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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B13951 it is the complementary color #4EC6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B13951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B13951 shade: #B6394C, #C74B5F, #D85D72, #E96F85 and #FA8198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B13951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B13951 shade: #B13951, #A0273E, #8F152B, #7E0318 and #6D0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B13951 shade: #B13951 and #B13939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B13951 shade: #B13951, #B13971, #B13991, #B039B1 and #8F39B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B13951 shade matches the following richer shades: #B13951, #C42646, #D7133A and #EA002F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B13951 shade: #B13951, #9E4C5C, #8B5F68, #787273 and #65857E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B13951 shade: #B13991, #B13971, #B13951, #B14139 and #B16139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B13951 shade: #722534, #912F43, #B13951, #C54E66 and #CF6D81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B13951 shade: #B13951, #B1B139 and #3981B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B13951 shade: #B13951, #51B139 and #3951B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B13951 shade: #B13951, #B1B139, #39B199 and #3939B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B13951 shade: #B13951, #8DB139, #39B199 and #5D39B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

Complementary color

CMYK 61 / 0 / 12 / 22

HEX #4EC6AE

RGB 78 198 174

HSL 168, 0.51%, 0.54%

LAB 72.93, -39.25, 2.07

 

CMYK 0 / 69 / 58 / 29

HEX #B6394C

RGB 182 57 76

HSL 350.88, 0.52%, 0.47%

LAB 43.35, 51.45, 17.66

 

CMYK 0 / 62 / 52 / 22

HEX #C74B5F

RGB 199 75 95

HSL 350.32, 0.53%, 0.54%

LAB 49.5, 50.91, 14.9

 

CMYK 0 / 57 / 47 / 15

HEX #D85D72

RGB 216 93 114

HSL 349.76, 0.61%, 0.61%

LAB 55.73, 50.13, 12.65

 

CMYK 0 / 52 / 43 / 9

HEX #E96F85

RGB 233 111 133

HSL 349.18, 0.73%, 0.67%

LAB 61.99, 49.24, 10.76

 

CMYK 0 / 48 / 39 / 2

HEX #FA8198

RGB 250 129 152

HSL 348.6, 0.92%, 0.74%

LAB 68.23, 48.31, 9.14

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 76 / 61 / 37

HEX #A0273E

RGB 160 39 62

HSL 348.6, 0.61%, 0.39%

LAB 36.5, 50.3, 16.6

 

CMYK 0 / 85 / 70 / 44

HEX #8F152B

RGB 143 21 43

HSL 349.18, 0.74%, 0.32%

LAB 30.76, 49.5, 20.79

 

CMYK 0 / 98 / 81 / 51

HEX #7E0318

RGB 126 3 24

HSL 349.76, 0.95%, 0.25%

LAB 25.46, 47.49, 25.99

 

CMYK 0 / 100 / 95 / 57

HEX #6D0005

RGB 109 0 5

HSL 357.25, 1%, 0.21%

LAB 21.06, 42.95, 30.03

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 68 / 68 / 31

HEX #B13939

RGB 177 57 57

HSL 0, 0.51%, 0.46%

LAB 42.11, 48.58, 27.5

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 68 / 36 / 31

HEX #B13971

RGB 177 57 113

HSL 332, 0.51%, 0.46%

LAB 43.46, 53.37, -5.25

 

CMYK 0 / 68 / 18 / 31

HEX #B13991

RGB 177 57 145

HSL 316, 0.51%, 0.46%

LAB 44.69, 57.52, -22.93

 

CMYK 1 / 68 / 0 / 31

HEX #B039B1

RGB 176 57 177

HSL 299.5, 0.51%, 0.46%

LAB 46.08, 62.31, -39.82

 

CMYK 19 / 68 / 0 / 31

HEX #8F39B1

RGB 143 57 177

HSL 283, 0.51%, 0.46%

LAB 41.12, 54.74, -48.03

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 81 / 64 / 23

HEX #C42646

RGB 196 38 70

HSL 347.85, 0.68%, 0.46%

LAB 43.6, 61.58, 22.19

 

CMYK 0 / 91 / 73 / 16

HEX #D7133A

RGB 215 19 58

HSL 348.06, 0.84%, 0.46%

LAB 45.93, 69.74, 33.25

 

