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Color name
HEX #B1389F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1389F it is the complementary color #4EC760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1389F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1389F shade: #B6389A, #C74AAD, #D85CC0, #E96ED3 and #FA80E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1389F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1389F shade: #B1389F, #A0268C, #8F1479, #7E0266 and #6D0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1389F shade: #B238A0, #B2387F, #B2385E, #B2383D and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1389F shade: #B238A0, #A338B2, #8238B2, #6138B2 and #4038B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1389F shade matches the following richer shades: #B238A0, #C525AD and #D812BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1389F shade: #B238A0, #9F4B92, #8C5E85, #797178 and #66846A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1389F shade: #8138B2, #A238B2, #B238A2, #B23881 and #B23860

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1389F shade: #732467, #922E83, #B238A0, #C64DB4 and #D06CC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1389F shade: #B1389F, #B26038 and #38B291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1389F shade: #B1389F, #A2B238 and #38A2B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1389F shade: #B1389F, #B26038, #38B248 and #3889B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1389F shade: #B1389F, #B28538, #38B248 and #3865B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 10 / 31

HEX #B1389F

RGB 177 56 159

HSL 308.93, 0.52%, 0.46%

LAB 45.19, 60, -30.55

 

Complementary color

CMYK 61 / 0 / 52 / 22

HEX #4EC760

RGB 78 199 96

HSL 128.93, 0.52%, 0.54%

LAB 71.77, -55.08, 41.41

 

CMYK 0 / 69 / 15 / 29

HEX #B6389A

RGB 182 56 154

HSL 313.33, 0.53%, 0.47%

LAB 45.78, 60.51, -26.58

 

CMYK 0 / 63 / 13 / 22

HEX #C74AAD

RGB 199 74 173

HSL 312.48, 0.53%, 0.54%

LAB 51.9, 60.67, -28.1

 

CMYK 0 / 57 / 11 / 15

HEX #D85CC0

RGB 216 92 192

HSL 311.61, 0.61%, 0.6%

LAB 58.09, 60.44, -29.29

 

CMYK 0 / 53 / 9 / 9

HEX #E96ED3

RGB 233 110 211

HSL 310.73, 0.74%, 0.67%

LAB 64.31, 59.99, -30.24

 

CMYK 0 / 49 / 8 / 2

HEX #FA80E6

RGB 250 128 230

HSL 309.84, 0.92%, 0.74%

LAB 70.51, 59.41, -31.04

 

CMYK 0 / 68 / 10 / 31

HEX #B1389F

RGB 177 56 159

HSL 308.93, 0.52%, 0.46%

LAB 45.19, 60, -30.55

 

CMYK 0 / 76 / 13 / 37

HEX #A0268C

RGB 160 38 140

HSL 309.84, 0.62%, 0.39%

LAB 39.16, 59.25, -28.71

 

CMYK 0 / 86 / 15 / 44

HEX #8F1479

RGB 143 20 121

HSL 310.73, 0.75%, 0.32%

LAB 33.39, 57.47, -26.18

 

CMYK 0 / 98 / 19 / 51

HEX #7E0266

RGB 126 2 102

HSL 311.61, 0.97%, 0.25%

LAB 27.95, 54.41, -22.81

 

CMYK 0 / 100 / 24 / 57

HEX #6D0053

RGB 109 0 83

HSL 314.31, 1%, 0.21%

LAB 23.26, 48.7, -17.85

 

CMYK 0 / 69 / 10 / 30

HEX #B238A0

RGB 178 56 160

HSL 308.85, 0.52%, 0.46%

LAB 45.4, 60.41, -30.8

 

CMYK 0 / 69 / 29 / 30

HEX #B2387F

RGB 178 56 127

HSL 325.08, 0.52%, 0.46%

LAB 43.98, 55.74, -13.05

 

CMYK 0 / 69 / 47 / 30

HEX #B2385E

RGB 178 56 94

HSL 341.31, 0.52%, 0.46%

LAB 42.92, 52.09, 5.77

 

CMYK 0 / 69 / 66 / 30

HEX #B2383D

RGB 178 56 61

HSL 357.54, 0.52%, 0.46%

LAB 42.2, 49.56, 25.24

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 69 / 10 / 30

HEX #B238A0

RGB 178 56 160

HSL 308.85, 0.52%, 0.46%

LAB 45.4, 60.41, -30.8

 

CMYK 8 / 69 / 0 / 30

HEX #A338B2

RGB 163 56 178

HSL 292.62, 0.52%, 0.46%

LAB 43.99, 59.88, -43.87

 

CMYK 27 / 69 / 0 / 30

HEX #8238B2

RGB 130 56 178

HSL 276.39, 0.52%, 0.46%

LAB 39.22, 52.55, -51.77

 

CMYK 46 / 69 / 0 / 30

HEX #6138B2

RGB 97 56 178

HSL 260.16, 0.52%, 0.46%

LAB 35.17, 45.86, -58.53

 

CMYK 64 / 69 / 0 / 30

HEX #4038B2

RGB 64 56 178

HSL 243.93, 0.52%, 0.46%

LAB 32.11, 40.4, -63.66

 

CMYK 0 / 69 / 10 / 30

HEX #B238A0

RGB 178 56 160

HSL 308.85, 0.52%, 0.46%

LAB 45.4, 60.41, -30.8

 

CMYK 0 / 81 / 12 / 23

HEX #C525AD

RGB 197 37 173

HSL 309, 0.68%, 0.46%

LAB 47.25, 72.4, -35.39

 

CMYK 0 / 92 / 14 / 15

HEX #D812BA

RGB 216 18 186

HSL 309.09, 0.85%, 0.46%

LAB 50.19, 81.09, -38.17

 

