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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0F9B9 it is the complementary color #4F0646. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0F9B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0F9B9 shade: #B5F9B4, #C6FFC7, #D7FFDA, #E8FFED and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0F9B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0F9B9 shade: #B0F9B9, #9FE7A6, #8ED593, #7DC380 and #6CB16D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0F9B9 shade: #AEF8B7, #B9F8AE, #CDF8AE, #E1F8AE and #F5F8AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0F9B9 shade: #AEF8B7, #AEF8CB, #AEF8DF, #AEF8F3 and #AEE9F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0F9B9 shade matches the following richer shades: #AEF8B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0F9B9 shade: #AEF8B7, #B5F1BC, #BCEAC2, #C3E3C7 and #CADCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0F9B9 shade: #CDF8AE, #B9F8AE, #AEF8B7, #AEF8CA and #AEF8DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0F9B9 shade: #61F373, #87F695, #AEF8B7, #D4FBD9 and #FBFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0F9B9 shade: #B0F9B9, #AEE1F8 and #F8AEC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0F9B9 shade: #B0F9B9, #B7AEF8 and #F8B7AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0F9B9 shade: #B0F9B9, #AEE1F8, #F8AEF0 and #F8C5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0F9B9 shade: #B0F9B9, #AECAF8, #F8AEF0 and #F8DCAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 26 / 2

HEX #B0F9B9

RGB 176 249 185

HSL 127.4, 0.86%, 0.83%

LAB 91.9, -34.9, 23.69

 

Complementary color

CMYK 0 / 92 / 11 / 69

HEX #4F0646

RGB 79 6 70

HSL 307.4, 0.86%, 0.17%

LAB 16.67, 38.63, -19.75

 

CMYK 27 / 0 / 28 / 2

HEX #B5F9B4

RGB 181 249 180

HSL 119.13, 0.85%, 0.84%

LAB 92.07, -34.15, 26.51

 

CMYK 22 / 0 / 22 / 0

HEX #C6FFC7

RGB 198 255 199

HSL 121.05, 1%, 0.89%

LAB 95.01, -28.36, 21.04

 

CMYK 16 / 0 / 15 / 0

HEX #D7FFDA

RGB 215 255 218

HSL 124.5, 1%, 0.92%

LAB 96.42, -19.6, 13.46

 

CMYK 9 / 0 / 7 / 0

HEX #E8FFED

RGB 232 255 237

HSL 133.04, 1%, 0.95%

LAB 97.95, -10.72, 6.05

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 29 / 0 / 26 / 2

HEX #B0F9B9

RGB 176 249 185

HSL 127.4, 0.86%, 0.83%

LAB 91.9, -34.9, 23.69

 

CMYK 31 / 0 / 28 / 9

HEX #9FE7A6

RGB 159 231 166

HSL 125.83, 0.6%, 0.76%

LAB 85.64, -35.14, 24.7

 

CMYK 33 / 0 / 31 / 16

HEX #8ED593

RGB 142 213 147

HSL 124.23, 0.46%, 0.7%

LAB 79.3, -35.4, 25.77

 

CMYK 36 / 0 / 34 / 24

HEX #7DC380

RGB 125 195 128

HSL 122.57, 0.37%, 0.63%

LAB 72.86, -35.65, 26.91

 

CMYK 39 / 0 / 38 / 31

HEX #6CB16D

RGB 108 177 109

HSL 120.87, 0.31%, 0.56%

LAB 66.32, -35.89, 28.11

 

CMYK 30 / 0 / 26 / 3

HEX #AEF8B7

RGB 174 248 183

HSL 127.3, 0.84%, 0.83%

LAB 91.48, -35.4, 24.11

 

CMYK 25 / 0 / 30 / 3

HEX #B9F8AE

RGB 185 248 174

HSL 111.08, 0.84%, 0.83%

LAB 91.91, -33.34, 29.37

 

CMYK 17 / 0 / 30 / 3

HEX #CDF8AE

RGB 205 248 174

HSL 94.86, 0.84%, 0.83%

LAB 93.09, -26.59, 31.16

 

CMYK 9 / 0 / 30 / 3

HEX #E1F8AE

RGB 225 248 174

HSL 78.65, 0.84%, 0.83%

LAB 94.4, -19.51, 33.14

 

CMYK 1 / 0 / 30 / 3

HEX #F5F8AE

RGB 245 248 174

HSL 62.43, 0.84%, 0.83%

LAB 95.83, -12.2, 35.31

 

CMYK 30 / 0 / 26 / 3

HEX #AEF8B7

RGB 174 248 183

HSL 127.3, 0.84%, 0.83%

LAB 91.48, -35.4, 24.11

 

CMYK 30 / 0 / 18 / 3

HEX #AEF8CB

RGB 174 248 203

HSL 143.51, 0.84%, 0.83%

LAB 91.88, -31.85, 14.41

 

CMYK 30 / 0 / 10 / 3

HEX #AEF8DF

RGB 174 248 223

HSL 159.73, 0.84%, 0.83%

LAB 92.34, -27.94, 4.72

 

CMYK 30 / 0 / 2 / 3

HEX #AEF8F3

RGB 174 248 243

HSL 175.95, 0.84%, 0.83%

LAB 92.84, -23.71, -4.92

 

CMYK 30 / 6 / 0 / 3

HEX #AEE9F8

RGB 174 233 248

HSL 192.16, 0.84%, 0.83%

LAB 88.95, -15.17, -13.3

 

CMYK 30 / 0 / 26 / 3

HEX #AEF8B7

RGB 174 248 183

HSL 127.3, 0.84%, 0.83%

LAB 91.48, -35.4, 24.11

 

