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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B12457 it is the complementary color #4EDBA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B12457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B12457 shade: #B62452, #C73665, #D84878, #E95A8B and #FA6C9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B12457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B12457 shade: #B12457, #A01244, #8F0031, #7E001E and #6D000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B12457 shade: #B12457, #B12431 and #B12424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B12457 shade: #B12457, #B1247D, #B124A3, #9924B1 and #7324B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B12457 shade matches the following richer shades: #B12457, #C31352 and #D4014D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B12457 shade: #B12457, #A0355C, #8F4761, #7D5865 and #6C696A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B12457 shade: #B124A3, #B1247D, #B12458, #B12432 and #B13B24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B12457 shade: #6D1635, #8F1D46, #B12457, #D32B68 and #DA4D80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B12457 shade: #B12457, #B19A24 and #2490B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B12457 shade: #B12457, #58B124 and #2458B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B12457 shade: #B12457, #B19A24, #24B17D and #243BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B12457 shade: #B12457, #9EB124, #24B17D and #3724B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

Complementary color

CMYK 64 / 0 / 23 / 14

HEX #4EDBA8

RGB 78 219 168

HSL 158.3, 0.66%, 0.58%

LAB 79.1, -49.71, 14.11

 

CMYK 0 / 80 / 55 / 29

HEX #B62452

RGB 182 36 82

HSL 341.1, 0.67%, 0.43%

LAB 40.92, 59.04, 10.59

 

CMYK 0 / 73 / 49 / 22

HEX #C73665

RGB 199 54 101

HSL 340.55, 0.57%, 0.5%

LAB 46.61, 59.73, 7.21

 

CMYK 0 / 67 / 44 / 15

HEX #D84878

RGB 216 72 120

HSL 340, 0.65%, 0.56%

LAB 52.5, 59.78, 4.5

 

CMYK 0 / 61 / 40 / 9

HEX #E95A8B

RGB 233 90 139

HSL 339.44, 0.76%, 0.63%

LAB 58.51, 59.44, 2.3

 

CMYK 0 / 57 / 37 / 2

HEX #FA6C9E

RGB 250 108 158

HSL 338.87, 0.93%, 0.7%

LAB 64.58, 58.87, 0.46

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 89 / 58 / 37

HEX #A01244

RGB 160 18 68

HSL 338.87, 0.8%, 0.35%

LAB 34.65, 56.36, 10.19

 

CMYK 0 / 100 / 66 / 44

HEX #8F0031

RGB 143 0 49

HSL 339.44, 1%, 0.28%

LAB 29.57, 53.6, 15.28

 

CMYK 0 / 100 / 76 / 51

HEX #7E001E

RGB 126 0 30

HSL 345.71, 1%, 0.25%

LAB 25.35, 48.29, 21.93

 

CMYK 0 / 100 / 90 / 57

HEX #6D000B

RGB 109 0 11

HSL 353.94, 1%, 0.21%

LAB 21.11, 43.09, 27.63

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 80 / 72 / 31

HEX #B12431

RGB 177 36 49

HSL 354.47, 0.66%, 0.42%

LAB 39.29, 55.63, 28.97

 

CMYK 0 / 80 / 80 / 31

HEX #B12424

RGB 177 36 36

HSL 0, 0.66%, 0.42%

LAB 39.13, 55.13, 36.48

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 80 / 29 / 31

HEX #B1247D

RGB 177 36 125

HSL 322.13, 0.66%, 0.42%

LAB 41.36, 61.91, -15.83

 

CMYK 0 / 80 / 8 / 31

HEX #B124A3

RGB 177 36 163

HSL 305.96, 0.66%, 0.42%

LAB 43.14, 67.02, -36.16

 

CMYK 14 / 80 / 0 / 31

HEX #9924B1

RGB 153 36 177

HSL 289.79, 0.66%, 0.42%

LAB 39.93, 64.54, -49.87

 

CMYK 35 / 80 / 0 / 31

HEX #7324B1

RGB 115 36 177

HSL 273.62, 0.66%, 0.42%

LAB 34.15, 57.81, -59.5

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 90 / 58 / 24

HEX #C31352

RGB 195 19 82

HSL 338.52, 0.82%, 0.42%

LAB 42.27, 66, 12.86

 

CMYK 0 / 100 / 64 / 17

HEX #D4014D

RGB 212 1 77

HSL 338.39, 0.99%, 0.42%

LAB 45.02, 71.66, 20.31

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 67 / 43 / 37

HEX #A0355C

RGB 160 53 92

HSL 338.13, 0.5%, 0.42%

LAB 39.23, 47.48, 1.3

 