CMYK 0 / 100 / 80 / 8

HEX #EA002F

RGB 234 0 47

HSL 347.95, 1%, 0.46%

LAB 49.13, 75.76, 44.23

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 52 / 42 / 38

HEX #9E4C5C

RGB 158 76 92

HSL 348.29, 0.35%, 0.46%

LAB 43.08, 35.72, 6.79

 

CMYK 0 / 32 / 25 / 45

HEX #8B5F68

RGB 139 95 104

HSL 347.73, 0.19%, 0.46%

LAB 45.18, 19.3, 2.15

 

CMYK 0 / 5 / 4 / 53

HEX #787273

RGB 120 114 115

HSL 350, 0.03%, 0.46%

LAB 48.59, 2.51, 0.27

 

CMYK 24 / 0 / 5 / 48

HEX #65857E

RGB 101 133 126

HSL 166.88, 0.14%, 0.46%

LAB 53, -12.87, 0.07

 

CMYK 0 / 68 / 18 / 31

HEX #B13991

RGB 177 57 145

HSL 316, 0.51%, 0.46%

LAB 44.69, 57.52, -22.93

 

CMYK 0 / 68 / 36 / 31

HEX #B13971

RGB 177 57 113

HSL 332, 0.51%, 0.46%

LAB 43.46, 53.37, -5.25

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 63 / 68 / 31

HEX #B14139

RGB 177 65 57

HSL 4, 0.51%, 0.46%

LAB 43.39, 45.11, 29.07

 

CMYK 0 / 45 / 68 / 31

HEX #B16139

RGB 177 97 57

HSL 20, 0.51%, 0.46%

LAB 49.73, 28.92, 36.54

 

CMYK 0 / 68 / 54 / 55

HEX #722534

RGB 114 37 52

HSL 348.31, 0.51%, 0.3%

LAB 27.15, 35.11, 8.99

 

CMYK 0 / 68 / 54 / 43

HEX #912F43

RGB 145 47 67

HSL 347.76, 0.51%, 0.38%

LAB 34.92, 42.72, 10.76

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 60 / 48 / 23

HEX #C54E66

RGB 197 78 102

HSL 347.9, 0.51%, 0.54%

LAB 49.83, 49.52, 11.1

 

CMYK 0 / 47 / 38 / 19

HEX #CF6D81

RGB 207 109 129

HSL 347.76, 0.51%, 0.62%

LAB 57.83, 40.68, 6.67

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 0 / 68 / 31

HEX #B1B139

RGB 177 177 57

HSL 60, 0.51%, 0.46%

LAB 70.24, -14.73, 58.51

 

CMYK 68 / 27 / 0 / 31

HEX #3981B1

RGB 57 129 177

HSL 204, 0.51%, 0.46%

LAB 51.55, -6.85, -31.94

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 54 / 0 / 68 / 31

HEX #51B139

RGB 81 177 57

HSL 108, 0.51%, 0.46%

LAB 64.55, -50.55, 50.85

 

CMYK 68 / 54 / 0 / 31

HEX #3951B1

RGB 57 81 177

HSL 228, 0.51%, 0.46%

LAB 37.71, 23.18, -53.95

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 0 / 0 / 68 / 31

HEX #B1B139

RGB 177 177 57

HSL 60, 0.51%, 0.46%

LAB 70.24, -14.73, 58.51

 

CMYK 68 / 0 / 14 / 31

HEX #39B199

RGB 57 177 153

HSL 168, 0.51%, 0.46%

LAB 65.45, -38.77, 2.65

 

CMYK 68 / 68 / 0 / 31

HEX #3939B1

RGB 57 57 177

HSL 240, 0.51%, 0.46%

LAB 31.74, 38.52, -63.69

 

CMYK 0 / 68 / 54 / 31

HEX #B13951

RGB 177 57 81

HSL 348, 0.51%, 0.46%

LAB 42.56, 50.23, 13.34

 

CMYK 20 / 0 / 68 / 31

HEX #8DB139

RGB 141 177 57

HSL 78, 0.51%, 0.46%

LAB 67.58, -29.77, 54.95

 

CMYK 68 / 0 / 14 / 31

HEX #39B199

RGB 57 177 153

HSL 168, 0.51%, 0.46%

LAB 65.45, -38.77, 2.65

 

CMYK 47 / 68 / 0 / 31

HEX #5D39B1

RGB 93 57 177

HSL 258, 0.51%, 0.46%

LAB 34.86, 44.29, -58.46

 

Description

Color code: HEX #B13951 | qconv.com Color code: HEX #B13951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 57 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 57 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 54% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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