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Color name
HEX #B11E52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B11E52 it is the complementary color #4EE1AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B11E52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B11E52 shade: #B61E4D, #C73060, #D84273, #E95486 and #FA6699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B11E52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B11E52 shade: #B11E52, #A00C3F, #8F002C, #7E0019 and #6D0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B11E52 shade: #B21E52, #B21E2A and #B21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B11E52 shade: #B21E52, #B21E7A, #B21EA2, #9A1EB2 and #721EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B11E52 shade matches the following richer shades: #B21E52 and #C30D4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B11E52 shade: #B21E52, #A12F57, #90405C, #805161 and #6F6166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B11E52 shade: #B21EA3, #B21E7C, #B21E54, #B21E2D and #B2371E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B11E52 shade: #6C1232, #8F1842, #B21E52, #D62463 and #DF447B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B11E52 shade: #B11E52, #B29A1E and #1E90B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B11E52 shade: #B11E52, #54B21E and #1E54B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B11E52 shade: #B11E52, #B29A1E, #1EB27C and #1E37B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B11E52 shade: #B11E52, #9EB21E, #1EB27C and #321EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 54 / 31

HEX #B11E52

RGB 177 30 82

HSL 338.78, 0.71%, 0.41%

LAB 39.39, 59.25, 8.3

 

Complementary color

CMYK 65 / 0 / 23 / 12

HEX #4EE1AD

RGB 78 225 173

HSL 158.78, 0.71%, 0.59%

LAB 81.01, -51.06, 14.16

 

CMYK 0 / 84 / 58 / 29

HEX #B61E4D

RGB 182 30 77

HSL 341.45, 0.72%, 0.42%

LAB 40.26, 60.22, 12.85

 

CMYK 0 / 76 / 52 / 22

HEX #C73060

RGB 199 48 96

HSL 340.93, 0.61%, 0.48%

LAB 45.77, 61.29, 9.11

 

CMYK 0 / 69 / 47 / 15

HEX #D84273

RGB 216 66 115

HSL 340.4, 0.66%, 0.55%

LAB 51.53, 61.61, 6.13

 

CMYK 0 / 64 / 42 / 9

HEX #E95486

RGB 233 84 134

HSL 339.87, 0.77%, 0.62%

LAB 57.45, 61.44, 3.7

 

CMYK 0 / 59 / 39 / 2

HEX #FA6699

RGB 250 102 153

HSL 339.32, 0.94%, 0.69%

LAB 63.45, 60.98, 1.68

 

CMYK 0 / 83 / 54 / 31

HEX #B11E52

RGB 177 30 82

HSL 338.78, 0.71%, 0.41%

LAB 39.39, 59.25, 8.3

 

CMYK 0 / 93 / 61 / 37

HEX #A00C3F

RGB 160 12 63

HSL 339.32, 0.86%, 0.34%

LAB 34.18, 57.03, 12.83

 

CMYK 0 / 100 / 69 / 44

HEX #8F002C

RGB 143 0 44

HSL 341.54, 1%, 0.28%

LAB 29.47, 53.33, 18.5

 

CMYK 0 / 100 / 80 / 51

HEX #7E0019

RGB 126 0 25

HSL 348.1, 1%, 0.25%

LAB 25.28, 48.1, 25.15

 

CMYK 0 / 100 / 94 / 57

HEX #6D0006

RGB 109 0 6

HSL 356.7, 1%, 0.21%

LAB 21.07, 42.98, 29.64

 

CMYK 0 / 83 / 54 / 30

HEX #B21E52

RGB 178 30 82

HSL 338.92, 0.71%, 0.41%

LAB 39.59, 59.52, 8.61

 

CMYK 0 / 83 / 76 / 30

HEX #B21E2A

RGB 178 30 42

HSL 355.14, 0.71%, 0.41%

LAB 38.83, 57.25, 32.72

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 83 / 54 / 30

HEX #B21E52

RGB 178 30 82

HSL 338.92, 0.71%, 0.41%

LAB 39.59, 59.52, 8.61

 

CMYK 0 / 83 / 31 / 30

HEX #B21E7A

RGB 178 30 122

HSL 322.7, 0.71%, 0.41%

LAB 40.89, 63.32, -14.66

 

CMYK 0 / 83 / 9 / 30

HEX #B21EA2

RGB 178 30 162

HSL 306.49, 0.71%, 0.41%

LAB 42.77, 68.53, -36.15

 

CMYK 13 / 83 / 0 / 30

HEX #9A1EB2

RGB 154 30 178

HSL 290.27, 0.71%, 0.41%

LAB 39.6, 66.52, -50.98

 

CMYK 36 / 83 / 0 / 30

HEX #721EB2

RGB 114 30 178

HSL 274.05, 0.71%, 0.41%

LAB 33.39, 59.91, -61.34

 

CMYK 0 / 83 / 54 / 30

HEX #B21E52

RGB 178 30 82

HSL 338.92, 0.71%, 0.41%

LAB 39.59, 59.52, 8.61

 

CMYK 0 / 93 / 61 / 24

HEX #C30D4D

RGB 195 13 77

HSL 338.9, 0.88%, 0.41%

LAB 41.88, 66.48, 15.5

 

CMYK 0 / 83 / 54 / 30

HEX #B21E52

RGB 178 30 82

HSL 338.92, 0.71%, 0.41%

LAB 39.59, 59.52, 8.61

 

CMYK 0 / 71 / 46 / 37

HEX #A12F57

RGB 161 47 87

HSL 338.95, 0.55%, 0.41%

LAB 38.37, 49.73, 3.25

 