CMYK 0 / 50 / 32 / 44

HEX #8F4761

RGB 143 71 97

HSL 338.33, 0.34%, 0.42%

LAB 39.93, 33.49, -1.14

 

CMYK 0 / 30 / 19 / 51

HEX #7D5865

RGB 125 88 101

HSL 338.92, 0.17%, 0.42%

LAB 41.66, 17.39, -1.37

 

CMYK 0 / 3 / 2 / 58

HEX #6C696A

RGB 108 105 106

HSL 340, 0.01%, 0.42%

LAB 44.71, 1.37, -0.15

 

CMYK 0 / 80 / 8 / 31

HEX #B124A3

RGB 177 36 163

HSL 305.96, 0.66%, 0.42%

LAB 43.14, 67.02, -36.16

 

CMYK 0 / 80 / 29 / 31

HEX #B1247D

RGB 177 36 125

HSL 322.13, 0.66%, 0.42%

LAB 41.36, 61.91, -15.83

 

CMYK 0 / 80 / 50 / 31

HEX #B12458

RGB 177 36 88

HSL 337.87, 0.66%, 0.42%

LAB 40.1, 58.14, 5.5

 

CMYK 0 / 80 / 72 / 31

HEX #B12432

RGB 177 36 50

HSL 354.04, 0.66%, 0.42%

LAB 39.31, 55.68, 28.38

 

CMYK 0 / 67 / 80 / 31

HEX #B13B24

RGB 177 59 36

HSL 9.79, 0.66%, 0.42%

LAB 42.16, 46.78, 39.55

 

CMYK 0 / 80 / 51 / 57

HEX #6D1635

RGB 109 22 53

HSL 338.62, 0.66%, 0.26%

LAB 23.94, 39.76, 3.65

 

CMYK 0 / 80 / 51 / 44

HEX #8F1D46

RGB 143 29 70

HSL 338.42, 0.66%, 0.34%

LAB 32.17, 49.14, 4.89

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 80 / 51 / 17

HEX #D32B68

RGB 211 43 104

HSL 338.21, 0.66%, 0.5%

LAB 47.72, 66.63, 7.26

 

CMYK 0 / 65 / 41 / 15

HEX #DA4D80

RGB 218 77 128

HSL 338.3, 0.66%, 0.58%

LAB 53.78, 59.16, 1.63

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 13 / 80 / 31

HEX #B19A24

RGB 177 154 36

HSL 50.21, 0.66%, 0.42%

LAB 63.82, -3.62, 59.96

 

CMYK 80 / 19 / 0 / 31

HEX #2490B1

RGB 36 144 177

HSL 194.04, 0.66%, 0.42%

LAB 55.58, -18.05, -25.73

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 50 / 0 / 80 / 31

HEX #58B124

RGB 88 177 36

HSL 97.87, 0.66%, 0.42%

LAB 64.68, -50.05, 58.58

 

CMYK 80 / 50 / 0 / 31

HEX #2458B1

RGB 36 88 177

HSL 217.87, 0.66%, 0.42%

LAB 38.78, 15.79, -52.28

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 0 / 13 / 80 / 31

HEX #B19A24

RGB 177 154 36

HSL 50.21, 0.66%, 0.42%

LAB 63.82, -3.62, 59.96

 

CMYK 80 / 0 / 29 / 31

HEX #24B17D

RGB 36 177 125

HSL 157.87, 0.66%, 0.42%

LAB 64.4, -48.42, 16.54

 

CMYK 80 / 67 / 0 / 31

HEX #243BB1

RGB 36 59 177

HSL 230.21, 0.66%, 0.42%

LAB 31.06, 34.97, -64.85

 

CMYK 0 / 80 / 51 / 31

HEX #B12457

RGB 177 36 87

HSL 338.3, 0.66%, 0.42%

LAB 40.08, 58.06, 6.09

 

CMYK 11 / 0 / 80 / 31

HEX #9EB124

RGB 158 177 36

HSL 68.09, 0.66%, 0.42%

LAB 68.64, -23.84, 63.66

 

CMYK 80 / 0 / 29 / 31

HEX #24B17D

RGB 36 177 125

HSL 157.87, 0.66%, 0.42%

LAB 64.4, -48.42, 16.54

 

CMYK 69 / 80 / 0 / 31

HEX #3724B1

RGB 55 36 177

HSL 248.09, 0.66%, 0.42%

LAB 27.43, 49.95, -70.79

 

Description

Color code: HEX #B12457 | qconv.com Color code: HEX #B12457 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 36 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 36 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 51 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 51% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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