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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0DB28 it is the complementary color #4F24D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0DB28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0DB28 shade: #B5DB23, #C6ED36, #D7FF49, #E8FF5C and #F9FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0DB28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0DB28 shade: #B0DB28, #9FC915, #8EB702, #7DA500 and #6C9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0DB28 shade: #B0DA29, #DAD529, #DAA529, #DA7529 and #DA4529

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0DB28 shade: #B0DA29, #80DA29, #50DA29, #29DA32 and #29DA61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0DB28 shade matches the following richer shades: #B0DA29 and #BAEE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0DB28 shade: #B0DA29, #A5C63D, #9BB251, #909E65 and #86897A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0DB28 shade: #DAA529, #DAD429, #B1DA29, #82DA29 and #52DA29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0DB28 shade: #799719, #95BB1F, #B0DA29, #BDE04C and #CAE66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0DB28 shade: #B0DB28, #29DA76 and #BD29DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0DB28 shade: #B0DB28, #29B1DA and #DA29B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0DB28 shade: #B0DB28, #29DA76, #5229DA and #DA298D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0DB28 shade: #B0DB28, #29DAAB, #5229DA and #DA2958

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 82 / 14

HEX #B0DB28

RGB 176 219 40

HSL 74.41, 0.71%, 0.51%

LAB 81.86, -36.15, 74.75

 

Complementary color

CMYK 63 / 83 / 0 / 16

HEX #4F24D7

RGB 79 36 215

HSL 254.41, 0.71%, 0.49%

LAB 33.63, 62.86, -82.8

 

CMYK 17 / 0 / 84 / 14

HEX #B5DB23

RGB 181 219 35

HSL 72.39, 0.72%, 0.5%

LAB 82.17, -34.33, 76.3

 

CMYK 16 / 0 / 77 / 7

HEX #C6ED36

RGB 198 237 54

HSL 72.79, 0.84%, 0.57%

LAB 88.37, -35.15, 77.37

 

CMYK 16 / 0 / 71 / 0

HEX #D7FF49

RGB 215 255 73

HSL 73.19, 1%, 0.64%

LAB 94.5, -35.82, 77.67

 

CMYK 9 / 0 / 64 / 0

HEX #E8FF5C

RGB 232 255 92

HSL 68.47, 1%, 0.68%

LAB 95.77, -28.15, 72.48

 

CMYK 2 / 0 / 56 / 0

HEX #F9FF6F

RGB 249 255 111

HSL 62.5, 1%, 0.72%

LAB 97.15, -20.2, 66.62

 

CMYK 20 / 0 / 82 / 14

HEX #B0DB28

RGB 176 219 40

HSL 74.41, 0.71%, 0.51%

LAB 81.86, -36.15, 74.75

 

CMYK 21 / 0 / 90 / 21

HEX #9FC915

RGB 159 201 21

HSL 74, 0.81%, 0.44%

LAB 75.57, -35.25, 72.94

 

CMYK 22 / 0 / 99 / 28

HEX #8EB702

RGB 142 183 2

HSL 73.59, 0.98%, 0.36%

LAB 69.2, -34.15, 69.85

 

CMYK 24 / 0 / 100 / 35

HEX #7DA500

RGB 125 165 0

HSL 74.55, 1%, 0.32%

LAB 62.74, -32.79, 64.7

 

CMYK 27 / 0 / 100 / 42

HEX #6C9300

RGB 108 147 0

HSL 75.92, 1%, 0.29%

LAB 56.14, -31.38, 59.21

 

CMYK 19 / 0 / 81 / 15

HEX #B0DA29

RGB 176 218 41

HSL 74.24, 0.71%, 0.51%

LAB 81.58, -35.67, 74.25

 

CMYK 0 / 2 / 81 / 15

HEX #DAD529

RGB 218 213 41

HSL 58.31, 0.71%, 0.51%

LAB 83.26, -16.02, 76.9

 

