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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0ECFC it is the complementary color #4F1303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0ECFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0ECFC shade: #B5ECF7, #C6FEFF, #D7FFFF, #E8FFFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0ECFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0ECFC shade: #B0ECFC, #9FDAE9, #8EC8D6, #7DB6C3 and #6CA4B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0ECFC shade: #B0ECFC, #B0D7FC, #B0C3FC, #B1B0FC and #C6B0FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0ECFC shade: #B0ECFC, #B0D7FC, #B0C3FC and #B0B0FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0ECFC shade matches the following richer shades: #B0ECFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0ECFC shade: #B0ECFC, #B6E8F5, #BDE4EE, #C4E0E8 and #CADCE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0ECFC shade: #B0FCE2, #B0FCF7, #B0ECFC, #B0D8FC and #B0C4FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0ECFC shade: #60D9F9, #88E2FA, #B0ECFC and #D8F5FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0ECFC shade: #B0ECFC, #CEB0FC and #FCECB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0ECFC shade: #B0ECFC, #FCB0EC and #ECFCB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0ECFC shade: #B0ECFC, #CEB0FC, #FCBFB0 and #DDFCB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0ECFC shade: #B0ECFC, #E5B0FC, #FCBFB0 and #C7FCB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

Complementary color

CMYK 0 / 76 / 96 / 69

HEX #4F1303

RGB 79 19 3

HSL 12.63, 0.93%, 0.16%

LAB 16.18, 27.23, 23.39

 

CMYK 27 / 4 / 0 / 3

HEX #B5ECF7

RGB 181 236 247

HSL 190, 0.8%, 0.84%

LAB 90.1, -14.94, -11.01

 

CMYK 22 / 0 / 0 / 0

HEX #C6FEFF

RGB 198 254 255

HSL 181.05, 1%, 0.89%

LAB 96.04, -17.27, -6.25

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 32 / 6 / 0 / 9

HEX #9FDAE9

RGB 159 218 233

HSL 192.16, 0.63%, 0.77%

LAB 83.65, -15.22, -13.4

 

CMYK 34 / 7 / 0 / 16

HEX #8EC8D6

RGB 142 200 214

HSL 191.67, 0.47%, 0.7%

LAB 77.23, -15.22, -12.95

 

CMYK 36 / 7 / 0 / 24

HEX #7DB6C3

RGB 125 182 195

HSL 191.14, 0.37%, 0.63%

LAB 70.7, -15.21, -12.49

 

CMYK 39 / 7 / 0 / 31

HEX #6CA4B0

RGB 108 164 176

HSL 190.59, 0.3%, 0.56%

LAB 64.06, -15.2, -12.02

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 30 / 15 / 0 / 1

HEX #B0D7FC

RGB 176 215 252

HSL 209.21, 0.93%, 0.84%

LAB 84.41, -4.42, -22.23

 

CMYK 30 / 23 / 0 / 1

HEX #B0C3FC

RGB 176 195 252

HSL 225, 0.93%, 0.84%

LAB 79.21, 6.26, -30.17

 

CMYK 30 / 30 / 0 / 1

HEX #B1B0FC

RGB 177 176 252

HSL 240.79, 0.93%, 0.84%

LAB 74.46, 16.98, -37.49

 

CMYK 21 / 30 / 0 / 1

HEX #C6B0FC

RGB 198 176 252

HSL 257.37, 0.93%, 0.84%

LAB 76.12, 23.05, -34.79

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 30 / 15 / 0 / 1

HEX #B0D7FC

RGB 176 215 252

HSL 209.21, 0.93%, 0.84%

LAB 84.41, -4.42, -22.23

 

CMYK 30 / 23 / 0 / 1

HEX #B0C3FC

RGB 176 195 252

HSL 225, 0.93%, 0.84%

LAB 79.21, 6.26, -30.17

 

CMYK 30 / 30 / 0 / 1

HEX #B0B0FC

RGB 176 176 252

HSL 240, 0.93%, 0.84%

LAB 74.39, 16.7, -37.62

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 26 / 5 / 0 / 4

HEX #B6E8F5

RGB 182 232 245

HSL 192.38, 0.76%, 0.84%

LAB 89.04, -13.09, -11.54

 