CMYK 0 / 56 / 36 / 44

HEX #90405C

RGB 144 64 92

HSL 339, 0.38%, 0.41%

LAB 38.5, 36.9, -0.09

 

CMYK 0 / 37 / 24 / 50

HEX #805161

RGB 128 81 97

HSL 339.57, 0.22%, 0.41%

LAB 40.14, 22.08, -1.07

 

CMYK 0 / 13 / 8 / 56

HEX #6F6166

RGB 111 97 102

HSL 338.57, 0.07%, 0.41%

LAB 42.59, 6.55, -0.78

 

CMYK 0 / 83 / 8 / 30

HEX #B21EA3

RGB 178 30 163

HSL 306.08, 0.71%, 0.41%

LAB 42.82, 68.67, -36.66

 

CMYK 0 / 83 / 30 / 30

HEX #B21E7C

RGB 178 30 124

HSL 321.89, 0.71%, 0.41%

LAB 40.97, 63.55, -15.78

 

CMYK 0 / 83 / 53 / 30

HEX #B21E54

RGB 178 30 84

HSL 338.11, 0.71%, 0.41%

LAB 39.64, 59.67, 7.41

 

CMYK 0 / 83 / 75 / 30

HEX #B21E2D

RGB 178 30 45

HSL 353.92, 0.71%, 0.41%

LAB 38.87, 57.37, 30.96

 

CMYK 0 / 69 / 83 / 30

HEX #B2371E

RGB 178 55 30

HSL 10.14, 0.71%, 0.41%

LAB 41.68, 48.6, 42.23

 

CMYK 0 / 83 / 54 / 58

HEX #6C1232

RGB 108 18 50

HSL 338.67, 0.71%, 0.25%

LAB 23.17, 40.5, 4.6

 

CMYK 0 / 83 / 54 / 44

HEX #8F1842

RGB 143 24 66

HSL 338.82, 0.71%, 0.33%

LAB 31.55, 50.26, 6.65

 

CMYK 0 / 83 / 54 / 30

HEX #B21E52

RGB 178 30 82

HSL 338.92, 0.71%, 0.41%

LAB 39.59, 59.52, 8.61

 

CMYK 0 / 83 / 54 / 16

HEX #D62463

RGB 214 36 99

HSL 338.76, 0.71%, 0.49%

LAB 47.57, 68.73, 10.2

 

CMYK 0 / 70 / 45 / 13

HEX #DF447B

RGB 223 68 123

HSL 338.71, 0.71%, 0.57%

LAB 53.22, 63.63, 3.91

 

CMYK 0 / 83 / 54 / 31

HEX #B11E52

RGB 177 30 82

HSL 338.78, 0.71%, 0.41%

LAB 39.39, 59.25, 8.3

 

CMYK 0 / 13 / 83 / 30

HEX #B29A1E

RGB 178 154 30

HSL 50.27, 0.71%, 0.41%

LAB 63.89, -3.37, 61.87

 

CMYK 83 / 19 / 0 / 30

HEX #1E90B2

RGB 30 144 178

HSL 193.78, 0.71%, 0.41%

LAB 55.52, -18.28, -26.4

 

CMYK 0 / 83 / 54 / 31

HEX #B11E52

RGB 177 30 82

HSL 338.78, 0.71%, 0.41%

LAB 39.39, 59.25, 8.3

 

CMYK 53 / 0 / 83 / 30

HEX #54B21E

RGB 84 178 30

HSL 98.11, 0.71%, 0.41%

LAB 64.82, -51.9, 60.34

 

CMYK 83 / 53 / 0 / 30

HEX #1E54B2

RGB 30 84 178

HSL 218.11, 0.71%, 0.41%

LAB 37.54, 18.25, -54.88

 

CMYK 0 / 83 / 54 / 31

HEX #B11E52

RGB 177 30 82

HSL 338.78, 0.71%, 0.41%

LAB 39.39, 59.25, 8.3

 

CMYK 0 / 13 / 83 / 30

HEX #B29A1E

RGB 178 154 30

HSL 50.27, 0.71%, 0.41%

LAB 63.89, -3.37, 61.87

 

CMYK 83 / 0 / 30 / 30

HEX #1EB27C

RGB 30 178 124

HSL 158.11, 0.71%, 0.41%

LAB 64.62, -49.65, 17.37

 

CMYK 83 / 69 / 0 / 30

HEX #1E37B2

RGB 30 55 178

HSL 229.86, 0.71%, 0.41%

LAB 29.97, 37.41, -67.25

 

CMYK 0 / 83 / 54 / 31

HEX #B11E52

RGB 177 30 82

HSL 338.78, 0.71%, 0.41%

LAB 39.39, 59.25, 8.3

 

CMYK 11 / 0 / 83 / 30

HEX #9EB21E

RGB 158 178 30

HSL 68.11, 0.71%, 0.41%

LAB 68.9, -24.55, 65.5

 

CMYK 83 / 0 / 30 / 30

HEX #1EB27C

RGB 30 178 124

HSL 158.11, 0.71%, 0.41%

LAB 64.62, -49.65, 17.37

 

CMYK 72 / 83 / 0 / 30

HEX #321EB2

RGB 50 30 178

HSL 248.11, 0.71%, 0.41%

LAB 26.22, 52.61, -73.41

 

Description

Color code: HEX #B11E52 | qconv.com Color code: HEX #B11E52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 30 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 30 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 54% 31% C M Y K

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