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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FCDB it is the complementary color #4F0324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FCDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0FCDB shade: #B5FCD6, #C6FFE9, #D7FFFC, #E8FFFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FCDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0FCDB shade: #B0FCDB, #9FEAC8, #8ED8B5, #7DC6A2 and #6CB48F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0FCDB shade: #B0FCDB, #B0FCC6, #B0FCB2, #C2FCB0 and #D7FCB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0FCDB shade: #B0FCDB, #B0FCEF, #B0F4FC, #B0DFFC and #B0CBFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0FCDB shade matches the following richer shades: #B0FCDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0FCDB shade: #B0FCDB, #B6F5DA, #BDEED9, #C4E8D8 and #CAE1D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0FCDB shade: #B0FCB1, #B0FCC5, #B0FCD9, #B0FCEE and #B0F5FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0FCDB shade: #60F9B6, #88FAC9, #B0FCDB and #D8FDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0FCDB shade: #B0FCDB, #B0C3FC and #FCBBB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0FCDB shade: #B0FCDB, #D9B0FC and #FCD9B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0FCDB shade: #B0FCDB, #B0C3FC, #FCB0D2 and #FCE9B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0FCDB shade: #B0FCDB, #B4B0FC, #FCB0D2 and #F8FCB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

Complementary color

CMYK 0 / 96 / 54 / 69

HEX #4F0324

RGB 79 3 36

HSL 333.95, 0.93%, 0.16%

LAB 14.71, 35.18, 1.63

 

CMYK 28 / 0 / 15 / 1

HEX #B5FCD6

RGB 181 252 214

HSL 147.89, 0.92%, 0.85%

LAB 93.58, -29.56, 11.2

 

CMYK 22 / 0 / 9 / 0

HEX #C6FFE9

RGB 198 255 233

HSL 156.84, 1%, 0.89%

LAB 95.75, -22.22, 4.66

 

CMYK 16 / 0 / 1 / 0

HEX #D7FFFC

RGB 215 255 252

HSL 175.5, 1%, 0.92%

LAB 97.23, -13.31, -2.85

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 32 / 0 / 15 / 8

HEX #9FEAC8

RGB 159 234 200

HSL 152.8, 0.64%, 0.77%

LAB 87.19, -30.28, 9.18

 

CMYK 34 / 0 / 16 / 15

HEX #8ED8B5

RGB 142 216 181

HSL 151.62, 0.49%, 0.7%

LAB 80.85, -30.51, 10.02

 

CMYK 37 / 0 / 18 / 22

HEX #7DC6A2

RGB 125 198 162

HSL 150.41, 0.39%, 0.63%

LAB 74.42, -30.76, 10.92

 

CMYK 40 / 0 / 21 / 29

HEX #6CB48F

RGB 108 180 143

HSL 149.17, 0.32%, 0.56%

LAB 67.88, -31.01, 11.88

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC6

RGB 176 252 198

HSL 137.37, 0.93%, 0.84%

LAB 92.98, -34.02, 18.54

 

CMYK 30 / 0 / 29 / 1

HEX #B0FCB2

RGB 176 252 178

HSL 121.58, 0.93%, 0.84%

LAB 92.6, -37.42, 28.2

 

CMYK 23 / 0 / 30 / 1

HEX #C2FCB0

RGB 194 252 176

HSL 105.79, 0.93%, 0.84%

LAB 93.55, -31.91, 30.65

 

CMYK 15 / 0 / 30 / 1

HEX #D7FCB0

RGB 215 252 176

HSL 89.21, 0.93%, 0.84%

LAB 94.82, -24.72, 32.59

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 30 / 0 / 5 / 1

HEX #B0FCEF

RGB 176 252 239

HSL 169.74, 0.93%, 0.84%

LAB 93.92, -25.95, -1.25

 

CMYK 30 / 3 / 0 / 1

HEX #B0F4FC

RGB 176 244 252

HSL 186.32, 0.93%, 0.84%

LAB 92.11, -19.2, -10.65

 

CMYK 30 / 12 / 0 / 1

HEX #B0DFFC

RGB 176 223 252

HSL 202.89, 0.93%, 0.84%

LAB 86.52, -8.59, -19.04

 

CMYK 30 / 19 / 0 / 1

HEX #B0CBFC

RGB 176 203 252

HSL 218.68, 0.93%, 0.84%

LAB 81.28, 1.94, -27

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 26 / 0 / 11 / 4

HEX #B6F5DA

RGB 182 245 218

HSL 154.29, 0.76%, 0.84%

LAB 91.82, -25.15, 6.62

 