CMYK 0 / 24 / 81 / 15

HEX #DAA529

RGB 218 165 41

HSL 42.03, 0.71%, 0.51%

LAB 70.85, 8.78, 66.17

 

CMYK 0 / 46 / 81 / 15

HEX #DA7529

RGB 218 117 41

HSL 25.76, 0.71%, 0.51%

LAB 59.7, 34.39, 56.22

 

CMYK 0 / 68 / 81 / 15

HEX #DA4529

RGB 218 69 41

HSL 9.49, 0.71%, 0.51%

LAB 51.06, 56.74, 48.21

 

CMYK 19 / 0 / 81 / 15

HEX #B0DA29

RGB 176 218 41

HSL 74.24, 0.71%, 0.51%

LAB 81.58, -35.67, 74.25

 

CMYK 41 / 0 / 81 / 15

HEX #80DA29

RGB 128 218 41

HSL 90.51, 0.71%, 0.51%

LAB 78.98, -53.16, 70.94

 

CMYK 63 / 0 / 81 / 15

HEX #50DA29

RGB 80 218 41

HSL 106.78, 0.71%, 0.51%

LAB 77.29, -66.34, 68.78

 

CMYK 81 / 0 / 77 / 15

HEX #29DA32

RGB 41 218 50

HSL 123.05, 0.71%, 0.51%

LAB 76.58, -72.18, 65.28

 

CMYK 81 / 0 / 56 / 15

HEX #29DA61

RGB 41 218 97

HSL 138.98, 0.71%, 0.51%

LAB 76.97, -67.46, 47.05

 

CMYK 19 / 0 / 81 / 15

HEX #B0DA29

RGB 176 218 41

HSL 74.24, 0.71%, 0.51%

LAB 81.58, -35.67, 74.25

 

CMYK 22 / 0 / 91 / 7

HEX #BAEE15

RGB 186 238 21

HSL 74.38, 0.86%, 0.51%

LAB 87.8, -41.2, 83.47

 

CMYK 19 / 0 / 81 / 15

HEX #B0DA29

RGB 176 218 41

HSL 74.24, 0.71%, 0.51%

LAB 81.58, -35.67, 74.25

 

CMYK 17 / 0 / 69 / 22

HEX #A5C63D

RGB 165 198 61

HSL 74.45, 0.55%, 0.51%

LAB 75.28, -29.84, 61.77

 

CMYK 13 / 0 / 54 / 30

HEX #9BB251

RGB 155 178 81

HSL 74.23, 0.39%, 0.51%

LAB 69.04, -22.67, 46.26

 

CMYK 9 / 0 / 36 / 38

HEX #909E65

RGB 144 158 101

HSL 74.74, 0.23%, 0.51%

LAB 62.78, -14.67, 28.17

 

CMYK 2 / 0 / 11 / 46

HEX #86897A

RGB 134 137 122

HSL 72, 0.06%, 0.51%

LAB 56.45, -3.95, 7.66

 

CMYK 0 / 24 / 81 / 15

HEX #DAA529

RGB 218 165 41

HSL 42.03, 0.71%, 0.51%

LAB 70.85, 8.78, 66.17

 

CMYK 0 / 3 / 81 / 15

HEX #DAD429

RGB 218 212 41

HSL 57.97, 0.71%, 0.51%

LAB 82.99, -15.53, 76.67

 

CMYK 19 / 0 / 81 / 15

HEX #B1DA29

RGB 177 218 41

HSL 73.9, 0.71%, 0.51%

LAB 81.65, -35.27, 74.33

 

CMYK 40 / 0 / 81 / 15

HEX #82DA29

RGB 130 218 41

HSL 89.83, 0.71%, 0.51%

LAB 79.07, -52.5, 71.06

 

CMYK 62 / 0 / 81 / 15

HEX #52DA29

RGB 82 218 41

HSL 106.1, 0.71%, 0.51%

LAB 77.34, -65.9, 68.84

 

