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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B11098 it is the complementary color #4EEF67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B11098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B11098 shade: #B61093, #C722A6, #D834B9, #E946CC and #FA58DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B11098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B11098 shade: #B11098, #A00085, #8F0072, #7E005F and #6D004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B11098 shade: #B11098, #B1106C, #B11041, #B11016 and #B11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B11098 shade: #B11098, #9E10B1, #7310B1, #4810B1 and #1C10B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B11098 shade matches the following richer shades: #B11098 and #C100A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B11098 shade: #B11098, #A1208D, #912F82, #823F77 and #724F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B11098 shade: #7310B1, #9E10B1, #B11099, #B1106E and #B11043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B11098 shade: #650957, #8B0C77, #B11098, #D713B8 and #EB29CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B11098 shade: #B11098, #B14810 and #10B189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B11098 shade: #B11098, #99B110 and #1099B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B11098 shade: #B11098, #B14810, #10B128 and #1079B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B11098 shade: #B11098, #B17910, #10B128 and #1048B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

Complementary color

CMYK 67 / 0 / 57 / 6

HEX #4EEF67

RGB 78 239 103

HSL 129.32, 0.83%, 0.62%

LAB 84.14, -68.34, 52.98

 

CMYK 0 / 91 / 19 / 29

HEX #B61093

RGB 182 16 147

HSL 312.65, 0.84%, 0.39%

LAB 41.88, 69.78, -28.44

 

CMYK 0 / 83 / 17 / 22

HEX #C722A6

RGB 199 34 166

HSL 312, 0.71%, 0.46%

LAB 47.03, 72.54, -31.57

 

CMYK 0 / 76 / 14 / 15

HEX #D834B9

RGB 216 52 185

HSL 311.34, 0.68%, 0.53%

LAB 52.46, 74.23, -34.02

 

CMYK 0 / 70 / 12 / 9

HEX #E946CC

RGB 233 70 204

HSL 310.67, 0.79%, 0.59%

LAB 58.1, 75.14, -35.94

 

CMYK 0 / 65 / 11 / 2

HEX #FA58DF

RGB 250 88 223

HSL 310, 0.94%, 0.66%

LAB 63.86, 75.52, -37.47

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 100 / 17 / 37

HEX #A00085

RGB 160 0 133

HSL 310.13, 1%, 0.31%

LAB 36.3, 65.52, -28.88

 

CMYK 0 / 100 / 20 / 44

HEX #8F0072

RGB 143 0 114

HSL 312.17, 1%, 0.28%

LAB 31.93, 59.74, -24.04

 

CMYK 0 / 100 / 25 / 51

HEX #7E005F

RGB 126 0 95

HSL 314.76, 1%, 0.25%

LAB 27.47, 53.84, -18.99

 

CMYK 0 / 100 / 30 / 57

HEX #6D004C

RGB 109 0 76

HSL 318.17, 1%, 0.21%

LAB 22.91, 47.81, -13.66

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 91 / 39 / 31

HEX #B1106C

RGB 177 16 108

HSL 325.71, 0.83%, 0.38%

LAB 39.24, 64.27, -8.42

 

CMYK 0 / 91 / 63 / 31

HEX #B11041

RGB 177 16 65

HSL 341.74, 0.83%, 0.38%

LAB 38.02, 60.89, 17.31

 

CMYK 0 / 91 / 88 / 31

HEX #B11016

RGB 177 16 22

HSL 357.76, 0.83%, 0.38%

LAB 37.44, 59.23, 42.41

 

CMYK 0 / 91 / 91 / 31

HEX #B11010

RGB 177 16 16

HSL 0, 0.83%, 0.38%

LAB 37.4, 59.13, 45.18

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 11 / 91 / 0 / 31

HEX #9E10B1

RGB 158 16 177

HSL 292.92, 0.83%, 0.38%

LAB 39.27, 69.81, -50.89

 

CMYK 35 / 91 / 0 / 31

HEX #7310B1

RGB 115 16 177

HSL 276.89, 0.83%, 0.38%

LAB 32.24, 63.44, -62.63

 

CMYK 59 / 91 / 0 / 31

HEX #4810B1

RGB 72 16 177

HSL 260.87, 0.83%, 0.38%

LAB 26.51, 58.88, -72.26

 

CMYK 84 / 91 / 0 / 31

HEX #1C10B1

RGB 28 16 177

HSL 244.47, 0.83%, 0.38%

LAB 22.97, 56.49, -78.25

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 100 / 16 / 24

HEX #C100A3

RGB 193 0 163

HSL 309.33, 1%, 0.38%

LAB 44.21, 75.55, -34.29

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 80 / 12 / 37

HEX #A1208D

RGB 161 32 141

HSL 309.3, 0.67%, 0.38%

LAB 38.78, 61.37, -29.91

 