CMYK 21 / 0 / 9 / 7

HEX #BDEED9

RGB 189 238 217

HSL 154.29, 0.59%, 0.84%

LAB 90.31, -19.8, 5.01

 

CMYK 16 / 0 / 7 / 9

HEX #C4E8D8

RGB 196 232 216

HSL 153.33, 0.44%, 0.84%

LAB 89.11, -14.8, 3.86

 

CMYK 10 / 0 / 4 / 12

HEX #CAE1D7

RGB 202 225 215

HSL 153.91, 0.28%, 0.84%

LAB 87.64, -9.5, 2.29

 

CMYK 30 / 0 / 30 / 1

HEX #B0FCB1

RGB 176 252 177

HSL 120.79, 0.93%, 0.84%

LAB 92.59, -37.58, 28.68

 

CMYK 30 / 0 / 22 / 1

HEX #B0FCC5

RGB 176 252 197

HSL 136.58, 0.93%, 0.84%

LAB 92.96, -34.19, 19.02

 

CMYK 30 / 0 / 14 / 1

HEX #B0FCD9

RGB 176 252 217

HSL 152.37, 0.93%, 0.84%

LAB 93.39, -30.45, 9.35

 

CMYK 30 / 0 / 6 / 1

HEX #B0FCEE

RGB 176 252 238

HSL 168.95, 0.93%, 0.84%

LAB 93.89, -26.16, -0.77

 

CMYK 30 / 3 / 0 / 1

HEX #B0F5FC

RGB 176 245 252

HSL 185.53, 0.93%, 0.84%

LAB 92.38, -19.69, -10.26

 

CMYK 61 / 0 / 27 / 2

HEX #60F9B6

RGB 96 249 182

HSL 153.73, 0.93%, 0.68%

LAB 88.74, -55.68, 20.36

 

CMYK 46 / 0 / 20 / 2

HEX #88FAC9

RGB 136 250 201

HSL 154.21, 0.92%, 0.76%

LAB 90.7, -43.55, 13.52

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 15 / 0 / 6 / 1

HEX #D8FDED

RGB 216 253 237

HSL 154.05, 0.9%, 0.92%

LAB 96.4, -14.89, 3.67

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 30 / 23 / 0 / 1

HEX #B0C3FC

RGB 176 195 252

HSL 225, 0.93%, 0.84%

LAB 79.21, 6.26, -30.17

 

CMYK 0 / 26 / 30 / 1

HEX #FCBBB0

RGB 252 187 176

HSL 8.68, 0.93%, 0.84%

LAB 81.49, 21.97, 14.76

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 14 / 30 / 0 / 1

HEX #D9B0FC

RGB 217 176 252

HSL 272.37, 0.93%, 0.84%

LAB 77.77, 28.76, -32.1

 

CMYK 0 / 14 / 30 / 1

HEX #FCD9B0

RGB 252 217 176

HSL 32.37, 0.93%, 0.84%

LAB 88.66, 6.32, 24.71

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 30 / 23 / 0 / 1

HEX #B0C3FC

RGB 176 195 252

HSL 225, 0.93%, 0.84%

LAB 79.21, 6.26, -30.17

 

CMYK 0 / 30 / 17 / 1

HEX #FCB0D2

RGB 252 176 210

HSL 333.16, 0.93%, 0.84%

LAB 79.84, 32.55, -5.97

 

CMYK 0 / 8 / 30 / 1

HEX #FCE9B0

RGB 252 233 176

HSL 45, 0.93%, 0.84%

LAB 92.62, -1.85, 30.09

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 29 / 30 / 0 / 1

HEX #B4B0FC

RGB 180 176 252

HSL 243.16, 0.93%, 0.84%

LAB 74.69, 17.83, -37.13

 

CMYK 0 / 30 / 17 / 1

HEX #FCB0D2

RGB 252 176 210

HSL 333.16, 0.93%, 0.84%

LAB 79.84, 32.55, -5.97

 

CMYK 2 / 0 / 30 / 1

HEX #F8FCB0

RGB 248 252 176

HSL 63.16, 0.93%, 0.84%

LAB 97.11, -12.8, 36.05

 

Description

Color code: HEX #B0FCDB | qconv.com Color code: HEX #B0FCDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 252 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 252 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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