CMYK 20 / 0 / 83 / 41

HEX #799719

RGB 121 151 25

HSL 74.29, 0.72%, 0.35%

LAB 58.29, -27.21, 56.55

 

CMYK 20 / 0 / 83 / 27

HEX #95BB1F

RGB 149 187 31

HSL 74.62, 0.72%, 0.43%

LAB 70.89, -32.55, 66.73

 

CMYK 19 / 0 / 81 / 15

HEX #B0DA29

RGB 176 218 41

HSL 74.24, 0.71%, 0.51%

LAB 81.58, -35.67, 74.25

 

CMYK 16 / 0 / 66 / 12

HEX #BDE04C

RGB 189 224 76

HSL 74.19, 0.7%, 0.59%

LAB 84.3, -31.57, 65.8

 

CMYK 12 / 0 / 52 / 10

HEX #CAE66F

RGB 202 230 111

HSL 74.12, 0.7%, 0.67%

LAB 87.14, -26.61, 54.26

 

CMYK 20 / 0 / 82 / 14

HEX #B0DB28

RGB 176 219 40

HSL 74.41, 0.71%, 0.51%

LAB 81.86, -36.15, 74.75

 

CMYK 81 / 0 / 46 / 15

HEX #29DA76

RGB 41 218 118

HSL 146.1, 0.71%, 0.51%

LAB 77.23, -64.28, 37.28

 

CMYK 13 / 81 / 0 / 15

HEX #BD29DA

RGB 189 41 218

HSL 290.17, 0.71%, 0.51%

LAB 48.84, 76.95, -59.06

 

CMYK 20 / 0 / 82 / 14

HEX #B0DB28

RGB 176 219 40

HSL 74.41, 0.71%, 0.51%

LAB 81.86, -36.15, 74.75

 

CMYK 81 / 19 / 0 / 15

HEX #29B1DA

RGB 41 177 218

HSL 193.9, 0.71%, 0.51%

LAB 67.26, -21.15, -30.63

 

CMYK 0 / 81 / 19 / 15

HEX #DA29B1

RGB 218 41 177

HSL 313.9, 0.71%, 0.51%

LAB 51.46, 76.42, -30.89

 

CMYK 20 / 0 / 82 / 14

HEX #B0DB28

RGB 176 219 40

HSL 74.41, 0.71%, 0.51%

LAB 81.86, -36.15, 74.75

 

CMYK 81 / 0 / 46 / 15

HEX #29DA76

RGB 41 218 118

HSL 146.1, 0.71%, 0.51%

LAB 77.23, -64.28, 37.28

 

CMYK 62 / 81 / 0 / 15

HEX #5229DA

RGB 82 41 218

HSL 253.9, 0.71%, 0.51%

LAB 34.89, 61.97, -82.43

 

CMYK 0 / 81 / 35 / 15

HEX #DA298D

RGB 218 41 141

HSL 326.1, 0.71%, 0.51%

LAB 49.99, 72.26, -11.76

 

CMYK 20 / 0 / 82 / 14

HEX #B0DB28

RGB 176 219 40

HSL 74.41, 0.71%, 0.51%

LAB 81.86, -36.15, 74.75

 

CMYK 81 / 0 / 22 / 15

HEX #29DAAB

RGB 41 218 171

HSL 164.07, 0.71%, 0.51%

LAB 78.2, -53.43, 11.15

 

CMYK 62 / 81 / 0 / 15

HEX #5229DA

RGB 82 41 218

HSL 253.9, 0.71%, 0.51%

LAB 34.89, 61.97, -82.43

 

CMYK 0 / 81 / 60 / 15

HEX #DA2958

RGB 218 41 88

HSL 344.07, 0.71%, 0.51%

LAB 48.51, 67.85, 18.37

 

Description

Color code: HEX #B0DB28 | qconv.com Color code: HEX #B0DB28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 219 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 219 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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