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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0F91F it is the complementary color #4F06E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0F91F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0F91F shade: #B5F91A, #C6FF2D, #D7FF40, #E8FF53 and #F9FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0F91F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0F91F shade: #B0F91F, #9FE70C, #8ED500, #7DC300 and #6CB100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0F91F shade: #B0F91F, #EBF91F, #F9CC1F, #F9911F and #F9571F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0F91F shade: #B0F91F, #75F91F, #3AF91F, #1FF93E and #1FF979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0F91F shade matches the following richer shades: #B0F91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0F91F shade: #B0F91F, #AAE631, #A3D444, #9DC156 and #97AE69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0F91F shade: #F9CD1F, #EAF91F, #B0F91F, #76F91F and #3CF91F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0F91F shade: #82C104, #9DE905, #B0F91F, #BEFA47 and #CCFB6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0F91F shade: #B0F91F, #1FF993 and #EA1FF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0F91F shade: #B0F91F, #1FB0F9 and #F91FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0F91F shade: #B0F91F, #1FF993, #671FF9 and #F91F84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0F91F shade: #B0F91F, #1FF9D4, #671FF9 and #F91F43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

Complementary color

CMYK 65 / 97 / 0 / 12

HEX #4F06E0

RGB 79 6 224

HSL 260.09, 0.95%, 0.45%

LAB 32.2, 72.53, -90.35

 

CMYK 27 / 0 / 90 / 2

HEX #B5F91A

RGB 181 249 26

HSL 78.3, 0.95%, 0.54%

LAB 90.62, -47.72, 84.93

 

CMYK 22 / 0 / 82 / 0

HEX #C6FF2D

RGB 198 255 45

HSL 76.29, 1%, 0.59%

LAB 93.33, -43.46, 84.06

 

CMYK 16 / 0 / 75 / 0

HEX #D7FF40

RGB 215 255 64

HSL 72.57, 1%, 0.63%

LAB 94.46, -36.25, 80.46

 

CMYK 9 / 0 / 67 / 0

HEX #E8FF53

RGB 232 255 83

HSL 68.02, 1%, 0.66%

LAB 95.71, -28.67, 75.77

 

CMYK 2 / 0 / 60 / 0

HEX #F9FF66

RGB 249 255 102

HSL 62.35, 1%, 0.7%

LAB 97.07, -20.82, 70.28

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 31 / 0 / 95 / 9

HEX #9FE70C

RGB 159 231 12

HSL 79.73, 0.9%, 0.48%

LAB 84.25, -48.46, 81

 

CMYK 33 / 0 / 100 / 16

HEX #8ED500

RGB 142 213 0

HSL 80, 1%, 0.42%

LAB 78.07, -47.29, 76.88

 

CMYK 36 / 0 / 100 / 24

HEX #7DC300

RGB 125 195 0

HSL 81.54, 1%, 0.38%

LAB 71.82, -45.95, 71.67

 

CMYK 39 / 0 / 100 / 31

HEX #6CB100

RGB 108 177 0

HSL 83.39, 1%, 0.35%

LAB 65.46, -44.57, 66.38

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 6 / 0 / 88 / 2

HEX #EBF91F

RGB 235 249 31

HSL 63.85, 0.95%, 0.55%

LAB 94.1, -26.55, 88.42

 

CMYK 0 / 18 / 88 / 2

HEX #F9CC1F

RGB 249 204 31

HSL 47.61, 0.95%, 0.55%

LAB 83.67, 1.48, 80.62

 

CMYK 0 / 42 / 88 / 2

HEX #F9911F

RGB 249 145 31

HSL 31.38, 0.95%, 0.55%

LAB 69.82, 32.21, 69.77

 

CMYK 0 / 65 / 88 / 2

HEX #F9571F

RGB 249 87 31

HSL 15.41, 0.95%, 0.55%

LAB 59.03, 59.62, 61.42

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 53 / 0 / 88 / 2

HEX #75F91F

RGB 117 249 31

HSL 96.33, 0.95%, 0.55%

LAB 87.79, -68.18, 80.63

 

CMYK 77 / 0 / 88 / 2

HEX #3AF91F

RGB 58 249 31

HSL 112.57, 0.95%, 0.55%

LAB 86.38, -79.97, 78.86

 

CMYK 88 / 0 / 75 / 2

HEX #1FF93E

RGB 31 249 62

HSL 128.53, 0.95%, 0.55%

LAB 86.2, -81.08, 70.9

 