CMYK 21 / 4 / 0 / 7

HEX #BDE4EE

RGB 189 228 238

HSL 192.24, 0.59%, 0.84%

LAB 88.2, -10.52, -9.08

 

CMYK 16 / 3 / 0 / 9

HEX #C4E0E8

RGB 196 224 232

HSL 193.33, 0.44%, 0.84%

LAB 87.42, -7.58, -7.02

 

CMYK 10 / 2 / 0 / 12

HEX #CADCE1

RGB 202 220 225

HSL 193.04, 0.28%, 0.84%

LAB 86.59, -5.02, -4.51

 

CMYK 30 / 0 / 10 / 1

HEX #B0FCE2

RGB 176 252 226

HSL 159.47, 0.93%, 0.84%

LAB 93.6, -28.66, 5

 

CMYK 30 / 0 / 2 / 1

HEX #B0FCF7

RGB 176 252 247

HSL 176.05, 0.93%, 0.84%

LAB 94.13, -24.22, -5.08

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 30 / 14 / 0 / 1

HEX #B0D8FC

RGB 176 216 252

HSL 208.42, 0.93%, 0.84%

LAB 84.67, -4.95, -21.83

 

CMYK 30 / 22 / 0 / 1

HEX #B0C4FC

RGB 176 196 252

HSL 224.21, 0.93%, 0.84%

LAB 79.46, 5.71, -29.78

 

CMYK 61 / 13 / 0 / 2

HEX #60D9F9

RGB 96 217 249

HSL 192.55, 0.93%, 0.68%

LAB 81.27, -24.6, -25.76

 

CMYK 46 / 10 / 0 / 2

HEX #88E2FA

RGB 136 226 250

HSL 192.63, 0.92%, 0.76%

LAB 85.27, -20.83, -20.07

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 15 / 3 / 0 / 1

HEX #D8F5FD

RGB 216 245 253

HSL 192.97, 0.9%, 0.92%

LAB 94.74, -7.8, -7.03

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 18 / 30 / 0 / 1

HEX #CEB0FC

RGB 206 176 252

HSL 263.68, 0.93%, 0.84%

LAB 76.8, 25.43, -33.68

 

CMYK 0 / 6 / 30 / 1

HEX #FCECB0

RGB 252 236 176

HSL 47.37, 0.93%, 0.84%

LAB 93.37, -3.36, 31.11

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 0 / 30 / 6 / 1

HEX #FCB0EC

RGB 252 176 236

HSL 312.63, 0.93%, 0.84%

LAB 80.63, 36.77, -18.83

 

CMYK 6 / 0 / 30 / 1

HEX #ECFCB0

RGB 236 252 176

HSL 72.63, 0.93%, 0.84%

LAB 96.24, -17.2, 34.73

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 18 / 30 / 0 / 1

HEX #CEB0FC

RGB 206 176 252

HSL 263.68, 0.93%, 0.84%

LAB 76.8, 25.43, -33.68

 

CMYK 0 / 24 / 30 / 1

HEX #FCBFB0

RGB 252 191 176

HSL 11.84, 0.93%, 0.84%

LAB 82.43, 19.87, 16.07

 

CMYK 12 / 0 / 30 / 1

HEX #DDFCB0

RGB 221 252 176

HSL 84.47, 0.93%, 0.84%

LAB 95.21, -22.6, 33.18

 

CMYK 30 / 6 / 0 / 1

HEX #B0ECFC

RGB 176 236 252

HSL 192.63, 0.93%, 0.84%

LAB 89.97, -15.21, -13.85

 

CMYK 9 / 30 / 0 / 1

HEX #E5B0FC

RGB 229 176 252

HSL 281.84, 0.93%, 0.84%

LAB 78.89, 32.43, -30.29

 

CMYK 0 / 24 / 30 / 1

HEX #FCBFB0

RGB 252 191 176

HSL 11.84, 0.93%, 0.84%

LAB 82.43, 19.87, 16.07

 

CMYK 21 / 0 / 30 / 1

HEX #C7FCB0

RGB 199 252 176

HSL 101.84, 0.93%, 0.84%

LAB 93.84, -30.23, 31.09

 

Description

Color code: HEX #B0ECFC | qconv.com Color code: HEX #B0ECFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 236 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 236 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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