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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B11A8E it is the complementary color #4EE571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B11A8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B11A8E shade: #B61A89, #C72C9C, #D83EAF, #E950C2 and #FA62D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B11A8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B11A8E shade: #B11A8E, #A0087B, #8F0068, #7E0055 and #6D0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B11A8E shade: #B11A8E, #B11A65, #B11A3D and #B11A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B11A8E shade: #B11A8E, #AB1AB1, #831AB1, #5A1AB1 and #311AB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B11A8E shade matches the following richer shades: #B11A8E and #C10A97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B11A8E shade: #B11A8E, #A02B85, #903B7C, #7F4C73 and #6F5C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B11A8E shade: #811AB1, #A91AB1, #B11A90, #B11A68 and #B11A40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B11A8E shade: #690F54, #8D1571, #B11A8E, #D51FAB and #E13CBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B11A8E shade: #B11A8E, #B1591A and #1AB195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B11A8E shade: #B11A8E, #90B11A and #1A90B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B11A8E shade: #B11A8E, #B1591A, #1AB13B and #1A72B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B11A8E shade: #B11A8E, #B1861A, #1AB13B and #1A45B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

Complementary color

CMYK 66 / 0 / 51 / 10

HEX #4EE571

RGB 78 229 113

HSL 133.91, 0.74%, 0.6%

LAB 81.21, -63.58, 44.84

 

CMYK 0 / 86 / 25 / 29

HEX #B61A89

RGB 182 26 137

HSL 317.31, 0.75%, 0.41%

LAB 41.98, 66.87, -22.17

 

CMYK 0 / 78 / 22 / 22

HEX #C72C9C

RGB 199 44 156

HSL 316.65, 0.64%, 0.48%

LAB 47.42, 68.77, -25

 

CMYK 0 / 71 / 19 / 15

HEX #D83EAF

RGB 216 62 175

HSL 315.97, 0.66%, 0.55%

LAB 53.1, 69.78, -27.19

 

CMYK 0 / 66 / 17 / 9

HEX #E950C2

RGB 233 80 194

HSL 315.29, 0.78%, 0.61%

LAB 58.93, 70.17, -28.92

 

CMYK 0 / 61 / 15 / 2

HEX #FA62D5

RGB 250 98 213

HSL 314.61, 0.94%, 0.68%

LAB 64.85, 70.16, -30.32

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 95 / 23 / 37

HEX #A0087B

RGB 160 8 123

HSL 314.61, 0.9%, 0.33%

LAB 36.13, 63.27, -22.92

 

CMYK 0 / 100 / 27 / 44

HEX #8F0068

RGB 143 0 104

HSL 316.36, 1%, 0.28%

LAB 31.44, 58.49, -18.4

 

CMYK 0 / 100 / 33 / 51

HEX #7E0055

RGB 126 0 85

HSL 319.52, 1%, 0.25%

LAB 26.99, 52.63, -13.11

 

CMYK 0 / 100 / 39 / 57

HEX #6D0042

RGB 109 0 66

HSL 323.67, 1%, 0.21%

LAB 22.46, 46.66, -7.5

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 85 / 43 / 31

HEX #B11A65

RGB 177 26 101

HSL 330.2, 0.74%, 0.4%

LAB 39.62, 61.79, -3.43

 

CMYK 0 / 85 / 66 / 31

HEX #B11A3D

RGB 177 26 61

HSL 346.09, 0.74%, 0.4%

LAB 38.59, 58.8, 20.61

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 3 / 85 / 0 / 31

HEX #AB1AB1

RGB 171 26 177

HSL 297.62, 0.74%, 0.4%

LAB 42.11, 70.31, -46.2

 

CMYK 26 / 85 / 0 / 31

HEX #831AB1

RGB 131 26 177

HSL 281.72, 0.74%, 0.4%

LAB 35.48, 63.46, -57.24

 

CMYK 49 / 85 / 0 / 31

HEX #5A1AB1

RGB 90 26 177

HSL 265.43, 0.74%, 0.4%

LAB 29.63, 57.73, -67.04

 

CMYK 72 / 85 / 0 / 31

HEX #311AB1

RGB 49 26 177

HSL 249.14, 0.74%, 0.4%

LAB 25.46, 53.91, -74.07

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 95 / 22 / 24

HEX #C10A97

RGB 193 10 151

HSL 313.77, 0.9%, 0.4%

LAB 43.93, 73.13, -27.51

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 73 / 17 / 37

HEX #A02B85

RGB 160 43 133

HSL 313.85, 0.58%, 0.4%

LAB 39.4, 56.57, -24.04

 