CMYK 88 / 0 / 51 / 2

HEX #1FF979

RGB 31 249 121

HSL 144.77, 0.95%, 0.55%

LAB 86.71, -74.74, 47.69

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 26 / 0 / 79 / 10

HEX #AAE631

RGB 170 230 49

HSL 79.89, 0.78%, 0.55%

LAB 84.67, -42.99, 74.77

 

CMYK 23 / 0 / 68 / 17

HEX #A3D444

RGB 163 212 68

HSL 80.42, 0.63%, 0.55%

LAB 79.21, -36.65, 63.09

 

CMYK 19 / 0 / 55 / 24

HEX #9DC156

RGB 157 193 86

HSL 80.19, 0.46%, 0.55%

LAB 73.53, -28.72, 49.15

 

CMYK 13 / 0 / 40 / 32

HEX #97AE69

RGB 151 174 105

HSL 80, 0.3%, 0.55%

LAB 67.93, -19.63, 32.8

 

CMYK 0 / 18 / 88 / 2

HEX #F9CD1F

RGB 249 205 31

HSL 47.89, 0.95%, 0.55%

LAB 83.91, 0.97, 80.82

 

CMYK 6 / 0 / 88 / 2

HEX #EAF91F

RGB 234 249 31

HSL 64.13, 0.95%, 0.55%

LAB 94.03, -26.96, 88.33

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 53 / 0 / 88 / 2

HEX #76F91F

RGB 118 249 31

HSL 96.06, 0.95%, 0.55%

LAB 87.82, -67.91, 80.67

 

CMYK 76 / 0 / 88 / 2

HEX #3CF91F

RGB 60 249 31

HSL 112.02, 0.95%, 0.55%

LAB 86.41, -79.71, 78.9

 

CMYK 33 / 0 / 98 / 24

HEX #82C104

RGB 130 193 4

HSL 80, 0.96%, 0.39%

LAB 71.48, -43.22, 71.09

 

CMYK 33 / 0 / 98 / 9

HEX #9DE905

RGB 157 233 5

HSL 80, 0.96%, 0.47%

LAB 84.72, -50.08, 81.91

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 24 / 0 / 72 / 2

HEX #BEFA47

RGB 190 250 71

HSL 80.11, 0.95%, 0.63%

LAB 91.58, -43.17, 74.96

 

CMYK 19 / 0 / 56 / 2

HEX #CCFB6F

RGB 204 251 111

HSL 80.14, 0.95%, 0.71%

LAB 93.01, -35.59, 61.1

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 88 / 0 / 41 / 2

HEX #1FF993

RGB 31 249 147

HSL 151.93, 0.95%, 0.55%

LAB 87.07, -70.49, 35.61

 

CMYK 6 / 88 / 0 / 2

HEX #EA1FF9

RGB 234 31 249

HSL 295.87, 0.95%, 0.55%

LAB 57.38, 91.39, -62.42

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 88 / 29 / 0 / 2

HEX #1FB0F9

RGB 31 176 249

HSL 200.09, 0.95%, 0.55%

LAB 68.15, -10.64, -46.18

 

CMYK 0 / 88 / 29 / 2

HEX #F91FB0

RGB 249 31 176

HSL 320.09, 0.95%, 0.55%

LAB 56.34, 84.67, -22.3

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 88 / 0 / 41 / 2

HEX #1FF993

RGB 31 249 147

HSL 151.93, 0.95%, 0.55%

LAB 87.07, -70.49, 35.61

 

CMYK 59 / 88 / 0 / 2

HEX #671FF9

RGB 103 31 249

HSL 259.82, 0.95%, 0.55%

LAB 39.08, 75, -93.06

 

CMYK 0 / 88 / 47 / 2

HEX #F91F84

RGB 249 31 132

HSL 332.2, 0.95%, 0.55%

LAB 54.85, 80.58, 1.47

 

CMYK 29 / 0 / 88 / 2

HEX #B0F91F

RGB 176 249 31

HSL 80.09, 0.95%, 0.55%

LAB 90.36, -49.43, 83.82

 

CMYK 88 / 0 / 15 / 2

HEX #1FF9D4

RGB 31 249 212

HSL 169.82, 0.95%, 0.55%

LAB 88.35, -56.3, 4.16

 

CMYK 59 / 88 / 0 / 2

HEX #671FF9

RGB 103 31 249

HSL 259.82, 0.95%, 0.55%

LAB 39.08, 75, -93.06

 

CMYK 0 / 88 / 73 / 2

HEX #F91F43

RGB 249 31 67

HSL 350.09, 0.95%, 0.55%

LAB 53.52, 76.81, 38.51

 

Description

Color code: HEX #B0F91F | qconv.com Color code: HEX #B0F91F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 249 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 249 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 88 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 88% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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