CMYK 0 / 68 / 10 / 43

HEX #912F82

RGB 145 47 130

HSL 309.18, 0.51%, 0.38%

LAB 37.23, 50.72, -25.76

 

CMYK 0 / 52 / 8 / 49

HEX #823F77

RGB 130 63 119

HSL 309.85, 0.35%, 0.38%

LAB 37.18, 36.81, -19.21

 

CMYK 0 / 31 / 4 / 55

HEX #724F6D

RGB 114 79 109

HSL 308.57, 0.18%, 0.38%

LAB 38.33, 20.06, -11.41

 

CMYK 35 / 91 / 0 / 31

HEX #7310B1

RGB 115 16 177

HSL 276.89, 0.83%, 0.38%

LAB 32.24, 63.44, -62.63

 

CMYK 11 / 91 / 0 / 31

HEX #9E10B1

RGB 158 16 177

HSL 292.92, 0.83%, 0.38%

LAB 39.27, 69.81, -50.89

 

CMYK 0 / 91 / 14 / 31

HEX #B11099

RGB 177 16 153

HSL 308.94, 0.83%, 0.38%

LAB 41.24, 69.58, -33.14

 

CMYK 0 / 91 / 38 / 31

HEX #B1106E

RGB 177 16 110

HSL 324.97, 0.83%, 0.38%

LAB 39.32, 64.47, -9.57

 

CMYK 0 / 91 / 62 / 31

HEX #B11043

RGB 177 16 67

HSL 340.99, 0.83%, 0.38%

LAB 38.06, 61.01, 16.08

 

CMYK 0 / 91 / 14 / 60

HEX #650957

RGB 101 9 87

HSL 309.13, 0.84%, 0.22%

LAB 22.48, 45.55, -21.87

 

CMYK 0 / 91 / 14 / 45

HEX #8B0C77

RGB 139 12 119

HSL 309.45, 0.84%, 0.3%

LAB 32, 57.86, -27.17

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 91 / 14 / 16

HEX #D713B8

RGB 215 19 184

HSL 309.49, 0.84%, 0.46%

LAB 49.95, 80.53, -37.4

 

CMYK 0 / 83 / 13 / 8

HEX #EB29CD

RGB 235 41 205

HSL 309.28, 0.83%, 0.54%

LAB 55.74, 83.54, -40.18

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 59 / 91 / 31

HEX #B14810

RGB 177 72 16

HSL 20.87, 0.83%, 0.38%

LAB 44.26, 40.32, 50.15

 

CMYK 91 / 0 / 23 / 31

HEX #10B189

RGB 16 177 137

HSL 165.09, 0.83%, 0.38%

LAB 64.45, -47.16, 9.99

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 14 / 0 / 91 / 31

HEX #99B110

RGB 153 177 16

HSL 68.94, 0.83%, 0.38%

LAB 68.21, -26.54, 67.63

 

CMYK 91 / 14 / 0 / 31

HEX #1099B1

RGB 16 153 177

HSL 188.94, 0.83%, 0.38%

LAB 58.1, -24.3, -21.87

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 59 / 91 / 31

HEX #B14810

RGB 177 72 16

HSL 20.87, 0.83%, 0.38%

LAB 44.26, 40.32, 50.15

 

CMYK 91 / 0 / 77 / 31

HEX #10B128

RGB 16 177 40

HSL 128.94, 0.83%, 0.38%

LAB 63.1, -63.05, 55.25

 

CMYK 91 / 32 / 0 / 31

HEX #1079B1

RGB 16 121 177

HSL 200.87, 0.83%, 0.38%

LAB 48.21, -6.64, -37.25

 

CMYK 0 / 91 / 14 / 31

HEX #B11098

RGB 177 16 152

HSL 309.32, 0.83%, 0.38%

LAB 41.19, 69.44, -32.62

 

CMYK 0 / 32 / 91 / 31

HEX #B17910

RGB 177 121 16

HSL 39.13, 0.83%, 0.38%

LAB 55.13, 14.02, 58.33

 

CMYK 91 / 0 / 77 / 31

HEX #10B128

RGB 16 177 40

HSL 128.94, 0.83%, 0.38%

LAB 63.1, -63.05, 55.25

 

CMYK 91 / 59 / 0 / 31

HEX #1048B1

RGB 16 72 177

HSL 219.13, 0.83%, 0.38%

LAB 33.81, 24.94, -60.36

 

Description

Color code: HEX #B11098 | qconv.com Color code: HEX #B11098 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 16 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 16 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 14% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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