CMYK 0 / 69 / 10 / 30

HEX #B238A0

RGB 178 56 160

HSL 308.85, 0.52%, 0.46%

LAB 45.4, 60.41, -30.8

 

CMYK 0 / 53 / 8 / 38

HEX #9F4B92

RGB 159 75 146

HSL 309.29, 0.36%, 0.46%

LAB 44.91, 44.46, -23.41

 

CMYK 0 / 33 / 5 / 45

HEX #8C5E85

RGB 140 94 133

HSL 309.13, 0.2%, 0.46%

LAB 46.01, 25.34, -14.13

 

CMYK 0 / 7 / 1 / 53

HEX #797178

RGB 121 113 120

HSL 307.5, 0.03%, 0.46%

LAB 48.55, 4.47, -2.75

 

CMYK 23 / 0 / 20 / 48

HEX #66846A

RGB 102 132 106

HSL 128, 0.13%, 0.46%

LAB 52.25, -16.21, 10.6

 

CMYK 28 / 69 / 0 / 30

HEX #8138B2

RGB 129 56 178

HSL 275.9, 0.52%, 0.46%

LAB 39.09, 52.34, -52

 

CMYK 9 / 69 / 0 / 30

HEX #A238B2

RGB 162 56 178

HSL 292.13, 0.52%, 0.46%

LAB 43.83, 59.65, -44.12

 

CMYK 0 / 69 / 9 / 30

HEX #B238A2

RGB 178 56 162

HSL 307.87, 0.52%, 0.46%

LAB 45.5, 60.72, -31.84

 

CMYK 0 / 69 / 28 / 30

HEX #B23881

RGB 178 56 129

HSL 324.1, 0.52%, 0.46%

LAB 44.06, 56, -14.16

 

CMYK 0 / 69 / 46 / 30

HEX #B23860

RGB 178 56 96

HSL 340.33, 0.52%, 0.46%

LAB 42.97, 52.28, 4.6

 

CMYK 0 / 69 / 10 / 55

HEX #732467

RGB 115 36 103

HSL 309.11, 0.52%, 0.3%

LAB 29.12, 42.72, -21.77

 

CMYK 0 / 68 / 10 / 43

HEX #922E83

RGB 146 46 131

HSL 309, 0.52%, 0.38%

LAB 37.31, 51.55, -26.25

 

CMYK 0 / 69 / 10 / 30

HEX #B238A0

RGB 178 56 160

HSL 308.85, 0.52%, 0.46%

LAB 45.4, 60.41, -30.8

 

CMYK 0 / 61 / 9 / 22

HEX #C64DB4

RGB 198 77 180

HSL 308.93, 0.51%, 0.54%

LAB 52.52, 60.23, -31.23

 

CMYK 0 / 48 / 7 / 18

HEX #D06CC1

RGB 208 108 193

HSL 309, 0.52%, 0.62%

LAB 59.88, 50.74, -27.19

 

CMYK 0 / 68 / 10 / 31

HEX #B1389F

RGB 177 56 159

HSL 308.93, 0.52%, 0.46%

LAB 45.19, 60, -30.55

 

CMYK 0 / 46 / 69 / 30

HEX #B26038

RGB 178 96 56

HSL 19.67, 0.52%, 0.46%

LAB 49.64, 29.82, 37.01

 

CMYK 69 / 0 / 19 / 30

HEX #38B291

RGB 56 178 145

HSL 163.77, 0.52%, 0.46%

LAB 65.53, -41.4, 7.2

 

CMYK 0 / 68 / 10 / 31

HEX #B1389F

RGB 177 56 159

HSL 308.93, 0.52%, 0.46%

LAB 45.19, 60, -30.55

 

CMYK 9 / 0 / 69 / 30

HEX #A2B238

RGB 162 178 56

HSL 67.87, 0.52%, 0.46%

LAB 69.33, -21.67, 57.61

 

CMYK 69 / 9 / 0 / 30

HEX #38A2B2

RGB 56 162 178

HSL 187.87, 0.52%, 0.46%

LAB 61.56, -24.63, -17.1

 

CMYK 0 / 68 / 10 / 31

HEX #B1389F

RGB 177 56 159

HSL 308.93, 0.52%, 0.46%

LAB 45.19, 60, -30.55

 

CMYK 0 / 46 / 69 / 30

HEX #B26038

RGB 178 96 56

HSL 19.67, 0.52%, 0.46%

LAB 49.64, 29.82, 37.01

 

CMYK 69 / 0 / 60 / 30

HEX #38B248

RGB 56 178 72

HSL 127.87, 0.52%, 0.46%

LAB 64.28, -55.13, 43.76

 

CMYK 69 / 23 / 0 / 30

HEX #3889B2

RGB 56 137 178

HSL 200.16, 0.52%, 0.46%

LAB 53.97, -11.24, -28.75

 

CMYK 0 / 68 / 10 / 31

HEX #B1389F

RGB 177 56 159

HSL 308.93, 0.52%, 0.46%

LAB 45.19, 60, -30.55

 

CMYK 0 / 25 / 69 / 30

HEX #B28538

RGB 178 133 56

HSL 37.87, 0.52%, 0.46%

LAB 58.53, 9.28, 46.83

 

CMYK 69 / 0 / 60 / 30

HEX #38B248

RGB 56 178 72

HSL 127.87, 0.52%, 0.46%

LAB 64.28, -55.13, 43.76

 

CMYK 69 / 43 / 0 / 30

HEX #3865B2

RGB 56 101 178

HSL 217.87, 0.52%, 0.46%

LAB 43.3, 10.44, -45.55

 

Description

Color code: HEX #B1389F | qconv.com Color code: HEX #B1389F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 56 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 56 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 10 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 10% 31% C M Y K

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Provide designers and agencies with accurate color values.

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