CMYK 30 / 0 / 26 / 3

HEX #AEF8B7

RGB 174 248 183

HSL 127.3, 0.84%, 0.83%

LAB 91.48, -35.4, 24.11

 

CMYK 25 / 0 / 22 / 5

HEX #B5F1BC

RGB 181 241 188

HSL 127, 0.68%, 0.83%

LAB 90.03, -29.08, 19.59

 

CMYK 20 / 0 / 17 / 8

HEX #BCEAC2

RGB 188 234 194

HSL 127.83, 0.52%, 0.83%

LAB 88.65, -22.41, 14.62

 

CMYK 14 / 0 / 12 / 11

HEX #C3E3C7

RGB 195 227 199

HSL 127.5, 0.36%, 0.83%

LAB 87.32, -15.76, 10.18

 

CMYK 8 / 0 / 7 / 14

HEX #CADCCC

RGB 202 220 204

HSL 126.67, 0.2%, 0.83%

LAB 86.06, -8.97, 5.79

 

CMYK 17 / 0 / 30 / 3

HEX #CDF8AE

RGB 205 248 174

HSL 94.86, 0.84%, 0.83%

LAB 93.09, -26.59, 31.16

 

CMYK 25 / 0 / 30 / 3

HEX #B9F8AE

RGB 185 248 174

HSL 111.08, 0.84%, 0.83%

LAB 91.91, -33.34, 29.37

 

CMYK 30 / 0 / 26 / 3

HEX #AEF8B7

RGB 174 248 183

HSL 127.3, 0.84%, 0.83%

LAB 91.48, -35.4, 24.11

 

CMYK 30 / 0 / 19 / 3

HEX #AEF8CA

RGB 174 248 202

HSL 142.7, 0.84%, 0.83%

LAB 91.86, -32.03, 14.9

 

CMYK 30 / 0 / 10 / 3

HEX #AEF8DE

RGB 174 248 222

HSL 158.92, 0.84%, 0.83%

LAB 92.31, -28.15, 5.2

 

CMYK 60 / 0 / 53 / 5

HEX #61F373

RGB 97 243 115

HSL 127.4, 0.86%, 0.67%

LAB 85.95, -64.5, 49.79

 

CMYK 45 / 0 / 39 / 4

HEX #87F695

RGB 135 246 149

HSL 127.57, 0.86%, 0.75%

LAB 88.56, -51.48, 37.01

 

CMYK 30 / 0 / 26 / 3

HEX #AEF8B7

RGB 174 248 183

HSL 127.3, 0.84%, 0.83%

LAB 91.48, -35.4, 24.11

 

CMYK 16 / 0 / 14 / 2

HEX #D4FBD9

RGB 212 251 217

HSL 127.69, 0.83%, 0.91%

LAB 95.16, -18.81, 12.15

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFB

RGB 251 254 251

HSL 120, 0.6%, 0.99%

LAB 99.36, -1.51, 1.07

 

CMYK 29 / 0 / 26 / 2

HEX #B0F9B9

RGB 176 249 185

HSL 127.4, 0.86%, 0.83%

LAB 91.9, -34.9, 23.69

 

CMYK 30 / 9 / 0 / 3

HEX #AEE1F8

RGB 174 225 248

HSL 198.65, 0.84%, 0.83%

LAB 86.81, -11.11, -16.5

 

CMYK 0 / 30 / 21 / 3

HEX #F8AEC3

RGB 248 174 195

HSL 342.97, 0.84%, 0.83%

LAB 78.56, 29.97, 0.23

 

CMYK 29 / 0 / 26 / 2

HEX #B0F9B9

RGB 176 249 185

HSL 127.4, 0.86%, 0.83%

LAB 91.9, -34.9, 23.69

 

CMYK 26 / 30 / 0 / 3

HEX #B7AEF8

RGB 183 174 248

HSL 247.3, 0.84%, 0.83%

LAB 74.26, 18.84, -35.6

 

CMYK 0 / 26 / 30 / 3

HEX #F8B7AE

RGB 248 183 174

HSL 7.3, 0.84%, 0.83%

LAB 80.11, 22.33, 13.83

 

CMYK 29 / 0 / 26 / 2

HEX #B0F9B9

RGB 176 249 185

HSL 127.4, 0.86%, 0.83%

LAB 91.9, -34.9, 23.69

 

CMYK 30 / 9 / 0 / 3

HEX #AEE1F8

RGB 174 225 248

HSL 198.65, 0.84%, 0.83%

LAB 86.81, -11.11, -16.5

 

CMYK 0 / 30 / 3 / 3

HEX #F8AEF0

RGB 248 174 240

HSL 306.49, 0.84%, 0.83%

LAB 79.91, 37.22, -22.11

 

CMYK 0 / 21 / 30 / 3

HEX #F8C5AE

RGB 248 197 174

HSL 18.65, 0.84%, 0.83%

LAB 83.41, 14.97, 18.45

 

CMYK 29 / 0 / 26 / 2

HEX #B0F9B9

RGB 176 249 185

HSL 127.4, 0.86%, 0.83%

LAB 91.9, -34.9, 23.69

 

CMYK 30 / 19 / 0 / 3

HEX #AECAF8

RGB 174 202 248

HSL 217.3, 0.84%, 0.83%

LAB 80.75, 0.95, -25.69

 

CMYK 0 / 30 / 3 / 3

HEX #F8AEF0

RGB 248 174 240

HSL 306.49, 0.84%, 0.83%

LAB 79.91, 37.22, -22.11

 

CMYK 0 / 11 / 30 / 3

HEX #F8DCAE

RGB 248 220 174

HSL 37.3, 0.84%, 0.83%

LAB 89.02, 3.02, 26.17

 

Description

Color code: HEX #B0F9B9 | qconv.com Color code: HEX #B0F9B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 249 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 249 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 26 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 26% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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