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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B14359 it is the complementary color #4EBCA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B14359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B14359 shade: #B64354, #C75567, #D8677A, #E9798D and #FA8BA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B14359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B14359 shade: #B14359, #A03146, #8F1F33, #7E0D20 and #6D000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B14359 shade: #B14359 and #B14343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B14359 shade: #B14359, #B14377, #B14394, #B043B1 and #9243B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B14359 shade matches the following richer shades: #B14359, #C52F4D, #D91B41 and #EC0735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B14359 shade: #B14359, #9D5765, #896A71, #767E7C and #629288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B14359 shade: #B14394, #B14376, #B14359, #B14A43 and #B16843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B14359 shade: #752C3B, #93374A, #B14359, #C15C70 and #CC7A8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B14359 shade: #B14359, #B1B143 and #4385B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B14359 shade: #B14359, #59B143 and #4359B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B14359 shade: #B14359, #B1B143, #43B19B and #4343B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B14359 shade: #B14359, #90B143, #43B19B and #6443B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

Complementary color

CMYK 59 / 0 / 12 / 26

HEX #4EBCA6

RGB 78 188 166

HSL 168, 0.45%, 0.52%

LAB 69.71, -36.72, 1.74

 

CMYK 0 / 63 / 54 / 29

HEX #B64354

RGB 182 67 84

HSL 351.13, 0.46%, 0.49%

LAB 45.08, 47.84, 15.08

 

CMYK 0 / 57 / 48 / 22

HEX #C75567

RGB 199 85 103

HSL 350.53, 0.5%, 0.56%

LAB 51.4, 47.04, 12.74

 

CMYK 0 / 52 / 44 / 15

HEX #D8677A

RGB 216 103 122

HSL 349.91, 0.59%, 0.63%

LAB 57.76, 46.12, 10.81

 

CMYK 0 / 48 / 39 / 9

HEX #E9798D

RGB 233 121 141

HSL 349.29, 0.72%, 0.69%

LAB 64.1, 45.17, 9.17

 

CMYK 0 / 44 / 36 / 2

HEX #FA8BA0

RGB 250 139 160

HSL 348.65, 0.92%, 0.76%

LAB 70.4, 44.23, 7.75

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 69 / 56 / 37

HEX #A03146

RGB 160 49 70

HSL 348.65, 0.53%, 0.41%

LAB 38.04, 47.11, 13.57

 

CMYK 0 / 78 / 64 / 44

HEX #8F1F33

RGB 143 31 51

HSL 349.29, 0.64%, 0.34%

LAB 31.94, 47.06, 17.07

 

CMYK 0 / 90 / 75 / 51

HEX #7E0D20

RGB 126 13 32

HSL 349.91, 0.81%, 0.27%

LAB 26.24, 45.91, 21.65

 

CMYK 0 / 100 / 88 / 57

HEX #6D000D

RGB 109 0 13

HSL 352.84, 1%, 0.21%

LAB 21.13, 43.14, 26.74

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 62 / 62 / 31

HEX #B14343

RGB 177 67 67

HSL 0, 0.45%, 0.48%

LAB 43.9, 44.82, 23.72

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 62 / 33 / 31

HEX #B14377

RGB 177 67 119

HSL 331.64, 0.45%, 0.48%

LAB 45.21, 49.84, -6.33

 

CMYK 0 / 62 / 16 / 31

HEX #B14394

RGB 177 67 148

HSL 315.82, 0.45%, 0.48%

LAB 46.31, 53.83, -22.22

 

CMYK 1 / 62 / 0 / 31

HEX #B043B1

RGB 176 67 177

HSL 299.45, 0.45%, 0.48%

LAB 47.52, 58.3, -37.56

 

CMYK 18 / 62 / 0 / 31

HEX #9243B1

RGB 146 67 177

HSL 283.09, 0.45%, 0.48%

LAB 43.21, 50.83, -44.66

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 76 / 61 / 23

HEX #C52F4D

RGB 197 47 77

HSL 348, 0.61%, 0.48%

LAB 44.86, 59.67, 19.55

 

CMYK 0 / 88 / 70 / 15

HEX #D91B41

RGB 217 27 65

HSL 348, 0.78%, 0.48%

LAB 46.87, 69.31, 30.25

 

CMYK 0 / 97 / 78 / 7

HEX #EC0735

RGB 236 7 53

HSL 347.95, 0.94%, 0.48%

LAB 49.79, 75.87, 41.67

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 45 / 36 / 38

HEX #9D5765

RGB 157 87 101

HSL 348, 0.29%, 0.48%

LAB 45.53, 30.49, 4.77

 

