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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E1AC it is the complementary color #4F1E53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E1AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E1AC shade: #B5E1A7, #C6F3BA, #D7FFCD, #E8FFE0 and #F9FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E1AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E1AC shade: #B0E1AC, #9FCF99, #8EBD86, #7DAB73 and #6C9960

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E1AC shade: #B0E1AC, #BEE1AC, #CCE1AC, #DBE1AC and #E1D9AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E1AC shade: #B0E1AC, #ACE1B6, #ACE1C4, #ACE1D3 and #ACE1E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E1AC shade matches the following richer shades: #B0E1AC, #A8EAA3, #A1F39A and #99FC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E1AC shade: #B0E1AC, #B8D8B5, #BFCFBE, #C7C6C7 and #CFBCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E1AC shade: #CDE1AC, #BEE1AC, #B0E1AC, #ACE1B6 and #ACE1C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E1AC shade: #76CB6F, #93D68E, #B0E1AC, #CDECCA and #EAF7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E1AC shade: #B0E1AC, #ACDBE1 and #E1ACC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E1AC shade: #B0E1AC, #ACB0E1 and #E1ACB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E1AC shade: #B0E1AC, #ACDBE1, #DCACE1 and #E1B2AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E1AC shade: #B0E1AC, #ACCBE1, #DCACE1 and #E1C2AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

Complementary color

CMYK 5 / 64 / 0 / 67

HEX #4F1E53

RGB 79 30 83

HSL 295.47, 0.47%, 0.22%

LAB 20.89, 31.43, -21.97

 

CMYK 20 / 0 / 26 / 12

HEX #B5E1A7

RGB 181 225 167

HSL 105.52, 0.49%, 0.77%

LAB 85.23, -24.92, 23.82

 

CMYK 19 / 0 / 23 / 5

HEX #C6F3BA

RGB 198 243 186

HSL 107.37, 0.7%, 0.84%

LAB 91.53, -24.78, 22.85

 

CMYK 16 / 0 / 20 / 0

HEX #D7FFCD

RGB 215 255 205

HSL 108, 1%, 0.9%

LAB 96.15, -21.78, 19.72

 

CMYK 9 / 0 / 12 / 0

HEX #E8FFE0

RGB 232 255 224

HSL 104.52, 1%, 0.94%

LAB 97.66, -12.95, 12.29

 

CMYK 2 / 0 / 5 / 0

HEX #F9FFF3

RGB 249 255 243

HSL 90, 1%, 0.98%

LAB 99.27, -4.06, 5.03

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 23 / 0 / 26 / 19

HEX #9FCF99

RGB 159 207 153

HSL 113.33, 0.36%, 0.71%

LAB 78.63, -25.98, 21.88

 

CMYK 25 / 0 / 29 / 26

HEX #8EBD86

RGB 142 189 134

HSL 111.27, 0.29%, 0.63%

LAB 72.14, -26.18, 22.92

 

CMYK 27 / 0 / 33 / 33

HEX #7DAB73

RGB 125 171 115

HSL 109.29, 0.25%, 0.56%

LAB 65.53, -26.38, 24.03

 

CMYK 29 / 0 / 37 / 40

HEX #6C9960

RGB 108 153 96

HSL 107.37, 0.23%, 0.49%

LAB 58.8, -26.59, 25.21

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 16 / 0 / 24 / 12

HEX #BEE1AC

RGB 190 225 172

HSL 99.62, 0.47%, 0.78%

LAB 85.89, -21.02, 22.23

 

CMYK 9 / 0 / 24 / 12

HEX #CCE1AC

RGB 204 225 172

HSL 83.77, 0.47%, 0.78%

LAB 86.83, -16.07, 23.67

 

CMYK 3 / 0 / 24 / 12

HEX #DBE1AC

RGB 219 225 172

HSL 66.79, 0.47%, 0.78%

LAB 87.92, -10.61, 25.32

 

CMYK 0 / 4 / 24 / 12

HEX #E1D9AC

RGB 225 217 172

HSL 50.94, 0.47%, 0.78%

LAB 86.31, -4.33, 23.2

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 0 / 19 / 12

HEX #ACE1B6

RGB 172 225 182

HSL 131.32, 0.47%, 0.78%

LAB 85, -25.39, 15.59

 

CMYK 24 / 0 / 13 / 12

HEX #ACE1C4

RGB 172 225 196

HSL 147.17, 0.47%, 0.78%

LAB 85.3, -22.79, 8.68

 

CMYK 24 / 0 / 6 / 12

HEX #ACE1D3

RGB 172 225 211

HSL 164.15, 0.47%, 0.78%

LAB 85.67, -19.81, 1.3

 

