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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FF6B it is the complementary color #4F0094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0FF6B shade: #B5FF66, #C6FF79, #D7FF8C, #E8FF9F and #F9FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0FF6B shade: #B0FF6B, #9FED58, #8EDB45, #7DC932 and #6CB71F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0FF6B shade: #B0FF6B, #D7FF6B, #FFFE6B, #FFD66B and #FFAE6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0FF6B shade: #B0FF6B, #88FF6B, #6BFF75, #6BFF9D and #6BFFC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0FF6B shade matches the following richer shades: #B0FF6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0FF6B shade: #B0FF6B, #B0F377, #B1E783, #B2DB8E and #B3CF9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0FF6B shade: #FFFF6B, #D7FF6B, #B0FF6B, #88FF6B and #6BFF74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0FF6B shade: #83FF18, #9AFF41, #B0FF6B, #C6FF94 and #DCFFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0FF6B shade: #B0FF6B, #6BFFD7 and #FF6BEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0FF6B shade: #B0FF6B, #6BB0FF and #FF6BB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0FF6B shade: #B0FF6B, #6BFFD7, #B96BFF and #FF6B92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0FF6B shade: #B0FF6B, #6BFAFF, #B96BFF and #FF706B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

Complementary color

CMYK 47 / 100 / 0 / 42

HEX #4F0094

RGB 79 0 148

HSL 272.03, 1%, 0.29%

LAB 23, 56.1, -60.39

 

CMYK 29 / 0 / 60 / 0

HEX #B5FF66

RGB 181 255 102

HSL 89.02, 1%, 0.7%

LAB 92.71, -46.4, 64.24

 

CMYK 22 / 0 / 53 / 0

HEX #C6FF79

RGB 198 255 121

HSL 85.52, 1%, 0.74%

LAB 93.84, -38.67, 57.55

 

CMYK 16 / 0 / 45 / 0

HEX #D7FF8C

RGB 215 255 140

HSL 80.87, 1%, 0.77%

LAB 95.1, -30.56, 50.55

 

CMYK 9 / 0 / 38 / 0

HEX #E8FF9F

RGB 232 255 159

HSL 74.38, 1%, 0.81%

LAB 96.48, -22.2, 43.4

 

CMYK 2 / 0 / 30 / 0

HEX #F9FFB2

RGB 249 255 178

HSL 64.68, 1%, 0.85%

LAB 97.98, -13.66, 36.22

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 33 / 0 / 63 / 7

HEX #9FED58

RGB 159 237 88

HSL 91.41, 0.81%, 0.64%

LAB 86.33, -47.53, 62.66

 

CMYK 35 / 0 / 68 / 14

HEX #8EDB45

RGB 142 219 69

HSL 90.8, 0.68%, 0.56%

LAB 80.09, -47.27, 63.26

 

CMYK 38 / 0 / 75 / 21

HEX #7DC932

RGB 125 201 50

HSL 90.2, 0.6%, 0.49%

LAB 73.78, -46.86, 63.4

 

CMYK 41 / 0 / 83 / 28

HEX #6CB71F

RGB 108 183 31

HSL 89.61, 0.71%, 0.42%

LAB 67.39, -46.23, 62.77

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 16 / 0 / 58 / 0

HEX #D7FF6B

RGB 215 255 107

HSL 76.22, 1%, 0.71%

LAB 94.75, -33.63, 64.98

 

CMYK 0 / 0 / 58 / 0

HEX #FFFE6B

RGB 255 254 107

HSL 59.59, 1%, 0.71%

LAB 97.31, -17.63, 68.61

 

CMYK 0 / 16 / 58 / 0

HEX #FFD66B

RGB 255 214 107

HSL 43.38, 1%, 0.71%

LAB 87.2, 2.23, 57.25

 

CMYK 0 / 32 / 58 / 0

HEX #FFAE6B

RGB 255 174 107

HSL 27.16, 1%, 0.71%

LAB 77.63, 23, 45.98

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 47 / 0 / 58 / 0

HEX #88FF6B

RGB 136 255 107

HSL 108.24, 1%, 0.71%

LAB 90.7, -60.16, 59.29

 

CMYK 58 / 0 / 54 / 0

HEX #6BFF75

RGB 107 255 117

HSL 124.05, 1%, 0.71%

LAB 89.83, -66.35, 53.62

 