CMYK 0 / 23 / 18 / 46

HEX #896A71

RGB 137 106 113

HSL 346.45, 0.13%, 0.48%

LAB 48.03, 13.52, 0.84

 

CMYK 6 / 0 / 2 / 51

HEX #767E7C

RGB 118 126 124

HSL 165, 0.03%, 0.48%

LAB 52.09, -3.38, 0.05

 

CMYK 33 / 0 / 7 / 43

HEX #629288

RGB 98 146 136

HSL 167.5, 0.2%, 0.48%

LAB 57.01, -18.49, 0.13

 

CMYK 0 / 62 / 16 / 31

HEX #B14394

RGB 177 67 148

HSL 315.82, 0.45%, 0.48%

LAB 46.31, 53.83, -22.22

 

CMYK 0 / 62 / 33 / 31

HEX #B14376

RGB 177 67 118

HSL 332.18, 0.45%, 0.48%

LAB 45.18, 49.71, -5.77

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 58 / 62 / 31

HEX #B14A43

RGB 177 74 67

HSL 3.82, 0.45%, 0.48%

LAB 45.15, 41.51, 25.31

 

CMYK 0 / 41 / 62 / 31

HEX #B16843

RGB 177 104 67

HSL 20.18, 0.45%, 0.48%

LAB 51.44, 25.74, 33.1

 

CMYK 0 / 62 / 50 / 54

HEX #752C3B

RGB 117 44 59

HSL 347.67, 0.45%, 0.32%

LAB 29.16, 33.48, 7.2

 

CMYK 0 / 63 / 50 / 42

HEX #93374A

RGB 147 55 74

HSL 347.61, 0.46%, 0.4%

LAB 36.8, 40.41, 8.95

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 52 / 42 / 24

HEX #C15C70

RGB 193 92 112

HSL 348.12, 0.45%, 0.56%

LAB 52.02, 42.43, 8.11

 

CMYK 0 / 40 / 32 / 20

HEX #CC7A8A

RGB 204 122 138

HSL 348.29, 0.45%, 0.64%

LAB 60.42, 33.87, 5.12

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 0 / 62 / 31

HEX #B1B143

RGB 177 177 67

HSL 60, 0.45%, 0.48%

LAB 70.31, -14.11, 54.49

 

CMYK 62 / 25 / 0 / 31

HEX #4385B1

RGB 67 133 177

HSL 204, 0.45%, 0.48%

LAB 53.11, -7.38, -29.49

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 50 / 0 / 62 / 31

HEX #59B143

RGB 89 177 67

HSL 108, 0.45%, 0.48%

LAB 64.94, -47.31, 47.06

 

CMYK 62 / 50 / 0 / 31

HEX #4359B1

RGB 67 89 177

HSL 228, 0.45%, 0.48%

LAB 40.43, 19.71, -49.54

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 0 / 0 / 62 / 31

HEX #B1B143

RGB 177 177 67

HSL 60, 0.45%, 0.48%

LAB 70.31, -14.11, 54.49

 

CMYK 62 / 0 / 12 / 31

HEX #43B19B

RGB 67 177 155

HSL 168, 0.45%, 0.48%

LAB 65.75, -36.55, 2.01

 

CMYK 62 / 62 / 0 / 31

HEX #4343B1

RGB 67 67 177

HSL 240, 0.45%, 0.48%

LAB 34.77, 33.8, -58.71

 

CMYK 0 / 62 / 50 / 31

HEX #B14359

RGB 177 67 89

HSL 348, 0.45%, 0.48%

LAB 44.35, 46.59, 10.87

 

CMYK 19 / 0 / 62 / 31

HEX #90B143

RGB 144 177 67

HSL 78, 0.45%, 0.48%

LAB 67.86, -27.83, 51.11

 

CMYK 62 / 0 / 12 / 31

HEX #43B19B

RGB 67 177 155

HSL 168, 0.45%, 0.48%

LAB 65.75, -36.55, 2.01

 

CMYK 44 / 62 / 0 / 31

HEX #6443B1

RGB 100 67 177

HSL 258, 0.45%, 0.48%

LAB 37.66, 40.1, -53.88

 

Description

Color code: HEX #B14359 | qconv.com Color code: HEX #B14359 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 67 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 67 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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