CMYK 24 / 0 / 0 / 12

HEX #ACE1E1

RGB 172 225 225

HSL 180, 0.47%, 0.78%

LAB 86.04, -16.86, -5.55

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 28 / 0 / 30 / 8

HEX #A8EAA3

RGB 168 234 163

HSL 115.77, 0.63%, 0.78%

LAB 86.91, -34.14, 28.04

 

CMYK 34 / 0 / 37 / 5

HEX #A1F39A

RGB 161 243 154

HSL 115.28, 0.79%, 0.78%

LAB 88.93, -41.82, 35.22

 

CMYK 39 / 0 / 42 / 1

HEX #99FC91

RGB 153 252 145

HSL 115.51, 0.95%, 0.78%

LAB 90.98, -49.42, 42.25

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 15 / 0 / 16 / 15

HEX #B8D8B5

RGB 184 216 181

HSL 114.86, 0.31%, 0.78%

LAB 83.25, -17.14, 13.77

 

CMYK 8 / 0 / 8 / 19

HEX #BFCFBE

RGB 191 207 190

HSL 116.47, 0.15%, 0.78%

LAB 81.52, -8.57, 6.59

 

CMYK 0 / 1 / 0 / 22

HEX #C7C6C7

RGB 199 198 199

HSL 300, 0.01%, 0.78%

LAB 79.98, 0.53, -0.39

 

CMYK 0 / 10 / 0 / 18

HEX #CFBCD0

RGB 207 188 208

HSL 297, 0.18%, 0.78%

LAB 78.34, 10.29, -7.59

 

CMYK 9 / 0 / 24 / 12

HEX #CDE1AC

RGB 205 225 172

HSL 82.64, 0.47%, 0.78%

LAB 86.9, -15.71, 23.77

 

CMYK 16 / 0 / 24 / 12

HEX #BEE1AC

RGB 190 225 172

HSL 99.62, 0.47%, 0.78%

LAB 85.89, -21.02, 22.23

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 0 / 19 / 12

HEX #ACE1B6

RGB 172 225 182

HSL 131.32, 0.47%, 0.78%

LAB 85, -25.39, 15.59

 

CMYK 24 / 0 / 13 / 12

HEX #ACE1C4

RGB 172 225 196

HSL 147.17, 0.47%, 0.78%

LAB 85.3, -22.79, 8.68

 

CMYK 42 / 0 / 45 / 20

HEX #76CB6F

RGB 118 203 111

HSL 115.43, 0.47%, 0.62%

LAB 74.64, -43.97, 37.9

 

CMYK 31 / 0 / 34 / 16

HEX #93D68E

RGB 147 214 142

HSL 115.83, 0.47%, 0.7%

LAB 79.76, -35.07, 29.03

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 13 / 0 / 14 / 7

HEX #CDECCA

RGB 205 236 202

HSL 114.71, 0.47%, 0.86%

LAB 90.43, -16.36, 13.12

 

CMYK 5 / 0 / 6 / 3

HEX #EAF7E9

RGB 234 247 233

HSL 115.71, 0.47%, 0.94%

LAB 95.95, -6.77, 5.24

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 3 / 0 / 12

HEX #ACDBE1

RGB 172 219 225

HSL 186.79, 0.47%, 0.78%

LAB 84.42, -13.83, -7.94

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 22 / 0 / 12

HEX #ACB0E1

RGB 172 176 225

HSL 235.47, 0.47%, 0.78%

LAB 73.06, 9.05, -25.05

 

CMYK 0 / 24 / 22 / 12

HEX #E1ACB0

RGB 225 172 176

HSL 355.47, 0.47%, 0.78%

LAB 75.23, 19.96, 5.47

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 3 / 0 / 12

HEX #ACDBE1

RGB 172 219 225

HSL 186.79, 0.47%, 0.78%

LAB 84.42, -13.83, -7.94

 

CMYK 2 / 24 / 0 / 12

HEX #DCACE1

RGB 220 172 225

HSL 294.34, 0.47%, 0.78%

LAB 76.17, 26.49, -19.95

 

CMYK 0 / 21 / 24 / 12

HEX #E1B2AC

RGB 225 178 172

HSL 6.79, 0.47%, 0.78%

LAB 76.57, 16.16, 9.57

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 10 / 0 / 12

HEX #ACCBE1

RGB 172 203 225

HSL 204.91, 0.47%, 0.78%

LAB 80.13, -5.54, -14.33

 

CMYK 2 / 24 / 0 / 12

HEX #DCACE1

RGB 220 172 225

HSL 294.34, 0.47%, 0.78%

LAB 76.17, 26.49, -19.95

 

CMYK 0 / 14 / 24 / 12

HEX #E1C2AC

RGB 225 194 172

HSL 24.91, 0.47%, 0.78%

LAB 80.5, 7.64, 15.12

 

Description

Color code: HEX #B0E1AC | qconv.com Color code: HEX #B0E1AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 225 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 225 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 24 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 24% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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