CMYK 58 / 0 / 38 / 0

HEX #6BFF9D

RGB 107 255 157

HSL 140.27, 1%, 0.71%

LAB 90.36, -60.52, 35.23

 

CMYK 58 / 0 / 23 / 0

HEX #6BFFC5

RGB 107 255 197

HSL 156.49, 1%, 0.71%

LAB 91.09, -52.91, 16

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 28 / 0 / 51 / 5

HEX #B0F377

RGB 176 243 119

HSL 92.42, 0.84%, 0.71%

LAB 89.23, -41.32, 52.68

 

CMYK 23 / 0 / 43 / 9

HEX #B1E783

RGB 177 231 131

HSL 92.4, 0.68%, 0.71%

LAB 86.08, -34.2, 43.09

 

CMYK 19 / 0 / 35 / 14

HEX #B2DB8E

RGB 178 219 142

HSL 91.95, 0.52%, 0.71%

LAB 82.96, -26.78, 33.59

 

CMYK 14 / 0 / 26 / 19

HEX #B3CF9A

RGB 179 207 154

HSL 91.7, 0.36%, 0.71%

LAB 79.92, -18.81, 23.32

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 16 / 0 / 58 / 0

HEX #D7FF6B

RGB 215 255 107

HSL 76.22, 1%, 0.71%

LAB 94.75, -33.63, 64.98

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 47 / 0 / 58 / 0

HEX #88FF6B

RGB 136 255 107

HSL 108.24, 1%, 0.71%

LAB 90.7, -60.16, 59.29

 

CMYK 58 / 0 / 55 / 0

HEX #6BFF74

RGB 107 255 116

HSL 123.65, 1%, 0.71%

LAB 89.82, -66.48, 54.05

 

CMYK 49 / 0 / 91 / 0

HEX #83FF18

RGB 131 255 24

HSL 92.21, 1%, 0.55%

LAB 90.05, -66.59, 83.79

 

CMYK 40 / 0 / 75 / 0

HEX #9AFF41

RGB 154 255 65

HSL 91.89, 1%, 0.63%

LAB 91.13, -58.03, 75.83

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF94

RGB 198 255 148

HSL 91.96, 1%, 0.79%

LAB 94.17, -35.72, 45.34

 

CMYK 14 / 0 / 26 / 0

HEX #DCFFBD

RGB 220 255 189

HSL 91.82, 1%, 0.87%

LAB 96.17, -22.55, 27.91

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 58 / 0 / 16 / 0

HEX #6BFFD7

RGB 107 255 215

HSL 163.78, 1%, 0.71%

LAB 91.48, -48.95, 7.29

 

CMYK 0 / 58 / 8 / 0

HEX #FF6BEB

RGB 255 107 235

HSL 308.11, 1%, 0.71%

LAB 67.85, 71.01, -37.86

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 58 / 31 / 0 / 0

HEX #6BB0FF

RGB 107 176 255

HSL 212.03, 1%, 0.71%

LAB 70.45, 0.92, -45.68

 

CMYK 0 / 58 / 31 / 0

HEX #FF6BB0

RGB 255 107 176

HSL 332.03, 1%, 0.71%

LAB 65.68, 62.91, -8.09

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 58 / 0 / 16 / 0

HEX #6BFFD7

RGB 107 255 215

HSL 163.78, 1%, 0.71%

LAB 91.48, -48.95, 7.29

 

CMYK 27 / 58 / 0 / 0

HEX #B96BFF

RGB 185 107 255

HSL 271.62, 1%, 0.71%

LAB 59.93, 57.47, -62.01

 

CMYK 0 / 58 / 43 / 0

HEX #FF6B92

RGB 255 107 146

HSL 344.19, 1%, 0.71%

LAB 64.84, 59.65, 7.81

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 58 / 2 / 0 / 0

HEX #6BFAFF

RGB 107 250 255

HSL 182.03, 1%, 0.71%

LAB 91.11, -36.84, -14.01

 

CMYK 27 / 58 / 0 / 0

HEX #B96BFF

RGB 185 107 255

HSL 271.62, 1%, 0.71%

LAB 59.93, 57.47, -62.01

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

Description

Color code: HEX #B0FF6B | qconv.com Color code: HEX #B0FF6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 255 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 255 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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