 15

HEX #B0D91A

RGB 176 217 26

HSL 72.88, 0.79%, 0.48%

LAB 81.25, -35.64, 77.17

 

CMYK 42 / 0 / 88 / 15

HEX #7DD91A

RGB 125 217 26

HSL 88.9, 0.79%, 0.48%

LAB 78.5, -54.28, 73.76

 

CMYK 66 / 0 / 88 / 15

HEX #4AD91A

RGB 74 217 26

HSL 104.92, 0.79%, 0.48%

LAB 76.77, -67.89, 71.61

 

CMYK 19 / 0 / 88 / 44

HEX #749011

RGB 116 144 17

HSL 73.23, 0.79%, 0.32%

LAB 55.79, -26.19, 56.22

 

CMYK 19 / 0 / 88 / 29

HEX #92B516

RGB 146 181 22

HSL 73.21, 0.78%, 0.4%

LAB 68.91, -31.23, 66.94

 

CMYK 19 / 0 / 88 / 15

HEX #AFD91A

RGB 175 217 26

HSL 73.19, 0.79%, 0.48%

LAB 81.19, -36.04, 77.09

 

CMYK 17 / 0 / 76 / 10

HEX #BFE637

RGB 191 230 55

HSL 73.37, 0.78%, 0.56%

LAB 85.98, -34.67, 74.72

 

CMYK 13 / 0 / 61 / 8

HEX #CBEA5C

RGB 203 234 92

HSL 73.1, 0.77%, 0.64%

LAB 88.12, -29.67, 63.72

 

CMYK 19 / 0 / 88 / 15

HEX #B0DA1B

RGB 176 218 27

HSL 73.19, 0.78%, 0.48%

LAB 81.54, -36.08, 77.23

 

CMYK 88 / 0 / 51 / 15

HEX #1AD96A

RGB 26 217 106

HSL 145.13, 0.79%, 0.48%

LAB 76.61, -67.12, 42.33

 

CMYK 16 / 88 / 0 / 15

HEX #B61AD9

RGB 182 26 217

HSL 289.01, 0.79%, 0.48%

LAB 46.57, 78.81, -62.21

 

CMYK 19 / 0 / 88 / 15

HEX #B0DA1B

RGB 176 218 27

HSL 73.19, 0.78%, 0.48%

LAB 81.54, -36.08, 77.23

 

CMYK 88 / 19 / 0 / 15

HEX #1AB0D9

RGB 26 176 217

HSL 192.88, 0.79%, 0.48%

LAB 66.73, -22.04, -30.91

 

CMYK 0 / 88 / 19 / 15

HEX #D91AB0

RGB 217 26 176

HSL 312.88, 0.79%, 0.48%

LAB 50.25, 78.95, -32.21

 

CMYK 19 / 0 / 88 / 15

HEX #B0DA1B

RGB 176 218 27

HSL 73.19, 0.78%, 0.48%

LAB 81.54, -36.08, 77.23

 

CMYK 88 / 0 / 51 / 15

HEX #1AD96A

RGB 26 217 106

HSL 145.13, 0.79%, 0.48%

LAB 76.61, -67.12, 42.33

 

CMYK 69 / 88 / 0 / 15

HEX #441AD9

RGB 68 26 217

HSL 253.19, 0.79%, 0.48%

LAB 31.76, 66.02, -87.08

 

CMYK 0 / 88 / 36 / 15

HEX #D91A8A

RGB 217 26 138

HSL 324.82, 0.79%, 0.48%

LAB 48.67, 74.7, -11.98

 

CMYK 19 / 0 / 88 / 15

HEX #B0DA1B

RGB 176 218 27

HSL 73.19, 0.78%, 0.48%

LAB 81.54, -36.08, 77.23

 

CMYK 88 / 0 / 25 / 15

HEX #1AD9A3

RGB 26 217 163

HSL 163.04, 0.79%, 0.48%

LAB 77.57, -56.04, 14.48

 

CMYK 69 / 88 / 0 / 15

HEX #441AD9

RGB 68 26 217

HSL 253.19, 0.79%, 0.48%

LAB 31.76, 66.02, -87.08

 

CMYK 0 / 88 / 63 / 15

HEX #D91A51

RGB 217 26 81

HSL 342.72, 0.79%, 0.48%

LAB 47.09, 70.28, 20.74

 

Description

Color code: HEX #B0DA1B | qconv.com Color code: HEX #B0DA1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 218 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 218 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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