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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0DF1F it is the complementary color #4F20E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0DF1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0DF1F shade: #B5DF1A, #C6F12D, #D7FF40, #E8FF53 and #F9FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0DF1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0DF1F shade: #B0DF1F, #9FCD0C, #8EBB00, #7DA900 and #6C9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0DF1F shade: #B0E01E, #E0DB1E, #E0A71E, #E0731E and #E03E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0DF1F shade: #B0E01E, #7CE01E, #48E01E, #1EE029 and #1EE05D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0DF1F shade matches the following richer shades: #B0E01E and #BBF509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0DF1F shade: #B0E01E, #A6CB33, #9BB747, #91A25C and #868D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0DF1F shade: #E0A61E, #E0D91E, #B3E01E, #7FE01E and #4BE01E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0DF1F shade: #779714, #94BC19, #B0E01E, #BDE542 and #CAEA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0DF1F shade: #B0DF1F, #1EE072 and #C01EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0DF1F shade: #B0DF1F, #1EB3E0 and #E01EB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0DF1F shade: #B0DF1F, #1EE072, #4B1EE0 and #E01E8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0DF1F shade: #B0DF1F, #1EE0AC, #4B1EE0 and #E01E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

Complementary color

CMYK 65 / 86 / 0 / 12

HEX #4F20E0

RGB 79 32 224

HSL 254.69, 0.76%, 0.5%

LAB 34.14, 66.66, -87.12

 

CMYK 19 / 0 / 88 / 13

HEX #B5DF1A

RGB 181 223 26

HSL 72.79, 0.79%, 0.49%

LAB 83.27, -36.38, 78.95

 

CMYK 18 / 0 / 81 / 5

HEX #C6F12D

RGB 198 241 45

HSL 73.16, 0.88%, 0.56%

LAB 89.44, -37.29, 80.69

 

CMYK 16 / 0 / 75 / 0

HEX #D7FF40

RGB 215 255 64

HSL 72.57, 1%, 0.63%

LAB 94.46, -36.25, 80.46

 

CMYK 9 / 0 / 67 / 0

HEX #E8FF53

RGB 232 255 83

HSL 68.02, 1%, 0.66%

LAB 95.71, -28.67, 75.77

 

CMYK 2 / 0 / 60 / 0

HEX #F9FF66

RGB 249 255 102

HSL 62.35, 1%, 0.7%

LAB 97.07, -20.82, 70.28

 

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

CMYK 22 / 0 / 94 / 20

HEX #9FCD0C

RGB 159 205 12

HSL 74.3, 0.89%, 0.43%

LAB 76.72, -37.22, 75.07

 

CMYK 24 / 0 / 100 / 27

HEX #8EBB00

RGB 142 187 0

HSL 74.44, 1%, 0.37%

LAB 70.38, -36.01, 70.98

 

CMYK 26 / 0 / 100 / 34

HEX #7DA900

RGB 125 169 0

HSL 75.62, 1%, 0.33%

LAB 63.95, -34.63, 65.63

 

CMYK 28 / 0 / 100 / 41

HEX #6C9700

RGB 108 151 0

HSL 77.09, 1%, 0.3%

LAB 57.39, -33.23, 60.16

 

CMYK 21 / 0 / 87 / 12

HEX #B0E01E

RGB 176 224 30

HSL 74.85, 0.76%, 0.5%

LAB 83.25, -38.7, 78.09

 

CMYK 0 / 2 / 87 / 12

HEX #E0DB1E

RGB 224 219 30

HSL 58.45, 0.76%, 0.5%

LAB 85.3, -16.72, 81.19

 

CMYK 0 / 25 / 87 / 12

HEX #E0A71E

RGB 224 167 30

HSL 42.37, 0.76%, 0.5%

LAB 71.95, 10.02, 70.46

 

CMYK 0 / 49 / 87 / 12

HEX #E0731E

RGB 224 115 30

HSL 26.29, 0.76%, 0.5%

LAB 60.07, 37.54, 60.92

 

CMYK 0 / 72 / 87 / 12

HEX #E03E1E

RGB 224 62 30

HSL 9.9, 0.76%, 0.5%

LAB 51.14, 60.96, 53.73

 

CMYK 21 / 0 / 87 / 12

HEX #B0E01E

RGB 176 224 30

HSL 74.85, 0.76%, 0.5%

LAB 83.25, -38.7, 78.09

 

CMYK 45 / 0 / 87 / 12

HEX #7CE01E

RGB 124 224 30

HSL 90.93, 0.76%, 0.5%

LAB 80.57, -57.16, 74.75

 

CMYK 68 / 0 / 87 / 12

HEX #48E01E

RGB 72 224 30

HSL 107.01, 0.76%, 0.5%

LAB 78.92, -70.35, 72.68

 

CMYK 87 / 0 / 82 / 12

HEX #1EE029

RGB 30 224 41

HSL 123.4, 0.76%, 0.5%

LAB 78.31, -75.46, 69.41

 

CMYK 87 / 0 / 58 / 12

HEX #1EE05D

RGB 30 224 93

HSL 139.48, 0.76%, 0.5%

LAB 78.68, -70.86, 50.87

 

CMYK 21 / 0 / 87 / 12

HEX #B0E01E

RGB 176 224 30

HSL 74.85, 0.76%, 0.5%

LAB 83.25, -38.7, 78.09

 