CMYK 0 / 59 / 14 / 44

HEX #903B7C

RGB 144 59 124

HSL 314.12, 0.42%, 0.4%

LAB 38.75, 44.09, -19.71

 

CMYK 0 / 40 / 9 / 50

HEX #7F4C73

RGB 127 76 115

HSL 314.12, 0.25%, 0.4%

LAB 39.44, 27.76, -13.29

 

CMYK 0 / 17 / 4 / 56

HEX #6F5C6B

RGB 111 92 107

HSL 312.63, 0.09%, 0.4%

LAB 41.37, 10.58, -5.65

 

CMYK 27 / 85 / 0 / 31

HEX #811AB1

RGB 129 26 177

HSL 280.93, 0.74%, 0.4%

LAB 35.16, 63.15, -57.76

 

CMYK 5 / 85 / 0 / 31

HEX #A91AB1

RGB 169 26 177

HSL 296.82, 0.74%, 0.4%

LAB 41.76, 69.95, -46.77

 

CMYK 0 / 85 / 19 / 31

HEX #B11A90

RGB 177 26 144

HSL 313.11, 0.74%, 0.4%

LAB 41.37, 66.67, -27.47

 

CMYK 0 / 85 / 41 / 31

HEX #B11A68

RGB 177 26 104

HSL 329.01, 0.74%, 0.4%

LAB 39.72, 62.08, -5.18

 

CMYK 0 / 85 / 64 / 31

HEX #B11A40

RGB 177 26 64

HSL 344.9, 0.74%, 0.4%

LAB 38.65, 58.97, 18.78

 

CMYK 0 / 86 / 20 / 59

HEX #690F54

RGB 105 15 84

HSL 314, 0.75%, 0.24%

LAB 23.62, 44.59, -18.01

 

CMYK 0 / 85 / 20 / 45

HEX #8D1571

RGB 141 21 113

HSL 314, 0.74%, 0.32%

LAB 32.68, 55.68, -22.26

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 85 / 20 / 16

HEX #D51FAB

RGB 213 31 171

HSL 313.85, 0.75%, 0.48%

LAB 49.58, 76.68, -30.36

 

CMYK 0 / 73 / 17 / 12

HEX #E13CBB

RGB 225 60 187

HSL 313.82, 0.73%, 0.56%

LAB 54.89, 74.16, -31.27

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 50 / 85 / 31

HEX #B1591A

RGB 177 89 26

HSL 25.03, 0.74%, 0.4%

LAB 47.71, 31.88, 49.29

 

CMYK 85 / 0 / 16 / 31

HEX #1AB195

RGB 26 177 149

HSL 168.87, 0.74%, 0.4%

LAB 64.83, -43.41, 3.91

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 19 / 0 / 85 / 31

HEX #90B11A

RGB 144 177 26

HSL 73.11, 0.74%, 0.4%

LAB 67.61, -30.06, 64.96

 

CMYK 85 / 19 / 0 / 31

HEX #1A90B1

RGB 26 144 177

HSL 193.11, 0.74%, 0.4%

LAB 55.42, -18.95, -25.98

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 50 / 85 / 31

HEX #B1591A

RGB 177 89 26

HSL 25.03, 0.74%, 0.4%

LAB 47.71, 31.88, 49.29

 

CMYK 85 / 0 / 67 / 31

HEX #1AB13B

RGB 26 177 59

HSL 133.11, 0.74%, 0.4%

LAB 63.33, -60.56, 48.32

 

CMYK 85 / 36 / 0 / 31

HEX #1A72B1

RGB 26 114 177

HSL 205.03, 0.74%, 0.4%

LAB 46.22, -1.75, -40.39

 

CMYK 0 / 85 / 20 / 31

HEX #B11A8E

RGB 177 26 142

HSL 313.91, 0.74%, 0.4%

LAB 41.28, 66.41, -26.4

 

CMYK 0 / 24 / 85 / 31

HEX #B1861A

RGB 177 134 26

HSL 42.91, 0.74%, 0.4%

LAB 58.48, 7, 58.4

 

CMYK 85 / 0 / 67 / 31

HEX #1AB13B

RGB 26 177 59

HSL 133.11, 0.74%, 0.4%

LAB 63.33, -60.56, 48.32

 

CMYK 85 / 61 / 0 / 31

HEX #1A45B1

RGB 26 69 177

HSL 222.91, 0.74%, 0.4%

LAB 33.24, 27.58, -61.28

 

Description

Color code: HEX #B11A8E | qconv.com Color code: HEX #B11A8E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 26 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 26 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 20 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 20% 31% C M Y K

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Provide designers and agencies with accurate color values.

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