CMYK 24 / 0 / 96 / 4

HEX #BBF509

RGB 187 245 9

HSL 74.75, 0.93%, 0.5%

LAB 89.81, -44.02, 86.26

 

CMYK 21 / 0 / 87 / 12

HEX #B0E01E

RGB 176 224 30

HSL 74.85, 0.76%, 0.5%

LAB 83.25, -38.7, 78.09

 

CMYK 18 / 0 / 75 / 20

HEX #A6CB33

RGB 166 203 51

HSL 74.61, 0.6%, 0.5%

LAB 76.71, -32.33, 66.7

 

CMYK 15 / 0 / 61 / 28

HEX #9BB747

RGB 155 183 71

HSL 75, 0.44%, 0.5%

LAB 70.38, -25.99, 52.34

 

CMYK 10 / 0 / 43 / 36

HEX #91A25C

RGB 145 162 92

HSL 74.57, 0.28%, 0.5%

LAB 63.86, -17.47, 34.34

 

CMYK 5 / 0 / 20 / 45

HEX #868D71

RGB 134 141 113

HSL 75, 0.11%, 0.5%

LAB 57.38, -7.72, 14.1

 

CMYK 0 / 26 / 87 / 12

HEX #E0A61E

RGB 224 166 30

HSL 42.06, 0.76%, 0.5%

LAB 71.7, 10.56, 70.26

 

CMYK 0 / 3 / 87 / 12

HEX #E0D91E

RGB 224 217 30

HSL 57.84, 0.76%, 0.5%

LAB 84.77, -15.74, 80.76

 

CMYK 20 / 0 / 87 / 12

HEX #B3E01E

RGB 179 224 30

HSL 73.92, 0.76%, 0.5%

LAB 83.44, -37.53, 78.32

 

CMYK 43 / 0 / 87 / 12

HEX #7FE01E

RGB 127 224 30

HSL 90, 0.76%, 0.5%

LAB 80.69, -56.22, 74.91

 

CMYK 67 / 0 / 87 / 12

HEX #4BE01E

RGB 75 224 30

HSL 106.08, 0.76%, 0.5%

LAB 78.98, -69.77, 72.77

 

CMYK 21 / 0 / 87 / 41

HEX #779714

RGB 119 151 20

HSL 74.66, 0.77%, 0.34%

LAB 58.14, -28.23, 57.62

 

CMYK 21 / 0 / 87 / 26

HEX #94BC19

RGB 148 188 25

HSL 74.72, 0.77%, 0.42%

LAB 71.1, -33.6, 68.22

 

CMYK 21 / 0 / 87 / 12

HEX #B0E01E

RGB 176 224 30

HSL 74.85, 0.76%, 0.5%

LAB 83.25, -38.7, 78.09

 

CMYK 17 / 0 / 71 / 10

HEX #BDE542

RGB 189 229 66

HSL 74.72, 0.76%, 0.58%

LAB 85.63, -34.46, 70.8

 

CMYK 14 / 0 / 56 / 8

HEX #CAEA67

RGB 202 234 103

HSL 74.66, 0.76%, 0.66%

LAB 88.15, -29.2, 59.03

 

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

CMYK 87 / 0 / 49 / 12

HEX #1EE072

RGB 30 224 114

HSL 145.98, 0.76%, 0.5%

LAB 78.93, -67.88, 41.36

 

CMYK 14 / 87 / 0 / 12

HEX #C01EE0

RGB 192 30 224

HSL 290.1, 0.76%, 0.5%

LAB 48.9, 80.85, -62.36

 

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

CMYK 87 / 20 / 0 / 12

HEX #1EB3E0

RGB 30 179 224

HSL 193.92, 0.76%, 0.5%

LAB 67.95, -20.99, -32.87

 

CMYK 0 / 87 / 20 / 12

HEX #E01EB3

RGB 224 30 179

HSL 313.92, 0.76%, 0.5%

LAB 51.87, 80.08, -31.34

 

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

CMYK 87 / 0 / 49 / 12

HEX #1EE072

RGB 30 224 114

HSL 145.98, 0.76%, 0.5%

LAB 78.93, -67.88, 41.36

 

CMYK 67 / 87 / 0 / 12

HEX #4B1EE0

RGB 75 30 224

HSL 253.92, 0.76%, 0.5%

LAB 33.58, 67.03, -88.07

 

CMYK 0 / 87 / 38 / 12

HEX #E01E8C

RGB 224 30 140

HSL 325.98, 0.76%, 0.5%

LAB 50.3, 75.79, -10.6

 

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

CMYK 87 / 0 / 23 / 12

HEX #1EE0AC

RGB 30 224 172

HSL 163.92, 0.76%, 0.5%

LAB 79.93, -56.37, 13.06

 

CMYK 67 / 87 / 0 / 12

HEX #4B1EE0

RGB 75 30 224

HSL 253.92, 0.76%, 0.5%

LAB 33.58, 67.03, -88.07

 

CMYK 0 / 87 / 63 / 12

HEX #E01E52

RGB 224 30 82

HSL 343.92, 0.76%, 0.5%

LAB 48.74, 71.39, 22.57

 

Description

Color code: HEX #B0DF1F | qconv.com Color code: HEX #B0DF1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 223 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 223 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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